week 12: pop, postmodernism, and the remix
DESCRIPTION
from pop to postmodern remix cultureTRANSCRIPT
![Page 1: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/1.jpg)
post-‐modernism and the REMIX
![Page 2: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/2.jpg)
less is more
![Page 3: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/3.jpg)
![Page 4: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/4.jpg)
less is more
![Page 5: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/5.jpg)
less is a bore
![Page 6: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/6.jpg)
Postmodern Chairs: Robert Venturi and Denise Sco: Brown, 1977
![Page 7: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/7.jpg)
Levi:own, Pennsylvania, 1959 Father Knows Best, TV Guide Cover, 1956
![Page 8: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/8.jpg)
![Page 9: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/9.jpg)
![Page 10: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/10.jpg)
Bob Dylan Milton Glaser, 1966
![Page 11: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/11.jpg)
![Page 12: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/12.jpg)
complexity and contradic7on [Venturi, 1966]
[We] can no longer afford to be inOmidated by the puritanically moral language of orthodox Modern architecture. I like elements which are hybrid rather than “pure,” compromising rather than “clean,” distorted rather than “straighWorward,” ambiguous rather than “arOculated,” perverse as well as impersonal, boring as well as “interesOng,” conven4onal rather than “designed,” accommoda4ng rather than excluding, redundant rather than simple, ves4gial as well as innovaOng, inconsistent and equivocal rather than direct and clear. I am for messy vitality over obvious unity.
![Page 13: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/13.jpg)
15 m
inutes and
the Factory
![Page 14: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/14.jpg)
And
y Warho
l, Electric Chair, 1967
![Page 15: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/15.jpg)
Andy Warhol, Brillo Boxes, 1968
![Page 16: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/16.jpg)
Roy Lichtenstein, In the Ca
r, 1963
![Page 17: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/17.jpg)
Independent Group: 1952-‐55
![Page 18: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/18.jpg)
MARY QUANT
The Age of the Mini Skirt, 1960s
![Page 19: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/19.jpg)
![Page 20: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/20.jpg)
Alexander Girard, blanket and ashtray, ca.1967
Braniff Air
![Page 21: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/21.jpg)
Braniff Stewardess in Pucci
“Jellybean Jets” by Girard
![Page 22: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/22.jpg)
Girard, interior design for Braniff Air, c.1970
![Page 23: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/23.jpg)
Verner Panton, Visiona II, Cologne Furniture Fair, 1970
![Page 24: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/24.jpg)
“Phantasy Landscape”
Verner Panton, Visiona II, Cologne Furniture Fair, 1970
![Page 25: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/25.jpg)
Victor Vasarely, Op Art PainOngs, Hungarian, c.1969
![Page 26: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/26.jpg)
Verner Panton, Spiegel Headq
uarters, cafeteria, H
ambu
rg, 1969
![Page 27: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/27.jpg)
Verner Panton, Astoria Hotel and Restaurant, Norway, 1960
![Page 28: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/28.jpg)
Alex MacIntyre, “Trip Box” installed at Maples Department Store, London, 1970-‐1
![Page 29: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/29.jpg)
Staffan Berglund
Villa Spies, Stockholm, Sweden, 1969
![Page 30: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/30.jpg)
Staffan Berglund, Motorized Elevated Dining Area, Villa Spies, Sweden, 1969
![Page 31: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/31.jpg)
Eero Aarnio, Ball Chair+ PasOl Chair 1966-‐68
![Page 32: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/32.jpg)
Joe Colombo, 1967-‐69
“Living Systems” Flexible SeaOng Systems + Tube Chair
![Page 33: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/33.jpg)
Habitat of the Future Joe Colombo, Visiona I, Cologne Furniture Fair, 1969
![Page 34: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/34.jpg)
Stanley Ku
brick, 2001: A Spa
ce Odyssey, 1969
![Page 35: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/35.jpg)
postmodernism AT&T building (aka Sony Building) Philip Johnson New York, 1984
![Page 36: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/36.jpg)
Charles W. Moore, Piazza d'Italia, New Orleans, 1979
![Page 37: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/37.jpg)
Stanley Federman, Café du Triangle, Los Angeles, CA, 1984
![Page 38: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/38.jpg)
Memphis E:ore So:sass
1981
![Page 39: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/39.jpg)
Learning from Las Vegas
Robert Venturi and Denise Sco: Brown 1972
![Page 40: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/40.jpg)
![Page 41: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/41.jpg)
Robert Venturi and Denise Sco: Brown, Sainsbury Wing, NaOonal Gallery, London, 1991
![Page 42: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/42.jpg)
Paula Scher Swatch Watch Poster USA, 1985
![Page 43: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/43.jpg)
Historical reprise has been a mixed blessing. At once it serves to educate designers about history, making them more open to learn about past eras and epochs, but also sancOons easy formal soluOons devoid of originality. While some criOcs argue that overt borrowing from the past tends to trivialize both past and present by promoOng rote design, others argue that the introducOon of these reprises serves to enliven the field by offering more creaOve opOons. Where history is intelligently absorbed the results are invisible. Where history is used effecOvely as a model, a sense of appropriateness is usually apparent. But where history is just a cut-‐and-‐paste procedure, the result is almost always a cliché.
Steven Heller, Design Literacy
![Page 44: Week 12: Pop, Postmodernism, and the Remix](https://reader033.vdocuments.mx/reader033/viewer/2022042823/568bd8361a28ab2034a288a2/html5/thumbnails/44.jpg)