THE OSCHOLARSSpecial Issue

On

THE IMPORTANCE OF BEING EARNEST

AUTUMN 2014

Some productions

We publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections. The order is Title, Date, Director when known, Theatre, Place, arranged chronologically. The endnotes link to reviews in the previous incarnation of THE OSCHOLARS,

followed by a link to current location.

Published 30.x.2014; updated 12.xi.2014; 05.xii.2014.

AUSTRALIA

1895 ?Bijou Theatre Melbourne

1896? Criterion Theatre Sydney

1896? Opera House Brisbane

1909? Criterion Theatre Sydney

1912? Unley City Hall Adelaide

1915? Unley City Hall Melbourne

1915? Town Hall Perth

1980? Town Hall Sydney

2001 Travis HooperBrookman Street Theatre

Kalgoorlie

2002 Barry LoweNew Theatre, Newtown 1

Sydney

2009 Lara Kerestes Studio 1, University of New South Wales

Sydney

AUSTRIA

as Eine Triviale Komödie für seriöse Leute

1905/6? Volkstheater Vienna

1971? Palais Erzherzog Karl Vienna

1978? English Theatre Vienna

1985? English Theatre Vienna

as Bunbury2001

Markus Felkel Pfarrsaal der Kalvarienbergkirche

Vienna

as Ernst sein ist alles

2004 ?Vienna

BELGIUM

as Il importe d'être Constant

1952Adaptation: Guillot De Saix ; Director: Raymond Gérôme

Théâtre du Résidence-Palace

Brussels

as Il importe d'être Constant

1952Adaptation: Guillot De Saix ; Director: Raymond Gérôme

Antwerp

as Ernest est constant

D'après Anne Groswell, Lee Pockriss Adaptation & Director: Roland Ravez

Théâtre de Quat'Sous

as Il est important d'être aimé

1976Adaptation: Jean Anouilh

as Il est important d'être aimé

1983 Adaptation: Jean Anouilh, Nicole Anouilh Director:

Théâtre Molière Brussels

Jacques Joëlas L'importance d'être constant

2001Adaptation: Jean-Michel Déprats Director: Gérald Marti

Théâtre Royal des GaleriesBrussels

s De ideale Ernst, of Het belang van een echtgenoot

2003

Adaptation : 't Barre Land and De Onderneming companies

't Stuk cultureel centrum 2

Leuven/Louvain

2003Steve De Schepper Theater De WAANzin 3 Ghent

2010Julie Van Bogaert

Tinnenpot Theatre 4Ghent

2013 Andrew McIIroyPalais Des Beaux-Arts Studio

Brussels

CANADA

1919 Players’ ClubUniversity of British Columbia

Vancouver

1976 Robin Phillips? Stratford,

Ontario

1979 Robin Phillips? Stratford,

Ontario

1993 David William? Stratford,

Ontario

1997 Terry HandsPrincess of Wales Theatre

Toronto

Four act version 2000Richard Monette

? Stratford, Ontario

Four act Version2000 ?

University of British Columbia

Vancouver

2001 Susan FerleyGlobe Theatre 5 Regina

2005 Ben BarnesCentre Saidye Bronfman

Montréal

2009 Brian Bedford 6? Stratford,

Ontario

L’Importance d’être Constant

2014Yves Desgagnés. Traduction Normand Chaurette 7

Théâtre du Nouveau Monde

Montréal

CZECHOSLOVAKIA/CZECH REPUBLIC

as Jak je důležité míti Filipa. Lehkovážná komedie pro vážné lidi

1983J. Z. Novák (tr.); Eva Sadková (ed.); lyrics: Petr Kopta

Divadlo Jaroslava Průchy

Kladno

as Jak je důležité míti Filipa. Lehkovážná komedie pro vážné lidi

1998 ?

Divadlo na Vinohradech Prague

CONGO, DEMOCRATIC REPUBLIC OF

as Il importe d'être constant

1957?

Director: Roland Ravez On tour, June to August

EGYPT

1937 Hilton EdwardsEgyptian tour

ENGLAND

1895 George AlexanderSt James’ Theatre London

1895 George AlexanderTheatre Royal Brighton

1901 George AlexanderCoronet Theatre, Bayswater

London

1902 George AlexanderSt James’ Theatre London

1909 George AlexanderSt James’ Theatre London

1910 George AlexanderSt James’ Theatre London

1911 George AlexanderSt James’ Theatre London

1913 George AlexanderSt James’ Theatre London

1913? Theatre Royal Manchester

1916? ? London

1919 Barry JacksonBirmingham Rep Birmingham

1923 Allan AynesworthTheatre Royal, Haymarket

London

1930 Nigel PlayfairLyric Theatre, Hammersmith

London

1934 Tyrone GuthrieOld Vic London

1937 Peter BullPerranpoth Summer Theatre

1939 John GielgudGolders Green Hippodrome

London

1939 John GielgudGlobe Theatre London

1939 John GielgudGlobe Theatre London

1940 John GielgudGlobe Theatre London

1942 John GielgudPhoenix Theatre London

1944 Barbara HutchinsQuestors’ Theatre London

1944 John MoodyBirmingham Rep Birmingham

1946 John GielgudTheatre Royal, Haymarket

London

1955? ? Wanstead

1959 Arthur PentelowBirmingham Rep Birmingham

1959 Michael BenthallOld Vic London

1964 Nuala O Faolain? Oxford

1968 Robert ChetwyndTheatre Royal, Haymarket

London

1970 Alfred EmmetQuestors’ Theatre London

1974Peter James Shaw Theatre London

1975 Jonathan MillerGreenwich London

1975 Nicholas BarterBirmingham Rep Birmingham

1977 ?Old Vic Bristol

1977 Denise CoffeyYoung Vic London

1979 Peter Dews? Chichester

1980 Frank HauserHaymarket Theatre Leicester

1980 Frank HauserOld Vic London

1981 Michael Attenborough

Palace Theatre Watford

1982 Peter Hall Palace Theatre Manchester

1982 Peter Hall Empire Theatre Liverpool

1982 Peter HallLyttelton Theatre London

1982 Peter Hall Theatre Royal Nottingham

1982 Peter Hall Apollo Theatre Coventry

1982 Peter Hall Theatre Royal Norwich

The Musical Importance of Being Earnest

1984 ?Ambassador’s Theatre London

1984 John WilsonQuestors’ Theatre London

1989 Yvonne BrewsterBloomsbury Theatre London

1989 Yvonne BrewsterTyne Theatre Newcastle-

upon-Tyne

1992 ?Beveridge Hall, Senate House

London

1993 Nicholas HytnerAldwych Theatre London

1993 - 1994 James MaxwellRoyal Exchange Theatre

Manchester

1994 Jonathan ChurchThe Playhouse Derby

1995 Nicholas WrightThe Playhouse Oxford

1995Terry Hands Birmingham Rep Birmingham

1995Terry Hands Old Vic London

1997? Market Arts Centre Bury, Lancs

1997? West Yorkshire

PlayhouseLeeds

1997? Chapman Theatre Salford

University

1998? Tabard Theatre London

1999 Paul KerrysonHaymarket Theatre Leicester

1999? Bingley Little Theatre Bingley

1999? Nottingham Playhouse Nottingham

1999? Octagon Theatre Bolton

1999? Town Hall High Wycombe

1999? Theatre Royal Windsor

1999 Christopher Morahan

Chichester Festival Chichester

Theatre

1999 Christopher Morahan

Theatre Royal, Haymarket

London

1999 Xavier LeretBloomsbury Theatre London

1999? Bull Arts Centre Barnet

2000? The Orchard (open air) Grantchester

2000? Berkeley Castle ?

2000? Uppark NT ?

2000? Ryedale Festival ?

2000? High Lodge Forest

Centre?

2000? Tonbridge Castle ?

2000? Bodnant Gardens NT ?

2000? Lacock Abbey NT ?

2000 Robert SayleADC Cambridge

2000 Simon WoodsPlayhouse Oxford

2000 Xavier LeretCharter Theatre Preston, Lancs

2000 Xavier LeretThe Castle Wellingboroug

h

2000 ?Playhouse Norwich

2001 Christopher Morahan

Savoy Theatre London

2001 Matthew SmithThe Watermill Theatre Newbury

2001 Lawrence TillPalace Theatre Watford

2001 Lawrence TillLibrary Theatre Manchester

2001 Richard Aucott The Audotorium Birmingham

2001 ?Minack Theatre Penzance

2001 David ClarkeYvonne Arnaud Theatre Guildford

2001 Bruce Jamieson, Alice de Sousa

Greenwich Playhouse London

2003 ?Greenwood Theatre London

2003 Xavier LeretLakeside Arts Centre 8 Nottingham

?Marlborough Theatre 9 Brighton

2003 Betony TaylorNorthcott Theatre 10 Exeter

2005 David FieldingOld Vic Bristol

2005? Moravian Church

Gardens, ChelseaLondon

2005? New Wimbledon

TheatreLondon

2005? Library Theatre Luton

2005Jude Kelly Octagon Theatre Bolton

2005Jude Kelly South Hill Park Bracknell

2005Jude Kelly Lowry Theatre Salford

2005Jude Kelly West Yorkshire

PlayhouseLeeds

2005Jude Kelly Brindley Arts Centre Runcorn

2005Jude Kelly Wyvern Theatre Swindon

2005Jude Kelly W.I. Hall Burton

Bradstock

2005Jude Kelly The Swan High Wycombe

2005Jude Kelly Riverhead Theatre Louth

2005Jude Kelly Phoenix Theatre Leicester

2005Jude Kelly Gulbenkian Theatre Canterbury

2005Jude Kelly Theatre Royal Winchester

2005Jude Kelly Warwick Arts Centre Warwick

2005Jude Kelly Riding Hall Nottingham

2005Jude Kelly Barbican London

2007? Devonshire Park

TheatreEastbourne

2007 John Risebero and Ben Horslen

Jermyn Street Theatre London

2008 Michael Friend Strawberry Hill House Twickenham, London

2008 Michael Friend Shaw's Corner Ayot St. Lawrence

2008 Michael Friend Memorial Theatre Broadstairs

2008 Michael FriendGuildhall Theatre Grantham

2009 Irina BrownOpen Air Theatre, Regent’s Park

London

2010 John Risebero and Ben Horslen

Cochrane Theatre 11 London

2010 Bruce JamiesonGreenwich Theatre London

2011? The Barn Theatre Oxted, Surrey

2012? Devonshire Park

TheatreEastbourne

2014 Lucy BaileyHarold Pinter Theatre 12 London

2014 Lucy BaileyTheatre Royal Brighton

2014 Lucy BaileyWaterside Theatre Aylesbury

2014 Lucy BaileyRichmond Theatre Richmond

2014 Lucy BaileyNew Alexandra Theatre Birmingham

FINLAND

as Ernest och ingen annan

1906? Svenska Teatern Helsinki

as Bunbury1917

? Tampereen Teatteri Tampere

as Bunbury1919

? Ida Aalberg Teatteri Helsinki

as Bunbury1935

? Helsingin Kansanteatteri

Helsinki

as Sulhaseni Ernest1957

? National Theatre Helsinki

as Sulhaseni Ernest1959 / 60

? Lahden Kaupunginteatteri

Lahti

as Sulhaseni Ernest1959 /60

? Hämeenlinnan Kaupunginteatteri

Hämeenlinna

as Sulhaseni Ernest1960 / 1

? Imatran Teatteri Helsinki

as Sulhaseni Ernest1960 / 1

? Varkauden TyöväenTeatteri

Varkaus

as Mr Ernest1961

? Åbo Svenska Teater Turben

as Sulhaseni Ernest1963 /4

? Tampereen Teatteri Tampere

as Sulhaseni Ernest1967 /8

? Kotkan Kaupunginteatteri

Kotka

as Sulhaseni Ernest1968 / 9

? Turun Kaupunginteatteri

Turun

as Ernest och ingen annan

1970? Wasa Teatern Helsinki

as Sulhaseni Ernest1970

? Oulun Kaupunginteatteri

Oulu

as Sulhaseni Ernest1972 / 3

? Rauman Kaupunginteatteri

Rauma

as Ernest och ingen annan

1984? Svenska Teatern Helsinki

as Tärkeintä on olla Uno

1987? Ryhmäteatteri Helsinki

as Tärkeintä on olla Uno

1996? Helsingin

KaupunginteatteriHelsinki

FRANCE

as Il importe d’être Constant

1942 Paul RaynalThéâtre de l’Humour (now Comédie de Paris)

Paris

as Il importe d’être Constant

1952 Paul RaynalThéâtre Vieux Colombier

Paris

as Il est important d’être AiméAdaptation de Jean Anouilh et Claude Vincent

1954Claude Sainval Comédie des Champs

ElyséesParis

as L’Important, cest d’être fidèle Adaptation de Charles Cambillard

1954André Villiers Théâtre en Rond

(now L’Européen)Paris

The Importance of being Earnest

1962 Gary BelkinThéâtre de la Gaîté-Montparnasse

Paris

as Il est important d’être aimé

1970 Jean GuichardAbbaye de l'Épau La Baule

as Il est important d’être aimé

1971 Jean GuichardAbbaye de l'Épau La Baule

as Il est important d’être aimé

1971 Jean GuichardMaison de la culture Le Corbusier

Firminy

as Il est important d’être aimé Adaptation : Nicole et Jean Anouilh

1980 Jacques François Théâtre Marigny Paris

as Il est important d’être aimé

1981 Jacques FrançoisFrance Télévision Paris

as L’avantage d’être Constant

1982Pierre Boutron Théâtre des Mathurins Paris

as Il est important détre désiré

1994 Samantha Wiggins

Bateau-théâtre Mistral Paris

as L’Importance d’être Constant

1996 Jérôme Savary Théâtre de Chaillot Paris

as L’Importance d’être Fidèle

1998 Jean-Luc Tardieu Maison de la Culture de Loire-Atlantique ; puisComédie des Champs-Elysées

Nantes

as Il est important d’être Aimable

2000 Astrid de Couvois, Ivola Pounembetti

Comédie de Paris Paris

as Il est important d’être Aimable

2000 Astrid de Couvois, Ivola Pounembetti

Déchargeurs Paris

as Il est important d’être Aimable

2000 Astrid de Couvois, Ivola Pounembetti

Cinq Diamants Paris

The Importance of being Earnest

2000 Karine Romer and Trevor Harris

Salle Thélème Tours

The Importance of being Earnest

2000 April

Didier Braun & Andrew Wilson

Théâtre de Ménilmontant

Paris

The kaos Importance of

2000 Xavier Leret Théâtre Silvia Montfort Paris

being Earnest

The Importance of being Earnest

2000 December Andrew Wilson

Théâtre de Ménilmontant

Paris

The Importance of being Earnest

2001 Andrew WilsonThéâtre de Ménilmontant

Paris

The Importance of being Earnest

2001 Andrew WilsonThéâtre de Ménilmontant

Paris

as L’Importance d’être Constant

2006 Guillaume Hlavacek

Essec Cergy

as L’Importance d’être Constant

2006 Guillaume Hlavacek

Cour du Palais du Tau Reims

as L’Importance d’être Constant

2006 Guillaume Hlavacek

La Comedia

as L’Importance d’être constant

2006/7 Pierre Laville

Théâtre Antoine ; en tournée du 8 Septembre 2006 au 22 Mars 2008

Paris

The Importance of Being Earnest

2007Lucille O'Flanagan Théâtre Silvia Monfort

13

Paris

The Importance of Being Earnest

2007 Benedict Wray Présenté par le Droit au Théâtre – Collège Franco-Britannique et Fondation Biermans-LapôtreCité Internationale Universitaire

Paris

The Importance of Being Earnest

2008 Alain Bariou et Hélène Blasco

Présenté par le groupe de théâtre de la section britannique du Lycée Grand Air de la Baule.Maison des jeunes et de la culture

La Baule

as L’Importance d’être Constant

2008 Astrid Hauschild Théâtre Pixel / Lucernaire

Paris

as L’Importance d’être Constant

2009 Fabien Escalona Les Aériens du spectacle

Le Laussy

as L’Importance d’être Constant

2009 Mathieu Rousset Théâtre de l’Anagramme

Lyon

as L’Importance d’être sérieux

2012 Gilbert Désveaux? Montpellier

as L’Importance d’être sérieux

2012 Gilbert DésveauxThéâtre Ouest-Parisien Boulogne-

Billancourt

Voir aussi : http://www.oscholars.com/RBA/twenty-seven/27.13/OscarWilde.htm

GERMANY

The Importance of being Earnest

1906 Viktor BarnowskyKleines Theater Berlin

as Bunbury1907

? Kleines Theater Berlin

The Importance of being Earnest

1985? ? Tübingen

as Bunbury oder Ernst sein ist alles

1996Margit Schostok, Hanne Hett-Hein, Marlene Krämer

Volkshochschule Gundelfingen

Gundelfingen

as Bunbury1998 Wolfgang Wirtz

Horizont Theater Cologne / Köln

as Bunbury oder Wie wichtig es isternst zu sein

1998? Renaissance Theater Berlin

The Importance of being Earnest

2000 Duncan LawEnglish Theater Frankfurt/Main

as "Bunbury" – Eine triviale Komödie für "ernst"

2001? Ahrmuse-Kabarett ?

Bunbury oder Ernst sein ist wichtig: Eine triviale Komödie für ernsthafte Leute 14

2008? Komödie Theatre Augsburg

Bunbury oder von der notwendigkeit Ernst zu sein

2013/14Marius von Mayenburg

Residenz Theater Munich

HUNGARY

The Importance of being Earnest

1907 Max ReinhardtVigszínhaz Theatre Buda-Pesth

IRELAND

? Christopher Fitz-Simon

Lyric Theatre Belfast

? ? Portora Royal School Enniskillen

1901 Sir George Alexander

Grand Opera House Belfast

1906(before)

? ? Dublin

1933 Hilton EdwardsThe Gate Theatre Dublin

1935 Hilton EdwardsThe Gate Theatre Dublin

1936 Hilton EdwardsThe Gate Theatre Dublin

1937 Hilton EdwardsThe Gate Theatre Dublin

1938Hilton Edwards The Gate Theatre Dublin

1941 Gerald PringleThe Gate Theatre Dublin

1943 John IzonThe Gate Theatre Dublin

1946 Michéal MacLiammoir

Gaiety Theatre Dublin

1954 Dan O’Connell / Alpho O’Reilly

The Gate Theatre Dublin

1957 Michael MacOwanOlympia Theatre Dublin

1971? Lyric Theatre Belfast

1971 Hilton EdwardsThe Gate Theatre Dublin

1973 Alan BarlowAbbey Theatre Dublin

1979 Peter O’Shaughnessy

Granary Theatre Cork

1980 Barry CassinOpera House Cork

1985 Andrew ScorgieRiverside Theatre Coleraine

1985 Garry HynesDruid Theatre Galway

1987 Patrick MasonThe Gate Theatre Dublin

1984 Fiona NolanNational Concert Hall Dublin

1990 Roland JacquarelloLyric Theatre Belfast

1995 Piotr SadowskiAmerican College Dublin

1995 Terry O’NeillCollaiste Rathin Bray

1996Ned Dempsey Arklow Bay Hotel Arklow, Co

Wicklow

1996 Gerardine McDermottroe

Wexford Arts Centre Wexford

1997 Patrick MasonAbbey Theatre Dublin

1998 John BradySeven Oaks Hotel Carlow

1999 Seamus Thackaberry

New Theatre Dublin

2003 Gerald BourkeDalkey Town Hall Dalkey

2003 Xavier Leret Old Museum Arts Centre 15

Belfast

2003 Alan StanfordThe Gate Theatre Dublin

2006 Conall MorrisonAbbey Theatre Dublin

2009/2010 Lynne ParkerGaiety Theatre Dublin

ITALY

as LImportanza di Essere Onesto

1996 Lucia Ruina Peretti

Estate Teatrale Amatoriale

Verona

as L’Importanza d’essere Vincente

2009 Paolo Dall’OlioTeatro di Corte Carpi

(Modena)

The Importance of Being Earnest

2012/13 John O’Connor On tour

as L’importanza di Chiamarsi Ernest

2014 Geppy Gleijese Teatro Stabile di Calabria, Teatro Quirino Vittorio Gassman

Crotone

MALAYSIA

The Importance of Being Earnest

2001 Adlin Aman Ramlie

The Actors Studio Kuala Lumpur

THE NETHERLANDS

as Het Belang van Ernst

1997 Karst WoudstraStadsschouwberg Groningen

as Het Belang van Ernst

1998 Karst WoudstraStadsschouwberg Amsterdam

POLAND

1969? Mermaid Theatre Warsaw

1979? Teatr na Targówku Warsaw

1986? Teatr Tarnowski Tarnów

RUSSIA

1990s S. ZhenovachP. Fomenko Studio Moscow

1998 Ilya MakarovAkimov Theatre St Petersburg

SCOTLAND

1977 Philip ProwseCitizens’ Theatre Glasgow

1997? ? Edinburgh

1999 Xavier LeretTheatre Workshop Edinburgh

SPAIN

as La Importancia de llamarse Ernesto

1952? Teatro Circo Albacete

La importancia de ser

Frank [recorded play.1997

Jaume Melendres Institut del Teatre Barcelona

SWITZERLAND

The Importance of Being Earnest

1918 Claud SykesTheater zu Kaufleuten Zürich

Bunbury162009 Katharina Rupp

Theater Biel Solothurn

as Bunbury: eine triviale Komödie für ernsthafte Leute

1985 /6? Schauspielhaus Zürich

The Importance of Being Earnest

1994 Tim Hancox? Geneva

as Bunbury1998/9 Madeleine Herzog

Stadttheater St Gallen

as Bunbury1998/9 Madeleine Herzog

Stadttheater St Gallen

as Ärnscht Mues Me Syy

2001? Theater Fauteuil Basel

as Bunbury2004 Barbara Schneider

Theater Dietlikon Dietlikon

The Importance of being Earnest

2005 Jude KellyStadttheater Schaffhausen

The Importance of being Earnest Bunbury

2010 Helmut Förnbacher

Förnbacher Theater Basel

USA

? Donald SealesMadison Avenue Playhouse

New York

? Vincent M. Lancis? Baltimore, MD

1901 Henry MillerColumbia Theatre San Francisco

1902 Henry Miller? New York

1910 Henry MillerLyceum Theatre New York

1921 Butler DavenportBramhall Theatre New York

1922 Gilmor BrownPasadena Playhouse Pasadena

1923 Lenore ShanewisePasadena Playhouse Pasadena

1926 Dudley DiggesComedy Theatre New York

1930 Lenore ShanewisePasadena Playhouse Pasadena

1939Estelle Winwood, Richard Aldrich and Richard Meyers

Vanderbilt Theatre New York

1947 John GielgudRoyale Theatre New York

scene iv only 1953 Albert Marre Empire Theatre New York

1960-1962? ? U.S. cities

1982 Tom MooreOld Globe Theatre San Diego,

California

1982 Evan ThompsonMercer Street Theatre New York

1985? ? Cleveland,

Ohio

1985 Robert A. Gaines? Auburn

Montgomery

The Musical Importance of Being Earnest

1986? ? Los Angeles

1988 Steve RivettePoway Theatre Poway,

California

1990? ? Los Angeles

1991 Jeff RomanoHouston University Long Island

1993? People's Light &

Theatre CompanyMalvern, PA

One-Act adaptation by David Hsieh

1995? Theatre Off Jackson Seattle

1997 Candy Peate? Underhill,

Vermont

1998 Adapted by Hugh Hysell; director Fred Tracey

Maryland Hotel San Diego

1998 John GoingCincinnati Playhouse in the Park

Cincinnati

1998 Adapted by Hugh Hysell

Broadway Duplex, Greenwich Village

New York

1998 Sari KetterPortland Performing Arts Center

Portland, Maine

1998 Joe Dowling Guthrie Theater Minneapolis

1999 Sheldon EppsPasadena Playhouse Pasadena

1999? Phoenix Theatre Phoenix,

Arizona

2000 Michael MasseyCompany on Stage Houston,

Texas

2000? The Kelsey Theatre West Windsor,

NJ.

2000 Eve Shapiro,Julliard School New York

2000? Goddard Space Flight

Center

2001? Theatre Charlotte Charlotte NC

2001 Dinna Myers Olinder Theatre San Jose, CA

2001 Linda EllinwoodAlameda Little Theatre Alameda,

California

2001 Geoffrey NelsonStudio One Theatre Columbus,

Ohio

2002 ?Portland Community College 17

Portland, Oregon

2002 Nona GirardLester Hamburg Studio Theatre 18

Pittsburgh

2006 R. Chris ReederCincinnati Shakespeare Theatre 19

Cincinnati

2006 Jude KellyAmerican Repertory Theatre 20

Cambridge, Massachusetts

2007? Theatre Gael Atlanta,

Georgia

2007 Greg NataleDrama Theatre, State University of New York Buffalo 21

Amherst, New York

2007 Richard SoddersTexas State University 22

San Marcos, Texas

2008?

Pearl Theatre 23New York

2009Irene Lewis Pearlstone Theater Baltimore,

Maryland

2009 Joe DowlingGuthrie Theater Minneapolis

2010 Shawn DouglassGreenhouse Theater Center

Chicago

2011 Brian BedfordAmerican Airlines Theatre 24

New York

2013 Directed & adapted by and

Tulsa Performing Arts Tulsa

starring Clayton B. Hodges

Center

WALES

1999? Sherman Theatre Cardiff

Grand Theatre 25 Swansea

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1

Click the carnation to see these reviews Review by Penny Gay, originally published in

THE OSCHOLARS April 2002 2 Review by Eva Thienpont, originally published in THE OSCHOLARS June 2003 .

3 Review by Eva Thienpont, originally

published in THE OSCHOLARS July 2003 4 Review by Koenraad Claes, THE

OSCHOLARS August 2010 5 Review by Susan Johnston, THE

OSCHOLARS November 2001 6 Webcast7 Website8 Review by Tiffany Perala, originally published in THE OSCHOLARS March 2003

9 Review by Roger Moss, originally published in THE OSCHOLARS July 2003

10 Review by Regenia Gagnier, originally published in THE OSCHOLARS April 2003

11 Review by Anna Orhanen, originally published in THE OSCHOLARS August 2010

12 Review by Rakshita Patel, originally published in THE OSCHOLARS August 2014

13 Review by David Charles Rose,

originally published in THE OSCHOLARS

May 2007 14 Review by Elżbieta Baraniecka, originally published in THE OSCHOLARS May 2008

15 Review by Heather White, originally published in THE OSCHOLARS March 2003

16 Review by Julia Steck and Andrea Uebelhard, originally published in THE

OSCHOLARS March 2010 17 Review by John Duncan, originally

published in THE OSCHOLARS May 2002 18 Review by Philip E. Smith II, originally published in THE OSCHOLARS

August 2002 19 Review by Lesley Jenike, originally published in THE OSCHOLARS January 2007

20 Review by Joseph Donohue, originally published in THE OSCHOLARS January 2007

21 Review by Mark Tattenbaum, originally published in THE OSCHOLARS

October/November 2007 22 Review by Melissa Jackson, originally published in THE OSCHOLARS

October/November 2007 23 Review by Gwen Orel, originally published in THE OSCHOLARS July/August

200824 Review by Gwen Orel, originally published in THE OSCHOLARS October

201425 Review by Mark Llewellyn, originally published in THE OSCHOLARS September

2003