warner bros 75th anniversary

ARTHUR (1981)

ARTHUR'S THEME (Best That You Can Do)

Moderately

Dm7

Words and Music by BURT BACHARACH, CAROLE BAYER SAGER,

CHRISTOPHER CROSS and PETER ALLEN C

Once in your life, you'll find- Ar - thur, he does what he

Arthur's Theme - 4 - I O 1981 WB MUSIC CORP., NEW HIDDEN VALLEY MUSIC, BEGONIA MELODIES. INC. UNICHAPPELL MUSIC INC., BMG SONGS, INC., WOOLNOUGH MUSIC, INC. and IRVING MUSIC, INC.

All Rights Administered by WB MUSIC CORP. & WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved

her, pleas - es.

some-one who turns- your heart a - round, and All of his life,- his mas - ter's toys, and

next thing you know, you're clos - in' down the town. deep in his heart, he's just, he's just a boy.

Wake up and she's- still with - you, Liv - in' his life - one d a y at a time, he's

e - ven though you left her way, a-cross town. You're won - der - in' to your - show - ing him - self a real - lygood time. He's laugh - in' a - bout the

self. hey, what - 've I found? way they want him to be. I

( When you get caught be-tween the moon and New York Cit - y,

I 1 I know it's cra - zy, but it's true.-

I If you get caught be - tween the

Anhur's Theme - 4 - 3

I moon and New York Cit Y, the

I best t h a t y o u can do, the best that you can d o

D. s.% and fade A/C#

I is fall- in love.-

Arthur's Theme - 4 - 4

THE MAMBO KINGS (1992)

Lyrics by ARNE GLIMCHER

BEAUTIFUL MARIA OF MY SOUL ("Bella Maria De Mi Alma")

Moderately

Gm7 C9 Eb6

Music by ROBERT KRAFT

In the sun-l ight of your smile, Thoughwe'll a1 - ways be a - part,

in the sum-mer of our locked for - ev - er in a

storms a - ev - en

I-

I 3 1

I I I. I I I

I I I I 8 4 2 3

Beautiful Maria of My Soul - 6 - 1

O 1992 WARNER-TAMERLANE PUBLISHING CORP., OVERBOARD MUSIC, INC. and ISABUG MELODIES INC. All Rights Reserved

scat - te red a - way. then. I hove no th - ing will change

Lov - ers dream-ing in the And the taste o f you re -

night, mains,

reach-ing for Par - a - dise. cling-ing to Par - a - dise.

Bu t as the But as the

I dark shad - o w s fade, love slips a - rvuy. 011 un e n l p - t ~ . s t re tch of

1 beacll, in the pat - t e r n of' rhs waves. Draw-ing pic- tnres with my

-

I 1 I I

A. I h I i -

a - si 4


Cm7 D p 7 E ~ m a j 7 F Eb D7

m ~ ~ ~ ~ - 7 3 7 H B ~ - 3 - 7 & l$iiztrnh 7 3 2

I I I I I , I I I u I - I r ~r I A I I . I

I I -- 1 I I r w

in the sand. I see your face. Skip-ping peb - bles on the

I sea, wish - ing for Par - a - dise. Sand cas - tIes

1 cruin - b!e- be - low. the rest -less tides ebb- and flow.- Listen - ing to a

hop - ing for your voice

- Beautiful Maria of My Soul - 6 - 3

Beau - t i - fu l N a r - i

oh, oh, oh. (Trrtrnper Solo) 3

I 4 4 w


dis - tance from you grows. all that my heart ev

H u n - g e r for your kiss, nights,

long - ing for your haunt-ing all my

1 ~ O L I C ~

days. Beau - ti - ful Mar - i a Beau - t i - fill Mar - i 3

o f m !f soul. Fill - ing all my


I I

C'

soul.

- - KY Grn Eb D Grn

Si deseo sonreir Pienso solarnente en ti En la rnagia de tu arnor En tu piel, en tu sabor

En la isla del dolor Recuerdo tu calor Desearia rnorir Cerca de ti

Un ardiente corazon Colorea mi pasion Deseando compartir El sentir de este vivir

En las olas de este mar Sueno en la eternidad Con cada luna vendras Con la merea te iras

En un caracol Pienso oir tu voz La bella Maria de mi arnor

Aunque esternos separados En un sueno aiigelicar Si Ilego de nuevo arnar No hay razon, porque carnbiar

Terno yo perrnancer Sin ti en la eternidad Lejos nos puedon separar Jamas pudiera olvidar Tu risa celestial Tus besos, tu calor La bella Maria de mi arnor

Si no te vuelva a ver No dejaras de ser La bella Maria de mi amor


CHARIOTS OF FIRE (1981)

CHARIOTS OF FIRE

Composed by VANGELIS

Chariots of Fire - 2 - 1 O 1981 SPHERIC B.V. Rights Assigned to EM1 MUSIC PUBLISHING LTD.

All Rights for the U.S.A. and Canada Controlled and Administered by EM1 APRIL MUSIC INC. All Rights Reserved

CLAUDIA'S THEME

Music by CLINT EASTWOOD

Moderately, with expression

I NO chord 7 3 7 , - - - - - - jT

Claudia's Theme - 3 - 1

O 1992 WE MUSIC CORP. All Rights Reserved

248 CONTACT (199 7)

CONTACT (Main Title)

XIoderately slow J = 88

Written and Composed by ALAN SILVESTRI

iw i rh pedal)

Contact - 3 - l

O 1997 WARNER-TAMERLANE PUBLISHING CORP. (BMI) All Rights Reserved

Contact - 3 - 2

Contact - 3 - 3 %.

VISIONQUEST (1 985)

CRAZY FOR YOU

Words and Music by JOHN B E R I S and JON LIND

Medium tempo

Sway - in' room as the Try - in' hard to con-

mus - ic starts.- trol my heart,-

Stran - gers mak - in' the ' most- of the dark. I walk o - ver to where- you are.

Crazy for You - 5 - 1 O 1984, 1985 WB MUSlC CORP. & WARNER-TAMERLANE PUBLISHING CORP.

All Rights Reserved

Two by two their bod - ies be - come one.- Eye t o eye, we n e e d n o word- a t all.-

1 see y o u through the smok - y a u . - S l o w - l y now we be - gin t o move.-

Can't y o u feel the weight- of m y stare. Ev - 'ry breath I'm deep - er in - t o you.

You're so close, but still- Soon we two are stand-

- .- - m b r m a r I ) I I r l . ! I T TI I

- a world- a - way.- in' still- in time.-

What I'm d y - in' t o say: If you read my - mind, you'll see I'm

I Crazy for You - 5 - 2

I cra - zy for- you. Touch- me once- and you'll know it's true.-

I I nev - er want - e d a n - y - one like this.- It's all brand- new.- You'll

I feel it in m y kiss.- I'm cra - zy for you,-

I cra - zy for you.

Crazy for You - 5 - 3

4 - t * # * 4 + * EIB ~ # m 7 / ~ G# 7 Cgm7sus4 Cg m7

I cra - zy for- you.- Touch- me once- and you'll know it's true.-

I I nev - er want - e d an - y - one like this.- It's all brand- new.- You'll

feel it in my kiss.- I'm cra - zy for you,-

d $ d d 3 3 3 d U L Crazy for You - 5 - 4

I cra - zy for- cra - zy for you,-

I

- (Spoken) era - zy for you.

I It's all brand new.- I'm cra - zy for you.-

)(2. D. s.'# (vocal ad lib) and fade

I - And y o u know it's t r u e . I'm cra - zy, cra - zy for you. -

Crazy for You - 5 - 5

DOE EYES

Slowly and freely

Composed by LENNIE NIEHAUS and

CLINT EASTWOOD

N.C. 1

I I I I (with pedal)

Doe Eyes - 4 - 1

F /C G /C C (add9) C Csu s C

Doe Eyes - 4 - 2

Doe Eyes - 4 - 3

G9sus N.C.

Doe Eyes - 4 - 4

DRIVING MISS DAISY (1989)

DRIVING MISS DAISY

Music by H A N S Z I M M E R

Arranged by SHIRLEY WALKER

Moderatelv

r I

Driving Miss Daisy - 3 - 1

O 1989, 1991 DRIVING ME CRAZY MUSIC All Rights Reserved

r i t . (

Driving Miss Daisy - 3 - 3

120

ROBIN HOOD: PRINCE OF THIEVES (1991)

(EVERYTHING I DO) I DO IT FOR YOU

Written by BRYAN ADAMS, ROBERT JOHN LANCE

and MICHAEL KAMEN

Slowly Db

I I

1 I

Pedal rhroughour

Look in - t o m y eyes.- Look in - t o your heart,-

you will see- you will find- there's

what you mean t o me. noth - ing there t o - hide.

Search your heart,- So , take me as I a m ,

search your take my

I (Everything I Do) I Do It for You - 4 - 1

O 1991 ZACHARY CREEK MUSIC, INC./MIRACLE CREEK MUSIC, INC. ALMO MUSIC CORP./BADAMS MUSIC & ZOMBA PUBLISHING

All Rights Reserved

soul, - life, -

and when you find me there you'll- search- no more. Don't I would give i t all, I would sac - ri - fice. Don't

Dbm Ebm DbIEb E7m D 5

tell me it's not worth fight - ing for. tell me it's not worth fight - ing for.

You can't tell me it's not worth dy -ing I can't help it, there's noth- ing I want

Ebm Db A h u s 4

for- I You know it's true. - ev- ' ry - th ing I do. I do it for- more.

I you. you. There's

(Everything I Do) l Do It for You - 4 - 2

I no love like your love.- and/ no 0 th - er could give more- love. There's

I no- way.- un - less you're - there all the time, - all the way,- yeah.-

(Everything I Do) l Do It for You - 4 - 3

Ebm Ab Absus4 Ab 123

I Oh, you can't tell m e it's no t worth try - ing for. I can't

Ebm

I lie- for you.- walk the mile for ~ O L I , - yeah,-I'd die for- yoi1.- YOLI know it's

1 true, e v - 'ry - thing I do, o h . oh. I do it for- YOLI.

rir. ilk, L I ' a I

7 h 0 TT I I I -d.

(Everything I Do) I Do It for You - 4 - 4 17)

76 EMPIRE OF THE SUN (1 98 7)

EXSULTATE JUST1

Joyously

f

Words and Music by JOHN WILLIAMS

Lau - da mus te. Lau - da mus. Lau -

da mus te. Lau - da mus. Ex - sul -

Exsultate Justi - 12 - 1

O 1987, 1988 WARNER-TAMERLANE PUBLISHING CORP. (BMI) A11 Rights Reserved

ta - te- ju - sti in- Do - m i - n o Ex - sul - ta - te in- Do - mi -

I f : r i i i i r i I I I I i i r i i i i r i I

no. - Ex - sul - ta - te - ju - sti in- D o - m i - n o . Rec - tos -

I I de - cet - la - da - ti - o. Al - le - lu - ia, Al - le - lu - la, ' -


A1 - le - lu - ia, A1 - le - lu - ia - a. Sal - va - tor -

I I Do - mi-nus Sal - va - t o r mun - di. Qui to1 - lis Pec - ca - ta -

mu - n - di. Sal - va - tor- Do - mi - nus. Sal - va - tor-


mun - di. Qui - to1 - lis Pec- ca - ta- mu - n - mun - n di.

Tutti

A1 - le - lu - ia, A1 - le - lu - ia - a.

Boys choir

I I Ex - sul - ta - te - Ju - sti in- Do - mi - no Rec - tos

A1 - le - lu - ia, A1 - le - lu - ia, a. Rec - tos


To Coda A

I I Lau - da - mus te. Lau - da mus. Lau - da - mus te.


I I Lau - d a mus. Lau - da mus te. Lau - da -

f I I I

I I I I I I , - - I l - l I I 1 N I I I I I . U

I I I >

I I mus, Lau - d a mus Lau - da mus.

I. Can ti - cum n o vum.

Can - I I - 1 I I I

I I s---"---'

I Can ta - te e I. Can -


BATMAN RETURNS (1992)

FACE TO FACE Words and Music by

DANNY ELFMAN and SOUXSIE & THE BANSHEES

Moderately G/B C5

I - I

eJ

I t 1001 L\'AI<NI.'K-'f!\XlfiI<I.XNI; PLIUI.ISHINci C O R P . . 1,Il'Tl.t.: XIXL:STKO ML!SIC and I)KI::4hlllOllSI: R11~51( .All Kiglll, o11 hc l~;~ l t ( 1 1 I)Kl:AhlHOIJSF: h1IJSIC' A d ~ l l ~ ~ ~ i s ~ c r e ~ J hy W 4 K N t ' K - T A h l E K L A N t . I 'lIHI.IStllN(; ('OKI'

All Kigllli KCICI.VCL~

Face to face, 0th - er life, One more kiss

my love-ly foe, an - 0th-er time be - fore we die.

mouth to mouth, we're Sia - mese twins,

face to face and

rain - ing heaven's blows. Hand on heart, writh-ing in - ter - twined. Face to face,

dream of fly - ing. Who are you?

-

p tic - tac - toe, no tell - ing lies,

Who am I?

un - the

n I I

I I I I I I I m 4 4 4 I u -

der the stars, flow. - B masks, they slide Wind in wings,

to re - veal a new dis - guise. YOU

two an - gels fall - ing. To

~t - ter - sweet, com -

I nev - er can wln, - it's the state I'm in, this die like this I with a last kiss,

I n it's

I I I I I I I I I I I I I I I I A I & I I i A - - - - m m - -

Face to Face - 5 - 2

mit your crime, dan - ger thrills false - hood's flame

I

v in your dead - ly time. and my con - flict kills.

It's They say

it's a cry - ing shame.

too di - vine want to

I fol - low your heart, - fol - low it - through, - but Face to face, the pas - sion's breathe,

1 want this bliss, ah, but some - thing says I must re - sist. An - 1 how can you, - when it's

00.

I Face to Face - 5 - 3

I And you'll nev - er know.

Dsus4/G E b maj7/G

d You'll nev - er know,

l U You'll nev - e r know.

D.S. % a1 Coda $

t Face to Face - 5 - 4

Coda D7

then I hate to leave.

I , ,

Repeat andfade (vocal ad lib) I I I I I 1 I - I I I I I

I I - 1 0

And you'll nev - er know.

I And you'llnev - erknow.

Face to Face - 5 - 5

U.S.MARSHALS (1998)

FREETO GO

Composed by

hloderately slow, freely ( J = 88 ) JERRY GOLDSMITH

A little slower

Free to Go - 3 - l


A little faster

Free to Go - 3 - 2

FREE WILLY (1 993)

FREE WILLY (Main Title Theme)

Music by BASIL POLEDOURIS

Moderately

Free Willy - 7 - 1

O 1993 WARNER-TAMERLANE PUBLISHING CORP. All Rights for the World excluding the U.S.A. and Canada

Controlled by NEW ENTERPRISES MUSIC and Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights ~ e s e r v e d

- Free Willy - 7 - 2

Free Willy - 7 - 3

Free Willy - 7 - 5

Free Willy - 7 - 6

Free Willy - 7 - 7

42 GREMLINS (1 984)

GIZMO BY

JERRY GOLDSMITH

Slowly, with a free feel

Cmaj 7

Gizmo - ? - 1

O 1984 WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved

Gizmo - 2 - 2

242 BATMANAND ROBIN (1997)

GOTHAM CITY Words and Music b

R. KELLY

A! m7 Bmaj 9 A1 n17 Bmai 9

1. L o o k - ing o - ver the sky - line of- ?. Sleep- ing a - wake be - cause- o f fear.

Gotham City - 5 - I

O 1997 ZOMBA SONGS 1NC.R. KELLY PUBLISHING, INC. (Administered by ZOMBA SONGS INC.)

A11 Rights Reserved

Now qui - et nights- Chil - dren are drown -

in the midst of crime ing in their tears.

Next door to hap - pi - ness.- liws SOT - row. We need a place- where we__ can go.

Y ' v . and

a land where

sig - nals of- so - lu - tion i n the ev - ry o n e will have- a he ro. 1 A cit - y of jus -

tice. a cit - y of lobe.- A cit - y of peace- for ev - 'ry one of us.-

I - Cit - y.- o h . yeah.__ - A cit - y of jus -

rice. a cit- y of love.- A cit- y of peace- for ev - ' ry one of us.-

i For we all need- i t . yeah,_ can't live with - out it.- Goth- am

Gotham City - 5 - 3

Bridge: B

Cit- y.- yeah,- yeah.- Yet. in the mld - dle of storm- y

1 - weath - er. w e won't sturn- ble and- \i 2 won't

I - fall. I know a place- that of - fers she1 - ter.- C i t - ! of jus .

I - tice. a c i t - y of love.- A cit - y of peace- for e \ - 'ry o n e of us.-

Gotham City - 5 - 4

W e all need- it. can't live with - o u t it. G o t h - a m

I - Cit - y.- o h . veah.- A cit - y of jus - G o t h - a m

~ Cit - y. e v - 'ry - bod - y needs Got l i - a m I

Rcpeclt ad lib. antif(1de

I Cit - y. Don't- y o u want t o g o ? G o t h - a m

Gotham City - 5 - 5

BEST FRIENDS (1 982) 23

HOW DO YOU KEEP THE MUSIC PLAYING?

Words by ALAN and MARILYN BERGMAN

Music by MICHEL LEGRAND

How d o you keep the mu - s i c play - ing? How do you make it

How d o you keep the song from fad - ing h I

r How d o you lose your -self to some - one and nev - er lose your

How Do You Keep the Music Playing? - 4 - 1

O 1982 WB MUSIC CORP. All Rights Reserved

I way? How d o you not run o u t of new things to say?

And since we know we're always chang - ing. how can i t be the I -

I -

same? And tell me how. year af - .ter year, you're sure your heart will fall a -

- part - each time you hear { namen


I I know the way I feel for you, it's now o r nev - er. The

I How d o you keep the mu - sic play - ing? How d o you make it

ll more' I love, the more that I'm a - fraid that

1 ' last? How d o you keep the song from

II in your eyes I may not see for - ev - er for - ev - er.

1 fad - ing, keep the song from fad-ing too fast?


I If we can be the best of lov - ers, yet be the best of

with an - y luck, then

I I

I I I I I I I

-d u- -a 1 ends.

How Do You Keep the Music Playing? - 4 - 4 I

232 SPACE JAM (1996)

I BELIEVE I CAN FLY

Words and Music by R. KELLY

Slowly J = 72

Verse:

used to think- that I c o u l d not- go on, I was o n t h e verge- of b reak- ing down.

and life was noth- ing but- an aw - ful Some - times si - lence- can seem- so

I I

I I L I I

- f. f ' b - 8 - 8

I Believe I Can Fly - 5 - I

O 1996 ZOMBA SONGS INC./R. KELLY PUBLISHING, INC. (Adm. by ZOMBA SONGS INC.) (BMI) All Righls Reserved

I - song.- But now I know- the mean - ing o f true love. loud.- There are mir - a - cles- in life- I must- a - chieve,

I'm but

I lean- ing o n the ev - e r - last - ing arms. first I know- it starts- in - side- of me. ) If I can see it, then I can

~ r n 7 ( b ~ ) I ~ b CIG Drn7IG

I {""-}it. if I just be - lieve it, there's noth- ing to it. I be-lieve I can be -

Chorus: C

I be-lieve I can t - I think a-bout i t ev-ery night and day,- spread my wings and

I Believe 1 Can Fly - 5 - 2

( fly a - way.- I be- lieve I can soar.- I see me run- ning through that o - pen d o o r . I be-lieve I can

I be-lieve I can fly, I be-lieve I can fly.-

I 2. Sze, fly. oh, I be- lieve I can fly.

I Believe I Can Fly - 5 - 3

Bridge: Bbm7 ~ b m 7 ( ; 5 ) / ~ . . D L/A l

I - see it. then I can d o it, if I just be - lieve it. there's noth - ing

Chorus: E rm7/Al -. DL

x- BLm7 I h

to i t . - I be-lieve I can fly, I be-lieve I can tou I think a- bout it ev- ery

I I I I

night and day.- spread my wings and

soar,- I see me run - ning through that I be- lieve I can

h I L I

i ' I I ' I I - m I - rn I V 4

I Belleve I Can Fly - 5 - 4

spread my wings. I can fly, I can fly.- I can

1 Believe I Can Fly - 5 - 5

THE BODYGUARD (1 992)

I WILL ALWAYS LOVE YOU Words and Music by DOLLY PARTON

Slow Ballad (opt. -first verse a cappella)

I f I sweet hope

should - stay mem - o - ries,

life treats you kind

I would- that is-- and I-

on - ly be in your way. So I'll go a1 I I'm tak - ing with me. So good - bye,

hope you have all you've dreamed of. 1 wish you JOY

Y but 1

please don't and hap - p~ .

k n o w cry. ness.

I ' l l think of you ev - 'ry step of the way. We both- know I'm not what you, you need. 1 .4nd

But a - bove all this, I wish you

I Wi l l ;\I\!:I)\ I.O\,L. 1'0~1 - 3 - I

O 1973, 1993 VELVET APP1.E MUSIC (Rhl l ) All Kighl\ Kcscr\cd

, I will a1 - ways- love- you. I

- w l l al - ways- love- you.

1 I - w l l al - ways- love- you.

I Bit - ter- you.

I love. And 1 will a1 - ways- love

I Will Always Love You - 3 - 2

I you. I will al ways- love you. I will al ways- love

I you. I will a1 ways- love you. I will al -ways love

0 0 0 0 0

I , I will a1 - ways love you.

I Ill- a1 -ways, 1'11- a1 - w a 7 - love- you.

I Will Always Love You - 3 - 3

WtTH HONORS (1994)

I'LL REMEMBER

Moderately slow

Words and Music by PATRICK LEONARD,

MADONNA CICCONE and RICHARD PAGE

Ud -4-4 f / j Mm. mm.

Say good - bye - to not know - ing when - the truth - and my - whole life - In - side - I was a child - that could - not mend - a bro -

I'll Remember - 4 - 1 O 1994 WB MUSIC CORP., WEB0 GIRL PUBLISHING, INC., NO TOMATO MUSIC, POLYGRAM INTERNATIONAL PUBLISHING. INC., GLOBAL COOLING MUSIC and ALI-AJA MUSIC

All Rights on behalf of WEBO GIRL PUBLISHING, INC. Administered by WB MUSIC CORP. Rights on behalf of GLOBAL COOLING MUSIC and ALI-AJA MUSIC Administered by POLYGRAM INTERNATIONAL PUBLISHING, INC.

All Rights Reserved

E rn7 A D A Brn

e - gan. -

\

And I'll re - rnern - ber- the

Brn A D G A Brn

strength that you gave - me love 1 now that I'm stand - ing on my - own, - I'll - re -

To Coda $ 1

I'll Remember - 4 - 2

I learned -

1 to let go - of the 1 - I - sion that we can pos - ses. I learned -

1 to let go. - I tra- vel in still - ness. And I'll re- mern - ber -

I hap- pi - ness.

A LL

u I'll re- mem - ber.

u* Mm.

D.S. % (2nd lyric) a1 Coda @ Brn A C D C D 7 C D Brn A

I I'll re- rnern - ber. Mrn. - And I'll re - -

' Repeat and fade C D

Coda

I I I I

I ! . I L I

u C D 7 C D

I Though I've never been a-fraid to cry, now I fin-ally have a rea- son why. I ' l l re-rnern - ber. -

1'11 Remember - 4 - 4

CADDYSHACK (1 980)

I'M ALRIGHT

Words and Music by KENNY LOGGINS

Medium beat

AmlD

I'm al r ight; n o - bod - y wor - ry 'bout

me. W h y you got t o grn -m? a tight? Can' t -

- you just let i t be?- I 'm al - right: tlon'r -

0 1980 MILK MONEY MUSIC All Rights Reservcd

I - n o -bod - y wor - ry 'bout me. You - got t o girn - me a

I tight. Why don't - you just let me be. Do what you 1 Who d o you

d o - in' i t nat - 'ral - ly ,- but if it's too eas - Who you gon-na be t o - day? And who is it real -

they're g n - na dis - a - gree. mak- in' u p your mind?

It's your life- You wan -na lis - ten t o the

I I'm Alrighl - 7 - 2

G x o o o -mTI

man? I - and is - n't it a mys - ter - y. - If it's no - bod - y's

Pay at - ten- tion t o the mag - is - trate.- And while I got you in the

I bus' - ness, it's ev - 'ry - bod -y's game.

A 0 0

"Got - ta catch you ;at - er." "NO, - no,

can - non -ball it right a - way." (Group:) "Some CJ~ - der -

I

I'm Alright - 7 - 3

"Get it up and get you a job." - Dip dip dip dip dip dip dip dip.

mood, lis - ten to your own heart - beat - in', -

heart - beat - in', own heart- beat - in', -

heart - beat in'. Don't it

II , I 1 1

I I I

8

I I'm Alright - 7 - 4

get you mov - in'. m - m - m - m a n . - It makesme feel good.

Then give it up and give it the job.- (Group:) Wow, Cin - der - el la kid.

, U ., r r r r r r r T - I'm,

r -f r Dip dip dip dip dip dip dip d p boom boom boom

A , I boom.

I

al right; no - bod - y w o r - ry 'bout

I'm Alright - 7 - 5

I me. Why- you got to gim - m e a fight? Can't -

I - y o u j u s t let it be.- I 'm a1 right; don't-

- n o - bod - y wor - ry 'bout me. You - got to gim - me a

I fight. Why don't - you just let me be?

I'm a1 - right; n o - bod - y wor - ry 'bout me.- Why-

I - y o u g o t t o g i m - m e a fight? Can't- you just let it be7-

Repeat and fade Am/D D Am/D D 0 0 0 0 0 0

' 1

I I I I

I'm a1 - right. I'm a1 - right.

Am1 D D AmlD D

a1 - right; just let me be.-

I'm Alright - 7 - 7

LETHAL WEAPON 3 (1992)

IT'S PROBABLY ME

Moderately. with a steady rhythm

S 0 -

BY MICHAEL KAMEN, ERIC CLAPTON and STING

-- ma

-d 7

I t ' the night turn

cold and the stars look d o w n , and you'd hug your-self on the cold, cold e m p - ty and the bun-ger's so real. you're t o o proud to beg and too d u m b to

I ground. You wake- the morn- ing in a strati-gsr's coat. but no one would you steal. You search- the cit - y for your o n - ly friend. bu t no o n e w o ~ i l d you

It's Probably Me - 7 - I

0 1992 WARNER-TAMERLANE PUBLISHING CORP. MAGNETIC PUBLISHING LTD. and BLUE TURTLE MUSIC

All Rights Reserved

see. 1 see. You ask- your-self, You ask- your- self,

who'd watch for who'll watch for

I me? me?

My o n - ly friend, who could ~t be'!- A sol - i - ta - ry voice. t o speak ou t - and set me free.-

It's hard- t o say i t , I hate- t o say it.

1 hat? t o say it. but it's pro - bab - ly I hat? t o say it, but it's pro - bab - ly

I I

- eJ me. When !our be1 - Iy's me.

It's Probably Me - 7 - 3

You ' r eno t the eas - i - est per - son I've- ev - e r got t o know, though it's

1 hard fo r us b o t h that o u r feel - ings show. But some would say I should

1 let ~ O L I go your way.you o n - ly makc- m e cry.- But if there's one-

WY, J U S ~ on? g ~ l y who w o ~ l l d lay d o w n - his life for ~ O L I and I -


Csus'

1 die, I hate- t o say it, I hate to say it, but it's p r o - b a b - ly

1 me. Citirar solo


I

w --

RBI ! I 1

I 1 / I 1 I I I I I l r l I - ' rl I , 8 I I I i 1 - - -

d4dw= 4 3 $7

-

I When the world's gone

I cra - zy and i t makes no sense, there's o n - ly one voice- that comes- t o your- de - fense


I When the ju -ry's out and your eyes search the room. one friend - ly Cace is d l you need-

I - to see. And ~i there's one- $I>, just

I one g u y whowould lay down- his Ilt'e for ! ou LIIIL! die. I Iiate- to


I hate. to say it, I hate to say it,

i 1 Repeat as desired

A9

I me. I hate. to

A ii No Chord I I I - - - - I I I

Y V I I

A I : 8 ---= It's Probably Me - 7 - 7 U*

204 JUST CAUSE (1995)

TUST CAUSE (MAIN TITLE)

Slowly J = 64 Composed by

JAMES NEWTON HOWARD

(with pedal)

simile

h h n F r F

Just Cause - 2 - 1

0 1995 WB MUSIC CORP. (ASCAP) All Rights Reserved

Cbmai9 B bsus Bb Dm

Just Cause - 2 - 2

2 12 A LITTLE PRINCESS (1 995)

KINDLE M Y HEART

Moderately Words and Music by PATRICK DOYLE

Dsus

\

As the

i

Kindle h1) Hear1 - 4 - I

O 1995 WB MUSIC CORP All Rights Reserved

moon kin - dles the night. as the wintl- kin - dles the

fire, n

as the rain fills ev - 'ry o - cenn and the

l sun. the earth. vour heart \ \ i l l kindle my heart.

Kindle My Heart - 4 - 2

n d y r U r I If. I r I

I I . I r I I

I y I

I hear t . A n d my h e a r t c a n - n o t be

Kindle M y Heart - 4 - 3

kin - dled with - out you. With your heart,- kin - dle my-

Take my heart, rake my heart.

I with your heart . And my heart can- not be

Kindle My Heart - 4 - 4

BATMAN FOREVER (1995)

KISS FROM A ROSE

Slowly J. = 44 Gm

Words and Music by SEAL

Ba ya ya ba da ba da da da ba ya ya. Ba ya ya ba da ba da da

I 1 I I I I I I i W I I I I I 1 I k - l *

m a 1 I I I - ITm. m a a D l - w - I I - ! ' - 7 - I - - 1 w - - -

I da

ba ya ya. Ba ya da ba ya ya. There- used to be a grey-ing tow - er a - lone on the

I sea.- Y o u be-came the light on the dark side of me.- But love- re-mains a

Kiss From a Rose - 6 - 1 0 1994 PERFECT SONGS LIMITED, 42 - 46 St. Luke's Mews, London W l 1

All Rights Reserved

drug that's the high and not the snows, my

I

I,,

I eyes be-come large and the light that you shine can't be seen. Ba -

I com-pare you to a kiss from a rose- on the grey.- The more I get of you the

Fsus

stran - ger i t feels,- And now that your rose is in bloom,- a

I Kiss From a Rose - 6 - 2

Vocal facet 2 time G Gm

I light hits the g l o o m on the- g r e y . Ba ya ya ba da ba da da da ba ya ya.

1 2. There- is so much a man can tell you, so much he can say.- Y o u re-main my

I pow - er, my plea-sure, my pain. Ba - b y , to me you're like a growing ad-dic-tion that I can't de -

Won't you tell me, is that health-y babe. But did you know that when it snows, my

Kiss From a Rose - 6 - 3

I eyes be-come large and the light that you shine can't be seen. Ba -

Chorus: -

cl I by._ I com-pare you to a kiss from a rose- on the grey.- The more I get of you the

Fsus

I light hits the g l o o m on t h e grey.-


i

Bridge: c

I been kissed by a rose- on the grey.- I've been I've been

i l l

kissed by a rose.- I've been kissed by a rose- on the grey.-

kissed by a rose- on the grey.-

Verse 3: G

I - I've been kissed by a rose- There is so much a man can I I've- been kissed by a rose- on the grey.- .

KISS From a Rose - 6 - 5

( tell you, so much he can say.- You r e - main my pow - er, my plea - sure my

1 pain. T o m e you're like a growing ad - dic - tion that I can't de -

G D.S. % ul Chorrcs and fade

1 eyes be-come large and the light that you shine can't be seen. Ba -


LEAN ON ME (1989)

LEAN ON ME Words and Music by

BILL WITHERS

Medium Gospel Ballad

I Some - times in our lives - we all have pain,- we all have

I SOT - row. - But, if we are wise- we know that

- Lean on Me - 7 - 1

O 1972, 1989 INTERIOR MUSIC (BMI) All Rights Reserved Used By Permission

I there's- a1 - ways to- mor row.- Lean on me when you're not strong-

on. , Please, - swal- low your pride if I have

i Lean on Me - 7 - 2

all of your needs t if you wan- na let them I - No one can fill. - Let,

show. Ad lib: You just )I call on me, brother, if you I feel you need a hand. 'Cause we all

I u - themshow. Call me.-

4- We all

( Lean on Me - 7 - 3

D

I

N.C. I

I I

need somebo to lean on. I just might have a problem

I you understand. Both: We all need some - bod - y to lean - on.- Lean on me

BmlA

Solo: when you're I'll help you car-

Lean on Me - 7 - 4

A Em7

ry on.- For I - know t i I'm gon- na need -

I some - bod- y, some- bod - y to lean on. - Solo: You can

Call me.- need some- bod - y to lean-

I

Lean on Me - 7 - 5 >-

j- I I I

call on me, sister, if you need a hand. We all need somebody to lean

on. I just might have a problem that you can understand. We all

- on. 0 0 . Just call - me. We all

I I,

somebody to lean on.

need some - bod - y lean on. -

Lean on Me - 7 - 6

, Solo: If there is a load - \ ~

you have to bear - that you can't

1 car just re- mem- ber I'm right up the road.-

-w D

- shar: your load - if you just call me.

Repent and fade D

me. Call me. - )

- Lean on Me - 7 - 7

QUEST FOR CAMELOT (1998)

LOOKING THROUGH YOUR EYES Words and Music by

CAROLE BAYER SAGER and DAVID FOSTER

Verse:

B 7

I . L o o k at the sky.- tell me what d o you see.- Just close your eyes- and de - scribe-

- i t to me.- ~ h r heav- ens are spark - ling with star - light to - night.-

Looking Through Your Eyes - 5 - I


I

A 9 EdG F s u s F B *

That 's what I see- th rough y o u r e y e s 2. I s e e t h e heav - e n s each Iook a t m v - s e l f a n d in -

I t ime that y o u smile.- I h e a r y o u r heart - b e a t just g o o n for miles.- and

v no.

I s t e a d I s e e us.- W h e r - e v - e r I am.- now. it f e e l s like e - nough.- A n d

s u d - d e n - Iy I k n o w w h y l i f e is wor th- while.- That 's w h a t I see- th rough your eyes.- I s e e a sirl- w h o is learn - ing to trust.- That 's w h o I see- th rough your eyes.-

0 />/--

Chonls:

F s u s F E>

-

H e r e in t h e night.- I see t h e sun.- - I Looking Through Your Eyes - 5 - 2

226 MICHAEL COLLINS (1996)

LOVE THEME FROM "MICHAEL COLLINS" Slow waltz, rubato feeling Composed by

ELLIOT GOLDENTHAL C J. erprer

A - Tfl I -I

mp molto legato througho~rr & J F I

I

1 - (with pedal)

Love Theme From "Michael Collins" - 2 - 1

O 1996 WB MUSIC CORP. (ASCAP) & SAFESPACE MUSIC (ASCAP) All Rights on behalf of SAFESPACE MUSIC (ASCAP)

Administered by WB MUSIC CORP. (ASCAP) All Rights Reserved

dim. I

B h F I 1 , U

I I I I I Y d

Love Theme From "Michael Collins" - 2 - 2

TIN CUP (1996)

LOVE THEME FROM "TIN CUP" Music by

WILLIAM ROSS Slowly and freely J = 88

Fsus F 2

simile

Fsus F F 9 Bbsus Bb 3

B dim7 F /C C 7 Fsus F

j i I I t i L O 1996 WARNER-TAMERLANE PUBLISHING CORP. and NEW ENTERPRISES MUSIC ! All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP.

All Rights Reserved

166 M. BUTTERFLY (1993)

M. BUTTERFLY (Main Title Theme)

Music by HOWARD SHORE

Slowly

\

M. Butterfly - 2 - 1

O 1993, 1994 WB MUSIC CORP. and SAFE SPACE MUSIC All Rights on behalf of SAFE SPACE MUSIC Controlled and Administered by MCA MUSIC PUBLISHING, A Division of MCA INC.

All Rights Resewed

I loco

M. Butterfly - 2 - 2

THE FUGITIVE (1993)

MAIN TITLE FROM "THE FUGITIVE"

Music by JAMES NEWTON HOWARD

- - - - - - - -__---- _ _ H . -- - - ____- - ----- ---_--_--- __-- -- ------_-- - - -_ -____- - - with pedal

Main Title From "The Fugitive" - 3 - 1 (R.H. )


(R.H..) (R.H.)

(R.H.)

cresc. I f f -1

Main Title From "The Fugitive" - 3 - 2

(R.H.)

i rit. Z P A

I I _ c.

I I

w 8 b e be*

Main Title From "The Fugitive" - 3 - 3

186 THE CLIENT (1994)

MEET THE BOYS (Main Title from "The Client")

Slowly J = 80

n F

-3- B b/F

Music by HOWARD SHORE

Smoothly - I , . :

Meet the Boys - 2 - I

O 1994 WB MUSIC CORP. and NEW REGENCY MUSIC All Rights Administered by WB MUSIC CORP.

All Rights Resewed

Meet the Boys - 2 - 2

THE COLOR PURPLE (1985)

MISS CELIE'S BLUES (Sister) Words by Music by

QUINCY JONES, ROD TEMPERTON QUINCY JONES and ROD TEMPERTON and LIONEL RICHIE

Slow and bluesy, 'gut-bucket' style & _ @ A

I I I \ I I I - 0 1 1 I

i Miss Celie's Blues (Sister) - 4 - 1

O 1985, 1986 WB MUSlC CORP., RODSONGS and BROCKMAN MUSIC All Rights Administered by WB MUSIC CORP.

All Rights Reserved

1 - (Sr~rzg:) Sis - t e r , you've been o n m y mind,- -

sis - te r , we're t w o o f a k i n d , - s o sis - ter . I'm

keep - in ' m y eye - o n you.- I be t - cha th ink I don ' t k n o w

no th - in ' b u t sing - in ' the bIues, - o h , s i s - ter , have

i Miss Celie's Blues (Sister) - 4 - 2

I I got news for you; I'm some - thin'. 1 hope you think that you're some-thin' too.-

I II . I I U -

I II 1 1 I r -I I

-e 3 3 - - - 4 - - n n Scuf - flin , 1 been

I up that lone -some toad - and I seen a lot of suns go - in ' down, - oh , - but

I trust me, no- low life's gon-na run me a - round.

Miss Celie's Blues (Sister) - 4 - 3

1 So let me tell yo~ lsome- th in ' ; sis - ter re - mem-ber your name,- n o

I twist-er g o n - na steal your s tuff a - way :- my sis - ter , we

I sho' ain't got a whole lot o f time. - SO shake your shim - m y , 3

Rubato

Miss Celie's Blues (Sister) - 4 - 4

228 A TIME TO KILL (1996)

PAVANE FROM "A TIME TO KILL"

Slowly J = 58

Composed by ELLIOT GOLDENTHAL

A - V

am a s 5

(with pedal)

B d i d A A rn7 DmIA BIA

B d i d A A m7 D d A BIA

I I I I

Pavane From "A Time to Kill" - 2 - 1

O 1996 WB MUSIC CORP. and NEW REGENCY MUSIC All Rights Administered by WB MUSIC CORP.

All Rights Resewed

A m D d A D d A BIA

B Bm F4m B Bm F 4m N.C.

Am2 B d i d A A m7 D d A BIA

I - I -

Pavane From "A Time to Kill" - 2 - 2

i

5 0 POLICE ACADEMY (1984)

POLICE ACADEMY MARCH BY

ROBERT FOLK Moderately fast, March Tempo

No Chord

I

0 1984 WB MUSIC CORP. All Rights Reserved

Police Academy March - 2 - 2

THE SPECIALIST (1994)

REAL

Words and Music by JON SECADA and DIANE WARREN

Slowly 1 = 63

(with pedal)

Verse:

1 . Did I ev - er give you an - y doubts? 2. See additional lyrics

L

Have I giv -en you an - y rea - son-

for y o u not to feel the same- love I feel- for you, ba - by?

Real - 4 - I

0 1993 FOREIGN IMPORTED PRODUCTIONS & PUBLISHING, INC. (BMI)/REALSONGS (ASCAP) All Rights Reserved

Won't you try to read my mind,- L

it's far more than words can tell you.-

ll-

'Cause it's- my heart- that's- cry-ing out, now is - n't that what love's all a - bout?- it's{$,-^} be

Chorus: E

I real.- 'Cause if it does-n't f e e l the way I feel with you, ba - by,-

w then I don't want it and I don't need it 'cause I don't want an-y-bod-y else but you, I don't need an-y-one else.

I ~ ' s { ~ o ~ gon-na "}be-

- 8

Real - 4 - 2

I real. 'Cause if it does - n't f e e l the way I feel with you,-

L-

- ba - by.- I tell you I don't want it.- I don't want it.-

1 1.2.

(vocal ad lib.)

I for I just don't want it.

I - 'Cause if it does- n't f e e l the way I feel with you,-

- ba - by,- 1 tell you I don't want it.-

Verse 2: So it'll take a little bit of faith. I know it'll take a lot of heart, boy. So here's a little faith and here's a lot of heart. So please trust me the way that I trust you baby. And I promise you I won't let you down. And I promise I'll always be there. I swear I'll stay right here. I swear that I'll be there. I swear that I'll be right there. (To Chorus:)

Real - 4 - 4

I

PRESUMED INNOCENT (1990)

REMEMBERING CAROLYN Music by

JOHN WILLIAMS Rubato

Remembering Carolyn - 4 - I

0 1990 WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved

poco rit. I f with more energy

Remembering Carolyn - 4 - 2

Remembering Carolyn - 4 - 3

C

L.H.

\

<A-

m Rubato (cantabile)

I Remembering Carolyn - 4 - 4

u UT (Pedal down)

b

SWING SHIFT ( 1 984)

SOMEONE WAITS FOR YOU Words by Music by

,L JENNINGS With a 2 feel PETER ALLEN Dm11

Freely

Oh, my heart knows more with each

--

7 Pedul tllroughout n n G / F ~

I pas - sing day, and I know l'll change If you leave or stay. But

Cmaj7

ten A & 7 3 -

M 9

a I I I I I I K I 1 I

I I m. I I I I I 1- I C w

I IJ I r

1 - when our world turns where it's turn - ing to. vou'll see some hearts fade; while ten.

--- --

mine shines on through. I will still be

Sonleone Wails for You - 4 - 1 O 1984 WARNER-TAMERLANE PUBLISHING CORP., BLUE SKY RIDER SONGS.

WOOLNOUGH MUSIC INC. & JEMEVA MUSIC CORP. AII Rights on behalf of BLUE SKY RIDER SONGS

Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved

ten. f\ S m . 9 - 6 r I I I - v I n i! 1

I I I I I I I - .,'

there some - day for you. , ten.1

You see some -

With a slow steady beat a

where some-one waits- for you, who hopes you will- come

I through. we'll wait un - til- you do. You'll see a.

1 light in some fa - mil - iar door. and when you reach- the

Someone Waits for You - 4 - 2

- ., - ' f 1 shore

l

it won't h u r t an - y - more. Re - mem - her,-

1 night may trou - ble you- with end less dreams,- but

1 blur skies wait for you- be - yond the sun - rise.- I'm ~

I I r i t . I molt; r i t . 1

I I here so walk in - to- your fate, it

Someone Waits for You - 4 - 3

F m l l

G nev - er 1s- too late.-

I t There's some - one smil - ing

1

1 through who'll d o all they- can do- for you. Re-mem - ber,

D.s.# a1 Coda $

I some - where some - one waits- for you.

Someone Wails for You - 4 - 4

SOMETHING TO TALKABOUT (1995)

SOMETHING TO TALK ABOUT

Words and Music by SHIRLEY EIKHARD

Moderate beat

Something lo Talk About - 5 - 1

O 1985,1991 CANVEE MUSIC (SOCAN)/LYNN JACOBS PUBLISHING & ASSOCIATES (BMI) All Rights Reserved Used by Permission

Peo - ple are talk - ing, 1 feel so fool - ish.

talk - ing 'bout peo - ple. 1 nev - er no - ticed.

* 2 3 3 3 I hear them whis - per.

You'd act so ner - vous, you won't be - lieve it.

could you be fall - ing for me?

w w w

They think we're lov - ers kept tln - d-r cov - ers. ru - mour to make me won - der.

I just ig - n o r e it. b t ~ t tl1t.y- k w p s+ - ing ... We Now l'nl con - vinced 1'111 go - ing 1111 d t r

Something to Talk About - 5 - 2

laugh just a lit - tle too loud,- Think - ing 'bout you ev - er - y day.- -

s tand - just a lit - tle t o o close,- d r e a m - ing 'bout you ev - e r - y night,- -

- - we stare- just a lit - tle t o o longb/ h o p - ing- that you feel the same way.

\lay - bc tliey'rc see - ing Now that we know it

some - thing we don ' t . dar - lint. let's real - ly show it , dar - lin'. I

L.et's givc thcrn some- tliing to talk a - bout . Let's give them some-thing t o talk 1 A lit - tle m y s - tery to fig -

l ire a - bOut . I o u t . Let's give them some - thin2 t o talk a - bou t . HON ;i - b o u t love'!-

u Something lo Talk About - 5 - 5

No Chord

Let's give them some - thing to talk- a - b o u t , babe,-

a lit - tle mys - tery to fig - ure out. Let's give them something to talk

l a - bout. How a -bout love?

Something to Talk About - 5 - 4

LITTLE SHOP OF HORRORS (1 986)

SOMEWHERE THAT'S GREEN Words by

HOWARD ASHMAN

Moderately slow, in 2 G(add A)

Music by ALAN MENKEN

A match - box of our own,- rakes and trims the grass.- his De - cem- ber Bride.-

a fence of real chain He loves t o mow and

He's Fa - ther. he Knows

G x n n n

Em n n n n

r, I

link, weed. Best.

r I u r a grill out on the pa - ti - 0,- dis - I look like Bet - ty Crock - er and- I

Our kids watch How - dy Doo - dy as - the

CID D7 CID D7

pos - a1 in the sink,- look like Don - na Reed.- sun sets in the west.-

a wash - e r and a There's plas - t i c on the

A pic ture- out of

Somewhere That's Green - 3 - I 0 1982, 1983 WB MUSIC CORP. (ASCAP), GEFFEN MUSIC (ASCAP), TRUNKSONG MUSIC, LTD. (BMI) & MENKEN MUSIC (BMI)

All Rights on behalf of GEFFEN MUSIC Administered by WB MUSIC CORP. All Rights on behalf of TRUNKSONG MUSIC. LTD. & MENKEN MUSIC for the World excluding the U.S.A. and Canada

Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved

FIG G7 FIC C ~ g r n ' l - F

I dry - er fur - ni - ture

I ~ e r - ter Homes

and an i - ron - ing- ma - chine- in a to keep it neat- and clean- in the

and Gar - dens mag - a - zinc.- U h d

tract house that we share- some - where that's green. Pine - Sol scent -ed air- some - where that's green.

1 ' . G xooo

CIG x 0 0

D7sus2 Il2.C, xooo

Eb

i@ Y - I EM I Ed' .i K . I I - I I @EJ%-wo, I I I \ II Po I \ I IJ iJ I

I r I r II T I Y I I

He Be - tween our fro - zen din -

I ner and our bed - t ime, nine fif - teen,- we

Somewhere That's Green - 3 - 2 I I

I" snug - gle watch- in' Lu - cy on our big, e - nor - mous twelve - inch screen. I'm c'

I c#m7-5

Coda x o o o

i-F!,->e I I I .I f I I # I I 8l I I

I I r I I 1

Far from

Y m - p f Y 1 I I

I 1 I

I freely

G CIG DIG G $ 1 0 ,DdG x g o o

green. 8va - 7 A

Somewhere That's Green - 3 - 3 in

28 NIGHT SHIFT (1982)

THAT'S WHAT FRIENDS ARE FOR

Slowly Ebmaj9

Words and Music by CAROLE BAYER SAGER and BURT BACHARACH

Ebmaj9/D A5 (add Bb)/C G m 7 Cm 7

Fm7 B i l l E ~ m a j 9 Gm7 Cm7

nev - er thought I'd feel- this way-

- Dm7(no 5 th )

o x -

and as far as I'm- con -cerned- I'm %lad I got- the chance- to say- we11 vou came and 0 - ~ e n e d me- and now there's s o much more- 1 see-

- that I d o be - Iieve- I love you. And if I should ev - er go- a - way- - and so, by the way, I thank YOU And then for the times when we're- a - part-

That's What Friends Are For - 3 - I 3 8

O 1982, 1985 WB MUSIC CORP.. NEW HIDDEN VALLEY MUSIC, WARNER-TAMERLANE PUBLISHING CORP. and CAROLE BAYER SAGER MUSIC All Rights on behalf of NEW HIDDEN VALLEY MUSIC Administered by WB MUSIC CORP.

All Rights on behalf of CAROLE BAYER SAGER MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved

f 00-2 x o o o

1 - well, t hen close y o u r eyes- and try- t o feel the way- we do- t o - day,- E l - well, t hen close y o u r eyes- and know- thesewords are corn - ing from- m y hearq.

and then if y o u can- re - men1 - ber. -

Keep smil - ing. k z e p shin - ing. k n o w - lng you- can a1 - ways coun t o n

I me- f o r sure- that 's wha t f r i e n d s are for .

That's What Friends Are For - 3 - 2

- For good - t imes and bad- t imes 1 I ' l l be 011- your side fo r - ru - er 1 in good - times. in bad- t imes

more . That 's what friends- are f o r

- J - 4 1 W 9

for .

-- r P I

for

I Vocal ad lib.

That's What Friends Are For - 3 - 3 d

canfabile

!

I The Batman Theme - 5 - 2 -3- > 3

tnolto legato I 1 I

fnon legato)

The Batman Theme - 5 - 4

The Batman Theme - 5 - 5

32 THE RIGHT STUFF (1983)

THE RIGHT STUFF Music by

BILL CONTI Majestically

Slightly slower Ab ~ b / ~ b

The Right Stuff - 2 - 1


rit. -= II

Tempo I

The Right Stuff - 2 - 2

256 CITY OF ANGELS (1998)

THE UNFEELING KISS

BY GABRIEL YARED

Moderatel? fast (d = 80) "Central Market"

0 I998 WR hlUSlC CORP and NkW REGENCY hlUSIC Al l K ~ g h t \ A d r ~ ~ ~ n ~ \ t c r c d b) WR MUSIC CORP

All R~ght \ Kehe~ved

The Unfeeling Kiss - 6 - 2

Slowly (J = 80) ".An Angel Falls"

n 4 ,!I / \ a-

I& +#' % P- - I I I a --. -

r r r , - I. I I 1

\ C) -. I I

I The Unfeeling Kiss - 6 - 5

Slower ( J = 70) "The Unfeeling Kiss"

i l I t T I

1-r. ,--- I . I?' I

I sub. p


L. A. CONFIDENTIAL (1997)

Slowly J = 63

THE VICTOR

Composed by JERRY GOLDSMITH

smoothly - A.

0 c- I . A

F . I " r I I - -

Y

I The Victor - 3 - 1

O 1997 NEW ENTERPRISES MUSIC (BMI) Administered bv WARNER-TAMERLANE PUBLISHING CORP.

All Rights Reserved

I I x I I ;- I T - I1 'd

$e V - 8 U

Piu rnosso

The Victor - 3 - 3

116

JFK (1 991)

THEME FROM "JFK"

Music by JOHN WILLIAMS

(Solo - Reflectively) /--

I

Theme From "JFK" - 3 - 1

O 1992 WARNER-TAMERLANE PUBLISHING CORP. All Rights for the World excluding the U.S.A. and Canada

Controlled by NEW ENTERPRISES MUSIC and Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights ~ e s e r v e d

with a lilt -

Theme From "JFK" - 3 - 2

a tempo

r r r I I I r r

Theme From "Love Affair" - 2 - 2

ONCE UPON A TIME IN AMERICA (1 984)

THEME FROM "ONCE UPON A TIME IN AMERICA"

BY ENNIO MORRICONE

Very slow, in 2

i with pedal throughout

E mai 7

- Theme From "Once Upon a Time in America" - 3 - I

O 1984 HAPAX INTEKNATIONAL B.V. Administered by WB MUSIC CORP.

All Rights Reserved

Theme From "Once Upon a Time in America" - 3 - 2

Amaj 7

8 - + - 8, 8 -& -- Theme From ''Once Upon a Time in America" - 3 - 3

89 THE ACCIDENTAL TOURIST (1 988)

THEME FROM "THE ACCIDENTAL TOURIST"

Music by JOHN WILLIAMS

I I legatissirno e espressivo I I I I

O 1989 WARNLK TAMERIzANt PIIBLISHING COKP All Right\ Kocrvcd

As gently as possible

i

Theme From "The Accidental Tourist" - 3 - 2

Twister - 3 - 2

Twister - 3 - 3

MAD MAX: BEYOND THUNDERDOME (1985)

WE DON'T NEED ANOTHER HERO (Thunderdome)

Words and Music by Moderate Rock J = 100 GRAHAM LYLE and TERRY BRITTEN

ins, dren,

out from the wreck- age; the last gen - er - a - tion.

can't make the same We are the ones

We Don't Need Another Hero - 3 - 1 O 1985 GOOD SINGLE LIMITED & MYAXE MUSIC LTD.

All Rights on behalf of GOOD SINGLE LIMITED Administered by RONDOR MUSIC (London) LTD. Administered in the U.S. & Canada by IRVING MUSIC, INC.

All Rights on behalf of MYAXE MUSIC LTD. for the World Administered by WB MUSIC CORP. - All Rights Reserved

noth - ing else re - I mains. I

way home.- I All we want is life be - 1 yond to Thun-der -

We Don't Need Another Hero - 3 - 2

11. 112. TO next strain 1/39

1 1 4. Fine 1 Bridge 11:

1 o what do we do

- with our lives? I We leave on - ly a I vow. I Will our sto - ry I

shine like a light, I or end in the (dark? Is i t all or noth-ing? I We don't need an - 0th - er I

Verse 3: Looking for something we can rely on; There's got to be something better out there.

Verse 4 : Love and compassion; that day is coming. All else are castles built in the air.

We Don't Need Another Hero - 3 - 3 (To Bridge I)

PURPLE RAIN(1984)

WHEN DOVES CRY

Words and Music by PRINCE

Medium tempo

Dig, if u w i l l , the pic - ture of

I u and I en - gaged in a kiss. The sweat of your bod - y cov -

When Doves Cry - 6 - 1

O 1984 CONTROVERSY MUSIC All Rights Reserved

ers me. Can u, my dar - ling, can u pic - ture this?-

- Dream, if u can:- a court - yard,

- - - - an o - cean of vi ' - lets in bloom.-

I I

i - mals- strike cu - ri - G U ~ pos - es.


They feel the heat, the heat be - tween me and U.

How can u just- leave me stand-

ing a - lone in a world- that's s o cold?

May - be I'm just- 2 de - mand - ing. May - be I'm just - like my


fa - ther: 2 bold. May - be you're just- like my moth - er.

She's nev - er sat - is - Why do we scream- at each o t h -

er? This is what it sounds like when doves- CrY.


F - G nAm n x n n n

v Touch, if u ~111 . - my stom - ach.

I Feel how i t trem - bles in - side. You've got the but - t e r - flies-


311 tied LIP. Don' t make m e <hast: u. E - i c n doves- tiair' prtdc..-

How can LI just- leave m e stand - lng I - 3 -


CURLY SUE (1991)

YOU NEVER KNOW Words and Music by

JOHN BETTIS and STEVE DORFF

Moderate shuffle in "4"

C Life goes on , n o - one gets re - hears - al.

t Who knows why, an - y - thing can hap - pen? A

F Fsus4/G F /A Bb (add C) Dm7 Bb C/Bb Bb

Life goes o n through ev - 'ry - day re - ver - s a l . With ev - 'ry dawn, - ev - 'ry cloud - y day can sud - den - ly break o - pen.- Be - fore your eyes -there's the

day is- full of chan - ces t o find some-good be - fore it's smil - ing- face of sum - mer, chas - ing- all the rain a

You Never Know - 5 - I O 1991 WB MUSIC CORP.. WARNER-TAMERLANE PUBLISHING CORP., JOHN BETTIS MUSIC, STEVE DORFF MUSIC and NOCTURNAL ECLIPSE MUSIC

All Rights on behalf of JOHN BETTIS MUSIC Administered by WB MUSIC CORP. All Rights on behalf o f STEVE DORFF MUSIC Administered by NOCTURNAL ECLIPSE MUSIC

All Rights Reserved

is _eon - na take- you,

I a1 - ways- some sur-prise that comes a - long- t o shake you.- A

sim - ple- rule of t h u m b that's of - t e n been ne - glect - ttd is

1 take life- as i t comes,- ex - pect t h e ' u n - e x - p e c t - ed.

You Never Know - 5 - 2

I

( You nev-er see- ex - act - ly where- the road will lead you.- And when it comes- to love,- you

I I I I L I

1' 4. B5 (add C) Dm7 Am7 Ab13 Gm7 F 4'7

I - but then a - gain- you nev - er know

I I I I I h I I

A I 2- 4 I t I t. -0. +' - You Never Know - 5 - 3

n n n n

Dm7 Fmai7!G Gm7 B I ' C C

take life- as it comes,- ex - pect the- un - ex - pect - ed.-

I never saw- ex-act - ly where- the road would lead me.- One day- I woke to


1 but then a - gain YOU nev er

Repeat utld fade (Itzstr~~r?zental)

Gb Bbm7

I know.

B bm7 E bm7 Cb(add Db) E bm7 B bm7 A1 3


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