visual resources as archives: the case of the lane brothers and tracy o'neal collections
DESCRIPTION
Peter J. Roberts presentation as part of the "Visual Resources as Archives: The Case of the Lane Brothers and Tracy O'Neal Collections" presentation. This is Part 1: From Office Records to Archives.TRANSCRIPT
Visual Resources as Archives: The Case of the Lane Brothers and Tracy O’Neal Collections
Part 1: From Office Records to Archives
Visual Resources Association 2010 Conference
March 19th
Peter J. [email protected]
Overview Acquisition of Lane and O’Neal History File naming Scanning policy On-line access Preservation Physical and intellectual
Overview Acquisition of Lane and O’Neal History File naming Scanning policy On-line access Preservation Physical and intellectual
Acquisition of Lane and O’Neal
History of Lane and O’Neal
The Lane Brothers began as ambulance chasers trying to scoop their competitors and sell their pictures to news outlets.
History of Lane and O’Neal
The Lane Brothers later specialized in advertising, insurance, real estate, publicity, and newspapers.
History of Lane and O’Neal
Tracy O’Neal specialized in labor unions, weddings, and the Shriners
History of Lane and O’Neal
The Lane Brothers and Tracy O’Neal became Atlanta’s leading commercial photographers in the mid 20th Century.
History of Lane and O’Neal
Their legacy is a visual chronicle of the economic, social, and political forces that transformed Atlanta from a regional city into the commercial capital of the South.
Intellectual Preservation:Arrangement and Description Artificial Arrangement (Lane
Brothers)
Intellectual Preservation:Arrangement and Description Original Order (Tracy O’Neal)
Intellectual Preservation:Arrangement and Description
Intellectual PreservationArrangement and Description
Intellectual Preservation File Naming
LBGP === Geographic PlacesLBGPF == .. FacilitiesLBGPNS == .. Named StreetsLBCB === Corporate BodiesLBCE === Corporate EventsLBMPE == Movie Premiere EventsLBP ==== Portraits….
Intellectual PreservationFile Naming
LBCB024-004a translates as Lane Brothers, Coroporate Bodies (Series), Box 24, Envelope 4, scanned image “a”.
Leading zeros are necessary for computer file listings.
Physical PreservationSelection for Scanning and Preservation
Not all photographs are equal Handout Selection for cold storage and scanning
Selection for Scanning and Physical Preservation
Street scenes and buildings are the most requested
Selection for Scanning and Preservation
Second most requested are people (politicians, celebrities and family members)
Selection for Scanning and Preservation
Third most requested are events
Scanning constraints Early scanning limited by computer
speed and storage costs. Todays PC 10X faster than in 1999. 5.25 floppies were still being used. A 1.4MB b&w TIFF file (300 dpi of a 4X5
negative) could be copied to a researcher’s floppy disc, was more than adequate to create a 8X10 digital print and could be e-mailed.
Scanning Constraints
Access not preservation
Scanning Policy
On-line access
Physical Preservation Negatives are made of cellulose
acetate which becomes more acidic over time and channel after about 50 years.
Physical Preservation
Physical Preservation Select channeled negatives were
restored by the Chicago Albumen Works for about $90 each.
Conclusion