visual analysis part ii
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Visual Analysis Part II. Never mistake the message—for the messenger . Source: Understanding comics The Invisible Art Scott McClou. Panel to Panel Transitions. Moment-to-moment: easy to attain closure Action-to-Action: single subject - PowerPoint PPT PresentationTRANSCRIPT
Visual AnalysisPart II
Never mistake the message—for the messenger.
Source: Understanding comics The Invisible Art Scott McClou
Moment-to-moment: easy to attain closure Action-to-Action: single subject Subject-to-Subject: while staying within a scene or
idea—requires reader involvement to be successful. Scene-to-Scene: Deductive Reasoning needed to
transport the reader across significant distances of time and space.
Aspect-to-Aspect: bypasses time for the most part and sets a wandering eye on different aspects of place, idea or mood.
Non-Sequitur: no logical relationships between panels.
Panel to Panel Transitions
Moment to Moment
Action to Action
Subject to Subject
Deductive Reasoning
Scene to Scene
Aspect to AspectBypasses time for the most part and sets a wandering eye on different aspects of a place, idea, or mood.
Non-sequitur which offers no logical relationship between
panels
Figure Ground Relationships and Negative Space
How we all began telling
stories
We assume as readers that we will know what
order to read panels in but the business of arranging those panels is actually quite complex.
Some artists are deliberately ambiguous. Closure can be a powerful force within panels
as well as between them, when artists choose to show only a small piece of the picture.
Closure
Whatever the mysteries within each panel, it’s
the power of closure between panels that I find the most interesting.
There’s something strange and wonderful that happens in the blank ribbon of paper.
We already know that comics as the mind to work as a sort of in-betweener—filling in the gaps between panels as an animator might—but I believe there’s till more to it than that.
Closure
Time Frames
Transitions and Time
Polyptych: time and space
merge
The idea that a picture
can evoke an emotional or sensual response in the viewer is vital to the art of comics.
Can Emotion Be Made Visible?
By far the most widely-used most complex
and most versatile of comics many synaesthetic icons is the ever-present, ever-popular word balloon.
Over the years comics creators have struggled with dozens of variations in their desperate attempts to depict sound in a strictly visual medium.
Variations in balloon shape and the symbols that go inside the balloon are constantly being invented or appropriated.
Word Balloon
When Bleeds are used (picture running of the page) the effect of timelessness is strengthened
Establishing shotLong ShotMedium shot