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David Funck (1648 — 1699?) Stricturæ Viola‒di Gambicæ atuor Violis da Gamba concinendis Leipzig 1677 Clefs: (Mensurstrich)

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Page 1: VistaMare Musica€¦ · ViMa 1 – Version 1 – October 2015. A publication (. Editing and typesetting © 2015 Maurizio M. Gavioli. Licensed under the

DavidFunck

(1648 — 1699?)

StricturæViola‒di Gambicæ

Quatuor Violis da Gamba concinendis

Leipzig 1677

Clefs: (Mensurstrich)

Page 2: VistaMare Musica€¦ · ViMa 1 – Version 1 – October 2015. A publication (. Editing and typesetting © 2015 Maurizio M. Gavioli. Licensed under the
Page 3: VistaMare Musica€¦ · ViMa 1 – Version 1 – October 2015. A publication (. Editing and typesetting © 2015 Maurizio M. Gavioli. Licensed under the

DavidFunck

(1648 — 1699?)

StricturæViola‒di Gambicæ

Clefs: (Mensurstrich)

3

5

7

98989898

22.Gique

()

()

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30 Funck – Strictura

©MaurizioM.Gavioli – CreativeCommonsby-sa3.0 ViMa1 Version1.0

Page 4: VistaMare Musica€¦ · ViMa 1 – Version 1 – October 2015. A publication (. Editing and typesetting © 2015 Maurizio M. Gavioli. Licensed under the

ViMa 1 – Version 1 – October 2015. A publication (http://www.vistamaresoft.com/musica/).Editing and typesetting © 2015 Maurizio M. Gavioli. Licensed under the Creative Commons license “Attribution - Share Alike” (in simple words,

do with it whatever you like as long as you give me proper credit and share derivativeworks like this one; for details, see http://www.creativecommons.org/licenses/by-sa/3.0).

Typeset with MuseScore (http://musescore.org/). Texts set in Linux Libertine and Linux Biolinum (http://www.linuxlibertine.org/).

Typographic ornaments: p. 20 - from a 1730 print by P. Simon, Paris (source Fleuron – Université de Lausanne http://dbserv1-bcu.unil.ch/ornements/scripts/index.html); p. 21 - from a 1580 print by Jean de Laon pour Henry Estienne, Genève (source 1001-Genève http://www.10011geneve.net/topic/index.html); otherfrom a 1723 Villon print by A.–U. Coustelier, Paris (source Fleuron).

7

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20.Aria

21.Sarabande

Funck – Strictura 29

©MaurizioM.Gavioli – CreativeCommonsby-sa3.0 ViMa1 Version1.0

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Ta b l e o f C o n t e n t s

(Suite 1 in G minor)

(1.) Intrad p. 6

2. Allemand p. 7

3. Courant p. 8

4. Sarabande p. 9

5. Air p. 9

6. Courant p. 10

7. Ballo p. 10

8. Courant p. 11

9. p. 12

10. Saraband p. 12

11. Lament0 p. 13

12. Saraband p. 13

13. Air p. 14

14. Saraband p. 14

15. Gavot p. 15

16. Gique p. 15

(Suite 2 in D major)

17. (Allegro) – Saraband – 

Adagio p. 18

18. Allemand p. 27

19. Courant p. 28

20. Aria p. 29

21. Sarabande p. 29

22. Gique p. 30

(Suite 3 in D major)

23. Sonata p. 33

24. Allemand p. 36

25. Courant p. 37

26. Bransle p. 38

27. Amener p. 39

28. Ballo p. 40

29. Saraband p. 41

30. Gavot p. 41

31. Saraband p. 42

32. Gique p. 42

(Suite 4 in G major)

33. Sonatina p. 46

34. Allemand p. 47

35. Courant p. 49

36. Aria p. 50

37. Saraband p. 50

38. Bransle p. 51

39. Bransle Amener p. 52

40. Ballet p. 53

41. Sarabande p. 53

42. Intrad p. 54

43. Volta p. 55

P r e fa c e

This edition follows as faithfully as possible the original 1677 edition by Fleischern(Leipzig, Jena, Rudolphstad). It is a movable-type print in separate parts (four separatebooklets). The source used for the edition is the copy in the Bibliothèque Nationale deFrance (Paris). The title page reads:

DAVIDIS FUNCCIIBOHEMI

S T R I C T U R Æ

10

16

3333

19.Courant

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28 Funck – Strictura

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4

VIOLA-DI GAMBICÆEx

Sonatiis, Ariis, Intradis,Allemandis, &c.

QuatuorViolis da Gamba

concinendispromicantes.

LIPSÆ, JENÆ & RUDOLSTADII,Apud Johannes Theodorum, Christoph.

& David FleischernANNO M DC LXXVII

E d i t o r i a l r e m a r k s

• Editorial additions are placed above the staff or marked by doted lines or parentheses.

• Original time signatures and note values have been retained.

• All marked accidentals have been retained, even when superfluous according to modern con-

ventions; however, they have been silently ‘modernized’ when current conventions dictate adifferent sign (i.e.: a sharp used to raise a flatened note has been converted to a natural sign).

• The original had only a few barlines. For this edition, the parts have been set in score format

and measure bars added between staves (Mensurstriche), without spliting any note in severaltied notes. Original bar lines are rendered with in-staff bar lines.

• Accidentals above the staff are editorial suggestions.

C r i t i c a l n o t e s :

1) Original: A.2) Original: 3) Original has an extra A 4) Original: C.5) Misnumbered “13.” in Viola da Gamba I part.6) Misnumbered “14. Aria” in Viola da Gamba I part.7) Misnumbered “16.” in Viola da Gamba II part.8) Original: G.9) Original: E.

10) Original: wrong mezzo-soprano clef (with soprano clef accidentals).11) Repeated twice in original.12) Original: wrong tenor clef (with alto clef accidentals).13) Original: D.14) Original: barline misplaced before G.15) Original: 16) No indication of start repeat in original.17) Original position of dynamics. 18) So Viola da gamba I; Viola da gamba II and III have Allegro instead; the Viola da Gamba IV

part lacks any tempo indication.19) The Viola da Gamba II and IV parts lack the tempo indication and have a dynamics indication

instead (pian and piano resp.).

5

8

13

18.Allemand

Funck – Strictura 27

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Suite 1in G minor

81

89

9

Adagio

10)

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()

26 Funck – Strictura

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12

16

VioladaGambaI

VioladaGambaII

VioladaGambaIII

VioladagambaIV

Intrad

Allegro

Allegro

Adagio

Adagio

Allegro

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Allegro

Adagio

Adagio

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69

73

78

Double

10)

Funck – Strictura 25

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5

8

13

pian

forte

(forte)

(forte)

(forte)

pian

(pian)

pian

pian

pian

pian

pian

pp.

p.p.

p.p.

p.p.

2.AllemandAdagio Allegro

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1)

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Funck – Strictura 7

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53

57

61

(Double)

10)

24 Funck – Strictura

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12

19

33343

pian

(forte)

(forte)

(forte)

(forte)

pian

pian

pian

pian

pian

pian

pian

3.Courant

Adagio

(Tempoprimo)

()

2)

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8 Funck – Strictura

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37

41

45

Double

Funck – Strictura 23

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9

3333

Saraband

10)

Funck – Strictura 21

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17

21

25

29

(Double)

10)

22 Funck – Strictura

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11

13

15

Funck – Strictura 19

©MaurizioM.Gavioli – CreativeCommonsby-sa3.0 ViMa1 Version1.0

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20

20 Funck – Strictura

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7

7

15

3

333

8.Courant

2)

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Funck – Strictura 11

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3

5

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17.

18 Funck – Strictura

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5

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9.

10.Saraband

12 Funck – Strictura

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Suite 2in D major

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6

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11.Lamento

12.Saraband

()

5)

Funck – Strictura 13

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4

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13.Air

14.Saraband

6)

14 Funck – Strictura

©MaurizioM.Gavioli – CreativeCommonsby-sa3.0 ViMa1 Version1.0

4

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15.Gavott

16.Gique

7)

8)

9)

Funck – Strictura 15

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9

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Funck – Strictura 31

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Suite 3in D major

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14

26

32

323332

p. f.

p. f,

p.

p.

f.

f.

p. (f.)

p.

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pian

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f.

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pian

(pian)

pian

pian forte

forte

forte

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forte

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pian

pian

pian

23.Sonata

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Præsto

Funck – Strictura 33

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45

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(forte)

(forte)

(forte)

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34 Funck – Strictura

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Funck – Strictura 35

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43.Volta

Adagio

Presto

Adagio

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Funck – Strictura 55

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25.Courant

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Funck – Strictura 37

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54 Funck – Strictura

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26.Bransle12)

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38 Funck – Strictura

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40.Ballet

41.Sarabande

16)

Funck – Strictura 53

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27.Amener

1. 2.

1. 2.

Funck – Strictura 39

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39.BransleAmener

52 Funck – Strictura

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4

6

10

28.Ballo

13)

40 Funck – Strictura

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38.Bransle

Adagio Presto

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Funck – Strictura 51

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35.Courant

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Funck – Strictura 49

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36.Aria

37.Saraband

15)

50 Funck – Strictura

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20

23

Adagio

34.Allemand

Funck – Strictura 47

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7

10

15

48 Funck – Strictura

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15

Funck – Strictura 43

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14

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33.SonatinaAdagio

Allegro

46 Funck – Strictura

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Suite 4in G major

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9

5

334343

4.Sarabande

5.Air

3)

Funck – Strictura 9

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p. 19

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6.Courant

7.Ballo

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10 Funck – Strictura

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11

5

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29.Saraband

30.Gavott

Funck – Strictura 41

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p. 47

9

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31.Saraband

32.Gique

42 Funck – Strictura

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