viennese bass method - lesson 16 romantic music arrangements - letter format

15
 c . 3 o œ 2 œ 3 o . . 3 R 1 I œ Œ œ 1 œ 3 œ 1 œ œ 2 œ œ 1 I II œ 2 J 3 . 3 œ 1 œ œ 1 œ œ 3 œ 3 I II I  œ 3 . 2 œ 1 . 2 œ  3 œ 1 œ 2 œ 2  3 œ 3 œ 2 œ 1 I II I III II . œ 3 œ 2 . 2 œ 1  3 œ œ 2 œ 2 o  3 œ 3 o œ 2 o œ 2 I II I II œ 3 6 œ œ œ 1 œ 1 œ 3 œ 1 œ 1 œ œ 2 Œ III  4  3 œ œ 1 œ . 2 j II I II œ œ 2 o œ . 2 j I II . 2 o j œ œ 2 œ 1 ˙ 2 j 2  œ œ 1 œ . 3 j II I II œ œ 2 o œ . 3 J 1 I . 3 o j 1 œ 1 œ 3 o œ 1 II ˙ 3 o j 2 98 V iennese Bass Method Lesson 16. Romantic Music Arrangements www.viennesetuning.com Copyright © 2010 by Igor Pecevski Exercise 141. Schubert, A ve Maria Exercise 142. Schubert, Serenade - Andante con molto This lesson will present a variety of Romantic and even 20th Century compositions that have proven  playable on the Viennese bass. Although a majority of them are short character pieces that are well familiar through the popular transcriptions for the other instruments, some - like Schubert's "Arpeggione" Sonata - will demonstrate that the further research may yield even more substantial pieces from the post Classical repertoire. Also, is spite the fact that the harmonic and chromatic style of the later periods was sometime difficult to arrange for the D-Chord Viennese tuning, the reward is an offering of an exquisite literature that will  present no obstacle to a competent player. In fact, some pieces - such as Faure's "Sicilienne" - indeed offer such a melodic convenience that it almost appears that they were written idiomatically for the Viennese system. The pieces are presented here in the loose chronological order that starts with Schubert and finishes with 20th Century classics such as Bartok, De Falla and Khachaturian. Although this is the last lesson in the present sequence of the Viennese Bass Method, it is hoped that the further development of the Viennese concert practice will yield the first modern pieces written for this system too. The technical richness of the past and the possibilities presented in the modern literature arrangements offer indeed a bright promise that the unique tone color of the Viennese bass will continue to live and flourish in the future.

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    98 Viennese Bass Method Lesson 16. Romantic Music Arrangements

    www.viennesetuning.com

    Copyright 2010 by Igor Pecevski

    Exercise 141. Schubert, Ave Maria

    Exercise 142. Schubert, Serenade - Andante con molto

    This lesson will present a variety of Romantic and even 20th Century compositions that have proven playable on the Viennese bass. Although a majority of them are short character pieces that are well familiar through the popular transcriptions for the other instruments, some - like Schubert's "Arpeggione" Sonata - will demonstrate that the further research may yield even more substantial pieces from the post Classical repertoire.

    Also, is spite the fact that the harmonic and chromatic style of the later periods was sometime difficult to arrange for the D-Chord Viennese tuning, the reward is an offering of an exquisite literature that will present no obstacle to a competent player. In fact, some pieces - such as Faure's "Sicilienne" - indeed offer such a melodic convenience that it almost appears that they were written idiomatically for the Viennese system. The pieces are presented here in the loose chronological order that starts with Schubert and finishes with 20th Century classics such as Bartok, De Falla and Khachaturian.

    Although this is the last lesson in the present sequence of the Viennese Bass Method, it is hoped that the further development of the Viennese concert practice will yield the first modern pieces written for this system too. The technical richness of the past and the possibilities presented in the modern literature arrangements offer indeed a bright promise that the unique tone color of the Viennese bass will continue to live and flourish in the future.

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    Exercise 143. Schubert, Arepeggione Sonata D 821, 1st Movement - Allegro moderato

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    100Exercise 144. Schubert, Arepeggione Sonata D 821, 3rd Movement - Allegretto

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    101Exercise 145. Chopin, Notturno - Andante cantabile

    Exercise 146. Chopin, Valse serieuse - Poco lento

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    102Exercise 147. Schumann, Trumerei - Moderato

    Exercise 148. Brahms, Lullaby - Andante

    Exercise 149. Brahms, Hungarian Dances No. 5- Allegro

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    Exercise 151. C. Saint-Saens, The Swan - Adagio

    Exercise 150. Dvorak, Humoresque - Poco lento e gracioso

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    Exercise 153. Faure, Sicilienne op. 78, Andantino

    Exercise 152. Faure, Elegie op. 24, Molto Adagio

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    106Exercise 154. Massenet, Meditation, Andante Religioso - in D

    Exercise 155. Massenet, Meditation, Andante Religioso - in A

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    Exercise 155. Khachaturian, Waltz from Masquerade, Tempo di Valse

    = Harmonic in the 5th position= Harmonic in the 7th position (on the same preceding note)

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    108 Exercise 156. Fritz Kreisler, Schn Rosmarin, Grazioso

    Exercise 157. De Falla, Suite Populaire Espagnole, 2. Nana, Calmo e sostenuto

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    Exercise 158. Bartok, Roumanian Folk Dances, no. 1 Jocul cu bata, Allegro moderato

    Exercise 159. Bartok, Roumanian Folk Dances, no. 2, Braul, Allegro

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    110Exercise 160. Monti, Czardas

    Largo

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    111Allegretto Vivace