uses for harmonic major - rick · pdf fileeb harmonic major or g mixo ñ9 #9 ñ13...

2
& c . . . . 1. Minor II V resolving to major ('Night and Day') 1 ’’’’ D à ’’’’ G ï ’’’’ C J ’’’’ [C\ \H\a\r\m\o\n\i\c\ \M\a\j\o\r] œ œ œ œ œ œ b œ œ & 2. Dominant b9 #9 b13 (Stella By Starlight) Ÿ Eb Harmonic Major or G Mixo Ñ9 #9 Ñ13 'Body and Soul' (b9, #9, b13) 6 œ b œ œ œ b œ b œ b œ œ b G 7 œ œ Œ Ó Eb Major C Ñ & b b b b b 3. Non Dominant Diminished Chords: bIII dim 7 going to II ÿ Eb harmonic minor 10 E ! Ñ B ! ó D lydian b7 E ! Ñ D ¢ Db melodic minor D ! J G ! ö & b b b b b Ab major Db melodic minor #4 (AÑ Harmonic Major) 13 * F Ñ E E ! Ñ E ! Ñ/D ! & DÑ melodic min #4 or Lyd. dim. (AÑ is "avoid note") 15 œ b œ b œ b œ œ b œ b œ œ b Melodic minor #4 (Lydian diminished) starting from the tonic of the key of the moment * same notes as Ab Harmonic Major (Ab is "avoid note") œ b œ b œ œ b œ b œ b œ œ b & 17 D Ñ G 7 C melodic minor #4 G Harmonic Major * C J E ! D Ñ G 7 & C melodic min #4 or Lyd. dim. (G is "avoid note") 20 œ œ œ b œ # œ œ œ œ Melodic minor #4 (Lydian diminished) starting from the tonic of the key of the moment * same notes as G Harmonic Major (G is "avoid note") œ œ œ œ œ œ b œ # œ Uses for Harmonic Major Rick Peckham 'Avoid note' or 'special consideration note': Scale note that is a half-step above a chord tone. Any scale note may be played over a chord, but avoid notes sound questionalble if sustained.

Upload: vankhanh

Post on 06-Feb-2018

216 views

Category:

Documents


1 download

TRANSCRIPT

Page 1: Uses for Harmonic Major - Rick · PDF fileEb Harmonic Major or G Mixo Ñ9 #9 Ñ13 'Body and Soul' (b9, #9, b13) 6 bœœœbœbœb ... Ab major Db melodic minor #4 (AÑ Harmonic Major)

&c ..

.

.

1. Minor II V resolving to major ('Night and Day')

1’ ’ ’ ’

Dà’ ’ ’ ’

Gï’ ’ ’ ’

CJ’ ’ ’ ’

[C\ \H\a\r\m\o\n\i\c\ \M\\a\j\o\r]

œ œœ œœ œbœ œ

&

2. Dominant b9 #9 b13 (Stella By Starlight)

Ÿ

Eb Harmonic Major or G Mixo Ñ9 #9 Ñ13

'Body and Soul'

(b9, #9, b13)

6œb œœ œbœb œbœ œb

G7œ œ

Œ Ó

Eb Major’ ’ ’ ’

CÑ’ ’ ’ ’

&bbbbb

3. Non Dominant Diminished Chords: bIII dim 7 going to II

ÿEb harmonic minor

10’ ’ ’ ’

E!Ñ B!óD lydian b7

’ ’ ’ ’

E!Ñ D¢Db melodic minor

’ ’ ’ ’

D!J G!ö

&bbbbb

Ab major Db melodic minor #4 (AÑ Harmonic Major)

13’ ’ ’ ’

*FÑ E∂’ ’ ’ ’

E!Ñ E!Ñ/D!

&

DÑ melodic min #4 or Lyd. dim. (AÑ is "avoid note")

15 œb œb œb œ œbœb œ œb

Melodic minor #4 (Lydian diminished) starting from the tonic of the key of the moment

* same notes as Ab Harmonic Major (Ab is "avoid note")

œb œb œ œbœb œb œ œb

&

17’ ’ ’ ’

DÑ G7C melodic minor #4G Harmonic Major

’ ’ ’ ’

*CJ E!∂’ ’ ’ ’

DÑ G7

&

C melodic min #4 or Lyd. dim. (G is "avoid note")

20 œ œœb œ# œ œ

œ œ

Melodic minor #4 (Lydian diminished) starting from the tonic of the key of the moment* same notes as G Harmonic Major (G is "avoid note")

œ œœ œ

œ œbœ# œ

Uses for Harmonic MajorRick Peckham

'Avoid note' or 'special consideration note': Scale note that is a half-step above a chord tone. Any scalenote may be played over a chord, but avoid notes sound questionalble if sustained.

Page 2: Uses for Harmonic Major - Rick · PDF fileEb Harmonic Major or G Mixo Ñ9 #9 Ñ13 'Body and Soul' (b9, #9, b13) 6 bœœœbœbœb ... Ab major Db melodic minor #4 (AÑ Harmonic Major)

&bbbbb..

.

.

4. Non Dominant Diminished Chords: Tonic Diminished

Upper Manhattan Medical Group: last 8 bars

22’ ’ ’ ’

D!∫’ ’ ’ ’ ’ ’ ’ ’

D!J’ ’ ’ ’

&nnnnn

Db Sym Diminished (W,H) OR

26 œb œb œnœ# œ

œ œbœ

Db Mel min #4 (mode 4, Ab Harmonic major

œb œbœb œ

œb œbœ œb

&

##

5. Non Dominant Diminished Chords: Chromatic resolution bVI dim 7'Wave'

28’ ’ ’ ’

DJD Harm. Maj (D is "avoid note")

’ ’ ’ ’

*B!∂’ ’ ’ ’

AÑ’ ’ ’ ’

D7

&

nn

D Harm. Maj. (D is "avoid note")

32 œ œœ# œ œ

œb œ# œ

G melodic min #4 or Lyd. dim. (D is "avoid note")

œ œœb œ# œ œ

œ# œ

&

'Corcovado'

34’ ’ ’ ’

D7/A’ ’ ’ ’

F melodic minor #4 or C Harm. Major

’ ’ ’ ’

*A!∂’ ’ ’ ’ ’ ’ ’ ’

GÑ’ ’ ’ ’

C7’ ’ ’ ’

FJ’ ’ ’ ’

&

F melodic min #4 or Lyd. dim. (C is "avoid note")

42œ œ

œb œN œ œœ œ

F melodic minor #4 or C Harm. Major

œ œœ œ

œ œbœ œ

Uses of Harmonic Major page 2