user manual - d16.pl

User Manual5 January 2022 11:24

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RequiRements •

Requirements

Software and hardware requirements:

Windows PC

OS version Windows 7, Windows 8, Windows 10 CPU 3.4 Ghz with SSE (System 4.0 Ghz recommended) RAM 8 GB (16 GB Recommended) Software VST2 / VST3 / AAX compatible host application (32bit or 64bit)

Mac OS X

OS version OS X 10.9 or newer CPU Intel based 3.4 Ghz (4.0 Ghz recommended) RAM 8 GB (16 GB Recommended) Software AU / VST2 / VST3 / AAX compatible host application (64bit!)

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OveRview •

Overview

Godfazer combines multiple modulation and filter types in a single versatile plugin effect, with a choice of routing topologies.

The Godfazer interface

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OveRview •

Godfazer’s GUI comprises two main areas:

• The configuration and preset management section

Browse and select presets and tweak Godfazer’s settings in the configuration section

• The signal processing control section, housing all effect controls and parameters

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sOund cOntROls • Basic mOdules

Sound controls

This chapter describes the various components of the plugin and all of its controls.

Basic modulesThere are three main processing modules:

• The Ensemble module is key to producing delay and/or amplitude modulation-based effects, such as chorus, ensemble, rotary speaker and tremolo. It features emulations of vintage units as well as numerous original modes.

• The two Multi Filter modules offer a broad selection of Filter types, including resonant filters, formant filters, phasers (some of them modelling classic devices), EQs and hybrid combinations. Each Multi Filter can be modulated using either or both of the two Modulators (see below).

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EnsembleThe Ensemble module enables delay- and/or amplitude-based modulation to be applied to the input signal, depending on the selected model/type.

The Ensemble module

The Ensemble module is controlled by the following parameters:

• Click the text field at the top to select an Effect type

Choosing the Ensemble effect type

Alternatively you can hover with mouse pointer over the display to show Prev / Next buttons for fast navigation.

• Speed – Adjusts the Rate of modulation (if applicable).• Depth – Adjusts the Depth of modulation (if applicable).• FX – Crossfades between the Dry (unprocessed) and Wet (processed) signals.• Volume – Adjusts the level of the output signal.

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Ensemble effect typesAn extensive roster of models is available in the Ensemble module: Type name Description

- Bypass - Passes the input signal unprocessed

Chorus BBDx1 Neutral Single delay line chorus effect with one LFO

Chorus BBDx1 Wide As above but with a wide stereo image

Chorus BBDx2 Neutral Double delay line chorus effect with one LFO


Chorus BBDx3 Neutral Triple delay line chorus effect with one LFO


Chorus Fat Neutral Triple delay line chorus effect with one LFO per delay line. All LFOs are slightly detuned against each other

Chorus Fat Wide As above but with a wide stereo image

Chorus Spacey Single delay line chorus effect with one LFO, a widened stereo image, and a longer base delay time

Chorus Syntex1 Chorus effect modelled on the Elka Syntex – Preset 1



Ensemble ARP Classic Double LFO (fast and slow), triple delay line (all controlled by the two LFOs) ensemble modelled on the ARP Solina. Depth and Speed are fixed

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Type name Description

Ensemble ARP Thin Double LFO (fast and slow), single delay line (controlled by the two LFOs) ensemble modelled on the ARP Solina. Depth and Speed control only the slower LFO, and the stereo image is widened

Panner Stereo panner

Rotary Horizontal Emulation of a horizontal rotary speaker with adjustable Depth and Speed

Rotary RA200 Fast Emulation of the classic Yamaha RA-200 rotary speaker, set to Fast

Rotary RA200 Slow Emulation of the classic Yamaha RA-200 rotary speaker, set to Slow

Rotary Vertical Emulation of a vertical rotary speaker

Tremolo+Chorus Vibrato effect with tremolo and a single delay line, producing chorus when mixed with the Dry signal. Depth controls only the vibrato. Speed controls vibrato and tremolo

Trem+Chrs Fat Double delay line chorus effect with tremolo on the wet signal. Depth controls only the vibrato. Speed controls vibrato and tremolo

Tremolo Tremolo effect

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Multi Filter Each of Godfazer’s two Multi Filter modules processes the input signal with one of dozens of available filter types.

The Multi Filter module

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The Multi Filter is governed by the following parameters:

• Click the text field at the top to select a Filter type

Selecting the Filter type

Alternatively you can hover with mouse pointer over the display to show Prev / Next buttons for fast navigation• Frequency – Controls the cutoff or center frequency, depending on the selected model.• Emphasis – Adjusts the filter’s resonance/gain, depending on selected model.• Volume – Adjusts the level of the output signal.• Panning – Sets the balance between the left and right (or mid and side if M/S Mode is enabled) channels in the output signal.• M/S Mode – Toggles between Left/Right and Mid/Side modes for the Panning control.• Mod 1 and Mod 2 – Controls the amount of modulation applied to the filter’s cutoff/center frequency (or other parameters, depending on

the selected model) by Modulator 1 and/or Modulator 2 respectively.• Inv – Inverts the polarity of modulation from the associated Modulator (Mod 1 or Mod 2). With Inv disabled, the control signal arrives

from the Modulator unchanged. With Inv enabled, the amplitude of the control signal is inverted using the formula: (1 - Mod Value).

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Filter modelsThe Multi Filters draw on a comprehensive array of Filter models:

Model name Description Frequency response

- Bypass - Passes the input signal unprocessed. -

EQ Band Shelf Pass

Low-shelf and high-shelf filters arranged symmetrically in the frequency spectrum for boosts on either side of the center frequency, and cuts above and below. The Frequency knob controls the center frequency, while Emphasis controls the amount of boost/cut. The Modulators affect the spacing of the two filters.

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Filter - Low Pass

EQ - Peak +

EQ - Peak -

EQ - Low Shelf EQ - High Shelf EQ - Double Shelf Reject EQ - Double Shelf Pass

Stage Phaser - Half Stage + Stage Phaser - Half Stage -

Polar Phaser - 1 Pole

Stage Phaser - 4 Stages

Peak Phaser - 4 Stages Peak Phaser - 6 Stages Peak Phaser - 8 Stages

Stage Phaser - 6 Stages Stage Phaser - 8 Stages

Polar Phaser - 2 Poles Polar Phaser - 3 Poles Polar Phaser - 4 Poles

Filter - High Pass Filter - Band Pass Filter - Band Reject

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Modulation

Formant filter

EQ Band Shelf Reject

Low-shelf and high-shelf filters arranged symmetrically in the frequency spectrum for cuts on either side of the center frequency, and boosts above and below. The Frequency knob controls the center frequency, while Emphasis controls the amount of cut/boost. The Modulators affect the spacing of the two filters.

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Formant filter

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EQ High ShelfHigh-shelf filter with Emphasis applying boost above the cutoff and attenuation below. The Frequency and Mod 1/2 knobs control and modulate the filter cutoff frequency.

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Modulation

Formant filter

EQ Low ShelfLow-shelf filter with Emphasis applying attenuation above the cutoff and boost below. The Frequency and Mod 1/2 knobs control and modulate the filter cutoff frequency.

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Modulation

Formant filter

EQ Peak +Peaking EQ filter with Emphasis controlling boost. The Frequency and Mod 1/2 knobs control and modulate the center frequency.

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Formant filter

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EQ Peak -Peaking EQ filter with Emphasis controlling attenuation. The Frequency and Mod 1/2 knobs control and modulate the center frequency.

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Modulation

Formant filter

Filter BP 24dBBand-pass filter with Emphasis controlling bandwidth. The Frequency and Mod 1/2 knobs control and modulate the filter cutoff frequency.

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Modulation

Formant filter

Filter BR 24dBBand-reject filter with Emphasis controlling bandwidth. The Frequency and Mod 1/2 knobs control and modulate the filter cutoff frequency.

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Modulation

Formant filter

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Filter FormantGeneric formant filter with Emphasis controlling clarity and Mod 1/2 modulating the distance between two formants. The Frequency knob controls the center frequency.

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- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


Filter - Low Pass

EQ - Peak +

EQ - Peak -









0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

Formant filter

Filter HP 24dBHigh-pass filter with Emphasis controlling resonance. The Frequency and Mod 1/2 knobs control and modulate the filter cutoff frequency.

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -Modulation

Center frequency

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


Filter - Low Pass

EQ - Peak +

EQ - Peak -









0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

Formant filter

Filter LP 24dB

Filter LP Analog

Filter LP Double

Low-pass filter with Emphasis controlling resonance. The Frequency and Mod 1/2 knobs control and modulate the filter cutoff frequency. Each variant has its own colorization and character.

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -Modulation

Center frequency

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


Filter - Low Pass

EQ - Peak +

EQ - Peak -









0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

Formant filter

15www.d16.pl



Phaser 3 Peaks4-stage peak phasing filter. The Frequency and Mod 1/2 knobs control and modulate the center frequency. Emphasis controls the feedback amount.

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -Modulation

Center frequency

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


Filter - Low Pass

EQ - Peak +

EQ - Peak -









0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

Formant filter


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -Modulation

Center frequency

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


Filter - Low Pass

EQ - Peak +

EQ - Peak -









0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

Formant filter


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -Modulation

Center frequency

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


Filter - Low Pass

EQ - Peak +

EQ - Peak -









0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

Formant filter

16 www.d16.pl



Phaser 1 Pole1-pole phasing filter. The Frequency and Mod 1/2 knobs control and modulate the center frequency. Emphasis controls the feedback.

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -Modulation

Center frequency

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


Filter - Low Pass

EQ - Peak +

EQ - Peak -









0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

Formant filter

Phaser 2 Pole Close

Phaser 2 Pole Wide

2-pole phasing filter. The Frequency and Mod 1/2 knobs control and modulate the center frequency. Emphasis controls the feedback. The variants differ in the frequency spread of the poles.

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -Modulation

Center frequency

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


Filter - Low Pass

EQ - Peak +

EQ - Peak -









0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

Formant filter

Phaser 3 Pole Close

Phaser 3 Pole Wide


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -Modulation

Center frequency

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


Filter - Low Pass

EQ - Peak +

EQ - Peak -









0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

Formant filter

17www.d16.pl



Phaser 4 Pole Close

Phaser 4 Pole Wide


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -Modulation

Center frequency

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


Filter - Low Pass

EQ - Peak +

EQ - Peak -









0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

Formant filter

Phaser 4 Stage Medium

Phaser 4 Stage Close

Phaser 4 Stage Wide

4-stage phaser. The Frequency and Mod 1/2 knobs control and modulate the center frequency. Emphasis controls the feedback. The variants differ in the frequency spread of the poles.

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -Modulation

Center frequency

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


Filter - Low Pass

EQ - Peak +

EQ - Peak -









0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

Formant filter



Phaser 6 Stage Wide


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -Modulation

Center frequency

0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


Filter - Low Pass

EQ - Peak +

EQ - Peak -









0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

Formant filter

18 www.d16.pl





Phaser 8 Stage Wide


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -


0dB

- EMPHASIS

AM

PLIT

UD

E

+ -

Center frequency

Modulation

0dB

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EQ - Peak +

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Modulation

Formant filter

Phaser Half Stage +Half-stage phaser with a boost above the notch. The Frequency and Mod 1/2 knobs control and modulate the center frequency. Emphasis controls the amount of boost.

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Modulation

Formant filter

Phaser Half Stage -Half-stage phaser with a boost below the notch. The Frequency and Mod 1/2 knobs control and modulate the center frequency. Emphasis controls the amount of boost.

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Formant filter

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Phaser MP-1

Phaser Phase 90

Phaser Phasor

Phaser PS-1

Phaser SmallStone R1

Phaser SmallStone R5

Vintage phaser models. The Frequency and Mod 1/2 knobs control and modulate the center frequency. Emphasis controls the feedback.

Note that the output volume levels (ie, the actual signal energy) of some models don’t correspond strictly to their depicted frequency responses because of the normalization process that’s part of the Multi Filter module.

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ModulatorsEach of Godfazer’s two Modulators can control the cutoff/center frequencies of either or both Multi Filters using one of four modulation signal generators.

The Modulator section

To switch between the two Modulators for editing, click the 1 and 2 LEDs in the title bar:

Selecting a Modulator for editing.

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Modulator typeSelect the desired Modulator type for the currently selected Modulator from the tabs below the title bar.

Selecting a Modulator type

There are four options to choose from:

• Constant – Sets independent static offset values for the Left and Right channels.• LFO – A low frequency oscillator with optional tempo sync.• Follower – An envelope follower.• Sequencer – A looping 16-step sequencer with optional tempo sync.

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ConstantThe Constant type isn’t a modulator per se. Rather, it’s a modifier that enables independent offsetting of the Multi Filter cutoff/center frequency in the Left and Right channels

The Constant Modulator applies fixed values to the Left and Right channels

The Value L and Value R knobs control the amount of offset applied to the Left and Right channels, respectively. Activating the Link LED sees movement of either knob mirrored in the other – ie, both are always set to the same value.

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LFO – Low Frequency Oscillator

The LFO Modulator outputs one of six waveforms

The LFO Modulator type outputs a cyclical waveform.

• Rate – Sets the LFO frequency.• Sync – Engage to synchronize the LFO to the tempo set in the host application. When Sync is active, the Rate can be set to these note

values: 4/1, 2/1, 1/1, half note (1/2), quarter note (1/4), eighth note (1/8), 16th note (1/16) or 32nd note (1/32).

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The Rate parameter with Sync enabled

• Scale – When Sync mode is active, three rhythmic modifiers are also made available:• Full – The effective rate is equal to the Rate note value. • Dotted – The effective rate value is one and a half times the duration of the Rate note value.• Triplet – The effective rate is two thirds the duration of the Rate note value.

The Scale parameter enables triplet and dotted timings

• Waveform – Selects the LFO’s waveform.• St. Phase – Shifts the stereo phase (offset between the Left and Right channels) of the LFO’s oscillations.• Panning – Controls the stereo balance of the generated oscillations. At the center point, the amplitude of oscillations is equal for the

Left and Right channels. Turning the knob clockwise decreases the amplitude in the Left channel. Turning the knob counter-clockwise decreases the amplitude in the Right channel.

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FollowerThe Envelope follower Modulator tracks the amplitude of the input signal and uses it to generate a control signal for modulation of the Multi Filters.

The Envelope Follower modulates the filter based on the amplitude envelope of the input signal

• Attack – Adjusts the speed at which the envelope rises when triggered by the input signal.• Release – Adjusts the speed at which the envelope falls when the input signal drops below the trigger threshold.• Sensitivity – Adjusts the amplification of the input signal in the detection circuit – ie, how loud it has to be to trigger the envelope.

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SequencerThe Sequencer modulator is a 16-step sequencer with adjustable Rate and optional tempo Sync.

The Sequencer Modulator outputs a sequence of 16 stepped values

• Rate – The number of steps per second, expressed in Hz, from 0.01 to 20.00, and adjusted by dragging up or down on the value field. • Sync – Engage to synchronize the step sequencer to the tempo set in the host application. When Sync is engaged, the Rate fixes the

step duration as a note value: 4/1, 2/1, 1/1, half note (1/2), quarter note (1/4), eighth note (1/8), 16th note (1/16) or 32nd note (1/32).

The Sequencer modulator’s Rate parameter with Sync enabled

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With Sync active, the Rate panel also offers three rhythmic modifiers:• Full – The effective rate is equal to the Rate note value. • Dotted – The effective rate value is one and a half times the duration of the Rate note value.• Triplet – The effective rate is two thirds the duration of the Rate note value.

• Sequence editor – The height of each bar determines the value output for that step. Raise and lower the bars by clicking or dragging with the mouse.

The Sequence editor, outputting a constant value across all 16 steps

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How modulation worksThe signal from each Modulator is routed into each Multi Filter using the Mod 1/2 knobs in the Multi Filter section, and optionally inverted by engaging the relevant Inv LED. Mod 1 adjusts the level of Modulator 1’s output while Mod 2 adjusts Modulator 2’s output for each Multi Filter independently.

MODULATOR 1

OUT

MULTI FILTER 2

MULTI FILTER 1

MULTI FILTER

ENSEMBLE

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OUT

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BUS

FILTER

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Mixed 1

Mixed 3 Mixed 4Serial

Mixed 2 Parallel

A routing schematic showing how the two Modulators control each Multi Filter

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Master section The output signal level, Dry / Wet mix balance and signal routing between the Ensemble, Multi Filter 1 and Multi Filter 2 modules are adjusted in the Master section.

Godfazer’s Master section

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• Routing – Click to select one of six topologies governing the signal flow through the two Multi Filters and the Ensemble module:

MODULATOR 1

OUT

MULTI FILTER 2

MULTI FILTER 1

MULTI FILTER

ENSEMBLE

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OUT

IN OUT

BUS

FILTER

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Mixed 2 Parallel

The six topologies available in Godfazer

• FX – Controls the balance between the wet (processed) and dry (unprocessed) signals.• Output Volume – Sets the final output level.

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sOund cOntROls • signal flOw

Signal flowThe illustration below shows the signal flow through Godfazer:

MODULATOR 1

OUT

MULTI FILTER 2

MULTI FILTER 1

MULTI FILTER

ENSEMBLE

MODULATOR 2

OUT

IN OUT

BUS

FILTER

EMPHASISFREQ

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Mixed 2 Parallel

The Signal flow within Godfazer

The input signal goes to the Routing Bus, which pushes it back and forth via the Multi Filters and Ensemble module in accordance with the selected topology. The processed signal then leaves the Routing Bus and is mixed with the dry signal at the final output.

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PRESET MANAGEMENT • PRESET STORAGE • BROWSING PRESETS

Preset Management

Preset Storage

Presets, both those from the Factory content, and User ones, are stored as files in proper locations on a disc. Each time the plug-in instance is loaded to the project, these locations are scanned and presets found there are consolidated into one linear structure (list) in the Preset Browser.

Browsing Presets

Presets Configuration and Management section enables quick navigation and browsing the presets structure:

Presets Configuration and Management Section

• PRESET – Displays the name of the currently loaded preset. Clicking the display opens Preset Browser panel at the bottom of GUI section allowing to browse factory / user presets.

• PREV / NEXT – Buttons that allow for linear browsing of presets list (depending on currently set filters – see sections below).• SAVE – Saves current parameters as a new preset or allows for overwriting of the existing one (see sections below).

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PRESET MANAGEMENT • BROWSING PRESETS

Mouse right-click over the Preset display opens context menu with two additional options:

• Init - Restores initial settings of plug-in parameters.• Reload - Reloads a current preset.

The Preset Browser looks as follows:

Preset Browser

One can see three main sections:

• Content – Sources from which presets can be read.• Filters – Configuration of presets Filters (non-active by default).• Results – List of presets from resources that meet criteria set by Filters.

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ResourcesIn this section you can choose a resource/resources in which you want to browse presets. There are two resources to choose from:

• Factory – Delivered together with the plug-in, cannot be modified (read-only).• User – Created by the user during using the plug-in and can be freely modified, shared with other users etc.

Choosing any of them will cause narrowing the results to the presets from one resource.

Preset FiltersThe plug-in enables classification of presets with the use of Categories and Tags system, whose aim is to facilitate the process of browsing the content by filtering.

Preset Browser Categories Filters

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Categories and TagsEach preset is described by a few common Categories. Within each of them there may be one or more Tags from a particular set.

A single category in a filter with a description of its elements

Presets from Factory resource were described by Categories and Tags during the stage of its creation. Categories and Tags are chosen in such a way so as to describe the content in the best possible way, taking into account the plug-in purpose.

Editing of Categories and Tags in case of Factory content is not possible – it is blocked. User presets may be described only with Categories and Tags from factory content or, alternatively, the users may define their additional Tags in order to describe their own pre-sets.

ResultsThis is a list of presets from chosen resources that meet the filtering criteria. The basic function of this section is browsing and loading presets (in Browsing Mode – by default).

CATEGORY NAME

TAGS

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Results Section in Preset Browser

Click any name to choose and load the preset.Double-click the name to enter preset name edit mode.

Presets FilteringFilters section columns represent particular Categories – Category filters, while rows in each of these columns represent Tags available within each Category.

Preset Browser Categories Filters

Filtering results have a form of a cascade (columns), from left to right. This means that all presets available in the selected resources are filtered as to presence of Tags from the first Category (first column from the left), next a set of presets being a result of filtering by the first Category is filtered by the Category represented by the second column etc., until it is filtered with the last active Category Filter.

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Presets Filtering with the use of Categories Tags

The result of a cascade filtering process (presets that meet the criteria of each filter) is listed below, in the Results section.

Basic Actions on FiltersTag buttons in Filters work in toggle mode. Click to activate/deactivate Tag (Grey color means that the Tag in inactive, teal blue means that the Tag is active). If at least one Tag in a column (Category) is active, then the Filter also becomes active.

For example, if the first column represents Category 1 Category with a set of the following Tags: {Tag 1-1, Tag 1-2, Tag 1-3}, clicking the Tag 1-1 Tag will activate the Category Filter Category 1 and narrow down a list of presets to the items in case of which the Tag 1-1 Tag appeared in the Category 1 Category.

Enabling Tag 1-1 tag in Category 1 Category

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If you click the Tag 1-1 item again, you will deactivate the Filter, so all presets from the content will be displayed again.

Reordering CategoriesTo the right of the Category Filter header there are buttons with arrow icons:

Filter reordering

They enable moving the Category to the left or right in a cascade. Clicking the right arrow replaces the current Category with the Category on the right. Clicking the left arrow replaces the current Category with the Category on the left.

Presets Filtering with the Use of Categories Tags

Clicking the left arrow for the Category located on the far left does not change anything. The same is true for the Category located far to the right and right arrow (as the column has no predecessor/successor with which it could be replaced).

Presets Editing – Edit Mode

An active Edit Mode in Preset Browser changes its function (enables the change of presets names, edition of Categories or Tags, deletion of presets as well as their export or import. One should bear in mind, however, that these operations are not allowed in case of Factory presets, but only for the User presets.

Edit Mode can be activated with a button located in the bottom left-hand corner (click again to deactivate):

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Edit mode button

In this mode Preset Browser slightly changes its appearance (not only function):

Preset Browser in Edit mode

1. The Filters section changes into the Edit Tags section, whose appearance is almost identical, but the function is different. The section is used not as a filter, but as an editor of Categories and Tags of chosen presets.

2. The role of the Results section is to choose presets for edition (edition is possible only for user presets).3. At the bottom of the screen there is Delete button to delete selected User presets.4. The choice of the resource in the Content section does not work, as edition is possible only for user presets.

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PRESET MANAGEMENT • PRESETS EDITING – EDIT MODE

Selection of Presets for EditingYou can edit both single preset and a set of presets. Using the functionality of the Results section, you can choose a preset or a set of pre-sets in the following way:

• Click the preset – Choose the preset from the list,• Win ( Ctrl + Click the preset ), Mac ( Cmd + Click the preset )– Add another preset to an already chosen preset

or a set of presets,• Shift + Click the preset – Select a part of a list of presets from the last chosen preset to the item clicked together with Shift key.

Tags Edition Change of Tags status in PresetsTag buttons work in toggle mode, similarly as in case of filtering. Clicking them you can respectively set Tag or erase them from chosen presets.

Filters’ tags

Choosing a greater number of presets, in which the tags were already defined, enables their re-edition. Consequently; in case when a specific Tag appeared in all selected presets, it will be marked with an intensive teal blue color.

When a specific Tag is set only in a part of chosen presets, then it is codified with a pale teal blue. The Tag that does not appear in any of the presets is marked with grey colour:

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PRESET MANAGEMENT • BROWSING PRESETS - EDIT MODE

Notification about Tags Status in Chosen Presets

The change of the Tag status for one or more chosen presets sets or erases this Tag in all these presets. The status change is signalized with an Asterisk located to the left of the Tag buttons .

Notification about Changes in Tags Status in Chosen Presets

Elements/Tag buttons highlighted with pale teal blue colour (meaning different values of a particular Tag buttons for the highlighted pre-sets) work in a three-state system; erasing the Tag (grey colour), setting of the Tag (intensive teal blue colour) or no changes (pale teal blue) for all selected items.

Changes introduced during edition do not have to be confirmed, they are signalized by asterisks located by Tag changed for particular presets

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Presets Names EditingDouble-click the name of a preset to enter name editing mode.

Deleting PresetsSelection of one or more presets activates Delete button at the bottom left corner. It can be used to delete the selected presets.

Presets Export and ImportTo export just drag’n’drop selected presets outside the plug-in to a desired location. To import presets just dran’n’drop preset files onto Preset Browser window.

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Saving the current settings as Preset

To save plug-in parameters settings as a user preset use the Save button in Configuration and Presets Browsing section. This action automatically opens the Preset Browser in Save Mode.

Saving the Settings as Preset

Additionally, at the bottom there will be a textbox into which you should enter a name of a newly created preset, and then confirm it by clicking Save or cancel by clicking Cancel.

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PRESET MANAGEMENT • SAVING THE CURRENT SETTINGS AS PRESET

Configuration

Parameter settings

Right-click any plug-in parameter to open the context menu

Closed Context Menu

It allows for:

• Checking the name and current value of a parameter,• Checking if the parameter is attributed to MIDI CC controller, and if it is – to which number,• Linking the parameter to MIDI CC controller.

Clicking the arrow in any area of the menu expands it and displays all available options. Next right-click on the parameter or left-click outside the menu area closes it automatically.

CTRL + Mouse click on macOS

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CONFIGURATION • PARAMETER SETTINGS

MIDI LearnMIDI Learn function enables a quick assignment of physical controllers (from MIDI controller) to plug-in parameters. The assignment can be divided into a few steps:

1. Right-click the parameter which you want to attribute to physical MIDI controller in order to expand the context menu.2. Click arrow at the bottom in order to expand the context menu.

Expanded Context Menu

3. Click the Learn button to put the plug-in into a pending state until you move any MIDI CC controller.4. Click OK to save the change or click the Cancel button to restore the previous setting.

MIDI UnlinkYou can also delete MIDI CC code attributed to plug-in parameter from the context menu:

5. Open the context menu, right-clicking the parameter attributed to a particular MIDI CC6. Expand the menu, using the arrow at the bottom7. Click the Clear button8. Confi rm with OK button

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CONFIGURATION • PARAMETER SETTINGS

Plug-in’s current settings

Current settings are relevant to a specific instance of a plug. They are initialized with the Default settings, when the plug-in is loaded (see the next chapter):

At the bottom of UI there is a status bar that enables the change of Current settings.

Current Settings in a Status Bar

From left to right there are:

• The setting of Current processing path quality for the Offline mode and the Real-time mode• MIDI Saving/Loading the MIDI CC Map• GUI - Selecting UI size• Options - Opening Settings panel or About box

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CONFIGURATION • PLUG-IN’S CURRENT SETTINGS

Processing Path QualityClicking the item expands the menu that allows to select the Current quality of generated sound for Real-time or Offline modes. In a case of Repeater the quality setting doesn’t affect the delay loop, but audio clipper only.

Processing Path Quality Settings

We can choose from four available grades for each mode.

Saving/Loading the MIDI CC MapThis item enables to save current parameters of MIDI CC codes as MIDI Map in a file or to load them.

Saving/Loading the MIDI CC Map

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CONFIGURATION • PLUG-IN’S DEFAULT SETTINGS

GUI sizeSwitch the graphical user interface between few different sizes.

Choosing the plug-in interface size

OptionsOptions pulls up menu with following items to select from:

• Settings - Opens panel with Default Settings of the plug-in• About - Opens splash box with information about the version of the plug-in and license

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Plug-in’s default settings

The Settings panel allows us to change the Default settings of the plug-in. Every time the plug-in is loaded in the host application (new instance is created) a Default settings are used for initialization of the Current settings.

Default settings are stored within a configuration file of the plug-in. This file is updates at the moment of closing Options panel.

Use Options -> Settings item to open Settings panel

Options button

The Settings panel operates as an accordion where you can click a specific section to expand it:

Settings Panel

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There are three sections:

• Processing Quality - Default Processing Path Quality• Presets - Presets loading settings• MIDI - Default MIDI CC Map• User Interface - Changing default UI size and system scale

Default Processing Path Quality

Processing Quality Choice Section

In this section you can configure a default quality of the processing path for the Real-time mode and the Offline mode.

Default MIDI CC Map

Default MIDI Map Choice Section

This section allows for setting of a path to a file with a default MIDI Map that was prepared before. Clicking MIDI CC Map check box activates load of MIDI Map and the possibility of pointing it (Browse button).

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User Interface

Default size of User Interface

GUI size combo choose one of several default skin sizes to best match the plugin to the resolution of your computer monitor.

System scale slider controls the factor which whole plug-in window is rescaled to - it’s recommended to set it to the exact value from your system settings (screen properties) for the best visual results.

Presets

Displaying confirmation dialog option

With the box checked, clicking the Prev or Next preset button after the parameters of the current preset (or previously initialized state) have been changed pops up a confirmation dialog to prevent accidental loss of those changes.

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CONTENTS

Requirements ................................................................................................................ 2Overview ........................................................................................................................ 3Sound controls .............................................................................................................. 5

Basic modules ......................................................................................................... 5Ensemble ............................................................................................................ 6

Ensemble effect types............................................................................... 7Multi Filter ........................................................................................................ 9

Filter models................................................................................................ 11Modulators ........................................................................................................ 20

Modulator type ........................................................................................... 21Constant ................................................................................................. 22LFO – Low Frequency Oscillator ...................................................... 23Follower .................................................................................................. 25Sequencer .............................................................................................. 26

How modulation works ............................................................................ 28Master section ................................................................................................. 29

Signal flow ............................................................................................................... 31Preset Management .................................................................................................... 32

Preset Storage......................................................................................................... 32Browsing Presets .................................................................................................... 32

Resources ........................................................................................................... 34Preset Filters ..................................................................................................... 34

Categories and Tags ................................................................................... 35Results ................................................................................................................ 35Presets Filtering ................................................................................................ 36

Basic Actions on Filters ............................................................................ 37Reordering Categories .............................................................................. 38

Presets Editing – Edit Mode ................................................................................ 38Selection of Presets for Editing .................................................................... 40Tags Edition ...................................................................................................... 40

Change of Tags status in Presets ............................................................ 40Presets Names Editing .................................................................................... 42Deleting Presets ............................................................................................... 42Presets Export and Import ............................................................................. 42

Saving the current settings as Preset ................................................................ 43Configuration ................................................................................................................ 44

Parameter settings ................................................................................................. 44MIDI Learn ......................................................................................................... 45MIDI Unlink ....................................................................................................... 45

Plug-in’s current settings ...................................................................................... 46Processing Path Quality .................................................................................. 47Saving/Loading the MIDI CC Map ............................................................... 47GUI size .............................................................................................................. 48Options ............................................................................................................... 48

Plug-in’s default settings ...................................................................................... 49Default Processing Path Quality ................................................................... 50Default MIDI CC Map ..................................................................................... 50User Interface ................................................................................................... 51Presets ................................................................................................................ 51

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