unit 2 – rhythm, meter & metric organization mr. jackson ap music theory v

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Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory

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Page 1: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

Unit 2 – Rhythm, Meter & Metric

Organization

Mr. JacksonAP Music Theory

Page 2: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

Notating Rhythm

Page 3: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

Notating Rhythm

Page 4: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

Notating RhythmIntroduction Music is sound and silence in time.

Western Music Notation shows how long one note lasts in relation to

others.

Time Signatures specify how many beats are in each measure and

which note value constitutes one beat.

The TOP number

tells you how many beats

are in a measure

The BOTTOM

number

tells you which note gets one beat

Page 5: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

Notating RhythmThe Dot and the Tie

The Dot extends the value of a SINGLE note by one-half of

its

original value.

The Tie combines the durational values of two or more notes of

the same pitch using a curved line.

Page 6: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

Metric OrganizationDefinitions

Duration – The Length of time sound (or silence) occurs

Beat – A regular, recurring pulsation that divides music into units

of time

Meter– The organization of beats into regular groups of TWO,

THREE, and FOUR (usually with strong and weak beats) and how

the beat is subdivided

Subdivision– The division of the beat into two or three equal parts

Rhythm– Series of durations, often varying, of sound and silence

Tempo– The speed of the beat

Page 7: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

Metric OrganizationMeter Duple – Two beats per measure [ STRONG weak]

TOP NUMBER of TIME SIGNATURE = 2 or 6

Triple– Three beats per measure [ STRONG weak weak]

TOP NUMBER of TIME SIGNATURE = 3 or 9

Quadruple– Four beats per measure [ STRONG weak LESS

STRONG weak]

TOP NUMBER of TIME SIGNATURE = 4 or 12

Simple Meter– refers to the beat being divided equally into TWO parts

TOP NUMBER of TIME SIGNATURE = 2, 3, 4

Compound Meter– refers to the beat being divided equally into THREE

parts

TOP NUMBER of TIME SIGNATURE = 6, 8, or 12

Page 8: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

Metric OrganizationSimple Meter

Page 9: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

Metric OrganizationCompound Meter

Page 10: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

Metric OrganizationCompound Meter

Compound or not Compound?Compound or not Compound? That is the question… That is the question… To check:To check: Divide the TOP NUMBER of the time signature by 3. If your Divide the TOP NUMBER of the time signature by 3. If your answer is a whole number answer is a whole number greater than 1greater than 1 – you are in a – you are in a Compound Compound MeterMeter. Pretty cool, huh?. Pretty cool, huh?

Page 11: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

Metric OrganizationCompound Meter

For Compound Meter– BE CAREFUL when defining the BEAT!

For 6/8 – We usually consider each measure having 2 Beats – NOT

6 as many people assume based on defining Time Signatures.

Page 12: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

MeterSyncopation

Syncopation– Occurs when the emphasis or stress is in –between the

beats or on a normally weak beat.

Page 13: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

MeterSyncopation (Cont..)

Syncopation can also involve TIES!

Page 14: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

MeterTriplets & Duplets

Duplet– Divides a regular duration into three

* In “Compound Time” using Duples – * In “Compound Time” using Duples –

You are kind of “borrowing” from a You are kind of “borrowing” from a

Simple Feel!Simple Feel!

Triplet– Divides a regular duration into three

* In “Simple Time” using Triplets -- You are kind of “borrowing” from a * In “Simple Time” using Triplets -- You are kind of “borrowing” from a

Compound Feel!Compound Feel!

Page 15: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

MeterDownbeats & Upbeats

Downbeat– The first beat of the measure.

Anacrusis– Notes that precede the first beat.

Page 16: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

Metric OrganizationAsymmetrical Meters

Asymmetrical – means NOT symmetrical or NOT equal.

Asymmetrical Meters have beat units of UNEQUAL LENGTH.

** The most common asymmetrical meters have 5 or 7 as the top

number!**

In 5/8 – you could break it down a few different ways (3+2 or

2+3)

What about this one?

Page 17: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

MeterHemiola

Hemiola– (sometimes called CROSS RHYTHM) – is a metric device

where the rhythmic relation of three notes occurs in the time of two. It

consists of super-imposing two notes in the time of three (duplet), or

three in the time of two (triplet).

Page 18: Unit 2 – Rhythm, Meter & Metric Organization Mr. Jackson AP Music Theory V

MeterHemiola

Although we have Although we have 33 beats per measure – Schubert constantly uses TIES to beats per measure – Schubert constantly uses TIES to create create 22 beats all over the place! What’s up with that?! beats all over the place! What’s up with that?!

Etc..