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UniversityoftheArtsLondonPortfolio
INTRODUCTIONTOSTUDYINDESIGNANDMEDIACOMMUNICATION
AndrewPhan
ELCAMINOREALCHARTERHIGHSCHOOL
Table of Content
To UAL admissions
A N D R E W P H A N West Hills, California 91307 818-584-5376 [email protected] C R E A T I V E P R O J E C T S 12.2015-PRESENT CRESCENDO – EXPERIMENTAL SHORT FILM PRODUCER, EDITOR, COLORIST, GAFFER
§ Created call sheets and sides to help with production days. § Collaborated with the director and cinematographer with lighting and color schemes to
present a tone and theme through gaffing and editing. 12.21.2015 AILEEN 18TH BIRTHDAY EVENT PHOTOGRAPHY
§ Collaborated with client on the types of photos that were expected. § Edited the photo within a time window for next-day release.
11.2015-PRESENT CHANNEL – SHORT FILM PRODUCER, EDITOR, COLORIST
§ Created call sheets and sides to help with production days. § Collaborated with the director and cinematographer with color schemes to present a tone
and theme.
10.2015-11.2015 ANOTHER PIZZA, ANOTHER LIFE – EXPERIMENTAL SHORT FILM WRITER, CINEMATOGRAPHER, EDITOR
§ Created a short film that is a representation of my life through a symbol. § Designed the shot and lighting with a representation of my life in mind for a college.
10.2015-11.2015 ALIREAZA SARANI THE BACHELOR HYPE VIDEO ONE-MAN TEAM
§ Wrote, shot, and edited a video into a life of a candidate for a male beauty pageant. § Shot it with multiple styles and sketches included into the video.
10.2015 SHAWN HAQ NSDA PRESIDENTAL CAMPAIGN VIDEO ONE-MAN TEAM
§ Worked within a thirty-six-hour time span to produce, shoot, and edit a 2-minute campaign video.
§ Dealt with exporting errors promptly and efficiently. 05. 2015 – 09.2015 BONES – HORROR SHORT FILM WRITER, DIRECTOR, EDITOR
§ Served as consultant to improve. § Dissected the script to create a tone with the cinematographer. § Rehearsed with the actors to create believable performances. § Edited the film using Adobe Premiere Pro.
11.2014-02.2015 PENDULUM PRODUCER, EDITOR, COLORIST
§ Created call sheets and sides to help with production days. § Collaborated with the director and cinematographer with color schemes. § Used quick problem-solving skills to work around schedule delays.
E D U C A T I O N 08.2012 – PRESENT EL CAMINO REAL CHARTER HIGH SCHOOL WOODLAND HILLS, CALIFORNIA
§ Holding a 3.65 GPA. § Top student in Careers in Entertainment Program § Asked to be guest teacher for various film topics and classes.
A N D R E W P H A N West Hills, California 91307 818-584-5376 [email protected] S K I L L S E T
• Problem solving • Highly motivated • Great work ethics • Leadership Skills
W O R K E X P E R I E N C E 09. 2015 - PRESENT PIEOLOGY PIZZERIA Team Member
§ Prepared necessary ingredients for custom pizzas daily. § Created menu and custom pizzas for customers with positivity. § Took orders and worked at register. § Delivered and boxed pizzas.
C L U B A N D V O L U N T E E R W O R K 08. 2012 - PRESENT KEY CLUB INTERNATIONAL Student-Led Service Organization
§ Served over 200 community hours. § Helped prepare and serve food at various events such as
Special Olympics Rally and Rose Parade Float Decoration. § Constructed creative and quality monthly newsletters. § Raised $700 alone for The Eliminate Project that helps
09. 2012 – PRESENT URBAN DANCE SOCIETY Co-President
§ Wrote concise yet appealing announcements to promote attendance.
§ Provided help and support to members in evolving their dance skills.
E D U C A T I O N 08.2012 – PRESENT EL CAMINO REAL CHARTER HIGH SCHOOL WOODLAND HILLS, CALIFORNIA
§ Holding a 3.55 GPA. § Recognized student through four years in film program. § Advanced Placement and Honors Student.
R E F R E N C E S Available Upon Request
• Knowledgeable in Social Media • Multi-tasker • Public speaking
Malibu,CA90625 bewareofanyparkingsigns
D/N
Malibu,CA90625
QTYPROPS
QTY MU/HAIR
COSTUME
SETDRESS
SPFX
WEAPONS
CAMERA
SOUND
GRIP/ELEC
STUNTS
LOCATIONS
TRANSPO
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COLLECTIVESHADOWMEDIA6446ELLENVIEWAVENUEWESTHILLS,CALIFORNIA,91307(818)584-5376
Director EricAbell
6:00A
TOTALPAGES
5:40A 5:45A
Pleasecarpoolandaskothersifnecessary.
Sc18:Jacketandhat
Make-upat6until7
SPECIALINSTRUCTIONS
STAND-INS
N/A
SETPICKUPID CHARACTER CAST1 Valentine
AlexSheldon
Bringasparechangeofclothesneededforstuntdoubleaftergettingoutofwater.Towelneededaswell.Codeneededtogetpastsecurity.
CALL
Lou2PhillipTan 7:15AW
7:15A 9:30A6:30A
LOSE@9:30A
STATUS
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ValentineescapestothebeachwhereheiskilledbyLou.
CAST
1,2
NOTESEXT.BEACH-DAY
W--
CALL BLK/REH
LOCATIONSSET&DESCRIPTIONPAGES
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Sunday,24January2016Day4of4
GENERALCREWCALLCallSheet
CRESCENDO
MostlySunny//7pmhwinds
N/A
WhiteVersion2
SunrisePleaseparkouttherebut
3/8
5:30A
7:00AM9:45A
ShootingCallCourtesyBreakfast
WrapTime5:15AMScriptColorScheduleColor
23815StuartRanchRd.
CREWPARKINGLOCATION NEARESTHOSPITALExecutiveProducer
N/A
18
SCENES
N/A
N/A
N/A
Listthestand-inshere.
TOTALSTANDINS/BACKGROUND
AndrewPhan
28730GrayfoxSt.RecreationArea
MatanAmir(818)584-5376
310-456-1668
SantaMoniceMountainsRecreationArea28730GrayfoxSt.
Parkingwillbelocatedoutsideofthegateintheneighborhood
SantaMoniceMountains
UCLAHealth-MalibuWEATHER
Malibu,CA,90265Dawn
Twilight
48°6:30A5:13P
61° LowHigh
BACKGROUND
3/8
Sc18:Rokinon35mmT1.5
Notesforsoundandsoundequipment.Maybetheyneedextralavaliermicsthatday,ormaybetherearespecialconsiderationsforthelocation.Reflector
Sword,gun
SPECIALINSTRUCTIONSBYDEPARTMENTN/A
CALL Latexandbloodmake-upneededforthescene.1-hourneededformake-up
ProduerSupervisingProducer
KaliLakeJakeNaturman
SunsetSetPhone/ContactCinematographer 6:58A
5:18P
# TITLE NAME CALL # TITLE NAME CALL # TITLE CALL
ExecutiveProducer AndrewPhan 5:45A MakeupDeptHead RheyaHope 5:45ADirector EricAbell 5:45AProducer KaliLake 5:45ASupervisingProducer JakeNaturman 5:45A
CostumeDesigner BaileyMatilda 5:45ACostumeSupervisor ErikaSela 5:45A
ProductionDesigner BaileyMatilda 5:45AProductionDesigner ErikaSela 5:45A
PostSupervisor 5:45AEditor 5:45A
ProductionAssistant NatashaAgharabi 5:45A AsstEditor 5:45AProductionAssistant SophieCohn 5:45A AsstEditor 5:45A
DirectorofPhotog MatanAmir 5:45A1stAsstCamera SamTyo 5:45A2ndAsstCamera ShayneRooney 5:45A
LocationManager 5:45A
Catering
CourtesyBreakfast Meals@ 6:00A
SoundMixer ErikaSela 5:45ABoomOperator VictorSanchez 5:45A
CraftService
TranspoCoordinatorDriverDriverDriverDriver
PropMaster BaileyMatilda 5:45APropMaker BaileyMatilda 5:45A
GRIP
AndrewPhan
Omar
VEHICLESMEDIC/FIRESAFETY
ELECTRIC
KaliLakeEricAbellMatanAmir
ADDITIONALLABOR
ACCOUNTING
CASTING
POSTPRODUCTION
LEGAL
LOCATIONS
CATERING
CRAFTSERVICE
TRANSPORTATION
AndrewPhan
SPECIALEFFECTS
VISUALEFFECTS
ShaynaThompson
SamTyo
Crescendo Sunday,24January2016 Day4of4
JaredSteinJaredSteinPRODUCTIONASSISTANTS
NAME
CAMERA
PRODUCTION
ASSISTANTDIRECTORS
CONTINUITY
MAKE-UP PRODUCTIONOFFICE
WARDROBE
ARTDEPARTMENT
SETDECORATION
Omar
BTS/VIDEO
PROPERTY
SOUND
KevinNguyen
Limbo
Story & Screenplay Written byAndrew Phan
Inspired by Victoria Lai
DirectorAndrew [email protected]
Assistant Director: Heather Heath
Cinematographer(s): Matan AmirMarcus Soto
1
EXT. SCHOOL - DAY
DYLAN, high school freshmen, dressed poorly with messy hair, rushes down an empty hallway, with an open backpack, unorganized paper, and in complete disorder. The bell rings signaling his tardiness. He arrives to class and sits down.
INT. CLASSROOM - MOMENTS LATER
Dylan works on a test when the phone rings. The TEACHER goes to the phone, with several of the students looking at the teacher. The teacher hangs up the phone.
TEACHERDylan, can you come outside? Bring your stuff. Leave your test.
Dylan takes his backpack, leaving his paper.
EXT. HALLWAY - CONTINUOUS
Dylan comes outside into the hallway.
TEACHERI'm sorry, but something has happened to your father.
The world becomes silent. Dylan has a distant, blank look upon his face.
EXT. HALLWAY - CONTINUOUS
Dylan, bolts out of the building in disbelief and disbelief. He runs far into a corner. Falling to his knees, Dylan breaks down into tears.
CUT TO: TITLE
FADE IN
INT. ROOM - NIGHT (4 YEARS LATER)
Dylan opens the door to his room, places his bag on the floor, and drops his keys onto the TV stand. He walks by the stand when he knocks something over. He looks it to see the empty picture frame with the glass shattered.
DYLANDamn.
Dylan, sighing and putting his drink on the stand, crouches down to pick the glass up with the picture frame that has a quote "Your greatest limits are you" etched in.
2
Dylan starts to pick up the glass when he hears different voices in his head.
MOTHER (V.O.)Sweetie, you need to get out--
MICHAEL (V.O.)You're boring, bro
VICTORIA (V.O.)It's been 4 years Josh-- it's one night.
JOSH (V.O.)It's one party.
SARAH (V.O.)It's your birthday. It's okay.
Dylan's vision begins to blur as he gets light-headed. Dylan sways more to his right. Dylan hits onto the floor on his right side.
MATCH CUT TO: DYLAN ON FLOOR
INT. CLASSROOM - NIGHT (LIMBO)
Dylan wakes up in a classroom on the floor. The classroom looks standard, besides a thick layer of fog covering the floor. Dylan scrambles to remove himself off the floor when he sees a surprising view.
Dylan sees a room filled with only chairs all in straight parallel lines. One chair draws Dylan toward it.
Dylan walks toward that chair until he bumps into a table corner. Dylan moves back to see a regular classroom. Confused by his perception, Dylan rushes out of the room.
CUT TO: DOOR OPENING
INT. HALLWAY - NIGHT (LIMBO)
Dylan stumbles out at the end of the hallway. A thin layer of fog covers the floor. The lockers are shut with the trash can on the right side of the doors. However, all the classroom doors are open. Dylan trudges down the hallway until another pair of footsteps are heard. Dylan looks over his shoulder with nothing in sight. When Dylan looks back, the trash can no longer exists with a single locker open.
3
Intrigued by the locker, Dylan steers himself towards it to look inside. Dylan picks up an object from within the locker and all emotion becomes lost within his eyes. Only a cold, sad, and blank look exists in the pupils. Dylan holds a textbook sized tombstone engraved with his father's name.
On the tombstone it quotes "Your greatest limits are you".
Tears escape his eyes in which he swipes at with his arm. When he places his hand back on the tombstone, Dylan receives a paper cut on his right hand. After looking at his finger, he returns to the tombstone which is now a history textbook.
At the sound of a sword collision with the floor, Dylan flings the book back into the locker. Dylan looks left to see the shadow of a figure and the shiny edge of the blade. Dylan glances right with the trash can back on the left side of the doors.
The blade strikes down fast while Dylan moves quickly to evade it in fear.
DYLANWho the hell are you? What are you doing--
Shadow moves toward Dylan with the blade dragging on the floor.
SHADOWI am everything you fear. Everything--
Shadow swings the blade up from the floor swiftly. Dylan takes a step back leaning.
SHADOW--Everything holding you back
DYLANStop! What do you want?
SHADOWI want you to stop evading--
The blade comes back down. Dylan spins out of the way, with Shadow facing the doors.
SHADOW--and fight! COME ON.
Dylan rushes at Shadow, tackling on impact.
4
CUT TO: DOOR FLYING OPEN
EXT. HALLWAY - CONTINUOUS (LIMBO)
Dylan and Shadow fly out into the open, cold night. Shadow lands hard cracking the mask on his face. Shadow pushes off the floor as the mask falls off. Dylan looks at the face of Shadow revealing an older man who he recognizes to be his FATHER.
DYLANDa--
Dylan stares in disbelief as Father comes at him leaving the sword. Dylan knocks his father to the floor.
They both get off the floor and [A FIGHT] ensues, where his father mirrors every move Dylan makes.
Father gets the advantage as he knocks Dylan down to the floor and gets a choke hold on Dylan.
Dylan struggles, finding no way out. His hand searches the ground for something to his advantage. Dylan's eyes begin to close, on the brink of losing consciousness.
FATHERYou put up a good fight. Now you need to let go.
DYLANDad--
(gasping)Stop, please.
FATHERLet go son,
His hand comes across a broken glass shard of the picture frame. He grabs a hold of it and stabs it into Father's neck.
Father releases the hold, collapsing to the floor. Dylan gets out, breathing heavily. Dylan turns around confused by the sights once again, of a face, not his father, but a doppelganger.
He picks up the blade his father was wielding. It quotes "Your greatest limits are you". Dylan realizes the events and the message.
5
In the blade's reflection, his eyes no longer hold a cold, empty stare. It now reflects a more focused look. Dylan drops the blade to the floor.
MATCH CUT TO: SOUND OF BLADE CONNECTING
TO PANS CRASHING
INT. ROOM - DAY
Dylan wakes up to the clashing of pots and pans. With the sun on his face, Dylan looks at the picture frame on the floor, all pieced together as if it was never broken. Dylan smiles at the picture frame with a photo of him and his father and puts it back on the stand. Dylan picks up his phone and makes a call to Victoria.
DYLANHey, I was wondering--
Dylan laughs and smiles.
CUT TO: BLACK
THE END
Limbo Short Film
Shot
#
Scene
#
Scene
Shot#
Shot Lens(Focal
Length)
Description
1 1 1 WideTracking DYLANrunsdownthehallwaywhenthe
bellringsandstops.Camerathenfollows
Dylanfrombehindwithhismessy
backpackwhenhegoesintothe
classroom.
2 2 1 LowWideAngle Teachergoesovertothephonewhenit
ringsandpicksitup.
3 2 WideShotReaction Someofthestudentslookupasa
reaction.There’sastudentwho’strying
tocopyDylan’stest.
4 3 POVClose-Up POVofstudenttryingtocopyDylan’s
test.Itreadshisnameandthedate.
5 4 Close-UpDolly Teacherputsthephonebackonthe
standatwhichthecamerapullsback.The
teachercallsoutDylan’sname.
6 5 WideShot Dylangrabshisthingsandleaveshistest
onthetable.Keeptheshotlingeringfora
bit.
7 3 1 FullShot[Extreme
Wide]
DylanandTeachercomeouttheroom.
8 2 Over-the-Shoulder Dylanfiddleshisbackpackontohis
shoulderandlooksupathisteacher.
Teacherdeliversthenewsasthecamera
movesin180degreesandpushesinto
Dylan’sreaction.
9 3 Close-Up Dylan’sbackpackdropstothefloor.
10 4 1 TrackingWideShot Dylanpushesthroughthedoorsandruns
out.CameratravelswithDylanasheruns
untilthecameraslowsdownwithDylan
runningpastit.
11 2 MediumTracking Dylanstopsinacorner.Whenhebreaks
down,thecameramoveswithhimashe
cries.
12 5 1 MediumShot LightturnsonasDylanwalksin,dropshis
bag,anddropshiskeysonthetable.
13 2 WideShot Dylanwalksintoaphoto,bendsdown,
andcurses.Heplaceshisdrinkonthe
table.
14 3 Close-Up Drinkisonthetableandrackfocusesto
photoofDylanandhisfatherinthe
background.
15 4 Close-Up Glassshardsbeingpickedupwiththe
pictureframeintheforeground,whichis
rackfocusedto.
16 5 WideShot Dylanbeginstohearvoicesinhishead.
Hebeginstoswayasthevoicesgrow
louderandlensfocusanddefocuses.
Dylanthencollapses.
17 6 1 Close-Up Dylanwakesupwithafogaroundhim
andamirrorinthebackground.
Limbo Short Film
18 2 Wide Dylan’sbacktothecameraasitrevealsa
normalclassroom.
19 3 Medium Dylan’sreactiontothesightthatisseen
inthemirrorinthebackground,which
areallchairsinparallellines.
20 4 WideDolly Dylanwalkstowardschairs,passes
cameraentirelyshroudedindarkness
(allowingafakeedit),andthenshowsa
table.
21 5 Wide Dylanbumpsintoatable.
22 6 Medium Dylanconfusedrunsoutofframeand
pushesopenadoor(soundcut).
23 7 1 FullShot[Extreme
Wide]
Dylancomesouttoanemptyhallway
withallthelockersanddoorsopenat
variousdegrees.
24 2 WideShot Dylan’sreactionandstartswalking.
25 3 Close-Up Dylan’sfeetwalkingtowardslightwith
thecameraupsidedown.
26 4 ReverseOver-the-
Shoulder
Dylanlooksoverhisshoulderintothe
darknessandlooksbackwithastrange
look.
27 5 Point-of-View Alltheclosedwiththeexceptionofone.
Thetrashcanthatwastherenolonger
exists.
28 6 WideTrack CamerafollowsbehindDylantowardsthe
locker.Ashegoestograbsomething,the
camerawrapsaroundtoDylan’sright
side.
29 7 ExtremeClose-Up Dylanhasablankstareuponhisface.
30 8 Point-of-View Atombstonewithhisfather’snameand
thequotefromthepictureframe.Dylan
dropsthetombstone.
31 9 Close-Up Tearsarestreamingdownhisfacewhen
hewipesitwithhisshoulder.
32 10 Over-the-Shoulder Dylanreachesforthetombstone,when
hepullsbackhishand.
33 11 Close-UpPoint-of-
View
Dylanhasacutacrosshishandthatpans
overwhichshowsahistorytextbook.
34 12 Medium Dylanhearsaclashandlooksovertohis
left.Theshinybladeglimmersatatouch
oflight.
35 13 WideShot BladeslashesdownwhichDylanstumbles
back.
36 14 MediumTracking CameramovesdiagonallyasDylanwalks
backwardsandspeakstoShadow.
37 15 MediumTracking Shadowspeakshisdialogue.
38 16 Close-Up Shadow’sbladedraggingonthefloor.
39 17 Wide BladeslashesupatDylandiagonallywith
Dylan’sreaction.
40 18 Medium BladeslashesupoverShadow’sface.
41 19 Wide ThecamerafollowsbehindShadowas
Dylanspinsbehindhimandpushes
Shadow.
42 20 Medium Shadow’sexplosivedialoguewithDylan
tacklinghim.
Limbo Short Film
43 8 1 Wide DylanandShadowbreakoutofthedoors
andfalltothefloor.
44 2 Medium Shadowpushesoffthefloorwiththe
maskcomingoffwholooksovertoDylan.
ThecamerarackfocusestoDylan’s
reaction.
45 3 ReverseWide ThefaceofShadowshowshisFatherthat
Dylanstumblesoverhiswords.Dylangets
offtheground.
46 4 TightWide Dylandodgestheknifeandgetsoffthe
floor.
47 5 Wide DylanandFatherreacheachotherforthe
fight.
FightScene
48 6 Tight-Medium Dylantriestogetoffthefloorwhen
FathergrabsDylanbytheneckand
pusheshimagainstthewall.
49 7 WideShot FatheryellsatDylantoletgoandcanbe
seenlettingDylango.
50 8 ReverseWideShot Dylandropsdowntothefloorandstarts
topleadformercy.
51 9 Over-the-Shoulder FathercrouchesdownasDylanspeaksto
him.
52 10 Close-Up Dylan’shandsearchesforsomethingand
comesacrossapieceofglassandholds
ontoit.
53 11 ExtremeWide FatherspeakstoDylanasDylanlooksat
himandspeaksback.
54 12 Close-Up Fathergetsstabbedandcollapsestothe
side.
55 13 WideShot Dylanmovesasideandbreathsheavily.
Hehearssomethingandlooksback.
56 14 Point-of-View Hisfatherisactuallyadoppelganger.
57 15 Close-UptoTracking
Wide
Dylangoestopickuptheblade,which
quoteshisfather’ssaying.
58 16 Point-of-View Quote
59 17 Close-Up Dylanhasamorefocusedlook.
60 18 Close-Up Bladedropstothefloor.
61 9 1 FullShot BehindDylan’sback,Dylanwakesupand
pushesoffthefloor.
62 2 TrackingClose-Up Dylanpicksthepictureframeoffthe
floor.Thecamerafollowstheframeto
Dylan’ssmileandputsthecameraonthe
counter.Thepictureframehasthetitleof
thefilmwithitinfocusasDylanwalksout
oftheroom.
