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TWISTED SPACE NARRATOR: WHAT DO WE KNOW ABOUT THE STORY? BOYS OF RALEIGH, John Everett Millais, 1870 NEUROLOGICAL: USING OUR SENSES BLIND GIRL, John Everett Millais, 1856 AUDIENCE: HE’S ONLY THERE FOR US SHADOW OF DEATH, William Holman Hunt, 1869-73 GETTYSBURG, FIRST DRAFT (DETAIL), 1863 GETTYSBURG GETTYSBURG (KOREA) MITCHELL KANE, 2009 TWISTED: VISUAL TALKING POINTS ON CREATIVE METHODOLOGY i/o/i/p images/objects, information, people

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Page 1: TWISTED: VISUAL TALKING POINTS ON CREATIVE METHODOLOGY · CREATIVE METHODOLOGY i/o/i/p images/objects, information, people. TWISTED ORDER VS. UNEXPECTED. String Theory_complex surfaces,

TWISTED SPACE

NARRATOR: WHAT DO WE KNOW ABOUT THE STORY?BOYS OF RALEIGH, John Everett Millais, 1870

NEUROLOGICAL: USING OUR SENSESBLIND GIRL, John Everett Millais, 1856

AUDIENCE: HE’S ONLY THERE FOR USSHADOW OF DEATH, William Holman Hunt, 1869-73

GETTYSBURG, FIRST DRAFT (DETAIL), 1863GETTYSBURG GETTYSBURG (KOREA)

MITCHELL KANE, 2009

TWISTED: VISUAL TALKING POINTSON CREATIVE METHODOLOGY

i/o/i/pimages/objects, information, people

Page 2: TWISTED: VISUAL TALKING POINTS ON CREATIVE METHODOLOGY · CREATIVE METHODOLOGY i/o/i/p images/objects, information, people. TWISTED ORDER VS. UNEXPECTED. String Theory_complex surfaces,

TWISTED

ORDERVS.UNEXPECTED

Page 3: TWISTED: VISUAL TALKING POINTS ON CREATIVE METHODOLOGY · CREATIVE METHODOLOGY i/o/i/p images/objects, information, people. TWISTED ORDER VS. UNEXPECTED. String Theory_complex surfaces,

String Theory_complex surfaces, unifying all known natural forces_ gravitaional, electromagnetic, matter

Silly String_unexpected, humorous

Page 4: TWISTED: VISUAL TALKING POINTS ON CREATIVE METHODOLOGY · CREATIVE METHODOLOGY i/o/i/p images/objects, information, people. TWISTED ORDER VS. UNEXPECTED. String Theory_complex surfaces,

Narrator

Neurological

Audience

The Blind GirlJohn Everett Millais

Boys of RaleighJohn Everett Millais

Shadow of DeathWilliam Holman Hunt

Mitchell KaneCreative Methodology, 2009Fuller Seminary, Pasadena

What do we know about the story?

Using our senses

He’s only there for us

Page 5: TWISTED: VISUAL TALKING POINTS ON CREATIVE METHODOLOGY · CREATIVE METHODOLOGY i/o/i/p images/objects, information, people. TWISTED ORDER VS. UNEXPECTED. String Theory_complex surfaces,

NarratorBoys of RaleighJohn Everett Millais

WHAT IS THIS STORY?A STORY ABOUT THE SEA?MULTIPLE NARRATORS: OLDER MAN (GESTURE)YOUNG BOYS (FACIAL EXPRESSION)ARTIST (THE STORY IS THE TELLING OF THE STORY)

Page 6: TWISTED: VISUAL TALKING POINTS ON CREATIVE METHODOLOGY · CREATIVE METHODOLOGY i/o/i/p images/objects, information, people. TWISTED ORDER VS. UNEXPECTED. String Theory_complex surfaces,

NeurologicalThe Blind GirlJohn Everett Millais

WHAT DO WE SEE?DOUBLE RAINBOW IN DARK SKYBRILLIANT RED AND ORANGESCHARTREUSE FIELDWARMTH ON HER FACEGIRL SHIELDING HERSELF ACCORDIAN/MUSICSATURATION OF SENSATIONSFOR US, NOT THE BLIND GIRL

Page 7: TWISTED: VISUAL TALKING POINTS ON CREATIVE METHODOLOGY · CREATIVE METHODOLOGY i/o/i/p images/objects, information, people. TWISTED ORDER VS. UNEXPECTED. String Theory_complex surfaces,

AudienceShadow of DeathWilliam Holman Hunt

ECSTATIC EXPRESSION

THE WOMEN IS UNAWARE OF THE FIGURE, EVEN THOUGH THEIR FEET ARE ONLY INCHES APART.

BASICALLY, THE FIGURE IN WHITE IS PLACED HERE TO JUSTIFY THE SHADOW.

A SHADOW ON THE WALL. WITHOUT SHOWING THE SOURCE OF THE SHADOW THIS IMAGE WOULD HAVE BEEN OUTRAGEOUS IN 1870.

HE’S THERE TO COMFORT THE VIEWER: CAUSE AND EFFECT

Page 8: TWISTED: VISUAL TALKING POINTS ON CREATIVE METHODOLOGY · CREATIVE METHODOLOGY i/o/i/p images/objects, information, people. TWISTED ORDER VS. UNEXPECTED. String Theory_complex surfaces,

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Page 9: TWISTED: VISUAL TALKING POINTS ON CREATIVE METHODOLOGY · CREATIVE METHODOLOGY i/o/i/p images/objects, information, people. TWISTED ORDER VS. UNEXPECTED. String Theory_complex surfaces,

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Page 10: TWISTED: VISUAL TALKING POINTS ON CREATIVE METHODOLOGY · CREATIVE METHODOLOGY i/o/i/p images/objects, information, people. TWISTED ORDER VS. UNEXPECTED. String Theory_complex surfaces,

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Page 11: TWISTED: VISUAL TALKING POINTS ON CREATIVE METHODOLOGY · CREATIVE METHODOLOGY i/o/i/p images/objects, information, people. TWISTED ORDER VS. UNEXPECTED. String Theory_complex surfaces,

TWISTED: Visual Talking Points on Creative Methodology: Knots, Pre-Raphaelite Brotherhood, Writing, Gettysburg, Korea.Mitchell Kane, 2009


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