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TRANSCRIPT
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Twenty-Four Schubert Dances
by Franz Schubert
From D.145, D.146, D. 158, D.299, D.365, D.366,D.420, D.421, D.643, D.734, D.735 and D.781
Arranged for Piano Four Hands by Peter Billam
© Peter J Billam, 2003
This score may be freely photocopied, and redistributedin paper form. It may be freely performed to live audiences;performing rights are waived. It may not be redistributed in
electronic form, and all other rights, such as those of recordingand broadcast, remain reserved by the composer, Peter Billam,
GPO Box 669, HobartTAS 7001, Australia.
This edition 26 October 2011.
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Twenty-Four Schubert Dances,
arranged for Piano Four Hands
These well-loved pieces are offered here in new arrangements for Piano FourHands, for teaching or social piano playing.The originals for piano (two hands)are available from Dover, who in 1989 reprinted the editions byBreitkopf &Härtel of 1889 and 1897.
Tw o dances have been chosen in each of the twelve key signatures, one in tripletime (a Waltz, Ländler or Deutscher) and one in duple time (an Écossaise).Forfour hands, most of these pieces become technically very easy, in fact some of theÉcossaises could serve as first pieces. Musically they remain extremelyrewarding, and in a teaching situation offer a solid rhythm, a variety of moods andkey-signatures, and a joy of music-making which are hard to match.
With the Écossaises it was possible to preserve sev eral sequences intended bySchubert, but the order of these Waltzes is very arbitrary, determined largely bythe desire to fit two dances onto each page.
Schubert writes the Écossaises in two different ways; some move in crochets andquavers and have eight bars per line, others in quavers and semiquavers and havefour bars per line.The former should move at doppio movimiento, taking thesame time overall; a good Écossaise tempo would be about 108 or 112 beats(minims or chrochets) per minute. As to the nuances intempoand expressionbetween Waltzes, Ländler and Deutscher, I would welcome feedback from peoplewho know these things . . .
Peter J Billam
www.pjb.com.au
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4 Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Ländler
34
34
from Hommage aux Belles Viennoises, Op.67 D.734 No. 1
p
f ff
p
Atzenbrugg German Dance No. 6
3434
p
34
fz
Op.9 D.365 No. 31
fz fz
f p fz
fz fz f
________1a
________2a
Juli 1821
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5Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Ländler
34
p
34
from Hommage aux Belles Viennoises, Op.67 D.734 No. 1
f ff
. . . . . . . . . .8va
. . . . . .8va p
Atzenbrugg German Dance No. 6
34
p
34
fz
Op 9, D. 365 No. 31
fz fz
f p fz
fz fz f
________1a
________2a
Juli 1821
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6 Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Waltz
34
mf
34
Op.9 D.365 No. 36
fz
8 März 1821
Waltz
34
mf
34
from "First Waltzes", Op.9 D.365 No. 14
______1a
______2a
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7Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Waltz
34
mf
34
Op 9, D. 365 No. 36
fz
8 März 1821
Waltz
34
p
34
from "First Waltzes", Op.9 D.365 No. 14
______1a
______2a
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8 Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Atzenbrugg German Dance No. 4
3434
p
34
Op.18 D.145 No. 4
_____1a
____2a
Juli 1821
Waltzer
34
p
34
Op.18 D.145 No. 8
fp
cresc . . . dim . . .
______1a
______2a
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9Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Atzenbrugg German Dance No. 4
34
p
34
Op.18 D.145 No. 4
cresc . . . dim . . .
____1a
____2a
Juli 1821
Waltzer
34
p
34
Op.18 D.145 No. 8
fp
cresc . . . dim . . .
______1a
______2a
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10 Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Ländler
34
p
34
D.366 "17 Ländler" No. 17
3
dim . . .
3
dim . . .
mf dim . . . dim . . . p
Componirt im Juli 1824 in Zeléz, Ungarn
cresc . . . dim . . .
German Dance
34
34
D.420 "12 German Dances" No. 12
Componirt 1817
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11Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Ländler
34
p
34
D.366 "17 Ländler" No. 17
3
dim . . .
3
dim . . .
mf dim . . . dim . . . p
Componirt im Juli 1824 in Zeléz, Ungarn
cresc . . . dim . . .
German Dance
34
34
1 1
fp
D.420 "12 German Dances" No. 12
2 4
fp
5
fp fp
3 1
fp
3 1
fp
3 1
fp
3
5
2 1
4
1
Componirt 1817
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12 Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Trauer−Walzer
34p
34
Op.9 D.365 No. 2
1816
German Dance
34p
34
D.420 No. 1
fp fp
fp fp
ff p cresc . . .
Componiert 1817
dim . . .
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13Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Trauer−Walzer
34p
34
Op.9 D.365 No. 2
1816
German Dance
34p
34
D.420 No. 1
fp fp
fp fp
ff p cresc . . .
Componiert 1817
dim . . .
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14 Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Atzenbrugg German Dance No. 1
34
ff
34
Op.18 D.145 No. 1
p
ff
p
Waltz
34pp
34
Op.127 D.146 "Last Waltzes" No. 18
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15Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Atzenbrugg German Dance No. 1
34
ff
34
Op.18 D.145 No. 1
p
ff
. . . .8va
p. . . .
8va
. . . . . . . . .8va
. . . . . . . . .8va
. . . . . . . .
. . . . . . . .
. . . .|
. . . . |
Waltz
34pp
34
Op.127 D.146 "Last Waltzes" No. 18
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16 Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Écossaise D. 145 no. 7
24
fp
24
fp ff
pp fz ff
No. 8
24p
24
mf fz
p fz p
No. 9
24
p
24
f
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17Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Écossaise D. 145 no. 7
24
fp
24
fp ff
pp fzff
No. 8
24
p
24
mf fz
p fz p
No. 9
24
tr
p
24
tr
tr
f
tr
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18 Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Écossaise D.735 no. 4
24
p
24
cresc . . . dim . . .
f p f
No. 5
24
f
24
p ff
Écossaise D.421 no. 2
24
f
24
p
f
Mai 1816
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19Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Écossaise D.735 No. 4
24
p
24
cresc . . . dim . . .
f p f
No. 5
24
f
24
’
p
’ ’
ff
Écossaise D.421 No. 2
24
f
24
p
f
Mai 1816
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20 Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Écossaise D.643
24
24
1819
Écossaise D.781 No.2
24
p
24
f ffz
Januar 1823
Écossaise D.299 No.3
24
pp staccato . . .
24
f
Oktober 1815
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21Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Écossaise D.643
24
24
1819
Écossaise D.781 No.2
24
p
24
f ffz
Januar 1823
Écossaise D.299 No.3
24
pp staccato . . .
24
f
tr Oktober 1815
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22 Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Écossaise D.734 No. 1
24
f
24
from Hommage aux Belles Viennoises, Op.67
fz
24
24
No. 2
24
fp
24
fz fz fz
Écossaise D.158
24
p
24
ff
21 Februar 1815
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23Franz Schubert
Arranged for piano four hands by Peter Billam 2003
Écossaise D.734 No. 1
24
f
24
from Hommage aux Belles Viennoises, Op.67
fz
24
24
fz fz fz
No. 2
24
1
1
fp 2
13
3 2
14
3 2
14
3
2
1 4
5 1
2 4
5 2
1 4
53
21
1
1
1
fz
1
1
3
2
2
3
1
1
2
2
1
3
5
1
1
5fz
3 2 1
1 . . . . . .8va
1fz
. . . . . .
Écossaise D.158
24
p
24
ff
21 Februar 1815
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Peter Billam was born in London in 1948, studied piano, and lived in Switzerland from 1973 to1983, where he studied composition, classical guitar, flute and voice, worked as Musical Directorof the Théâtre Populaire Romand, and as recording engineer, record producer and computerprogrammer. He moved to Tasmania in 1983, lectured in composition at the Conservatorium,conducted recorder ensembles and choirs, studied recorder, voice and harpsichord.He foundedwww.pjb.com.au, becoming the first composer to sell scores on-line, with on-line delivery,taking scores from Composer to Performer in one immediate step.Www.pjb.com.auoffers a newapproach to music publishing. These pieces arewritten to be read, made to be played !
Compositionsat www.pjb.com.auinclude:Five Short Pieces, guitar, 1979;Divisions on an ItalianGround, flute and guitar, 1980;De ProfundisandNacht, on poems by Lama Anagarika Govinda, voice andpiano, 1980;Fünf Bagatellen, piano, 1980;Five Rounds, choir, 1986; Go Forth and Multiply, choir, 1986;Three Violin Duets, 1987; Fable, for piano, 1987;To Erich Jantsch, SAATTB recorders, 1988;A Suite ofCurves, trombone (or horn) and piano, 1990;Two Recorder Duets, alto recorders, or other melodyinstruments, 1991;Tr ombone Quintet, trombone, flute, piano, bass, and percussion, 1994;Three Songs, onpoems by Jack Kerouac, Vikram Seth and Dylan Thomas, voice and piano (only the first and third of these areavailable), 1994; Piano Study, piano, 1994;Four Dances, various ensembles including recorder quartet,string quartet, 1995;The Poet in the Clouds, on a poem by S. T. Coleridge,SATB choir, 1995;Tr es Casidasdel Diván del Tamarit, on poems by Federico García Lorca, voice and piano, 1997;Three Suites, for thesolo line, piano, and piano and a solo line, 2000;Die Zeiten, on poems by Kästner, Bachman and Jünger,choir (only the second and third of these are available), 2000;Three Duetsfor flutes, 2001;For Four Handsforpiano four hands, 2002;Three Preludesfor piano, 2003;Second Solo Suitefor flute, violin, viola or cello,2003;Guitar Duetfor two guitars, 2006;We Who Mournfor choir, 2007; Trio With Guitar for guitar andtwo clarinets or two recorders or two violas, 2008;Canonsfor two- and four-hand piano, 2009.
Arrangements include: By J. S. Bach:Trio BWV 655, piano and flute;Vor deinen Thron BWV 668,piano;Fugue in F minor BWV 689, SATB recorders;Flute Sonata BWV 1031transposed into G major foralto recorder and keyboard;Flute Sonata BWV 1032completed by Peter Billam for flute and keyboard, alsoin C major for alto recorder, and in G major for descant;Ricercare a 3, from the Musikalisches Opferforkeyboard; Ricercare a 6, for sSATBG recorders, or strings, or two keyboards; Fuga Canonica inEpidiapentefor keyboard and melody instrument; from theArt of Fugue: Contrapuncti 1, 4 and 9 forkeyboard, andContrapunctus 14as completed by D. F. Tovey, for keyboard, or for SATB recorders, or forstrings;Passacaglia and Fugue in cfor piano four hands;Chorales with Descantfor melody instrumentand piano;Cello Suites I, II and III for flute or alto recorder, Forty Chorales for piano,Der Geist hilftforSATB-SATB recorders. By Johannes Brahms:Fugue in Ab minor for organ, for SATB recorders andgamba, in A minor;Choralvorspiele for organwith previous settings by Isaac, Bach, Praetorius, recorders.John Carr, Divisions on an Italian Ground, flute or recorder and guitar. By G. F. Händel:Concerto Grossoin A minorop 6 no 4, harpsichord and recorders;Recorder Sonata in Bbno 5, in G for tenor recorder andkeyboard. Claudio Monteverdi, Ecco Mormorar l’Onde, SSATB recorders. By Franz Schubert:FourSongs, voice and guitar;Schubert Dances, recorders and guitar, Schubert Dances, piano 4 hands.Scriabin,Two Preludes op.67; Five Preludes op.74, piano. Telemann, Twelve Flute Fantasias, recorder. JohnWilbye, Draw on sweet Night, SSATTB recorders, and for flute choir. Twelve Italian Songs, voice andguitar; Fourteen Folk Dance Tunes, recorder and guitar;Bushband Dances, violin, piano accordeon andbanjo;Easy Classical Pieces, Bb trumpet and piano.
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