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Page 1: Trinity Guitar Grade 2
Page 2: Trinity Guitar Grade 2

ets

=-- e

R

aican arr. Baulch

d Cerda

lesland

e s for this grade:

i uet ____________________________________________ _L

Alleqro op. 50 no. 1 __________________ 3

Preludio (no. 1 from Seis preludios cortos) ._·-···-·-· 4

Man q o Wa I k--··----·-·····---····-··-··-······-····--····--·············-·········································--·-·-··············-··········--···--··--·-----·-- 6

Vals (no. 1 from Cuatro piezas faciles para guitarra) ....... ··-·-····-···- ---······-······---.7

Cuba na ·····-···················-·······-······························ ...... ..................................... ···· ·····-································-········ .. .. ····-·········-············ ...... 8

Spanish Dance ............................ ........................................ ·············-···················-··········· .............................................................. 9

Maqnetic South ·········-·····-······· ·-·· ··················-··········· .. ·· ·- ................... .... .... ··············· ·····-······-·······················10

Sprite Nite ............................... ·-·······-········ ·······························-························ ........................................ ······················-··· ....... 11

Technical Suite (Exercises) .................................................................................................................................................................. 12

ets are from Guitar Duets Initial-Grade 3 2010-2015 published by Trinity Guildhall (TG 008091).

-'"2 . Brazilian arr. Rivoal

eiss

Tedesca

Lezione

Acordai Doncela

Canci6n de Cuna (Lullaby)

I ernative pieces for this grade (2010-2012):

erson

3 rden

Cracknell

anders

Pieces

River Wisla (from Guitar Travels) Anderson Guitar Publications AGP505

Primo Tango (from Travelling in Style Series 2: Trek One) Garden Music GM25

Apache Dance (from Debbie Cracknell: Enjoy Playing Guitar Solos) OUP 978-0-19-322114-7

Danse (from Le petit livre de guitare vol. 2) Les Productions D'OZ DZ12

Souvenir d'espagne (from La guitare enchantee)

La Monteria (from I Toea Guitarra)

On the Prairie (from Moving On)

Sake Sate (from String Fingers)

Ring Way Blues (from Mix on Six)

Dobermann Yppan 0028

European Music Centre XAL10391

} Countryside Music

\ XYZ Huizen Holland XYZ1211

Broekmans & van Poppe! BP1627

ree pieces to be performed, chosen from the pieces included in this book or from the duets or alternative iece(s) listed fo r the grade, to form a balanced programme. Full details of duets and alternative pieces are iven above and in the current Guitar Syllabus. One piece may be replaced by the candidate's own composition

a similar length and standard to the other pieces chosen. If a duet (or maximum two duets) are chosen, the ~ c mpaniment must be played in the examination.

Technical work ce i ide back cover for details.

S pporting tests :~..s _o be chosen from Aural, Improvisation, Musical Knowledqe or Siqht Readinq at candidate's choice.

-=-=: e e Gui ar Syllabus for details.

Page 3: Trinity Guitar Grade 2

uitar Grade 2 ieces & Exercises

for Trinity Guildhall examinations

2010-2015

ublished by: - inity Co llege London

9 !bert Embankment _ondon SE1 7TP UK

- - 44 (0)20 7820 6100 ::- -« (0)20 7820 6161

sic@tr inityguildhall.co.uk , •. - inityguildhall.co.uk

:::_: ·g,... _ ~ 2009 rinity College London

- ~~- " "se<!

-=-- -- =-- --~=-.: ::.-:_: :-= :.....;: .... -==- --:- := :.-~ :_: -=-~--

c --=:. - ~-= =.-:- - =--- -- -- ---::::- -=-- - -

Page 4: Trinity Guitar Grade 2

Minuet Robert de Visee

[ .. = 92- 116] (1650-1725)

~ r----

:J # r---- #

6::g !;~:c 4.0 .0 1-~ 11~ {# I@ J lr ~

mf p r

~ ~

J # ~ #

--~:: !~:c .0 .a k~ 11~ ~ FE I~: =II

r r·

r· ~======= f

\

Page 5: Trinity Guitar Grade 2

[ .. = 66-84] i a i m i

i i m p {) ... I

..11.

~ - ~ r pr mf

Allegro op. 50 no. 1

p i p i p i ..

li 3r 1 r J I

t- r T

Maurio i· ·= · (1781- 29

~ I i

:' .rlJ w a fJ a a E w ,r w F w F w 1,; j w a J a J a,;.J .w J J J ••

:; -/) I I I I .. J I

~

~ -r ~ r i 1 1 r ~ i r I I

-~ .r,J ~J a J a j a ! J J J J a j a I r J j J IJ a a ~~J j a ., • ~ r--============

Page 6: Trinity Guitar Grade 2

.Yloderato [J = 63-80] a m a

p m i m I) I I I

'

!-' = 7 ]~ 7 3~ 0~ m

-{) I I I

t' 0 ~ 7 3~ 7 2~

a m i 5 m i m

{) J I i

~ = = .-.

7 (j ff~ j j

~ = = = i

9 {)

- --

Preludio no. 1 from Seis preludios cortos

L _l I

7 op 7 2~ 7 3~

I I I

7 op 7 - 7 -3~ lp

p m i m p m i m

= ,TI = mf ~

41 I I

= 0-:: o~r

- - -- -

7 0~ 7

I I I

7 - t--- t--... 77

m i m simile

=

I

--

Manuel Ponce (1882-1948,

Mp 7

a m - 1 m I

'"""""'

=

j j j

or

Page 7: Trinity Guitar Grade 2

p a m a -

? "" i m f; I I I I I I I I I I I

~ = 7 -

7 -

7 0~ 7 2~ 7 3~ 7 op 7 M~ I T 1~ 3~

-- = -1', I I I I .I l 1 L i _J I -~ o;J 7 3~ 7 2~ 7 0~ i 3~ i lp i = f=

"ill p-

"· ..

~I :;::;3 ,:::;:::, ~~~_:J- I T l b.!J ~F=l===T =l~_;F~==== 4.1 I Tl

=f= "ilfp" cresc.

--iP:

--======= f

--

--

6,_ F J I~ 3 J r=

2J 4#J 4 0~ - '-'

p

Page 8: Trinity Guitar Grade 2

Mango Walk Traditional Jamaican

Juicy and sweet [J = 120- 138]

&:/r· I J,J JJ,J J J J I,JJ jJ J I )J ,ij J I JJ }J j

iff/ . J J J J J J J I if J } J J I -) • } J j i3J j -e- p

- - -

r 3i or -e- p

----==========~~~============ f

J

¥;:/ J J J J J J J J I if J ; J J I -) ~ ; J J I if J ; J J I t -e- -e-

-u-f

~~ :/ • J J J J J J J I if J } J J I -) ~ } J J I J ~ II {.! r· .

- --- --------- --

Page 9: Trinity Guitar Grade 2

Vals no. 1 from Cuatro piezas faciles para guitarra

Bartolome cala u ... : ~:=-::.:::

[J = 108- 126] t 832-' s-.:

Ja m m Ja ~m .Ji j m m d J I

~~ C· I - I I c_• I 2

I • -~lot i i l 2 - 2 • i ~ 3 • 3 ~ .t• •

. r r f f r ~ ~ 'r ,.. ,.. T = I r 20

~ « * ~ ~ I * 1 j j 1: j : : ~ ==i

.13 I :f~ -ld· J ~ I s I s

= I = I I l T ?7• T 7

poco rail. harm. 12-----------­

a

I i ~ l • • • • : !

Page 10: Trinity Guitar Grade 2

m,.--..., -- m a

"' m I I I

~ -(., ,...

p p

:::

I f; ' 1_, I -~

~3 -9- I v ~ ~ lr

~ m i m m m

\? ll:,,j j j i [mp ]

Cubana

3r p

m a,.--..., i

I 4 J I i m I

3r r J p

to Coda-(j}-

m i m ,.--...,

i I I I

I ~ 3i \U

m i

a

J

r I

m i

Patrick Benham

(born 1940)

...........,- i-:1

v 3i -p

m ,.--..., m

3r p[

II

Page 11: Trinity Guitar Grade 2

s

Con fuoco [.J = 120- 138] > i i i >

ft:F J ,r J ·~ J I'F

p p f p

J ·f J @ simile

Second time to Coda -$-

ce

·~ J >

l.f J ·f • • 3 .

@

~---------------------

1. 2.

@ > @ @

Lento [.J = 80- 96]

p @ @ p @

m

I'; ~ l I~ .1. i

II= ~ ·~r 'f

m

l'f- ·~r J

@ CD 2. m 16 @ i

m

{ f:f ad I. f. ad 1.~. j J =II or 3~ or ;r

@ p p p p p

D.C. al -$- e poi Ia Coda

(.\.

rit. " od

'f 'L 'L 'i I,~ p p p p

@-------------- J

II

Repeats to be played in the examination.

Copyright© 2000 Editio Barenreiter Praha. Reproduced from Minute Solos for Guitar by permission of the publishers.

J

or

\;.)

=====~ p

1.

l'f-· oqr or p

j 2 I

.J

> >

9

Page 12: Trinity Guitar Grade 2

Magnetic So t

Andante J = 66-88

~u~~~~ r ,J r ,J r I ~ J J J-=j ~ 7

r

10 l'l.lof

( 1 ) -· - -~·

ff 13

~#fi :J J ,J J~J f ff

16

~Uq J J J J iJ J d J r r r 7

19

J ~ J if? J,~i ~## ~ r r r ~ f 11!1

22

tl~ . . . ~ r r_ r f'-r ...

~ I-'

ff ( 1 ) Slap strings with right hand over the fingerboard.

10

/

Lee So

(born 1959

iJ J d

r ~ 7 r r r ~

-• ..._c;.

'"!I

j J J J \

11!1

r - 4~:;

{.'\,

• .. v ~

Copyright © Camden Music Reproduced f rom The Real Guitar Book val. 3, CM245

Page 13: Trinity Guitar Grade 2

Sprite ite

Spritely ~ = 112- 132

5

~u I I I : @ 24 @ 1#J @ 24 ,J @ 4-r~J J .¥ J J J J -..-. . . . '--"' ~-----------------------------------------------------------------J

ff ·· =i)' ~ 'lg II

1\,;'?-.t:L

I E i E I F I r %? L_ J (1)----------------------J f > >

III IV VII I II

..., ... ..., ... pp cresc.

. . . ~--------------------------------J

ff 22

pizz. · - - - - - - - - - - 1

IJJJJd t It _ ~u g J @n¥ lg 4 J ff mp ..., ~

mp .ff

( 1 ) Rapid gliss. to nothing.

Page 14: Trinity Guitar Grade 2

Technical Suite (Exercises) :.=- :: ::.=.:=s oosing Option ii) Technical Suite in the Technical Work section of the examination must prepare the following - -------- ~

. S akes and Ladders (second position)

• g;==: c •

: - ,.

To be prepared apoyando or tirando at candidate 's choice.*

.. = 66--80

m m m p

J. 1J,3J. ~

uf 11J 2F j 17!1

t;=:: •• 4~ zr· 1~ 13r 1~ • ed llr· mp

2. Charmed (bass muting)

To be prepared apoyando or tirando at candidate's choice.

~yssssterioussssly J = 66-80

~ J '#t ~2 ~ I f f f

rit.

f

- · = ::::-'-:;s :. · ,h H thumb near the bridge.

mf

f

lp 4F. 1~ lzr

\

f

j

j

f ( I )

tambora /"':'.,

I~~ pp

II

j

II

Page 15: Trinity Guitar Grade 2

3 . Arpeqqio Adventure (arpeggios and shifts)

To be prepared tirando.

= 66-80

f2! m i

J r --

~ p p p

g 3g lJ ~

mj'

4. Riqht Hand Exercises

a) To be prepared tirando.

= 72- 88

p i

12J J

p i

12J J

m m a m i --2r·

I F F 2ijr r I

a m i m 2t 3F p

F llj. r I f

~ p a i m pa i m 1

$1 J F J F 1,; F J F I,J F J F I J F J ·r I J F JJ±EE:_

b) To be prepared tirando. J = 72-88

pi a i mi pi aim i

42J J J J J J lj J J J J J lj J J J J J d J •••• mj'

II -G'

-- ----

Page 16: Trinity Guitar Grade 2

- - :;;· e

Sea es

- e folio · ing sca les to be performed with dynamics shown, and w·· h im r igh han ingeri ~ ed. Candidate's choice of apoyando or tirando unless specified:

C major (one octave), 1Tff D major (one octave),p A natural minor (one octave), 1Tff A harmonic minor (one octave),p A melodic minor (one octave), 1Tff

rpeggios

e following arpeggios to be performed 1Tff and tirando:

E minor (one octave, with R.H. thumb) Arpeggiated D major chord sequence- 11-V-1: R.H. fingering based on pima:

a ~ J= 100 m a m i i

~~ 1.~ f r I E r J I '~ 'F m 4E m i m i

E I= E 'F I'C ,J .J I J p

or ii) Technical Suite

Exercises

Candidates to prepare all of the following exercises, printed in this book:

1. Snakes and Ladders (second position) 2. Charmed (bass muting) 3. Arpeggio Adventure (arpeggios and shifts) 4. Right Hand Exercises

\

All pieces in this volume have been edited with regard to current concepts of performance practice. Dynamics a f ingering have been suggested to assist candidates and their teachers in developing their own interpretat ions.

Recommended metronome markings are given as a useful, but not definitive, performance guide for all pieces. Those without square brackets are the composer's own indication of the appropriate speed for the music.

Repeats of more than three bars should be omitted unless instructed otherwise in the syllabus or Trini ty usic book, but all da capo and dal segno instructions should be observed.

~very effort has been made to trace and acknowledge the copyright owners. If any right has been omitted i any detail is incorrect, Trinity College London apologises ancl will rectify this in any subsequent reprints

-= llowing notification.

Page 17: Trinity Guitar Grade 2

i>.cke rman Music 017.93 537900 TQ _ Gu~tar Exam P';eces - G:,ade 2

II III\ 1\ II illll\1 II UJ \.1\ \Ill\ J0000080LJ66

f.5 .99 08C9··G m- EXAH

TG 008022 ISMN 9790570380343

9 790570 380343