tragic heroines on ancient and modern stage

8/6/2019 Tragic Heroines on Ancient and Modern Stage

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E ducao Em E sparta E a tEnas : dois mtodos E dois paradigmas

3

Maria de Ftima SilvaUniversity of CoimbraSusana Hora Marques

University of Coimbra

(eds.)

t ragic H EroinEs on

anciEnt

and

m odErn

s tagE


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Jos Ribeiro Ferreira

4

Editors: Maria de Ftima Silva and Susana Hora MarquesTitle: Tragic Heroines on Ancient and Modern StagePublisher: Centre of Classical and Humanistic Studies University of Coimbra

(1/2010) Academic Co-ordinator of the Editorial Plan: Maria do Cu Fialho

Other Collaborations: Delfim F. Leo, Frederico Loureno, M. J. Almeida Editorial Board: Jos Ribeiro Ferreira, Francisco Oliveira, Maria de Ftima Silva,

Nair Castro Soares

Technical Director of the Collection: Delfim F. LeoDesign: Elisabete Cao, Nelson Henrique, Rodolfo Lopes

Universidade de Coimbra Faculdade de Letras

Tel.: 2 9 8 9 981 | Fax: 2 9 8 6 73 -44 Coimbra

ISBN: 978-989-8281- 0-1Digital ISBN: 978-989-8281- 1-8

Legal Deposit: 1270 /10

Published under the Programme POCI 2010:

Classica Digitalia Vniversitatis Conimbrigensis

Centre of Classical and Humanistic Studies - University of Coimbra

All rights reserved. No part of this publication may be reproduced, stored in a retrievalsystem, or transmitted, in any form or by any means, electronic, photocopying, or otherwise,

without the written permission of the publisher, except for educational purposes, namely e-learning environments.

All the volumes of this series are submitted to a panel of independent referees.


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E ducao Em E sparta E a tEnas : dois mtodos E dois paradigmas

5

C ontents

Preface 7

Introduction 9H S k , P M k

Medea, Clytemnestra and Antigone:

P V

Rehearsing instabilities in Aidan Carl Mathe st HE a ntigonE 7

A R -H w

Antnio Pedros antigonE on stage 6S M P

Sophocles E lEctra by Krzysztof Warli o s i 7K M k

Medeas Sacrifice and the unsatisfied director:E Medea A V 87

A M k

Senecas p HaEdra - an over passionate heroine: H B Faidra 109

E k P k

Innocent victim or scheming seductress? Euripides Phaedra (H ippolytus ) and Kalidass Urvashi ( V ikramorVasiyam ):

w 121B j S


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p alaVras dE a prEsEntao

P refaCe

w k

k 0 1 J 2009 U C1, N w k P A G k D , w

C C H S C .

U ,

w w

C A , w

C P . E C k R

1 W w k k F L M J A

w E


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Jos Ribeiro Ferreira

G , N , P , P , K Sw

C

, E , 20 w w

. , 1 20

, w : , A , M PB G k R , w

,

, k

w

w ,

Poenulus w k w k

P D L2.

2 C . F , L. N., J , C. A. M., . (2010),FESTEA Tema Clssico. Dez Anos de um Festival de Teatro (1999-2008) .C : C E C H .


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I ntroductIon

9

I ntroductIon

Changing Attitudes towards Ancient Drama

in heatre Practice

I E p N R D P A G

D (A -N ) b G p

. T x b

y p C T ( y ) p

. S E p y C T S p

. I p xp

G . S

p y y . S p p z

p / p P ( ) Ep ( 7),

J y by

p p . T C S D p UC b , P (P . D . M F S

.


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Henri Schoenmakers & Platon Mavromoustakos

10

T p pp G

b p Ep . I

y p

C b . p

y G xp y

p , p y p

G . W pp b : ( ) y G , (b) q , p

?

t he lIterary attItude towards ancIent G reek drama

A G b

. A q , x

xp p p . T

y B.C. p xp

y xp ,

p . W y p

p p y


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I ntroductIon

11

y p y . H , p y

y y b x p

xp . P b b G Sp

p . T

x .

- Te notion classical T y

y, , , p la condition humaine.T

p p y p y y B.C.

q p , p y . I ,

p y condition humaine , b y y

. P j bf p y . T . O y, y

A y , S p , E p A p .

I p y, x


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12

x b - p x p , ,

y b . Aq p xp

p y . A , p p

y y, b p

B.C. , p p p y x

G

p p p z b

p . T xp

pp y

M xp p ,

b b

- Norms related to ancient Greek dramaT

B.C. b b by A C

A b y. T p p

y , , . T y

xp


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I ntroductIon

13

. T ,

y yp b p ,

, , y, p (

x p Medea Peace ) ekkyklema

p

. T y y .

C A ,

p F G p p b

y. T y ( , M y by E p

( y p E

by A y , S p E p ) y p . D

y p z , p ,

p p p G

p p ppp


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14

w ho Is responsIble for communIcatIon wIthIn

the theatre ?

A p b p b G

b q , p b pp : ,

? T pp p

b A , p

pp p b ; b

b p b b

x b b . T y p x p b

p b C Sb Te Cherry Orchard ( ). S ,

x x

p b

H , p y x y

p y

G . T q p b y y .

Ab G y

b S y C .


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I ntroductIon

15

D p bp

p b p . F p p

x q p p

xp

G .I p

pp p p , p

b . O p x . T f b

b p pI y p b

. A x p p Oresteiaby B G pL T L b (7). W p y

A p y A , O y b

b b b x . N A

. A y b y . O

p , b p z y b A.


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16

T p x b x

. O y b x y

p b y (p , ) x b b

p . D pp

( , ) x y x , , p x ,

p .

- Teatre makers between innovation and renovationI p y

p p p

xp

. S , ,

y B.C. W y xp

p y xp , p

G

F x p , M x R xp p y

Oresteia p - yp p C S

B , pp y


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I ntroductIon

1

. I p x , G , y y

, y b q b

p A b b

b y p

W b ( 87 ) y WS y S W W GR p b p

. M -S y C F p y Oedipus Rex R p

O F ( 8 ), G S I y

p p Agamemnon. I G D

() G Ep

p S p E by R ( 8). T p

b Ep p y

y p b y p xp

p ( . . K K , L R , P S , PH , . .). H ,


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1

b p I yp

E p , , S W W , p - p p ( .

L B F , E Vx N ) xp

p y y.

T p , y p

pp p p

x ), b p b

p y p ,

- p b p p b p

p xp y p

. A p p x p

p b pp p p

p S p Bacchae

Dionysos 69 (p 8) y p . S

x E p , x . A , p y

p p p


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I ntroductIon

19

( ) p q b

x . B :

b p

- Back to the communicative function of theatre T y b y

y B.C., y y

p

by p G by

p y . I , y

b , p la condition humaine p

p , p . T b p p G y

y y b pOresteia A y . P S p S b H U B ( 8 ) p

y p y b p . A

p y b

by b Agamemnon,


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20

z A . T A b C

C y b p . T A p y

A , y b

p . I p Ap p p

. W ekkyklema b y A

p b C y A .

F p y p p Pp p G y Oresteia p b

y Gp p xby y . A p

, y b b . T y

O

A p f b q O b y y

I y y y- y Oresteia


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I ntroductIon

21

p p y G y, ,

p p y . I b

y p , b y

. x p y p p y

p . I A K b Oresteia K p M . A

p y y S I q ( ) by

G B D R C ,

p y,Eumenides, z p z p

b p z . T f

p y, p y f - p

x p p by S pD . I p GD R p b (DDR) pby z D . I p

z

b y BRD DDR. T

z y p y. A p

z j b


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22

p E y , D . p yp- . S y pp

p , , b y z y . I p z

y p pp

by p p z .

T x p y p . S p

Bacchae , y x b y p

G p , p

G y Oresteia b p

y p b p. S, q b p (Oresteia

y y p p y)

pp P S p M

( . T j E y ). I p p p Sp b b y y b


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I ntroductIon

23

p y . By x

x b b

y - b p

b p b y, . I

b p p G

y T b xp p , , .

I b p C b

x p p b z

z E p N R D

P A G D y b

- Ep .

H S (U y U )P M (U y A


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A trAdio dos s ete s biios

25

Tragic heroines on ancienT and modern sTage


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M edeA , C lyteMnestrA And Antigone

27

m edea , c lyTemnesTra and a nTigone : a psychological approach according To The

Tragedies and The myThs under The frame of The paTriarchal socieTy

P V(Un v y A n )

G k g dy d m n d by mp ng mgu , n w v b m ymb l ndm bl yp n v y v l z n

n u . P n w m n, bl d w nb u y, w d m, n ll g n nd u g , w dg b y nd n w m m , pp

l w nd ul nd u n l blup d d wn. T n pl g n p l y. T n d d b d vnd w m n d b p n d zy w

p u , mu d l v . N m l gu lw y d b

mpu n l k l g n . In d m g w m n, n wly bl d m n-d m n d

d u p nd gu nd pl m n , u P n l p ( nd b d

An g n (du y), Al ( nd m d y A dn ( b nd nm n ). Bu v n n w x mpl w b y nd u u l n nd l k d l k ld

n , w uld n b m d.

M d u n d v n O d ng upd wn u ng m nd u kn wl dg : n nly


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Petros Vrachiotis

28

p mm l y, bu d nd g v y u b k n ld . A d ng Eu p d qu w :

I you ofer ools some brand new wisdom,theyll consider you quite useless, not someone wise.]

And i , within the city, people think o youas greater than those men who seem quite wise,

youll appear a nuisance. So it is with me.For Im a knowledgeable woman.I make some people envious .

M d n m n n l. I d v v b w m n I nk, I d v , I

. H m un mm n d g w dd ng. H lp ng J n b m n nd b m

k ng, emina universalis nn d n m w b dd n kn wl dg nd un xpl d m

ul. M n d m nd d w m n b ll nd l

A d wn ll m y, y blnly d m nd b n d ny kn wl dg

uld n n l. Tu , M d b b n d n und blg d.

Eu p d d b M d zy, j l um n w m n. A d ng my , ull w n u nd v v p pl . Bu nZ u n u D ny u , M d b dd n

. W w ll n v kn w w u

J n n, I. : vv. - .


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29

ld n, b u Kn wl dg bu d nd M db n d n nn y ng l m .

M d u n d m l w ld up d d wn b y d , k ll d b n

n l v w J n b u d . S un m d m l n u y ng , u

n nd d w n . S v w lm dp ud - nv n n nd l w m . M

b pun d, nd ? Und w p nEu p d m n l n . G d m lv p w l n n . N nly n punbu m g k ng A n , A gp v d w m m l , M d .

M d d g dd n gMy n n l . S w w p d n C n unH Ag . An n d p

n El u - w ll n R m - pl m ng n Ely n F ld . T G k S u I

n d w ymn . Ev n Ap ll n u R dp d u v d A g

qu l J n. Bu nn y ng M yn nym u un l d y. Ou

w ld nv d w p m d lm -v g n w d m

mm n g d. T bl M d n p d

l -lun j l u w m n. N v l , mpu n ju d. W v d mpl y M d

l d.Cly mn d d ul w m n w

b u y. Ag m mn n d mu d wn u


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Petros Vrachiotis

30

n lu n d v . W mb m p w ul ul n d m gdyn y H l d , w un d . y

y l y nd nk p w ul n m dyn y, Ag m mn n w pp n d mm nd

g n l G k my g n j n .Bu Cly mn b n b qu n. A

u b nd d p u k v k ngd m nd

m l m d l ul : x nd ly w A g u , Ag m mn n d

b ndm d . W n u n v u m Cly mn w y ld ng d ubl x , y

k ng p. N w ll nd b k, n lp n y ung C nd , Ag m mn n p y

w . S d d k ll Ag m mn n - n w p n - bu w w p n. S m

ug g n l, w l A g u nly k wk ng l dy p d w y, ju l m n

Cly mn w ll n p n , n n dd d b m . Sp k ng d ug El

w ll d n mu d m v ng n m Ip g n . Cly mn ll b u w mp w . N n uld v p y. T m n

m w d ply d . T g w m d up by . And v n d y, w u

w w w n w . A n dramatis personae n Ag m mn n. S ul v g nv n bl , u l nd nd p nd n . S

pl n p l y, w w m n n m d ng ul by m n.


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31

Cly mn p n d n d n y wnly nElectra by Eu p d . S un w d

p u d d ug w n nd u g nd ld. T g qu n n w unn ng

b by l k n d n y g ndm . In u Cly mn n nly b pun d m .

k nd y, w m n n nly b l m . El n m mu

w n , bu b dd n w p gn n m g . T g d n wll w Ag m mn n p l g z , unl k Cly mn

w gu l y nd p y w wn l .Bu qu n A g l n p

g m d p n ng - ng u wn m l v l n d . P p

dd d u dd n ug w nnd u d nd b bu d n nd k und g und u ub n u . Cly mn

- m m - b l v d w ll du d El y w l m u n ng .

An g n b g nd unpl n u pS gmund F ud, un v d p n

- ll d O d pu C mpl x. F n , n b nd , ld n n n u u m

In Odyssey . - , O d pu m m Ep(n J !) nd n m n n gn

l -bl nd ng. A d ng P u n , vv d n O d pu d n ld n by m

El u, A. : - .


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Petros Vrachiotis

32

For how could the report o his wickedness be immediately abolished, i he had our children by Jocasta? Tese children indeed were the ofspring o Euryganea the daughter o Hyperpas: and this is evinced by the author o the verses called Oedipodia. Onasias painted or the Platenses Euryganea, with a sorrow ul countenance, onaccount o the battle between her sons .

C u l n m n l g v n by Pm Sy ( n u y b.C). O d pu n k y u , n l T b . H m d d

A ym du , d ug S n lu , nd l v d u l g nd p d l d (P yd

n J by FGrH ). O u g p nd ud n d d H m nd mu d b n w my . S ll O d pu n n u u p

( u b nd m /b ld n). I b u pl n d d b m mpl d,

u m d m .

Bu l u u n An g n . O d pu d ug b ld l ug d d

d y ng m, m nd ng u m m w md nd w w v p l m d.

An g n d u n C nH n H m n nd w Eu yd w ll mm

u d n un p n punC n kn wn d ng An g n x un b u ny v u . F n lly d g

yl , . : .


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33

um l d, b u n w un mpg l n b w nKratos , p w , nd

d l n bl ul. An g n exemplum d v n nd

n . C n l d xp ng l w bu u bu y d d m n. W l w

pp l ng ? W g ng n b y nd m gyn An g n n v g l w unqu nethos

nd u nd m v u . A v y m m n nd n n C n, y ng n duld ll p v

gu : M d nd ug d m n Cly mn . C n n g m p w n l m p ud D lumn n p

w g l. I w H ul , w uldpp d v l nd m gn n m u , bu An g n n u .

B C n nd An g n nd L wH w v , C n ld p w . W n An g n b ug n n m, mm nd l k

m, bu gn m. S u n m ngl l k, nd C n nly n w n l

u l nd d p n mp . An g n g d miasma y, w d nd m d m n. S

w ll n l k m, n b u d

bu b u d n w n b n m n d gu ng p n . An g n b l

H m . C n l z m b dy m , w uld n k ll m - n

w w uld y p m x u ng du y.


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Petros Vrachiotis

34

gu mu p l y, b b l d. An g n dd ng l w d w

d d m mb m ly:

But I cherish good hope that my coming will be welcome tomy ather and pleasant to thee, my mother, and welcome,brother, to thee .

A p n I b l v u l S p l v n O d pu K ng, w ll El , l ug x mpl n b ng d u

. B d n w g d , S gmund Fk n l y d wn O d pu nd El

C mpl x. A d ng l y, An g nn l n n u g d , bu

b u n l v w nd bT l w n y F ud n gnb u v n S p l kn w An g n w

l w ul m g , nd n n mp u unN v l , ll d F P y n

k n d v nd g L , P J w , w

w b d ug nd l m p g(Genesis . - ). N O d pu w n l v w

m , n d d d ug ll n l v wOn n y, L d ug n u ly d

w , g v ng b n u u w ll m l nd l qu n .

J bb, R. C. : vv. - .


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35

M d , Cly mn nd An g n m ng ng g gu , bu l

n l ng n . All m ng, nd nd pl n n p g f

v v y m l p n ndng n m n, y p w ul p n

In Principe , M v ll p v u n u v l m n m l p w . Bu

b dd n m l . T C n w ll w m n up n pp m n nd u n m w k nd p l m , k p ng kn wl dg

m m. Kn wl dg nd p w n b m d d w p n n nd w m n. Only d ppyBu

nd B n L d n v g m nk n


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Petros Vrachiotis

36

B iBliography

B n l -G g p ul u, C. ( ),F l d nEu p d , n Moments o Greek ragedy. A n :M. K d m B k In u , - .

El u, A. ( ), O d pu C mpl x: g y. H w d d F ud d S p l,

Davlos . A n : - .

J bb, R. C. ( ),Sophocles. Antigone.C mb dg :C mb dg Un v y P .

J n n, I. ( ),Euripides. Medea. V g n .

K l ky , C. D. ( ), T l p l p y S p l ,Elliniki Dimiourgia . . A n :

- .

R ul , A. ( ), R b l-w m n: D np yp m l ul,Davlos .

A n : - .

yl , . ( ),Pausanias. Te Description o Greece - p. . L nd n.

Y n z , Y. ( ),Te religious misogynism: Womanin the paradises o monotheism.R n : Alb uPubl n .


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R eheaRsing i nstabilities in a idan C aRl M athews he Antigone

37

R eheaRsing instabilities in a idan C aRl M athews t he a ntigone

A R -H (N U v r Ir , G

In disoriented times, we cannot accept the return o the old,deadly gure o religious sacri ce; but neither can we accept

the complete lack o any gure, and the complete disappearance o any idea o heroism [] Our task is: How can we nd anew heroic gure, which is neither the return o the od gure o religious or national sacri ce, nor the nihilistic gure o the last man? Is there a place, in a disoriented world, or a new style o heroism?

A. B ,Te Contemporary Figure o the Soldier in Politics and Poetry

and he that let go the goat or the scapegoat shall wash his clothes, and bathe his esh in water, and a terward come intothe camp.

L v c : ,Te Bible

I rc r B r r r c r ( )r

p c c r S p c Antigone r c c r pr

k r p r b r b x b c

r r . M r c , Antigone rr c p r - r

B , A. .


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Anastasia Remoundou-Howley

38

c c r c r r r c c r , r r r c r , x p r p v r

v r r c r r c r , c r p v

c c r . S c r c r pr , A b

p r r p c b p

r r r p c : pas )r Cr c r b x rcx rc q r pp r c q

r r c r , cr S p c cr b b G r ,

p r r c r r r c r A , S G r r c , c

r exemplum: r r c pr b aporia c r r

r - cr b q rk r rprr rpr p . T

x c A r c r c c r c c

b z p b Ir A C r M .

I c r v r ppr pr c

r p r r cr ppr , c , (Ir

G r r , S. : .Q S r, G. : . S J W

G p v k Antigone cE p r .


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39

r v , M r r br v -r c xp r pr v c v p c

c: r r r r S p, , r c r b

c r b Antigone c r c r r p p r bj c

r , r r c pr c c . Fr Ar H r r J B r J

C pj c c p r r r z , Antigone c c ctopos r r ( x p r r c ) p p r v b r c cO r , prM q b b WP p r r

r c r cr r v r r .

Tr r p r c rv( x / c / p r r v ),

r c c Gr k c c xrc p , r - r r r p c

A - r , b , r r, c p ,

c p r r c r . Or p r p r B

T p p r b rr r rp r r : P p W b

S , b b r b O r. Acc r ,Te Antigone cIv r r r b , p-pr v c k p r v rv r v r (M , A. : ).

McD , M. : .


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40

r , M , q r p r , p A r v bv r r c b

r r v r-c c p c r r cr c

x r r r r r p r b r c r , c v b c p

c z p, k p p .I , r Ir Antigone - v r,

r ppr pr Antigone r Ir ,N r S , r

c p c r r . F rr j c v rc r r b rr , p Cr J cpr p v r r c v b r b cr p r p

r c v Irp , c r b C c C

. A c r r, r Antigone A , k r

Gr k c r rr : T A b c , b I k c -v c p ,

b p p c . I r

c r p k p c r rbp r r j Gr k c p

v r cr c r, r bv Ir , r D b . I v

M , A. : .


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41

r c A Mpr r r v r Antigone Ir c Pr j c Ar C r D b

v xp c p c p r r p r p b p r

p v , r c c v b c .r , M bv r v r c

x rc p r r . T r p

b c v rr v rb k , q , r

b r p , r , p cr r c .

T v r p r r r r r v v

c r , br r r - r r x/ M , - c v c Ap v c c

b r j r b c r , p r c r Ir . U

r Ir c r cr r c q c

r c -p c r r c r , b v r r

p r . D r , c q

p r c p r pr pc , rk p c , ,

, r b r p b r b r z c r c

G r r , S. : .


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42

cc r pr b c x r rr , x

b r , v rc ( c cj r b b r r

mores ), r c b p cr b C c C r

S . T c b b Ir r b p b c pr

r , c b b r p r r c b A Cr .

D r p r , r j r c cc rr r r c ppr c : rr c v c r r r

r r c c r . M r c c cc r pr - x b

r b c c r r br b b pr

cc v W r r . Pr v r r r S p c

r xp - p b Antigone -r r r cr q ck p c c p

: J A v r , r x r b r b p c Fr

R c c p c N z , r r c b

r c r c - v r , r b c pr r

r z r c r pp c pp . S r P r

Q F , K. : .


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43

, r , B r Br c pr c v r Antigone b r

Fr r c H r B r . I , Antigone rv p r c c pr j c r c pr p - r p - c G r E r

M c c pr c r c c Antigone p , r r

pr p c c r pr r v ,

r . I c p r rpr c p r p , r

r z E r p r c k r b Ir , r rr c Antigone

v . M c b p r p c , rr

v c , D r Antigone c r r r cr c p rp . A c b

c r r r , r c r v br b b

b r , M q ppr prc cc r

r rc r cc b r r

, v r c k A Br c , Antigone .

T r c r p r r c , M c Scc c r v r r

r b br p . T br c r p r r p

p r c r p r p c v :


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r c p r rc x , c cr r r pr p b Br

A , r r cr pr p T b c r c r c . T r Antigone r - p q r p r c p r r p p c q , b M

r v c rpr v b r j

r c : v r rc b r r c r p r

- r , r r p r p r bx - r .

M , , Antigone c cc p p ,

r . H r r p c pr j r x r x

r c p p c r r r c r c Antigone c r , Mpr j c p r c r q

pr W r , b rr v c p : r v

b - rr v c k . T

p r v r r p c xp rr r c c x r ,

v z , , c r r r c r ppr c

x r c r

M , A. : .Ib .


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c . M b , c pFr c p p r R G r r( M pr r S r U v r ) c x

r -c z p c c pr c c r r r p , c , r

c p r Antigone, rcr c r b v c b rb r

r cr , rc pp r cr c r

r r c : A p r , r c r

the odd little breeze rom the North( ) rv r pro patria cr c N r r Ir ,r c c , , c p- r r p r- pr p

Ib .G r r , R. . M R G r r

v p r cr c c pr c k x p . F r G r r , cr c - c r r

r - b rk c r v c c r p. I cr c , vcr b b r r b

A rr , , r k c p c k v c r r p, c v c

r . T cr , r r, v c , vr r c c c r . r r z -

r z - rc r , r r pr c p r r r

( k v c , xp r c , r ccr c cr ). T r r

A cr c , r c p realpolitik .

I p r b p r r pr v c p .


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Or r ( r pr c )b . I v r , Anti-gone, k

r , - r , r v r . S pp r r k ppr c c , r genos . I M

v r v pp r .T r M cr p b r

p c , b r v p c c

c v r c :Set in Ireland in the 1980s B.C., soon a ter Sparta had entered the war on the German side ( ), p ( c r

p b ) pr r pr p r c r r p, k

v r , v c r, r c c r k p c . T

c cc p c, c cr v r r : r , r

p r c b -c r A -c r Ir . S c ,

Sp r -G r r c , r c r p c c q c P p

W r S c W r W r, r cT r A r p r r p bp r r A c z. Wr A r

, M v r r v

r c r xpr r cr . H b c H

M c r , r C r pr x :We have an opportunity to collapse History. You and I together. o

Q H , E. : .


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47

begin all over. o resume time. o become totally human. o put all o this behind us[...] o step out o the soiled clothing o culture ( ). M p b r

r c rr rc : r r p c r ( )p b( ) b b . H cr p c p r r c p pr -r Antigone - r c p :

r - - r c q , r c r c r , r b c p

Cr J c B c - c r c r r

p rp j x p p pr r r r

r c c c b c r p cp r rk b p c r

r xp r c . A pp c p ,

r p p c rc c c r p , v q b r rc r v r Ir Cr J c B , q

b v r c k r GOr 1984 . I r c p

, c r c r r r k c v r c r

b r , pr v persona, r c : A r c rc , - r c :I represent ordinarinesstens o thousands o aceless women. Women who stand inqueues and wait. And their waiting is more busy, more


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48

concentrated, than all the bustle o men( ). M Antigone p r k b

cc b r r c cr q Te children are eating the stu ng out o old couches ( )).

A v r v r , cr r C r ,Were goin round in circles ( ),

r c p b v c c r r b cr c . A

p r r , p v r , rcr (I dont want to set an example ( ))

ck p r v I know Im colourless. I know Im abrasive. I know Im abore. But Im right, God help me, Im right. And I have to

go on being right until somebody sends help( ). A v pr I r Antigone r take the good with the bad ( ).

A c r c r b v H , p r p c : p

b c Cr , r c , r A

c r . F r H A axiatims ( r r), b r H cknous /noesis pr r r:Such a waste. Such asquandering [...] You could have been my wi e i youd had any nous. You could have had me. Do you have any insight

into what youve done to me ( )? T r z p (Shes quite delusional. Why do I love her ? ( ))

r r r c v r ck r :You ride your own death in the emale astride. You

want to go out in a blaze o glory. Saint Antigone. Wa ting


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o into cumulus nimbus while the rest o us stay where we are in the ruins. Walloping nails into wood [...]No wonder Christ chose men. Your sex is diseased ( ).

Pr Cr c c Mr J c pr c :Te aim is rehabilitation. A bringing

to the awareness o evil, not a driving to despair ( ). Tp r - bb - - C

r p c T b r , Cr c C r ,

r , r , E r c , A br r r r rr P cP c , A r r r

r P c , r r b r br r . Cr c

b q N Ir Cr J cv rb , v P c b

r x c r c r A r b b c r br r b r c

-p r p p c r c r r b c r b . T c

c r pr c Sp v b r r p r r c r . W r , c r b r r

c v c r r . T v c v r r :Ive been playing

this part or three thousand years. I cant remember why

I took it. It wasnt like me. I m so con used. I have the odd ash, but its ainter all the time. What I m doing is absurd. And they still dont understand. None o them.

And neither do I ( ). B : r b r v v v r b p p


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p r j c v r p r v b . A r r

br r c c v c . TC r , r c r c r- v M Gr k c r , b xc :ostay when Antigone comes? o participate in History? ohave a seat at the centre o the epoch? o marry the era,and be impregnated by it? Id do anything. Id donate my

kidneys ( ).Tr M p , Cr H r c rc r , c p c r. I q

the whole ruth( ), Cr k r v pr p r H r c

p p c p r. T c c c r Cr p , r pr c

r O r , c qr A (Shes multiplying inside

me like a white blood-cell ( )). T r c r c c M

p r c c , k S p c x . A r b r r c

Sc , M. ( ) Pr r N r Antigone : .S Te Antigone : . T c r

cr c r r c V c r H Les Miserables , p r c A r c r p c p pTe AmericanCrisis ( - ) b T P ( r c z r

), What America Means to Me b P r S r ck rB ck, r A r c N b Pr z L r r . Cr r c r c p : I v : T

xp c r p b r , k r pp r P

x R v r W r A r c .


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k p.Youre turning me into your own creation( ) A pr Cr r p :

Go home my little playmate. Bury your brother. Dont bother me about him again.Te ways o the tree are not to be understood by its leaves. Go home and breed.Te kindergartens are empty.Te swings are tied up. Not a single sandwich wrapper dri ts across a single school-yard. Te gulls have given up and gone away. Go home and breed. We need the noise o children like the noise in a stony place ( ).

M , r A v c - r . I -

r r c , M v r r c

p rp cc rr c v c c rc b rb r ,a state o total war since the murder o Cain( ) c v k p b r rr r. T c q -B ck -

: v p - c r c r c cr , r ck c r, r f , r

v r v r r r . I cb S r , S . P r b r , N

, p -Cr J c B Ir r c r . T b ck r p v c

r c c v c ccr c , r c v z r v r b r k . I

r r r r , Antigone c rpr p bj c . I , q

b : c r b r r r ? Mk p r r r , v


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c r q cr v r c v c r . O r

r r b r kr :

[D r c r M c Sc ] had this terrible image o holocaust.But once I started translating I realized that it wouldnt work as we expected. I wasnt writing with conviction because I doubted

the premise. It rested on a certain idea o heroism and individual glory. Tat you couldnt have a martyr without a monster; youcouldnt make Antigone without debasing Creon. So, I thought o a play with no culprits and a great deal o casualties .

C c v r

r v , v r r c b c xp r r r , pr r c cb bv r v r c c:

Antigone, like all the major tragedies o the Greek canon, exist

in cowed orm. It has been sedated by its own stature. he harmo its art has been drained rom it. As a result, its su ered a sea-change,a ate worse than death; it has become a classic. Tere are a

great many reasons why this is a shame. For one thing, Antigone subverts the very notion o a classic, i by classic we understand a text which inscribes the meaning o history- and, indeed, the

history o meanings- [] Antigone, in act, is the record o a part o an individual to assent to such practices .

M , A. b: .M , A. c: .M , A. : .Ib .


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T A p r r Mppr pr r p

r r . M b c r c (Dont you uckin start Sartrin round

the place, a terrible man or the Hegelian riangle , Dont go Antigonizing him, c. ( , , )) b br

v b p c

r c r c r A , pr c r, c r , v rbp c b , v c , , b r

p c - . T cr x b r v c b c cpr cc p M r z r

Acts o violence may occur o stage in the Greek plays but the act o violence is usually transparent (and there ore sometimes invisible).Yet the exorbitance o con ict- the immediacy o rows and blows-disguises its more subtle orms, the tactical cohersion o an understated chat, the menace o mere presence[]I have aninterest in the subspecies o violence o masters and models, o the impoverished sel prostrating itsel at the eet o an idol, o personwho are decentred by their own obsession with other people .

I M p , r vr c pr c , G r r r , r

r r r , c c r . I v , Cr c r

Antigone x W r c E r p c v , Ib .


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v r r rk C r r , Rule o St.Benedict , P c M r On the

Dignity o Man, T K p , M , P Republic Bible . Antigone cc p

p c b r r p p cthe real public enemy ( ). A M p ( pace Cr c): Antigone b rk, b

. I p r r

p r p c c , rr , rr (Giggles) p c c p r , c r b c c

c c c . H Cr , k rS , r criminalize[s] any act o weeping as an incitement to gloom. Weeping must be done at home or in the darkness. And it cannot be loud. Audible

gnashing or sighing will be punishable in the same way as silent sobbing ( ) . T b r C r c r Antigone I(Poly has been uckin vamoosed. An dtigeann tu? Verboten,

nito, orget it ( )) E , G c, G r , I , c p r rb c c r br

r c . C p Antigone r r P c , ppr r p c c

M , A. : .M , A. : .I c b rv r

( k A c Gr c ) c v z b c r r r r Ir c

p r C c c rc p r ppp b c r r r r p : c xc c .


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r v r c c ppr C c Ir .I ,

M Antigone c p depuis la ondationdu monde ( ) r c p

c C r . I c c c c ,v c c rblamed or everything b r guilty o nothing ( ), p

p p c C r :Where there are

sheep, there will be scapegoats ( ).D r G r R c , L ck pr c Antigone c c

rk r r C r c r.R k , pr c

r c Antigone pp p r c r - r C r c

r c p r r b , r v r p r

A M r M , r r c r r J b , r V r M r ,

r ( p r r v r r c r v A r b r cbr - v r- -b , rr pr crb c b r r br r c rp r r

rr H ), A J r r r, c p , r

, . A r r Antigone p r c r pp r Ir

c b cr c pp c Q , I. : . T c c

C r c p p r r p b b k r rGr k. r r r c E .


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Ir cr q Cc rc p c b r r

pr v r : M Antigone r J Arc r C J , G , c C r pr v v c r

r , v r r , v r r , b[ ] b v r r

p rr

k k r c v c p . Mr , M c rc c r r

J pr p :

[ ] because their shared concern is always and everywhere the nature o violence, whether in its routine

orm as lynchlaw or in its ritual orm as sacri ce, withinthat rail makeshi t we call society .

T p r r A M q pr r, c b r

J c , r r J b , Cr P

cr c x r r rr r ckc r). I r r p b r

v , v , M

r r - v p r-p c Ir r c pprv c . A cr

cr v r v c rM , A. : .Ib .


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r . T br c cv r z c r b p c v b c p cIr p c . M

x p r c c p r pc cr b P r

c , r P c P c :

Antigone knows[] that her brothers are identical,united by their own rivalry, mirror images o the very di erence which divides them; and she knows as well that Creons version o the history is the old humanitarian

perversion o the truth, a stubborn allegiance to the belie that the meta-physical orce o Law, not the physical law

o Force, determines everything .

Wr r Ir c qp r c p r r r r x

A p c r

(Chorus attempts to mufe her mouth with his hand. She bites. He strikes her.) Jesus, my nose is bleeding. Stop it

please. ell them. ell them. Teyll come or the womandown the street. Will you tell them then? Teyll come or

your next door neighbor. Will you tell them then? Teyll come or you. And a ter that, when theres nobody le t,

theyll come or themselves (58).

M q b k: Antigones r x , b r r , c ,

Ib .


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r P , Gr C , Arv r r . A r -

- r c , cr - x cc taking the sins o the world on her shoulders ( ) b

H v K rk v M b r

r p c b r cr c r . T p r c v c r

c p r r r b ppr vj r b v c r c r pr p

c r c p rCant you see that theres no greater crime in this world than having clean hands ( )? I B r M xp v r p crp v , p c c c

, I Cr rc c vGohome. Go back to your homes. Voyeurs. Peeping oms. Youcant do anything ( ).

: .


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59

b ibliogRaphy

A r , . W. ( ),Prisms . USA: MI Pr .

A , J. ( ), Antigone (La Petite Vermillon).L : E r p Sc b k .

B , A. ( ), T C p r r F r S r P c P r [O ]. Av

p:// . c .c /b . [Acc M rc ].

Br c , B. ( ), Antigone, a version. r . b H r ,F. M , J. N Y rk: App .

B r, J. ( ), Antigones Claim: Kinship Between Li e and Death. USA: C b U v r Pr .

C pj c, J. ( ),Imagine Teres No Woman: Ethics and Sublimation.USA: M c I

c .

F , K. ( ), F c S : J A A , Z jk , V. L r , M. .,Laughing with Medusa: Classical Myth and Feminist Tought. Ox r : Ox r UP, - .

G r r , R. ( ),Violence and the Sacred . USA: T J H pk U v r Pr .

G , J. W. ( ), E p r G r , H. B. G r , M. .,Te Ox ord Companion to

German Literature . Ox r : Ox r U v r Pr , .


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61

, , , - [3] : Ergo

G. S r ( ), Antigones.Ox r : Ox r U v r Pr .

he Holy Bible Containing the Old and New estaments ,r p b A.C r r A r c

B b S c . N Y rk: A r c B b S c), p H rv r L br r , .


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Antnio P edro s Antigone on stAge

63

A ntnio Pedro s A ntigone on stAge 1

S M P(U v y C mb )

T h h w h c y S ph cl Antigone w p x Ppl yw h lb b d m dd p l. C ly, h pl y

w w b w h d h by d bl d p d P p l c , l w by w m h . T d c p cy

m w ll h d c b w m l d p d c m m h w c d h m

p v l ch h pl y . M d l p l c l by v c h c mp y p l c l c w ll by h l c c b w m d p w( m l m c G k dy ); w

h h h d m m l by ( m w y h Cl c l pl y ) p h mph

I w ld l k h k M . Jl G , h p d cEP, ll h m h k dly v m , w ll m h h p v d d; I w ld l k h k l P . C

M h l h m b A P d Antigone w p d c .

C . S lv , M. F. : -.A S , Antgona( ); Jl D , Antgona

( ); J d C O , Antgona( ); A P d , Antgona( ).

Hl C ,Perdio. Exerccio sobre Antgona( );Ed d D , Antes que a Noite Venha( ).

J d C O Antigone , pl y v y cl h S ph cl p d m, c h my h

Ch p p c v (M , C. : ).


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Susana Marques Pereira

64

h c c b w m l d m l . S p wh d m c cy h l dy b bl h d P l, dd h m ly d h

A w m k h p y.S x y , , h Exp m

d P ( EP) cl d d h c mm m h v y p d c A P d

Antigone , m p y h m h h m

mbl m c p l y EP h y d P h h w h c y, d

by c d c . T m w hm h w h Antigone m c mp y

, v h h h mp c m h d bv P l h wh l d

d c l m d wh ch A P d d p d c d h Antigone . I y c h bj c f h d m m

d d y l c x . A P d , wh w ld b h d d

y ld , w j y y h KK , d c d m d P h

fc w y (l k K d d G c ). H whw v Antigone wh ch w p m d by EP,h c mp y h w d h c d c

.T pl y w p m d cl by h , h

d S. J Op , dm d p h f c z h Op h d h

m , cc d h p (c . D d Nm . . ).

G , J. : VIII.


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W pl y b p m d by p l c m EP m h h h d p y

p c l h c , ch h m l c h w ld l b c m c hh y

P l k D l l R ch ( A )d J G d ( C ) wh c d h f

p d c Antigone . I h w v D l l R ch w pl c d by hc , I P lm , h

b h l k d d w y . A w mpc wh ch h c h m ch

B A P d wh c z d D l l R chl , k p h h pl y by ch h l

h v A m .H m d h ch c mp m h h h f v by ch l c fll d w h d p m(c . h d

c ) h v h d h w d w h hbl d p c H m wh m h l v d d ly.

B h ch cl ly ll h w m ch h c d c h EP p v

h pl y. W h A P d p d c hl h m b c md c v , l w h

w p c p E p h l v c l c h b h h c y .

A P d h c l v l (by h p h md m c ly d h

c mm m EP h

v y ) c b hh m d ch c z d by h y

ll h l m c d p d c :

EP b c m p l c mp y ly c .C . F ch -L ch , E. : .


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c l h x , h p p , h dB h m, p m c d c h

m . A P d h w v wh c l z h h y b l m, w k w d h m l . H c ll h

w d h h v b mph z d, h pd b m d , h h h v c ,d m v m . All h c mp

h m b d v l p d by h m wcc d h w c c p h .

T c m hch c c h p d c . I p d d m d by p l

c , h cc d d mp Cl c l G k m ph h m d P w ld,

h m y p h p ll m v lS ch h c A p y

ymb l h w pp h d c l c d P l c d h d

y h P d m.Sc phy l d l h m p p

c A P d ch ck m h h c h l b l c c p c v l , v

m y d l d v c h x (c .p c : w c c l m d h .

S d d l h lc d d m A P d v : b h d w lly h

d l p c m h w (c . h w d, h ), A P d p f m v v

b d d h d h m m h b ch c P l, l k C l F , m h N

(Em N c l P ).L h , h h h d, v d by p j c , w w


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67

A P d d h d c h h h P d c w d cl c l

I h p l h v h d c m y d cb h c v h : h d

bl d h ch c k m cl c l d c w ch c (A m ) b c

d c v d f w ll b c m dh m d d c c d d h l

h p d c d bl h c v c w h . H x bp m d p c fc

c y, d l p c fc m dj d m d m wh l m ph c lly p by c mp y l .

T p l l d v y xp h A P d k w w ll hE p

h h m. I p mbl bl h c l d l w h l c

d ch , h ch c l pp , h m m l w h m ch c h pl

l k h ld m h Ch , h v AT l b f m l h wh k

h S ph cl ch yp , k d p j c p c wh dd h m ch

v y h p m c , d ly m ll m , d l x mpl h c d y

h . O d h ky b l p m h mM , v m l h . W G c , wh h ky hcl d , h m y xp v ly h l c

h p l .Ab P d ll c vA P d , c . M ,

C. b: - .R d , U. . ( ),Noites de eatro. L b .


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h c . I A P d p d c , l k cl c G k dy, ch c l d c bp m c m x d w h h cc h b ck d d ch c h c c

d ll v lv w y. I h p l , h h ld m m h Ch mm z

m h pl y: h dy d mc m v y fc h P

c x h m , c p bl p l c l cc h p, b w ll h ld d by h l m

h pl y S ph cl dy.I m d A p w d

w y d y y,y h m h p l . T d c b y P l c

m k d m d , cc d I m , b cd p c C d c ; A h c

ch ll b d l m cy.-Wh c w d m l w, h

wh h v h h w d p v d ? - I mk A , d p c h l y, h mp

m l d l p w ; mcc mm d d h m w y h h P

c y w S l z h m p h w h c y.

A d h w vp v h

p bl y c l m l p w , vc d m h w l . H d mp c l ly mp c y d m d d c h p lm fv d c d , c y

h w m l ll l v d xp


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69

h cy f h d m. A dv p b c , h m d

p l , m f h wh h y l v .F d m k y w d A P d Antigone

ly h m c v y b l v h c l, c l d

p c w h l h h S ph cl p d m, C. M b v.

A p m c by EP c c h ppl m h d c d h ph m , cc w ll c b d by h cc

p m c h P w ( . . B ,C mb , L b ).

N b B c ,EP c c d c ,d A P d Antigone h A d

M c p l d V l N v d G . H d c v y m d d ch c h m h

c d p d d ch v d h l x w ll A G m m

c d h c d p m c A P Antigone . Ev y h l m d , m

c phy l h , h h ll p v h cl c l m ph h h m A P(c . p c ). N b B c h d lly m

ch c l m h d p l, ch h p

h b- m wh h pp , d m d , m h l h mh h pl y h p m c.

: d b: - .G , J. : VIII. N b B c l pl y C l hp m c .


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I w w ll ch v d p d c h wh ld v S S p m c A m (c . p c ), h d v c , h bl , h d m c

h h w h h v ; l d w hCh p m c , h cl y l c

h w y m v d d l.B d v l pl y m h f h c

B.C. h p m c A P d Antigone ll h w G c m y b m h cp x . T pl lly k pl c m

. . ch p m , l m dp phy c l p c , v v d

v d w y m k h .

P c - A ym ph m h pl y Antigone wby A P d d d by EP .

M , C. : .M , C. : .A P d b b h pl y.


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BiBliogrAPhy

F ch -L ch , E. ( ), m A c G k T , Exploring EuropeanIdentities/ Ideologies by means of (Re)Presentatioof Ancient Greek Drama. Ep d v , - .

F , S. ( ),Le Mythe dAntigone . P .

G , J. ( ), S pl m dO Primeiro de Janeiro, d M , p. VIII.

G , G. ( ),Pirandello. P .

M , C. ( ), A , R , M M lh , Mscaras Portuguesas de Antgona

gora, S pl m . Av ,- .M , C. ( b), A A d A

P d : L b d d d m Gl , Mscaras Portuguesas de Antgona gora-S pl m .

Av , - .

M , C. ( ), A P d , A : Gld N v d d S cl , Representaes de eatro Clssico no Portugal ContemporneoIII. C mb , - .

P , C. ( ),O EP e o eatro em Portugal.Histrias e Imagens . P .

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tranSgreSSion of the hero

K M(Ch U v , P u )

b uElectra h p m m db K z z W w m

u , b u p d mh v d d d x . T p mp h p p v w p h , wh p d b d m d bh E h p u

b u h mp

h b u d v w h h G d , b u u u d mp h m m , d, , b u h p - h u u P

T h p K z W w (b ) w d m , w d- w d u ud h d m h ( x mph v d hNew Teatrical Reality Award ). H

w h -P h d m d h h Sh p . I

h w m d w w hS , P B , I m B m , G S

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u d d d . Bu h , MN w w d h d T I uP d w h p m Electra v p v .

A h x d h p m h p m

h h u d p G z z J w hropical Madness , p b W , h

v - d P h d w . N w d h d w h w h P d h h We, the new theatre ! A d Electra,h w h P h h h d d d

h W h .I h W wElectra d

v p m , b u ju Electrah p m d b

m p d h ph m W w h d b u . T ph m b d

h b d , xu , h( m W w v )

d d - d T p d Electra wdExtra Ecclesiamb G z z N z , h u h

m ph b u W w3. Extra Ecclesiam

Nulla Salus L ph wh h m :Outside the Church there is No Salvation. ud , w h

W z , R. , W , J. , G u z z , P. D w , . .

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p um W w h m . T h W , m h p m Electra d h

Electrah d b d , w u d h v b hm u h W w dm

p du h m w d4.

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h h , w p h p Sh p . K d h b b u h

d w h m p S ph b W w . I h m

W w p m w m p Electra m d J K d h B w . W w d h h d dElectrab u h

w m Yu v ; h d d P h w d d ubj h m

w b u h w w w b u h B , u d b h d

m h p m m v h u.I w mp m u d d d W

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m h W w p m , h ph mu d H xh O m j, h m

m Of b h d b S b . W d hA d d m h m b h h u K v

wh , d h I m u , h h d b h u b h w m , b h w m w h wh

h d v h h d , d d mpd w h v . K h b w

h h u Electrab h v d v w m . A d h h ph d v w m p h m v v d w . I h h

d qu m h K b x mph hElectra S ph h u

h d .E h h p m

v h h hp h m , h u h K h b h b h h

h d praesens . T h d b d bh p , wh h d h m, d h h d h m, h u u wh h d d d

m h h u mp , h . T p m W w

wh E d b d ud , w d qu A h u Agamemnon,

d b h h m h mw d h b h , h d p

d d w h mu d b h d h m h p wh h dE . T mu d C m d


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d, bb wh b h ub w h . Kd b E ubb m m . T p h p d h p h v

v h u u , wh h d d d.T h u , d b h W p

G (wh h w mp P h ud ) d m v w h mp

m h ph , m u

b w h u h u xm h m d. T h x

wh h d p v v d h u dK , w b u h m h, bu d

p b w E d H m h h m u wh h h w

b h w v h m h d w p h b d m d h h ,

h w h u , h . T u h m m h d h xu

b h p up h m d w h d h, p d m p . B h d v d h h ,

h h d.K p b w h m h d Sh p

d m b m mp d, m b ud E Oph

m Oph E , wh h u

I h praesens E h w p bh p h m ( u ) d hd h w h : h w d,

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. W m , d K , h S ph h sacrum(A p x mp ) h d v d h d d,

d d b h m.E d mm u d

O , h m . A d O , K p H m ( W w p

m d h h p O , MB z w , w p H m h pp d h h v mu h

h Sh p p m). A K w ,E p h m v O

h m h m h . h h w d b h u mu d h m

d h v . I K p S ph u h u b h

wh h v h u . T b h praesens.O w d, E d h hum d , h w w h hum

T w m , d K w u d dh d , d w h xu b wh h m h wh

K h v S ph w p v d b ph h mb d m

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W w p m mh m D u S , h p

w ud, u b b d u .K d mu h b u h p

b w E d O , h d v bh b . T up b h b

v . T u h m hu , m w , m b h b dB d , bu xu . Emu h m h m h O , h mu h m

h v d . K h m h v h ub u xu u bb .

T d h d , K , m u mp ju h h u

v m u d v h b h d h w h h wb d w h pu hm d p m G

w h . T v h d w jux mu d w. G d d wh

h u b u d. T , deinotaton d h h . T wd v d b G d d b h p p ; w h h v

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bv u . G z z N z wh d h Extra Ecclesiamu d d W w h h m h , h wh h d wv w u d b , h v

m u .T d d h v h

p d b h d d h BT p h v bv u . M b

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v w h ch . H l d l c d h pl yh oikos K h Sp l g

p d x .M d c b ywh , h h w ld, y polis , c gh w h

h l d g . Sh mph ly voikos h c y b v h gl b .

- T gm d p ch w mpd c mp w d , - v h l g g d xp

m phy c l, -v b l w y .- T M g l g l p ch, wh ch mp

c d m c h gh c (E gl h d F ch by h M g d w c

h Ch ) p d h h w p d w ld, h g dy h gl b l m g. T p l gh

h w b gh g j h c ymh m p c h M d h m d w l

- M d (b ll) gh w h J , ymb l h l h p, h b l b w h w

b w w c l , w q l w ld .- T c w h A g d h d c

d h M g p ch w d l v d ly G (F: ). All h ch g d c h V l v p c v

h d c h gh w x m d y g. Vassilievs viewpoint of Medea, v w,Kathimerini ( ),

A g . Wh d Medeas Material gm d p ch w v y l q x mpl -v b l xp , wh ch d

w h d h l h p d c .I h v w V l v d h c w

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h w M d b g h m m ly h gl my m ph h m .

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h mm d g m l c w h p cd cc mp d by m c d m v m c d

v y g c .- M d ll d h ch ld g g

d ll /d mm . Sh c c d h m h l - bh c h g c c g h l

m . A d h h d gg d h c p d ch .

- M d mph x : h l h l wh g - , m v g h d m

h ch ld l v w h h . Sh d d by g h mc w h h m p M d pl

d b ll ll h ll g m c H l /S . V l v h m phy c l p

h pl y, h w d m l : h m lh d h c h h gh d m ,

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w p m bly m h w d wh mb d d l w ld l h g c c d b c m l b

bj c . T l d c d j y l b c g d m bv v d m d h d m c m c

c c m ph w lw y c w h h xN l d , d c , h v w pp h vcl m h V l v w gh pl c g h pl y l gh

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g d d my h , wh M d mph d dch ld pl y h pp ly w h h m h .

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d J dv . m p, V l v d d m b d

h l g dy, l h cl m d p cd: Wh b h l ( g dy), h

b c g dy l d y d.

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g c. T gh xp m d ch hd c mp d c mp S l v m h

c g. I h d ,h lly pp c mp v , wh ch m ly b d pxp c . T , g h w h h c , h

p l m m h p d c . Acc d g d c , A c w pp d by my y. C h p d b l g my h c l v

Ac g h h c y. I pl y, wh cmy h l , c m b h c.

By v d g c l d p ch, V l v phy c l h ch q d h w y h y d

- v b l xp h d m

c g p c cl - d b d p l xpd h c y, h g v h c h ch

L v d , M. . T m h h c mm cb w c d p c , v cl h g .

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c mm c w h h d c.O d h p m c p g m:I g l, c b dm d h A

V l v w g b c lly w y c mp g d h g d c d d c c

v y d w h m ll d (p ych l g c l c / l m wh ch g

x d d h ch Ch h v) d

m phy c l l m ( . . l m g m wh h gh h p m c b d Pl

d l g ). R c ly h gh h d c d h l m v l gy d h g h p p ch

l p ych l g c l d m phy c l d m , w h m h my y h .

H d h c y m p Pld l g c g h gh mp v.

V l v h b Sept ou huit leons de thtre w h h v d h v yd y wh c . T h d d wh ch c d d p h c , wh h c hh d w h h h lp h d c . S , d c

xp m c ly d ch g h m h dc mp h w m ll l dd x b g

h h h. Wh v h m ch v mh h ppy b c wh h ch v d w ch

c mp d h h. H y Wh I c mp mym ll l dd w h h h, I l Im h g, I m

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h m , b h m h d ch g g. T m gh b h lw y v l .

A d c c pV l v d c l ch c m d h p d

h cl b mise-en-scne . T d c m j

p d d m b cl gh d h d w p zzl d by pl h m g . M h d w c d b h p c cl h y h d j w ch.S m l h c d d h d h c dp m c ; h l h h h m ddlp m c g h y c l dly.

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h d c p l c l d h c l b , h b l c d wh h c hm l y h p c c m d pl c . A dc S m m h c d l d

l g d p l c l , l h gh c c m gh b d d h. Sh l m

P m c p g m, .T m y w p p v w wh ch d c b p d c p . c c l h ll w g x :

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d l g c l c d d p m v ; v g z d g p p c

d c h d c d/ h p m.I my v w h c p l h

cc ly . P pl lly w lc m m d p m c l g h g d c xc v ly , p v c v c c. S m G d c h v

p d h p h d pp v l m gh b

d p c v c pc l l g c j h w d h g h d c y,

m l h d c .I c I h w m l c

c , d m d y d bl d d. T G d c cc m

p A c D m h gh m dl h gh h l w d c d h h v b

v v p d c . L H dw c m h

V p l , E. .A p h G d c d m G ll b l v h A c G D m m b g d

d lly d h x b p c d d b c v y d. S m c d y m d p

G D m l g. T y m A c G D m h gh b g m l lyG . S , g l c h c l l m l y

c v ly. P m c h y h gh h w h G h v w lc m d h w mb -G d cG g p l , K. , h m p m y p d c hb gh m d y G g g .

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wl dg bl m d v h md c p c lly wh c m pl y cl ly l l d y. T G d c w ch m d p d c G g dy, d

v l h m cc d gly.T l h d y. Ov

p d c d w h v ll b xp c g c c m c v p c l v. I

m d c y w ll l ch g bl d v l. g dy l ll hq m . I d l w h ch g g d cl h

d . T l b c m ll w , h wb c m d d, h b l g v d hb c m h m c. T h p wh m d z

m g ll h g p b w v l y d v yI h c Medea d c d h , h d cd d y gl b l z d w

c c d h x d m y l h p m c c mp y .

V l v d d m l z h l h gh md l m h d w c g z bl ( l

m d M d c l , ymb l , cd m c) h l m g ll m d p zzl

h p c , p c lly h d

c, I d , G. .H dw c , L. : F ch -L ch , E. : d c b m W w w

w c m m; w w wh w w . B w wh h d g [] I m h d b l z ll d

d v d l, g d - l d, g l, h c, l, l gc l l. W p m ly ch w d .

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K , . ( ), Pl h b hd c , v w V l v, A.,o Vima,

J ly, [O l ] Av l bl : h p://www. v m .g /d l . p?p d= & d= &c = &d =

/ / [Acc d h Ap l ]

L v d , M. ( v w- ), Sp c g co Vima, S p mb , [O l ] Av l bl : h p://

www. v m .g /d l . p?p d= &c = &d= &d = / / [Acc d h Ap l

]

L v d , M. ( ), A h bl h , v w V l v, A.,o Vima,

A g , [O l ] Av l bl : h p://www. v mg /d l . p?p d= & d= &c = &= / / [Acc d h Ap l ]


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L v d , M. ( b), T d c w d p , v w K d , L.,o Vima,

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L v d , M. ( v w- c), T h d hppl ,o Vima, A g , [O l ] Av l bl :

h p://www. v m .g /d l . p?p d= &&c = &d = / / [Acc d h

Ap l ].

M , E. ( ), C lm ll , V l v, A.,Eleftherotypia, M ch, [O l ]

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M , E. ( v w- b), Ev y h g dEleftherotypia, A g , [O l ] Av l bl :

h p:// ch v . .g / l / l _hp% E % E % F % DF% EB% E %

E % F & =& d= [Acc d h Ap l ].

M , E. ( c), I l v d h - h

v w P pp , A.,Eleftherotypia, A g ,[O l ] Av l bl : h p:// ch v . .g / ll _hp ?q=% E % E % F % DF

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.g /d l . p?p d= &c = & d=[Acc d h Ap l ].

P y , S. ( v w- ), Medeaw h b d,Kathimerini, A g , [O l ] Av l bl :h p:// w . h m .g / dcg /_w_ clc v_ _ / / _ [Acc d h Ap l

].

S m , Z. ( ), I l v h c , o Vima, J y, [O l ] Av l bl : h p://www. v mg /d l . p?p d= & d= &c = &= / / [Acc d h Ap l ].

S g , G. ( v w- ), Ep d ,a Nea, A g ,[O l ] Av l bl : h p://www. .g /d l

p?p d= &c = & d= [Acc d h Ap].

S g , G. T d p l , P . ( v w-M d , h d y ,a Nea, A g ,[O l ] Av l bl : h p://www. .g /d l

p?p d= &c = & d= [Acc d Ap l ].

V p l , E. ( v w- ), Sc d l p ,oVima, S p mb , [O l ] Av l bl : h p://

www. v m .g /d l . p?p d= &c = &d= &d = / / [Acc d h Ap l

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V l v, A. ( ),Sept ou huit leons de thtre . P :Ed P.O.L.

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& =& d= [Acc d h Ap l ].

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M d c d , v w VEleftherotypia, A g , [O l ] Av l bl : h p://ch v . .g / l / l _hp ?q=% E

E % F % DF% EB% E % E % F& =& d= [Acc d h Ap l ].

V d l , G. ( c), V l v d y K R , v w K d , L.,Eleftherotypia,

A g , [O l ] Av l bl : h p:// ch v .g / l / l _hp ?q=% E % E % F% DF% EB% E % E % F & =& d=

[Acc d h Ap l ].

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R pub c but m st n t w C nt n E stEu p . It s ct t t m st n nc x sts S n c s p ys b ng st g n nt qu ty. H w

m st n nc ny t t g y b ng st gS n c s t m s n t x sts t . As c ns qu nt p Principate , Dominate n t c s s R m n Emp s s n n t st y t t t

n p c w t ut m . It m ns t t n t s t m s

t t p m nc s w n t p m y b sm t c t xts. On t c nt y, t t ms b s

mp s t n, mus c n m m nt f u s , suc mimos , pantomimos c.

Ob us y, t g y n c m y n t t t ys pp , n y t y w y st g n

t t bu ngs p m n u . Y t t y xn us ms n w p m t m ny, m

ss p t , cc s ns u ng symp s n p cp t us s by ct s, n b t us s (balneae )by t ut ms n s n s, t s m spp t pub c cc s n. In t s c s s, t w p c p m . On y s ct p ts mp y w t p m , c t sung. C t

t s n t n t m n t t m S n c s t gt b m sp c c w s n t st g t t t n

nt qu ty. H st ns n t w t s n y

c ns t s t t c ms w t y cnc t t t R m n t g y ( w c S n c

s t n y p s ut ) w s mp ss b t stIn F nc , It y, Sp n n P tug , n t c nt y, st g n

S n c s p ys s n n sp ns b t t n.McD n , M., W t n, J. M. : .


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T s p n n n y t t s t s n t t c ntu y w t t p c ss c sm. B t n t w

ubts w t t s p ys w w n t st g bn t p s nt st g n t p st, n t s ubts

n b n s n F nct b c us tng- st ng t t n st g ng S n c t .

Ap t m t s, t s n t p ss b S n c s n n-p s nc n t Eu p n st g s. It

s t m sun st n ng t nc s b twG n R m n t g y, t st nct tust uctu n st t c c t pp t t s g nb t cu tu s. F m t sc c mn nts R m nt g c t xts, t b s c c ct st cs R m n t g

n pp s t n t t G n c n b uc . F st m t c st uctu t m s s n m p c n c mp s n w t t tt , s t g nb c m p m y t y n n y w t t np ss b ty st g ng. As c ns qu nc , t st uctut t g c t xt w s ss m t t t st uctu wt xt t t s m nt t b ( n - ) t t

w . N xt, t st t c c t pp n t s w , t , nt s w . T m sty st c y b t n mb s w t p tt t xt w s, t b tt t u t xp ct t ns

c p nts. G t g y, n t c nt y, mp y

t y c s p m y cc ng t t su t m t c mp ct. F n y, t u nc tst

T t t n c m s m t put t n R c n g n S n c by t pt t ns s p ys.

It w u b m pp p t , t ug , t sp b ut S n c st g y s t n y p s t xts t s S n c .


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c ntu y A. D. c ns st ng t c t z ns t m stp w u n p mp n t w t t m xp ct nt m t ns m t g y tt t -c ntu y At n ns, t us t s c ng n b utsc n s n t p s R m n t g s n c mp

w t t w -b nc ust ty t G T s nc s c m ng m st c n cu tub c g un b n t subj ct t t p c ss

u t n, t ug w c G t g y c m c sss t m u b t tw . T c t , w

w c nt mp y, w c m s t w u tp nt ss. N t ss, t s b n w y cc pby b t c ss c p g sts n t t -m s w

s c ns qu nc , m st xc us y w t Gt g y, putt ng t R m n n s .

H n Bu , c nt mp y Cz c t tct , s t s c n nt pp s t n g ct ng

S n c n t Cz c st g s. S s n t Cz c ct s w n t b ng ng st

m t ns n pathos n t st g . It s, t , nsu p s t t s w s b t n su t b st t gy putt ng S n c sPhaedra n st g D D u (T T t t D u St t) n . T m nut s

ng p m nc s b n p y m ny t m s s ncst st g ng b t n t Cz c R pub c n b , n

s st n t p t D D u . A tm n ng g st t c n nt ctu qu m

R m n t g y n t m tc t qu m nts c ss c s t w -b nc st uctu n ust gy, s p s

by (t ng ) A st t .F t st n s t st tn t t s p p .


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m ts c p nts, t p m nc b c m xt msucc ss u t g n p s ng sp ns s m bt c t cs n t u nc , n H n D

w s w t A R s P z t P .

T s n t t succ ss s u b s n nBu s pp c t S n c s p y. S n t ntt m n z pt t g n t xt ts m n

n ny w y. In t w s, s j ct t m t ctu z t n n t t b s t u t t m

t p y s p ss b. T s t n ncy su t n sc nc pts mp y n t p m nc : ( ) j ct n t sm-g m n p ct ng t p t n c ct

n t st g ; ( ) us n tu sm n t p ct ng; (nfu nc t ct A n Mn uc n .

T nfu nc Mn uc n , t m usc nt mp y F nc st g ct , c n b t c t w c nc pt t p m nc s w s ns ngu c mp n nts. Bu t nsp t n .

m Mn uc n sOresteia(Les Atrides ) , n w cMn uc n pp s t c nc pt ngu g n tt t p s nt by M y . Acc ng t s

It s n nnu p z Cz c t t c t cs w t b st t t c m nts (t b st p m nc , m ct t

I m w t ct t t ty t t g n m ns t t c y xp ss n. Bu , n my p n n, t

un st n n c ns qu nt y p s nt n t st g t b s c c nc ptsn nt n t t xt t p y n t mp s z t qu t s

t xt by t sc n c ct ns.S ttp://www. b c us .c m/SPIP/ ub qu .p p ? _

ub qu = t p ctu s m t p m nc .Vs Em c M y ( - ), Russ

ct , ct n p uc .


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t y , ngu g n t t t s y m t n tm ns c t ng t s gn n t m m nt. T t

s, w s n t st g s u s t c mp n nt(mus c, m t n, tc.) t p m nc t t

s m n t n m t c m n ng n twn. In qu t s t t y m y s m w n ppn p yw g t suc s S n c , Bu c t s ts g un s t p m nc n w c t w s

n t t m st mp t nt c mp n nt, s s usu w tt p m nc s nc nt m s w . On tc nt y, s mp ys t s gn, t c stum s n

sp c y t sty ct ng s t c mp n nts s mmp t nt c t ng t m n ng t p y s t

w s .C nc n ng t c stum s n t sty ct ng,

t nsp t n by Mn uc n s Bu t tn n-w st n cu tu t t n, sp c y t t t

t As n t t . T nsp t n by t As n w ct ng s c y s b n t ct ns n m t c us n sty z ct ng t c ct s.

t c c t s p t cu c s s m t tt pu su t t un st c p j ct n, t sty

ct ng w b t w t t . C stum s s m Mn uc n sOresteia n t us c st nct

c u s ( .

tragic heroines on ancient and modern stage

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