tour 2013 brochure

GLYNDEBOURNE OCTOBER & NOVEMBER

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Exceptional opera for all agesGlyndebourne’s long association with the operas of Benjamin Britten dates back to 1946 when the company presented the world premiere of The Rape of Lucretia with Kathleen Ferrier in the title role. So there could surely be no more fitting way of marking the 100th anniversary of the composer’s birth than by staging a new production of this powerful work for the 2013 Tour. I am delighted that the celebrated actress and director Fiona Shaw will be making her Glyndebourne debut with this staging and that one of this country’s most exciting young conductors, Nicholas Collon, will be in the pit.

Another production created for the Tour, Annabel Arden’s L’elisir d’amore, makes a welcome return following its successful first outing six years ago and I have no doubt it will once again delight audiences with its colourful staging and touching story-telling. As a pre-Christmas treat, we are also bringing back Laurent Pelly’s highly imaginative retelling of Humperdinck’s Hänsel und Gretel – one of the great operatic works of the late 19th century.

In 2013 there will be a change to our normal touring pattern as we return to Glyndebourne at the end of November for a week that has been curated to encourage new audiences for our work. As well as schools matinees, family performances and a special evening for our Under 30s members, we will be filling the week with other events that we hope will inspire those new to Glyndebourne to discover just how thrilling and accessible opera can be. I hope that you will support this week by encouraging friends and family to come along and see for themselves. This initiative is made possible through the generosity of contributions to our New Generation Programme which is dedicated to nurturing young talent and developing new audiences.

We are once again indebted to the Daily Mail for continuing its generous sponsorship; the third year of support for our touring work. At a time when the squeeze on public spending grows ever tighter, we are more grateful than ever to Arts Council England for providing the bedrock of funding which makes our touring and education work possible. Last, but by no means least, I thank you, our loyal audience, for your commitment to our work and generous appreciation of the performances we give.

We look forward to welcoming you to the Tour this autumn.

DAVID PICKARD General Director3GLYNDEBOURNE.COM

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BENJAMIN BRITTEN

The Rape of Lucretia

GAETANO DONIZETTI

L’elisir d’amore

ENGELBERT HUMPERDINCK

Hänsel und Gretel

ENGEL BERT HUMPERDINCK

Hänsel und Gretel

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‘Listen very carefully. Never forget what is coming next. Real witches dress in ordinary clothes and look very much like ordinary women. They live in ordinary houses and they work in ordinary jobs.’

This advice on witches from Roald Dahl might well be borne in mind by Hansel and Gretel in Glyndebourne’s production of the much-loved opera by Engelbert Humperdinck. The music may be familiar, the fairy tale may be universally known, but the story is open to many different interpretations.

Here, the two children are driven by hunger into the clutches of a terrifyingly vicious witch, who presides over an apparently free-for-all supermarket, shelves groaning with high-fat, high-sugar, highly coloured irresistible treats.

Will they manage to outwit her, to escape her greedy malevolence?

Humperdinck’s music has a deceptive sweetness and simplicity. Its immediately appealing folk tunes are given an additional voluptuous richness, the atmosphere of the forest is conjured up in a darkly dramatic and resonant soundworld. And through this comes the limpid purity of the evening prayer which the children sing when they are lost and afraid, asking the angels to protect them as they lie down to sleep.

Let yourself be bewitched by the glorious music and the ghoulishly vivid imagination of director Laurent Pelly.

Hänsel und Gretel

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A REVIVAL OF THE 2008 FESTIVAL PRODUCTION

Sung in German with English supertitles

Conductor ....................... Ilyich Rivas / Jeremy Bines (12, 14, 26, 29 Nov)

Director ..........................Laurent PellyRevival Director ..............James BonasDesigner .........................Barbara de LimburgLighting Designer ...........Joël Adam

The Glyndebourne Tour OrchestraThe Glyndebourne Chorus

CAST INCLUDES

Hänsel ..............................Victoria YarovayaGretel ................................Andriana ChuchmanMother .............................Anne MasonFather ...............................Stephen GaddWitch ................................Colin Judson

The performance lasts approximately 2 hours and 15 minutes including one interval of 20 minutes.

glyndebourne.com/hanselundgretel5GLYNDEBOURNE.COM

L’elisir d’amore

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A REVIVAL OF THE 2007 TOUR PRODUCTION

Sung in Italian with English supertitles

Conductor ................ Pablo González / Gareth Hancock (20, 23, 27, 30 Nov; 04, 07, 11, 13, 14 Dec)

Director ................... Annabel ArdenRevival Director ....... Paul HigginsDesigner .................. Lez BrotherstonLighting Designer .... Giuseppe di IorioMovement Director .. Leah Hausman

The Glyndebourne Tour OrchestraThe Glyndebourne Chorus

CAST INCLUDES

Adina ................ Joélle Harvey Nemorino .......... Christopher Tiesi Belcore ............... Alessandro Luongo Dulcamara ........ Riccardo Novaro

The performance lasts approximately 2 hours and 20 minutes including one interval of 20 minutes.

Critical Edition by Alberto Zedda.Property of Casa Ricordi, Milan (Universal Music Publishing Ricordi Srl). Performed by arrangement with G. Ricordi & Co. (London) Ltd.

glyndebourne.com/elisir

Nemorino loves Adina; Adina ignores him and falls for the swaggering soldier Belcore instead; Nemorino resorts to desperate measures and tries a fake love potion sold to him by the charlatan magician Dr Dulcamara; the effects are surprising; Nemorino decides that he must forget Adina and join the army; on the brink of losing him, Adina realises that she loves Nemorino after all.

The twists and turns of this plot are dazzlingly delineated by Donizetti in music of delightful invention and at times, true poignancy. The tune that remained on everyone’s lips when the opera was first performed was

the yearningly romantic ‘Una furtiva lagrima’, when Nemorino is finally convinced that Adina loves him because he spots the glimmer of a tear in her eye. It has been a favourite with tenors and audiences ever since.

Director Annabel Arden places the action within a rural Italian community and depicts in vivid detail the close-knit gossipy intimacy of village life – a life which is threatened by the testosterone-fuelled chaos which Belcore and his soldiers bring with them. This heady mix has moments of high humour but there is an underlying seriousness that makes the predicament of both Nemorino and Adina painfully real.

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GAETANO DONIZETTI

BENJ AMIN BRITTEN

The Rape of LucretiaGiven its first ever performance at Glyndebourne in 1946, Benjamin Britten created this opera with the poet Ronald Duncan, who wrote about their collaboration: ‘Britten and I worked at the same desk. We first discussed the shape of the whole drama and then spent several days working over this in order to reduce it to its essential simplicity. We kept our work fluid – even after it had gone to the printer and engraver, much to their dismay.’

The result of this close collaboration is an extraordinary and tightly focussed treatment of a legend which has acquired numerous layers in painting, poetry and drama. Lucretia is raped by the tyrant Tarquinius Superbus, ruler of Rome, and elects to kill herself rather than

live with the shame. The action of the opera is commented on throughout by a Male and Female Chorus who occupy another dimension, at times narrating the story and at times voicing the thoughts of the different characters.

The central role of Lucretia is one which engages the talents of a singing actress to the utmost and one with which director Fiona Shaw will empathise keenly, drawing on her own experiences as both a performer and a director.

It was in describing this work that Britten coined the term ‘chamber opera’, creating a work of distilled power and refinement with a cast of eight and an orchestra of 12 players and piano.

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The Rape of LucretiaA NEW PRODUCTION FOR TOUR 2013

Sung in English with supertitles

Conductor .......................Nicholas Collon / Jack Ridley (15 Nov)Director ..........................Fiona ShawSet Designer ...................Michael LevineCostume Designer ...........Nicky GillibrandLighting Designer ...........Paul Anderson

The Glyndebourne Tour Orchestra

CAST

Male Chorus .....................Allan Clayton / Andrew Dickinson (15, 22 November)Female Chorus ..................Kate Valentine Collatinus ........................David SoarJunius ...............................Oliver DunnTarquinius ........................Duncan RockLucretia ............................Claudia HuckleBianca ..............................Catherine Wyn-RogersLucia ................................Ellie Laugharne

The performance lasts approximately 2 hours and 10 minutes, including one interval of 20 minutes.

Performed by kind permission of Boosey & Hawkes Music Publishers Ltd.

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Supported by Lindsay and Sarah Tomlinson

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In 1946 Glyndebourne premiered The Rape of Lucretia, working with a young British composer who would become one of the most celebrated artists of his generation. This year, to mark the centenary of his birth, Glyndebourne stages a new production of that opera.

Britten at Glyndebourne

Below: The world premiere of The Rape of Lucretia at Glyndebourne, 1946 © Angus McBean

Right: Benjamin Britten at Glyndebourne in 1946 with singers Margaret Ritchie and Anna Pollak, during preparations for the world premiere of The Rape of Lucretia © Glyndebourne Archive

Following the enthusiastic response of audiences last year, in Tour 2013 we again bring you a series of cinema screenings and the opportunity to see a Glyndebourne opera which, because of its scale, we will never be able to take on the road.

In this Wagner centenary year, don’t miss Nikolaus Lehnhoff’s exquisite retelling of the great and tragic love story Tristan und Isolde, which first appeared in the Glyndebourne Festival in 2003. Filmed live in 2007, this acclaimed production stars Nina Stemme as Isolde and Robert Gambill as Tristan, with Jiří Bĕlohlávek conducting the London Philharmonic Orchestra and Glyndebourne Chorus.

“ I don’t think I have ever witnessed a more perfect realisation of a Wagner opera than this superb Tristan und Isolde”

Rupert Christiansen, The Daily Telegraph

Screenings near Glyndebourne

Sunday 13 October, 3.00pmDuke’s @ Komedia, Brighton

Sunday 24 November, 3.00pmThe Picture House Uckfield

Look out for more information at glyndebourne.com about screenings near other Tour locations.

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Tour cinema screenings Wagner’s Tristan und Isolde

Performance ScheduleOCTOBER

DATE OPERA TIME

Sunday 6 Hänsel und Gretel 4.00pm

Monday 7 L’elisir d’amore 7.00pm

Thursday 10 Hänsel und Gretel 7.00pm

Friday 11 L’elisir d’amore 7.00pm

Saturday 12 Hänsel und Gretel 4.00pm

Sunday 13 L’elisir d’amore 4.00pm

Wednesday 16 L’elisir d’amore 7.00pm



Saturday 19 The Rape of Lucretia 4.00pm



Tuesday 22 The Rape of Lucretia 7.00pm



Friday 25 The Rape of Lucretia 7.00pm

Saturday 26 L’elisir d’amore 4.00pm

NOVEMBER

DATE OPERA TIME

Thursday 28 Exclusively for G<30: The Rape of Lucretia

7.30pm

Friday 29 Hänsel und Gretel 7.00pm


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Pre-performance talk available, see page 16 for details

Study event available, see page 16 for details

An exclusive performance for members of Glyndebourne<30, see page 20 for details

A family performance: specially priced children’s tickets and family-friendly events available for this performance, see page 20 for details

A special pre-performance extra from Glyndebourne’s Young Composer in Residence, see page 20 for details

Early mid-week start time

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How and when to bookGLYNDEBOURNE TOUR SUPPORTERS Return your postal or online applications by Monday 29 April.

GROUPS parties of 12 or more Booking opens on Monday 13 May by telephone only.

GENERAL PUBLIC Booking opens on Monday 10 June

Online at glyndebourne.com from 8.00am

By telephone on +44 (0) 1273 815 000 from 10.00am

In person at the Box Office from 10.00am

GLYNDEBOURNE<30Exclusive offers will be available to book from Monday 10 June, online only from 8.00am. See page 14 for more information.

HALF PRICE CONCESSIONS Available from Monday 29 July. See page 14 for eligibility.

When booking please note:

SightlinesBecause of the horseshoe shape of the auditorium, some seats have a restricted view of the stage. Tickets for these seats are clearly marked and priced accordingly.

SupertitlesSupertitles are the concise translations projected above the stage. Not all seats have a clear view, so if supertitles are important to your enjoyment of the performance please let the Box Office know when booking your tickets.

Access requirementsPlease let the Box Office know at the time of booking if anyone in your party has access requirements.

Wheelchair access to the auditorium is only available at Foyer Circle level, although there is lift access to all levels. A number of adapted toilets are available. Please note that customers who use a wheelchair and who require assistance must be accompanied by a companion.

Hearing supportThe auditorium is equipped with a sound enhancement system. Receivers may be borrowed from the House Manager’s Office.

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Special ticket optionsCONCESSIONSFrom Monday 29 July, tickets priced at £37 or above (Monday – Friday) / £42 (Saturday and Sunday) will be available at half price for the following groups: under 18s; full-time students; registered disabled (and a companion); and those in receipt of Jobseekers’ Allowance, Income Support or Pension Credit.

Proof of eligibility is required. Please note that only one discount may be claimed per person. All offers are limited and may be withdrawn.

GLYNDEBOURNE<30Supported by the New Generation Programme

Aged 16 - 29? Join Glyndebourne<30 for FREE and we’ll send you regular emails with offers throughout the year, including tickets at substantially reduced prices. Benefits during Tour 2013 include access to the exclusive performance of The Rape of Lucretia on Thursday 28 November, part of our Glyndebourne Encore week (see page 17), plus discounts at other Tour venues across the country.

Register at glyndebourne.com/under30. Please remember to bring identification with you to the performance; we may ask you for proof that you are 29 years or younger when you attend with a Glyndebourne<30 ticket.

FAMILY TICKETS Supported by the New Generation Programme

On Friday 29 and Saturday 30 November we are offering specially priced children’s tickets, as part of our Glyndebourne Encore week – see page 16 for details.

For the performance of Hänsel und Gretel on Friday 29 November and L’elisir d’amore on Saturday 30 November, children’s tickets are available for only £10 each when one or more full price ticket is also purchased at £42 or above. The children’s tickets will be allocated in the same price band as the full price ticket(s) and are available to under 18s only.

On page 16 you’ll find information about the special pre-performance workshops that family ticket holders are invited to, which help all the family prepare for the opera they’re about to see.

We think that these performances will be best enjoyed by young people aged eight and above.

RETURNS CLUBMissed out on tickets? To receive email notifications of returned tickets throughout the year, join our FREE Returns Club. Register at glyndebourne.com/returns or telephone the Box Office.

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Seating and ticket prices

ACCESS

6 wheelchair spaces are available at Foyer Circle level:

Mon-Fri2 spaces at £52 4 spaces in Side Boxes 4 5 8 9 at £37

Sat-Sun2 spaces at £574 spaces in Side Boxes 4 5 8 9 at £42

To view a seating plan of the Glyndebourne auditorium, visit glyndebourne.com

* Please note that some seats in these areas may have a restricted view of the stage or supertitles. This will be indicated when booking seats online or by telephone.

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MON - FRI SAT - SUN

Stalls / Foyer Circle £61 £52 £66 £57

Foyer Circle Sides * £52 £37 £27 £57 £42 £32

Circle £61 £52 £37 £66 £57 £42

Circle Sides * £37 £27 £18 £42 £32 £23

Upper Circle £37 £27 £18 £42 £32 £23

Slips * £27 £18 £32 £23

Standing * £8 £10

BOXES

Circle Boxes G H I J £52 £37 £57 £42

Centre Boxes B C E £61 £66

Centre Boxes A F £61 £52 £66 £57

Side Boxes 4 5 8 9 ONLY £37 £42

Side Boxes 3 10 £27 £32

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PRE-PERFORMANCE TALKS

Ebert Room

Our 2013 repertoire is rich in inspiration for pre-performance talks; our bite-size introductions to the operas. Each talk is presented by an operatic expert, lasts 30 minutes and costs £5.

Hänsel und Gretel Thursday 10 October 6.00pm L’elisir d’amore Friday 11 October 6.00pmThe Rape of Lucretia Tuesday 22 October 6.00pm

Enrich your experience and discover more Glyndebourne

STUDY EVENT

Ebert Room

Dig deeper into the creation of this year’s new production, The Rape of Lucretia. Led by operatic experts with members of the production team and singers from the Glyndebourne Chorus, this will provide you with a specialist insight into the opera.

The Rape of LucretiaSaturday 19 October 10.30am – 3.00pmTickets £16 (£10 concessions)

Lunch is available and can be booked separately through Leith’s Reservations on +44 (0)1273 812 510. From June further details can be found at diningatglyndebourne.com

Take advantage of these extra events and performances designed to complement your Tour 2013 experience, and make the most of Glyndebourne before, during and after your visit.

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EXTRA EVENTS

Tickets for the study event and pre-performance talks can be booked online at glyndebourne.com or by telephone on +44 (0)1273 815 000.

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TOUR PODCAST

Free to download from glyndebourne.com

To support this Tour’s new production of The Rape of Lucretia, a specially commissioned podcast will be available in early summer, giving you an overview of the opera’s history, plot and key themes. Perfect preparation for those who can’t make our talks or study event, this exclusive podcast is written and presented by Margaret Reynolds, presenter of BBC Radio 4’s Adventures in Poetry and frequent broadcaster on opera.

LISTEN OR WATCH IN ADVANCE THROUGH THE GLYNDEBOURNE LABEL

Both Hänsel und Gretel and L’elisir d’amore are available on DVD and CD: another great way to prepare for your Tour 2013 visit at home and really make the most of your experience.

All recording or filming on the Glyndebourne label – an extraordinarily rich catalogue to which we are constantly adding – is available to buy through the Glyndebourne shop, in person or online at glyndebourne.com. Selected recordings are also available through iTunes.

GLYNDEBOURNE.COM AND BEYOND

Our website is constantly being updated and is the central place to go for all information. You can find an expanding library of audio and video material, behind-the-scenes documentaries, blogs from artists and opportunities to share your views. You can also keep up-to-date and join the conversation with us on Facebook, Twitter, Vimeo, Pinterest and YouTube.

OPERALAND.ORG A WEBSITE FOR ALL THE FAMILY

Designed for audiences aged eight and above, Opera Land gives you the chance to prepare for a trip to the opera at home or in the classroom, and continue the fun after the performance.

Visit Opera Land today and get to grips with the story and characters of Hänsel und Gretel in time for your Tour 2013 visit.

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DISCOVER MORE AT HOME

DINING AT GLYNDEBOURNE

Enhance your night out by dining at Glyndebourne either before or after the performance. With a choice of restaurants managed by Leith’s, there are a range of options to suit all tastes and budgets.

Full details of dining facilities, including menus, wine lists and booking forms for Tour 2013, will be available online at diningatglyndebourne.com from June 2013. A copy of the dining options will also be sent out with tickets.

THE GARDENS

Weather depending, take advantage of the Glyndebourne gardens: stroll around the lake, contemplate the Downs and enjoy the gardens’ blend of the formal and natural. The gardens are open two hours before the start of the performance to opera ticket holders only.

GLYNDEBOURNE SHOP

For an exclusive selection of luxurious gifts and souvenirs visit the Glyndebourne shop, open from two hours before each performance. A smaller selection of items is also available to purchase online at glyndebourne.com

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ADD TO YOUR GLYNDEBOURNE EXPERIENCE

Glyndebourne Encore: a special week for younger opera goers

Glyndebourne is committed to encouraging opera lovers of the future. This year, through support from Arts Council England and additional investment from our New Generation Programme, we’re able to offer a special week of extra performances and events for families, Glyndebourne<30 and schools. If you’ve never brought your children or grandchildren, younger neighbours or friends to Glyndebourne, here is your invitation…

24 – 3 0 NOV E MBER

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Exclusive performance

Thursday 28 The Rape of Lucretia 7.30pm All tickets £20

For the first time Glyndebourne is dedicating an entire performance to Glyndebourne<30 subscribers, with every seat in the house available for £20. Look out for the email with details on how to book, along with an invitation to additional events with members of the cast and creative team.

If you’re under 30 and not currently a subscriber to Glyndebourne<30, join for FREE now at glyndebourne.com/under30

Friday 29 Hänsel und Gretel 7.00pm family-friendly introduction 5.15pm

Saturday 30 L’elisir d’amore 4.00pm family-friendly activities throughout the day

For these two performances children’s tickets are available for only £10 each when one or more full price ticket is also purchased at £42 or above.

Any families that book children’s tickets are invited to free activities before each performance, designed as an informal introduction to Glyndebourne and that day’s

opera. On Friday 29 November, join us at 5.15pm for a special family-friendly talk in the auditorium and, on Saturday 30 November, come along and enjoy a programme of activities throughout the day, beginning with a special screening of Kenneth Branagh’s The Magic Flute in the Ebert Room at 11am. More information on these events – free to family ticket holders – will be available later in the spring.

Children’s tickets for the performance are available to book online at glyndebourne.com – please select the number of ‘child’ tickets you require when choosing your seats.

GLYNDEBOURNE’S YOUNG COMPOSER IN RESIDENCE

Thursday 28 Luke Styles with Ensemble Amorpha 5.00pm Free to ticket holders

A free pre-performance concert curated and conducted by Luke Styles, Glyndebourne’s Young Composer in Residence, with Ensemble Amorpha. Featuring works by Thomas Adès, Christopher Mayo, Ana Sokolović and the premiere of a new commission from Luke, the concert will last approximately 40 minutes in the Ebert Room.

The concert is made possible thanks to support from The Canada Council for the Arts.

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Glyndebourne Encore: 24 – 30 NovemberFAMILY TICKETS AND EVENTS

GLYNDEBOURNE<30

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These dedicated performances, with highly subsidised ticket prices and special resources tailored to the audience, give students the opportunity to experience world-class opera, often for the first time.

In Tour 2013 we’re extending our offer to schools with not only two main stage performances of our core Tour repertoire but, for younger years, a specially commissioned studio opera by Lynne Plowman, Captain Blood’s Revenge. This means there are opportunities for students aged seven through to university to see a Glyndebourne production this Tour.

To find out more about Performances for Schools and how to book tickets, visit glyndebourne.com/schools

Performances for Schools also take place in other Tour locations across the country. See page 23 for more details.

ALSO THIS WEEK

TOUR CINEMA SCREENINGS

Sunday 24 Tristan und Isolde 3.00pm The Picture House Uckfield

Young or old, Glyndebourne cinema screenings are a great opportunity to trial opera, either in general or to see a specific production you wouldn’t have otherwise seen. Find out more about Tour 2013 screenings on page 11.

PERFORMANCE FOR SCHOOLS

Tuesday 26 Hänsel und Gretel 2.00pm auditorium Yrs 5 - 13Wednesday 27 L’elisir d’amore 2.00pm auditorium Yrs 5 - 13Thursday 28 Captain Blood’s Revenge 11.00am Ebert Room Yrs 3 - 4Friday 29 Captain Blood’s Revenge 11.00am Ebert Room Yrs 3 - 4

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Getting to GlyndebourneBY TRAINTravel by train and take advantage of our free coach service which runs between Lewes station and Glyndebourne before and after all Tour performances. The coach departs from the station one hour before the performance starts and returns approximately 15 minutes after its end.

Lewes has excellent rail connections from London Victoria and across the South East, and all performances finish in time for you to return to London by train.

To take advantage of the coach service, please book a ticket at glyndebourne.com at least 24 hours before the performance. Log in to your account and the option to book coach seats will be available for every performance for which you hold a ticket. If no reservation has been made, a charge of £5 will be payable on boarding the coach.

PARKING AND ELECTRIC CARSCar parking is free.

Please contact the Box Office and Customer Service team in advance if you have access needs and require a reserved parking space close to the auditorium. They can be reached on +44 (0)1273 815 000 Monday - Friday from 10.00am - 6.00pm.

We can re-charge electric cars during a performance. Please contact Box Office and Customer Service to arrange this in advance.

FROM OVERSEASThe nearest international airport to Glyndebourne is London Gatwick. There are direct train connections to Lewes from the airport terminal. Visit nationalrail.co.uk for full service details.

WHERE TO STAYVisit glyndebourne.com to find local hotel listings. Lewes Tourist Information Centre also publishes a list of accommodation at visitsussex.org

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Uckfield

Lewes

Newhaven

Hailsham

BRIGHTON

EASTBOURNE

A275

B2116B2192

B2124

A26A22

A271

A295

A22A27A26

A27

A259

A259

A270

A223

Tour 2013 continues…Tell your friends and family across the country that Glyndebourne is heading their way. After three weeks of performances at home, Glyndebourne hits the road and travels to the locations below. Bookings by telephone for other locations should be made direct with the venue.Booking for any Tour performance can be made via glyndebourne.comWherever you join us, we look forward to welcoming you.

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Pre-performance talk, free but ticketed

Family ticket prices available

Dedicated Performances for Schools take place in Norwich, Canterbury, Milton Keynes, Plymouth and Stoke-on-Trent. Visit glyndebourne.com/schools for more information and to book.For details of cinema screenings in each location visit glyndebourne.com

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STOKE-ON-TRENT, REGENT THEATRE 0844 871 7649 11 & 14 DEC

Wednesday 11 Dec L’elisir d’amore 7.15pm

Saturday 14 Dec L’elisir d’amore 7.15pm

WOKING, NEW VICTORIA THEATRE 0844 871 7645 29 OCT – 2 NOV

Tuesday 29 Oct Hänsel und Gretel 7.15pm

Wednesday 30 Oct L’elisir d’amore 7.15pm

Thursday 31 Oct The Rape of Lucretia 7.15pm

Friday 1 Nov Hänsel und Gretel 7.15pm

Saturday 2 Nov L’elisir d’amore 7.15pm

NORWICH, THEATRE ROYAL 01603 630 000 5 – 9 NOV

Tuesday 5 Nov Hänsel und Gretel 7.15pm

Wednesday 6 Nov L’elisir d’amore 7.15pm

Friday 8 Nov The Rape of Lucretia 7.15pm


MILTON KEYNES THEATRE 0844 871 7652 19 – 23 NOV





PLYMOUTH, THEATRE ROYAL 01752 267 222 3 – 7 DEC

Tuesday 3 Dec Hänsel und Gretel 7.15pm

Wednesday 4 Dec L’elisir d’amore 7.15pm

Friday 6 Dec The Rape of Lucretia 7.15pm

Saturday 7 Dec L’elisir d’amore 7.15pm

CANTERBURY, THE MARLOWE THEATRE 01227 787 787 12 – 16 NOV





Glyndebourne Productions LimitedRegistered No. 358266 England

Registered Charity No. 243877

GlyndebourneLewes, East Sussex

BN8 5UU

Box Office and Customer Service+44 (0)1273 815 000glyndebourne.com

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Pre-performance talk available Study event available An exclusive performance for

members of Glyndebourne<30 A family performance: specially

priced children’s tickets and family-friendly events available for this performance

A special pre-performance extra from Glyndebourne’s Young Composer in Residence

Early mid-week start time

For tickets, information and more from behind the scenes glyndebourne.com

Tour 2013 Performances at GlyndebourneO CTO BER & NOVEMBER

OCTOBER

DATE OPERA TIME





Saturday 12 Hänsel und Gretel 4.00pm

Sunday 13 Cinema screening at Duke’s @ Komedia, Brighton:Tristan und Isolde

3.00pm

Sunday 13 L’elisir d’amore 4.00pm




Saturday 19 The Rape of Lucretia 4.00pm



Tuesday 22 The Rape of Lucretia 7.00pm



Friday 25 The Rape of Lucretia 7.00pm


NOVEMBER

DATE OPERA TIME

Sunday 24 Cinema screening at The Picture House Uckfield:Tristan und Isolde

3.00pm

Thursday 28 Exclusively for G<30: The Rape of Lucretia

7.30pm

Friday 29 Hänsel und Gretel 7.00pm


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tour 2013 brochure

Documents

touring work

new production

new audiences

powerful work

glyndebourne debut

education work possible

hunger i

ordinary clothes