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Toelating | Admission BMus, BA (met Musiek) Algemeen BMus, BA (with Music) General SAMPLE PAPER KONSEP VRAESTEL Please be advised that this is not the actual paper Neem asseblief kennis dat hierdie slegs 'n soortgelyke vraestel is DEPARTEMENT MUSIEK DEPARTMENT OF MUSIC Privaat Sak / Private Bag X1 Matieland 7602 Suid-Afrika / South Africa Tel: +27 21 808 2345 Faks / Fax: +27 21 808 2340 E-pos / E-mail : [email protected]

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Toelating | Admission

BMus, BA (met Musiek) Algemeen BMus, BA (with Music) General

SAMPLE PAPER KONSEP VRAESTEL

Please be advised that this is not the actual paper

Neem asseblief kennis dat hierdie slegs 'n soortgelyke vraestel is

D E P A R T E M E N T M U S I E K • D E P A R T M E N T O F M U S I C

Privaat Sak / Private Bag X1 • Matieland 7602 • Suid-Afrika / South Africa Tel: +27 21 808 2345 • Faks / Fax: +27 21 808 2340 • E-pos / E-mail : [email protected]

Afdeling A: Gehooropleiding Section A: Aural Training

Vraag 1 | Question 1

Noteer die eenstemmige tonale melodie [34] Notate the one-part tonal melody [34]

Vraag 2 | Question 2

Noteer die eenstemmige atonale melodie [6] Notate the one-part atonal melody [6]

Vraag 3 | Question 3

Noteer die ritme [32] Notate the rhythm [32]

Vraag 4 | Question 4

Identifiseer die volgende intervalle [8] Identify the following intervals [8]

1) ______________________

2) ________________________

3) ______________________ 4) ________________________

Vraag 5 | Question 5

Onderskei tussen driestemmige majeur of mineur drieklanke. Identifiseer die posisie as grondposisie, eerste omkering of tweede omkering. [8] Distinguish between three-part major and minor triads. Identify the position as root position, first inversion or second inversion. [8]

1. _________________________________________________________

2. _________________________________________________________

3. _________________________________________________________

4. _________________________________________________________

Vraag 6 | Question 6

Identifiseer die kadense as volmaak, onvolmaak, plagaal of onderbroke. [12] Identify the following cadences as perfect, imperfect, plagal or interrupted. [12]

1. ___________________________________________________________________

2. ___________________________________________________________________

3. ___________________________________________________________________

4. ___________________________________________________________________

Afdeling B: Musiekteorie, Analise Section B: Theory of music, Analysis

Vraag 7 | Question 7

Voltooi, fraseer en besyfer die vierstemmige harmonisering volgens die gegewe aanwysings. [36] Complete, phrase and figure the four part harmonization according to the given instructions. [36]

(a) Die V7 vierklank | The V7 quartad. (b) Akkoord | Chord vi (c) Akkoord | Chord iv (d) Die V7 vierklank in omkering | The V7 quartad in inversion (e) ‘n Deurgangs-6

4 progressie | A Passing 64 progression. (f) 'n Kadensiële 64 progressive | A Cadential 64 progression. (g) Die dominant akkoord in eerste omkering / The dominant chord in first inversion. (h) 'n Sekondêre akkoord | A Secondary chord. (i) 'n Verminderde akkoord in ‘n geskikte posise | A Diminished chord in a suitable

position. (j) Die V7 vierklank in omkering | The V7 quartad in inversion. (k) Die V7 vierklank in laaste omkering | The V7 quartad in last inversion. (l) Die V7 vierklank / The V7 quartad.

Voeg een van elk van die volgende in u harmonisering by | Add one of each of the following

to your harmonization:

• 'n Deurgangsnoot / a Passing note

• 'n Bohulpnoot / an Upper auxiliary note

• 'n Onderhulpnoot / an Lower auxiliary note

Vraag 8 | Question 8

Besyfer die volgende. [32] Figure the following. [32]

Vraag 9 | Question 9

Bestudeer die Gavotte van JS Bach en beantwoord die volgende vrae: [32] Study the Gavotte by JS Bach and answer the following questions: [32] 1. Benoem die aanvangstoonsoort. Name the opening key.

________________________________________________________________________

2. Verskyn daar teenoorgestelde beweging in die Gavotte? Indien wel, gee 'n voorbeeld deur die maat en maatslae waarin dit verskyn te noem.

Does contrary motion occur in the Gavotte? If so, give an example by naming the bar and beats in which it occurs.

________________________________________________________________________

3. Verskyn daar vooruitneming? Indien wel, noem die maat en maatslae waarin dit verskyn. Does an anticipation occur? If so, name the bar and beats in which it occurs.

________________________________________________________________________

4. Benoem die toonaard waar maat 8 in eindig. Name the key in which the Gavotte ends at bar 8.

________________________________________________________________________

5. Benoem die kadens wat in maat 4 verskyn. Name the cadence in bar 4.

________________________________________________________________________

6. Benoem die kadens wat in maat 7 en 8 verskyn. Name the cadence in bar 7 and 8.

________________________________________________________________________

7. Skryf die harmonieë vandie volgende akkoorde neer (bv. V in C majeur) Write down the harmonies of the following chords (eg. V in C major)

Maat 1 – maatslag 1 en 2 | Bar 1 – 1st and 2nd beats

________________________________________________________________________

Maat 1 – maatslag 3 en 4 | Bar 1 – 3rd and 4th beats

________________________________________________________________________

Maat 2 – maatslag 1 en 2 | Bar 2 – 1st and 2nd beats

________________________________________________________________________

Maat 2 – maatslag 3 | Bar 2 – 3rd beat

________________________________________________________________________

Maat 2 – maatslag 4 | Bar 2 – 4th beat

________________________________________________________________________

Maat 3 – maatslag 1 | Bar 3 – 1st beat

________________________________________________________________________

Maat 3 – maatslag 3 en 4 | Bar 3 – 3rd and 4th beats

________________________________________________________________________

Maat 4 – maatslag 3 en 4 | Bar 4 – 3rd and 4th beats

________________________________________________________________________

Maat 7 – maatslag 1 | Bar 7 – 1st beat

________________________________________________________________________

TOTAAL | TOTAL: [200]