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Neil A. Kjos Music Company • San Diego, California KJOS CONCERT BAND GRADE 4 JB104F $8.00 TIMOTHY BROEGE The Water Is Wide the fourth movement of A JACK STAMP SUITE SAMPLE

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Page 1: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

Neil A. Kjos Music Company • San Diego, California

KJOS CONCERT BANDGRADE 4

JB104F$8.00

TIMOTHY BROEGEThe Water Is Wide

the fourth movement of

A JACK STAMP SUITE

SAMPLE

Page 2: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

2

JB104

About the ComposerBorn November 6, 1947 and raised in Belmar, New Jersey, the composer Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern University he studied composition with M. William Karlins, Alan Stout, and Anthony Donato, piano with Frances Larimer, and harpsichord with Dorothy Lane, receiving the degree Bachelor of Music with Highest Honors in 1969.

From 1969 to 1971 the composer taught in the Chicago Public School system, after which he served as an elementary school music teacher in Manasquan, New Jersey until 1980. At the Monmouth Conservatory of Music he taught piano and recorder from 1985 to 1995. He currently holds the positions of Organist and Director of Music at First Presbyterian Church in Belmar, a posi-tion he has held since 1972, and Organist and Director of Music at the historic Elberon Memorial Church in Elberon, New Jersey.

The music of Timothy Broege has been performed throughout the world by, among others, the Monmouth Symphony Orchestra, the Garden State Philharmonic Orchestra, the Meadows Wind Ensemble, the U.S. Military Academy Band, the New Jersey Chamber Singers, the Atlantic String Quartet, the Cygnus Ensemble, pianist Robert Pollock, guitarist Francis Perry, and recorder virtuoso Jody Miller. He has received numerous grants and commissions from schools, universities, professional performers and Meet the Composer. His music is published by Boosey & Hawkes, Manhattan Beach Music, Bourne Company, Daehn Publications, Hal Leonard, Polyphonic Publications, Grand Mesa Music, Maestro & Fox, and Allaire Music/Woodbridge Wilson Music Publishers. Recordings issued on compact disc include his Sinfonias V and XVI on Mark Records and his Concerto for Marimba on Klavier. A disc of his harpsichord music was released by Northwestern University in the Music from Northwestern series in 1999. Other CD releases include Runes and Mets Rule, on Trope Note/Cambria, and No Sun, No Shadow on Albany.

His works include the twenty-one Sinfonias for large ensembles, the series of Songs Without Words for cham-ber ensembles, and a series of Fantasias for solo instruments, as well as music for voices, keyboards, guitar, recorders and school bands. His music has been featured at the Boston Early Music Festival, the Mid-West Band & Orchestra Clinic, and the College Band Directors National Association. He has appeared frequently as a guest composer/conductor and clinician, and has received the Edwin Franko Goldman Award from the American School Band Directors’ Association. To honor his career as a composer he received the 2003 Award of Excellence from the New Jersey Education Association. He is a past-president of the Composers Guild of New Jersey, Inc., a member of the Organ Historical Society, the American Guild of Organists, and the Boston Clavichord Society and an affiliate of Broadcast Music, Inc. (BMI).

In addition to his compositional activities, Timothy Broege is an active recitalist on early keyboard instruments and recorder. He wrote the “On the Cutting Edge” column for The American Recorder magazine from 2000 to 2014 and maintains a teaching studio at his home in Bradley Beach, New Jersey. Since 2006 he has been the pianist with The John Gronert Jazz Trio.

SAMPLE

Page 3: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

3

JB104

About the Composition This setting of the old English folk song “O Waly Waly” was composed for my good friend Dr. Jack Stamp as part of the celebration of his retirement in 2014 from a distinguished career at Indiana University of Pennsylvania. Renowned as a composer, conductor and educator, Jack was also responsible for commissioning my Sinfonia XII and Sinfonia XXI. In both cases he conducted the first performances of those works.

“The Water is Wide” is just one of many song or hymn texts that have been used with this folk melody. The melody itself fits into a pleasant triple meter, but I wanted to use more metrical variety in my setting. Expanding the traditional folk idiom through the addition of more dissonant harmonies was also important for me. I know how much Jack Stamp values classic hymn tunes and “good tunes” generally, so I wanted to make a fresh arrangement of the old tune specially for him.

Performance suggestions: observing the tempo indications carefully should take care of most expressive challenges. The “disruptive” section (bars 23-46) should not be overly aggressive; precise execution of the rhythmic notation is needed, however. The legato passages should be deeply expressive always.

—Timothy Broege

The movements of A Jack Stamp Suite may be performed separately. In the concert program, please list the title as:

The Water Is Wide from A Jack Stamp Suite, composed by Timothy Broege.

When performing the Suite in its entirety, the program listing should read:

A Jack Stamp Suite I. “Ankrovag” Fanfare, composed by Bruce Yurko II. Romanza, composed by Mark Camphouse III. GF Redux: “It’s Yours”, composed by Timothy Mahr IV. The Water Is Wide, composed by Timothy Broege V. Stamp, composed by Andrew Boysen Jr.

Instrumentation List3 – 1st Flute3 – 2nd Flute2 – 1st Oboe2 – 2nd Oboe1 – E≤ Clarinet3 – 1st B≤ Clarinet3 – 2nd B≤ Clarinet3 – 3rd B≤ Clarinet2 – B≤ Bass Clarinet2 – 1st Bassoon2 – 2nd Bassoon2 – 1st E≤ Alto Saxophone2 – 2nd E≤ Alto Saxophone2 – B≤ Tenor Saxophone2 – E≤ Baritone Saxophone3 – 1st B≤Trumpet3 – 2nd B≤ Trumpet3 – 3rd B≤ Trumpet2 – 1st F Horn

2 – 2nd F Horn2 – 3rd F Horn2 – 4th F Horn3 – 1st Trombone3 – 2nd Trombone3 – 3rd Trombone2 – Euphonium2 – Euphonium TC4 – Tuba2 – String Bass2 – Marimba, Xylophone2 – Vibraphone2 – Orchestra Bells2 – Percussion: Tambourine Wood Block Suspended Cymbal1 – Full Conductor Score

Approximate performance time—4:10Additional scores and parts are available.To hear a recording of this piece or any other publication, please visit www.kjos.com.

SAMPLE

Page 4: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

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JB104

A J A C K S T A M P S U I T E

IV. The Water is Wide Timothy Broege

(BMI)

© 2017 La Jolla Music Company, Neil A. Kjos Music Company, Distributor, 4382 Jutland Drive, San Diego, California, 92117. International copyright secured. All rights reserved. Printed in the U. S. A. Warning! The contents of this publication are protected by copyright law. To copy or reproduce them by any method is an

infringement of the copyright law. Anyone who reproduces copyrighted matter is subject to substantial penalties and assessments for each infringement.

Full Conductor Score for Jack Stamp

Approx. performance time—4:10 Variations on an English Folk Song

SAMPLE

Page 5: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

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JB104

SAMPLE

Page 6: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

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Page 7: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

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JB104

SAMPLE

Page 8: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

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8

JB104

SAMPLE

Page 9: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

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3

Eb Cl.

Bsns. 12

1

23

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23

12

34

Str. Bass

Mar.

Vib.

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p

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1. Tutti

p

28 ≈ œ œ œ ˙

Œ ≈ œ œ œ œ≈ œ œ# œ ˙#

Œ ≈ œ œ# œ œŒ ≈ œ œ# œ œ

jœœ.‰ Œ ≈ œ œ œ

∑Œ Œ ≈ œ# œ œ#

jœ# . ‰ Ó∑

‰ jœ. ‰ jœ. Œ‰ jœœ. ‰ jœœ# . Œ

∑∑

Œ Œ ≈ œ œ œ

jœ.‰ Œ Œ

Jœ ‰ Œ Œ

‰ jœœœ ‰ jœœœ Œ∑∑

‰ jœ ‰ jœ Œ

pF

pFF

a2

fa2

f

f

Jœ ‰ ≈œ œ œ œ .œ œ

œ œ œ œ œ œ œ œ œ œ œ œ

Jœ ‰ ≈ œ# œ œ œ# .œ# œ

œ œ œ# œ œ œ œ œ œ œ œ# œ

œ œ œ# œ œ œ œ œ œ œ œ# œ

Œ ‰ jœ œ.œ œ œ œ œ œ œ œ œ

Œ ‰ Jœ œ.œ œ# œ œ œ# œ œ œ œ

Œ ‰ jœ# œ

∑∑∑∑

Œ ‰ Jœœ œœ∑

.œ œ œ œ œ œ œ œ œ

Œ ‰ Jœ œ

∑∑∑∑

[29]

[29]

[29]

Flightly detached

F

lightly detached

lightly detached

p

p1.

p

p

parco

9

JB104

SAMPLE

Page 10: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

&&

&&&&

?

&&&

&&&&????

?

&&&ã

12

Tamb.W. Blk.

12

Fls.

Obs.

Bb B. Cl.

Eb A. Saxes

Bb T. Sax.

Eb B. Sax.

Bb Tpts.

F Hns.

Euph.

Tuba

12

Bb Cls.

Trbs.

12

3

Eb Cl.

Bsns. 12

1

23

1

23

12

34

Str. Bass

Mar.

Vib.

Bells

30 œ œ œ œ œ œ# œ œ œ œ ≈ œ

œ œ œ œ œ œ œ œ# œ œ œ

œ# œ# œ œ œ œ# œ œ œ œ# ≈ œ

œ œ œ œ# œ œ œ œ# œ œ œœ œ œ œ# œ œ œ œ# œ œ œ

˙ œ œb.œ œ œ œ œ œ

˙ œ œ#>

.œ œ# œ œ œ œ

˙ œ œn>∑∑∑∑

˙̇ œœ œœb>

∑.œ œ œ œ œ œ

˙ œ œ#>

∑∑∑∑

31œ# œ œ œ œ œ œ œ œ œ# œ œ

œ œ œ œ œb œ œ œ œ œ œ

œ# œ# œ# œ œ œ œ# œ œ œ# œ œ

œ œ œ œ# œ œ œ œ œ# œ œœ œ œ œ# œ œ œ œ œ# œ œ

.˙≈ œ œ œ# .œ œn œ œ œ

.˙≈ œ œ# œ# .œ œn œ œ œ

∑∑∑∑

..˙̇

∑≈ œ œ œ# .œ œn œ œ œ

∑∑∑∑

32œ œ œ œn œ œ œ œ œ œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ œ œœ œ# œ œn œ œ# œ œ œ œ œ œ œ#œ œ œ œ# œ œ œ œ œ œ œ œ œ# œœ œ œ œ# œ œ œ œ œ œ œ œ œ# œ

˙Œ

œ œ œ œ .œ Jœ

˙ Œœ œ œ# œ .œ jœ#˙ Œ

∑∑∑∑

˙̇ Œ∑

œ œ œ œ .œ Jœ∑

˙ Œ

∑∑∑∑

10

JB104

SAMPLE

Page 11: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

&&

&&&&?

&&&

&&&&????

?

&&&ã

12

Tamb.W. Blk.

12

Fls.

Obs.

Bb B. Cl.

Eb A. Saxes

Bb T. Sax.

Eb B. Sax.

Bb Tpts.

F Hns.

Euph.

Tuba

12

Bb Cls.

Trbs.

12

3

Eb Cl.

Bsns. 12

1

23

1

23

12

34

Str. Bass

Mar.

Vib.

Bells ° *

33 œ œ œ œ œ œ ˙œ œ œ œ ˙œ œ# œ œ# œ œ ˙œ# œ œ œ# ˙œ# œ œ œ# ˙

œ œ ˙

∑œ œ# ˙

∑∑

Œ ‰ Jœ. ‰ jœ.Œ ‰ jœœ. ‰ jœœ.

∑∑

œ œ ˙

Œ ‰ jœœœ ‰ jœœœb∑∑

Œ ‰ Jœ ‰ Jœ

pp

ppp

p

p

pp

p

p

Tambourine

p

34 .˙

.˙jœ.

‰ Œ Œ.˙

∑.˙

Jœ. ‰ Œ Œ

∑∑

‰ Jœ. ‰ jœ. ‰ Jœ.

‰ jœœ. ‰ jœœ. ‰ jœœ.∑∑∑∑

Jœ ‰ Œ Œ

‰ jœœœ ‰ jœœœb ‰ jœœœ∑∑

‰ Jœ ‰ Jœ ‰ Jœ

p

p

ppizz.

35Jœ ‰ ≈ .Jœ œ

jœ ‰ ‰ ≈ Rœ œ

jœ ‰ ‰ Jœb œ

jœ ‰ Œ œ

jœ ‰ Œ ≈ .jœ#Jœ ‰ Œ ‰ Jœ

jœ.‰ Œ Œ

Jœ ‰ Œ Œ

Œ Œ ‰ ≈ rœ#∑Jœ ‰ Œ Œ

Jœ. ‰ Œ Œ

∑∑

‰ Jœ. Œ Œ‰ jœœ. Œ Œ

∑∑∑∑

Jœ ‰ Œ Œ

‰ jœœœ Œ ŒŒ ≈ œ œ# œ œ œ œ œ

∑‰ jœ Œ Œ

P1.

P

PP

P

π

P1.

π

π

P

Wood Block

p

36˙ Œ˙ Œ˙ Œ˙ Œ˙ Œ˙ ŒŒ jœ.

‰ Œ

˙ Œ˙# Œ∑

Œ Jœ. ‰ Œ

Œ Œ ‰ ≈ œ# œ∑

Œ ‰ jœ. ŒŒ ‰ jœœ. Œ

∑∑∑∑

Œ Jœ ‰ Œ

Œ ‰ jœœœŒ

˙ Œ∑∑

2.

p

π

π

π

P

11

JB104

SAMPLE

Page 12: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

&&

&&&&

?

&&&

&

&

&&?????

&&&ã

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

12

Tamb.

Xyl.

12

Fls.

Obs.

Bb B. Cl.

Eb A. Saxes

Bb T. Sax.

Eb B. Sax.

Bb Tpts.

F Hns.

Euph.

Tuba

12

Bb Cls.

Trbs.

12

3

Eb Cl.

Bsns. 12

1

23

1

23

12

34

Str. Bass

Vib.

Bells

∑∑

∑∑∑∑

∑∑∑

œ# . ≈ œ œ œ. œ. œ. ≈ ≈ œ œ œ. œ.

≈ œ œ œ. œ. œ. œ. œ# œ œ

. œ# . ≈ œ# œŒ Œ ≈ œ# œ œ

∑∑∑∑∑∑∑

∑∑∑∑

[37]Faster

[37]

[37]

Faster

Faster

p2.

p3.

Open

Open

(q = 80)

(q = 80)

(q = 80)

38 ∑∑

∑∑∑∑

∑∑∑

œ. œ# . ≈ œ œ œ. ≈ œ œ œ# . œ# . œ. œ œ

œ#.

œn . œ. œ. œb . œ. œ œ œ. œ#.

œn.

œn œ œ œ≈ œ œ œ. œ#

.œn œ œ

.œ.

œ.

œ œ œ.

œ œ

∑∑∑∑∑∑∑

∑∑∑∑

39 ∑∑

∑∑∑∑

∑∑∑

Jœ# . ‰ Œ œ. œ. œ. ≈ Œjœœ## . ‰ Œ œœ# . œœn . œœ. ≈ Œ

∑∑

‰ œœ> Jœœ# . Œ œœbb œœn‰ œ> jœ# Œ œ œ

∑∑∑

∑∑∑∑

f

f

f Ff F

~~~~~~~~~~ ~~~~~

~ ~~~~~

12

JB104

SAMPLE

Page 13: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

&&

&&&&

?

&&&

&&&&????

?

&&&ã

12

Tamb.

Xyl.

12

Fls.

Obs.

Bb B. Cl.

Eb A. Saxes

Bb T. Sax.

Eb B. Sax.

Bb Tpts.

F Hns.

Euph.

Tuba

12

Bb Cls.

Trbs.

12

3

Eb Cl.

Bsns. 12

1

23

1

23

12

34

Str. Bass

Vib.

Bells

40 Œ ‰œœb œœ œœ. ‰ ≈ Rœœb ¨

Jœœnb ¨‰

∑Œ ‰ œ œ œ. ‰ ≈ Rœ̈ Jœ̈ ‰

œ œ œ œ œ œ œ œ .œ œ œ œ œ

œ œ œ œb œ œ œ œb .œ œ œ œ œ

Ó ≈ œœb œœ œœb . ŒÓ ≈ œb œ œ. Œ

Œ œ# œ œ. ‰ ÓŒ œœ œœ œœ . ‰ ÓÓ Œ œ œb œ œÓ Œ œ œb œ œ

Jœœ ‰ Œ œ œ œ œ œ œ œ œ

Jœ ‰ Œ œ œ œ œ œ œ œ œ

Ó œ œ œ œ œ œ œ œ

œ œ œ œb œ œ œ œb .œ œ œ œ œ

Œ ‰ œ œ œ ‰ ≈ Rœb Jœ ‰∑∑∑

f

f

F

F

FF

a2

FFF

F

FF

FF

fXylophone

a2

a2

41 Œœœ# . œœ# . œœ## .

≈ ‰ ≈œœn# œœ J

œœ̈ ‰∑

∑Œ œ# . œ. œ. ≈ ‰ ≈ œ œ Jœ̈ ‰

œ œ œ œ œ œ œ .œ œ œ œ œ

œb œ œ œ œ œ œ .œ œ œ œ œ

Œ ‰ ≈ RœœbJœœ. ‰ Œ

Œ ‰ ≈ Rœ Jœ. ‰ Œ∑

≈ œ œ œ œ œ. Œ Ó≈ œœb œœ œœ œœ œœ . Œ Óœ œ œb œ .œ œ œ œ œ œ œb œœ œ œb œ .œ œ œ œ œ œ œb œ

.œ œ œ œb œ œb œ œ œ œ œn œ

.œ œ œ œb œ œb œ œ œ œ œn œ

.œ œ œ œb œ œb œ œ œ œ œn œ

œb œ œ œ œ œ œ .œ œ œ œ œ

Œ œ# œn œ# ≈ ≈ ‰ ≈ œ# œ œ ≈∑∑∑

f

f

f

13

JB104

SAMPLE

Page 14: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

&&

&

&&&

?

&&&

&&&&????

?

&&

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

12

Tamb.

Xyl.

12

Fls.

Obs.

Bb B. Cl.

Eb A. Saxes

Bb T. Sax.

Eb B. Sax.

Bb Tpts.

F Hns.

Euph.

Tuba

12

Bb Cls.

Trbs.

12

3

Eb Cl.

Bsns. 12

1

23

1

23

12

34

Str. Bass

Vib.

Bells

° *

42 ‰ ≈ œœ## œœ Jœœ# ¨‰ ≈ œœ# œœ œœ. œœ# .

η

‰ ≈ œ œ Jœ̈ ‰ ≈ œ œ œ. œ. Œ∑

œ œ œ œ .œ œ œ œ œ jœ ‰

œ œ œ œb .œ œ œ œ œ jœ ‰

Œ ≈ œœ## œœ# œœ ÓŒ ≈ œb œ œ Ó

∑œ. œ. œ. ≈ Œ Œ œ. œ. œ# . ≈œœ# . œœ. œœ. ≈ Œ Œ œœ. œœ# . œœ. ≈œ œ œ œb .œ œ œ œ œ œ œ œn œœ œ œ œb .œ œ œ œ œ œ œ œn œ

.œ œ œ œ œ œ œ œ œ .œ œ

.œ œ œ œ œ œ œ œ œ .œ œ

.œ œ œ œ œ œ œ œ œ .œ œ

œ œ œ œb .œ œ œ œ œ jœ ‰

‰ ≈ œ# œ Jœ# ‰ ≈ œ œ œ œ Œ∑

∑∑

F

F

f Ff Ff F

F

ff

ff

43 ≈œœbb œœ œœn . œœ. Œ ‰ ≈

œœ œœ œœn . œœb . œœ̈≈

Ó Œ œœ œœb œœ ≈

≈ œ œ œ. œ. Œ ‰ ≈ œ œ œ. œb . œ̈ ≈

Ó ‰ ≈ œ œ œ. œb . œ̈ ≈Ó ‰ ≈ œœ œœ œœ. œœb . œœ̈ ≈Ó œ œb œ œ œ œ œ œœ œb œ œb œ œ œ œ œ œ œ œ œ

Œ ≈ œœ œœn œœ Œ œœ# . œœb . œœ̈ ≈Œ ≈ œ œ œ# Œ œ. œn . œ̈ ≈Ó œ œ œ œ œ œ œ œÓ ≈ œ œ œ. œ œ œ. œb . œ̈ ≈Ó ≈ œœb œœ œœ. œœ œœ œœ. œœb . œœ̈ ≈

.œ œ œ œ œ œ œb Jœ ‰

.œ œ œ œ œ œ œb Jœ ‰œb œ œ œ œ œb œ œ œ œœb œ œ œ œ œb œ œ œ œœb œ œ œ œ œb œ œ œ œ

œ œb œ œb œ jœ-

‰ Œ

œ œb œ œb œ jœ- ‰ Œ

≈ œb œ œ œ Œ ‰ ≈ œ œ œ œb œ> ≈∑

∑∑

f

ff

f

f

f

FF

fff

arco

f

44 Ó œb œ œb œ œ œ œ œ

Ó œb œ œb œ œ œ œ œ

Ó œ œ œ œ œ œ œ œ

Ó œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ .œ œ œ œ œ

.œ œ œb œ œ œ œb œ œ œ œ œ

.œb œ œb œ œ œ œb œb œ œ œ œ

Œ œ œ œn œ œ œ œ œ .œb œŒ œ œ œb œ œ œ œ œ .œb œ

.œ œ œ œ œ œ œb œ œ œ œ œ

Ó œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ .œ œ œ œ œŒ œb œ œb œ œ œ œ œ .œb œŒ œb œ œb œ œ œ œ œ .œb œœ œ œb œ .œ œ œ œb œ œb œb œœ œ œb œ .œ œ œ œb œ œb œb œœ œ œb œ .œ œ œ œb œ œb œb œ

∑œœbb

œœbb ˙̇

œœbbœœbb ˙̇

fa2

fa2

fa2

ffa2

ff

ff

fa2

f

f

f

a2

14

JB104

SAMPLE

Page 15: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

&&

&&&&

?

&&&

&&&&????

?

&&&ã

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

12

Tamb.

Xyl.

12

Fls.

Obs.

Bb B. Cl.

Eb A. Saxes

Bb T. Sax.

Eb B. Sax.

Bb Tpts.

F Hns.

Euph.

Tuba

12

Bb Cls.

Trbs.

12

3

Eb Cl.

Bsns. 12

1

23

1

23

12

34

Str. Bass

Vib.

Bells

° *

45 .œb œ œ œ œ œ œ œb

.œb œ œ œ œ œ œ œb

.œ œ œ œ œ œ œ œ

.œb œ œ œ œ œ œ œ

œ œb œ œ œ œ œ .œ œ

.œ œb œ œ œ œ œ œb œ

.œb œb œ œb œ œ œ œb œœ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œb œ œ œ œ.œ œb œ œ œ œ œ œ œ.œb œ œ œ œ œ œ œ

œ œb œ œ œ œ œ .œ œœ œ œ œ œ œb œ œ œ œ

œ œ œ œ œ œb œ œ œ œœ œ œb œb .œ œ œ œ œœ œ œb œb .œ œ œ œ œœ œ œb œb .œ œ œ œ œ

∑∑∑∑

46œ œb œ œ .œb œ œœ œœn œœ̈ ≈œ œb œ œ .œb œ œœb œœn œœ̈ ≈œ œ œ œ .œ œ œ œ œ̈ ≈œ œ œ œ .œb œ œ œ œ̈ ≈œ œ œ œ œ œ œ œœ œœ œœ

¨ ≈

.œ œ œb œ œ œ œ œ̈ ≈

.œb œ œb œ œ œœ œœn œœ¨ ≈

.œb œ œ œ œ œœ œœ œœ̈ ≈

.œb œ œ œb œ œ œ œ̈ ≈

.œ œ œ œ œ œ œ# œ̈ ≈

œ œ œ œ .œb œ œ œ œ̈ ≈œ œ œ œ œ œ œ œœ œœ œœ̈ ≈

.œb œ œ œb œ œ œ œ̈ ≈

.œb œ œ œb œ œb œn œ̈ ≈œ œ œb œ .œ œ œœb œœ œœ̈ ≈œ œ œb œ .œ œ œb œ œ̈ ≈œ œ œb œ .Jœ ≈ œ œn œ̈ ≈Œ Œ œ œ œ̈ ≈

Œ Œ œ œ œ̈ ≈

Œ Œ œ œ œ ≈œœbb

œœbb œœœœbb

œœbb œœŒ Œ œ œ œ> ≈

ƒƒ

ƒƒ

ƒƒ

ƒ

ƒƒƒ

ƒƒƒƒ

ƒƒƒƒ

ƒpizz.

ƒ

damp

ƒTambourine

47Œ Œ ≈ œ œ œ.

∑‰ jœ# œ rœ ≈ ‰‰ jœœ# œœ rœœ

≈ ‰‰ jœb œ rœ ≈ ‰

‰ jœœbb œœ rœœ ≈ ‰

∑∑∑

∑∑∑∑∑∑∑∑

‰ jœ# œ rœ ≈ ‰

∑∑∑∑

Slowly

Slowly

Slowly

p1.

π

ππ

π

πarco

(q = 66)

(q = 66)

(q = 66)

Solo

15

JB104

SAMPLE

Page 16: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

&&

&&&&

?

&&&

&&&&????

?

&&&ã

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

46

46

46

46

46

46

46

46

46

46

46

46

46

46

46

46

46

46

46

46

46

46

46

12

S. Cym.

Mar.

12

Fls.

Obs.

Bb B. Cl.

Eb A. Saxes

Bb T. Sax.

Eb B. Sax.

Bb Tpts.

F Hns.

Euph.

Tuba

12

Bb Cls.

Trbs.

12

3

Eb Cl.

Bsns. 12

1

23

1

23

12

34

Str. Bass

Vib.

Bells

∑∑

∑∑∑∑

∑∑∑

∑∑

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(q = 54)

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16

JB104

SAMPLE

Page 17: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

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17

JB104

SAMPLE

Page 18: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

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18

JB104

SAMPLE

Page 19: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

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19

JB104

SAMPLE

Page 20: TIMOTHY BROEGE - kjos.vo.llnwd.netkjos.vo.llnwd.net/o28/pdf/2017 Band/JB104F.pdf · Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern

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JB104F - Jack Stamp Suite: The Water Is Wide

SAMPLE