theoretical and methodological fundaments of music annotation theoretical and methodological...

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Theoretical and Theoretical and Methodological Fundaments Methodological Fundaments of Music Annotation of Music Annotation [email protected] Institute for Psychoacoustics and Electronic Music (IPEM) Dept. Of Musicology University Ghent, Belgium Promotor: Prof. Dr. Marc Leman

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Page 1: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

Theoretical andTheoretical and Methodological Fundaments of Methodological Fundaments of

Music AnnotationMusic [email protected]

Institute for Psychoacoustics and Electronic Music (IPEM)Dept. Of Musicology

University Ghent, Belgium

Promotor: Prof. Dr. Marc Leman

Page 2: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

Presentation overviewPresentation overview

1. Problem specification1. Problem specification

2. Masters’ thesis research2. Masters’ thesis research

3. Research perspectives3. Research perspectives

Page 3: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

1. Problem specification1. Problem specification

• Strong need for annotated music databases, in order to train and develop intelligent MIR systems

Page 4: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

(Lesaffre, 2003)

Page 5: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

1. Problem specification1. Problem specification

• Strong need for annotated music databases, in order to train and develop intelligent MIR systems

No general methodological framework for music annotation

No general theoretical framework for music annotation

Page 6: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

2. Masters’ thesis research2. Masters’ thesis research

• Theoretical research

• Methodological research

Page 7: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

2. Masters’ thesis research2. Masters’ thesis research

• Theoretical research

Page 8: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

2. Masters’ thesis research2. Masters’ thesis research

• Theoretical research

Music annotation = detailed description, via specific methods and techniques, of musical content

Musical content = those parameters & concepts which make people evaluate certain informationstreams as musical entities

Page 9: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

?

(Lesaffre, et al., 2003)

Page 10: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

2. Masters’ thesis research2. Masters’ thesis research

• Theoretical research

from an ecological point of view: music is not reducable to low level concepts

constant interaction between different abstraction levels

Page 11: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute
Page 12: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

2. Masters’ thesis research2. Masters’ thesis research

• Methodological research

Page 13: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

2. Masters’ thesis research2. Masters’ thesis research

• Methodological research

Manual low level music annotation for testing and training the MAMI-Melodytranscriber

High level music annotation of polyphonic music, through melody imitation

Page 14: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

2. Masters’ thesis research2. Masters’ thesis research

• Methodological research

Manual low level music annotation for testing and training the MAMI-Melodytranscriber

Page 15: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

2. Masters’ thesis research2. Masters’ thesis research

• Methodological research

Manual low level music annotation for testing and training the MAMI-Melodytranscriber

Annotationtool for Qbv:

- Automatic segmentation

- Automatic pitchannotation

Page 16: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

2. Masters’ thesis research2. Masters’ thesis research

• Methodological research

Manual low level music annotation for testing and training the MAMI-Melodytranscriber

Annotation method: Praat

Annotated queries: vocal queries + instrumental queries

Page 17: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

2. Masters’ thesis research2. Masters’ thesis research

• Methodological research

Manual low level music annotation for testing and training the MAMI-Melodytranscriber

Auditive evaluation (Sonar)

Statistical evaluation

Page 18: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

equal insertion deletionwhistling 92.9% 3.1% 4.0%guitar 77.8% 20.2% 2.0%gamba 79.3% 6.3% 14.4%violin 71.0% 24.6% 4.3%viola 85.1% 7.0% 7.9%voice 94.4% 5.6%flute 73.1% 15.2% 11.7%altoflute 73.5% 17.6% 8.8%sax 60.9% 39.1%

Page 19: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

Ranking test

0100200300400

500600700800900

wh

istl

ing

gu

itar

gam

ba

vio

lin

vio

la

voic

e

flu

te

alto

flu

te

sax

instrument

ran

kin

g

ADFFREQ

Page 20: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

2. Masters’ thesis research2. Masters’ thesis research

• Methodological research

Manual low level music annotation for testing and training the MAMI-Melodytranscriber

Improve performance

Page 21: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

Total

15.39%

Results for instrumental queries

Page 22: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

2. Masters’ thesis research2. Masters’ thesis research

• Methodological research

High level annotation of polyphonic music, through melody imitation

Page 23: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

2. Masters’ thesis research2. Masters’ thesis research

• Methodological research

High level annotation of polyphonic music, through melody imitation

How to extract different melodylines from polyphonic music?

Page 24: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

2. Masters’ thesis research2. Masters’ thesis research

• Methodological research

High level annotation of polyphonic music, through melody imitation

8 trained singers were asked to imitate main melodylines and bass lines (and other melodylines they considered important) from 10 popular songs

Page 25: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

2. Masters’ thesis research2. Masters’ thesis research

• Methodological research

High level annotation of polyphonic music, through melody imitation

- Good imitations of main melodylines

- Good imitations of other relevant melodylines, but no consistency in choosing other

relevant melodies

- Bad imitations of bass lines

Page 26: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

2. Masters’ thesis research2. Masters’ thesis research

• Methodological research

High level annotation of polyphonic music, through melody imitation

melody imitations serving as reference material for training MIR systems?

Page 27: Theoretical and Methodological Fundaments of Music Annotation Theoretical and Methodological Fundaments of Music Annotation Frederik.Styns@ugent.be Institute

3. Research perspectives3. Research perspectives

• What is musical content?

• How to handle this musical content in a MIR context?

• How to annotate musical audio and what are possible underlying theories?

developing annotated music databases