the reception of christian devotional art || front matter
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Front MatterSource: Art Journal, Vol. 57, No. 1, The Reception of Christian Devotional Art (Spring, 1998),p. 1Published by: College Art AssociationStable URL: http://www.jstor.org/stable/777985 .
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Published by College Art Association
Spring 19985 obl. 57 No. 1 art journal
Guest Editor: Pamela AlM. Jones
Executive Editor Janet A. Kaplan Reviews Editor Alexandra Anderson-Spivy Director of Publications Elaine Koss Senior Editor John Alan Farmer
Manuscript Editor Fronia W. Simpson Associate Editor Jessica Tagliaferro Design Harakawa Sisco Issue Design and Production Russell Hassell
Editorial Board Alexandra Anderson-Spivy, Carol Becker, Michael Brenson, Johanna Drucker, David Joselit, Janet A. Kaplan, Rita Robillard, Ursula von
Rydingsvard, Judith Wilson, Martha Wilson
Art Journal (ISSN 0004-3249) is published quarterly by College Art Association, 275 Seventh Ave., New York, NY 10001. Copyright ? 1998
College Art Association, Inc. All rights reserved. No part of the contents may be reproduced without the written permission of the publisher. Periodicals postage paid at New York, NY, and at additional mailing offices. Printed by The Stinehour Press, Lunenburg, VT.
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COVER: Nahum Zenil. Ex Voto (Self-Portrait with
the Virgin of Guadalupe), 1987. Mixed media on
heavy paper, 21 x 15 inches (53 x 38 cm). Courtesy Mary-Anne Martin/Fine Art, New York.
The Reception of Christian Devotional Art
The Reception of Christian Devotional Art: The Renaissance to the Present Pamela M. Jones 2
Facing the Closed Doors to Reception? Speculations on Foreign Exchange, Liturgical Diversity, and the "Failure" of the Portinari Altarpiece Roger J. Crum 5 Torture and Teaching: The Reception of Lucas Cranach the Elder's Martyrdom of the Twelve Apostles in the Protestant Era Mitchell B. Merback 14 The Indian Conquest of Catholic Art: The Mughals, the Jesuits, and Imperial Mural Painting Gauvin Alexander Bailey 24
The Afterlives of Sargent's Prophets Sally M. Promey 31
Domestic Devotion and Ritual: Visual Piety in the Modern American Home David Morgan 45 Transformative Triptychs in Multicultural America Annette Stott 55
Devotion edited by John Alan Farmer 64
Robert Hughes, American Visions: The Epic History of Art in America, reviewed by Martica Sawin 77
Irving Sandler, Art of the Postmodern Era: From the Late 1960s to the Early 1990s; Robert C. Morgan, Art into Ideas: Essays on Conceptual Art; Eleanor Heartney, Critical Condition: American Culture at the Crossroads; Thomas McEvilley, with G. Roger Denson, Capacity: The History, the World, and the Self in Contemporary Art and Criticism; reviewed by Michele C. Cone 79
Lois Palken Rudnick, Utopian Vistas: The Mabel Dodge Luhan House and the American Counterculture; reviewed by Steven Bleicher 82
Carol Zemel, Van Gogh's Progress: Utopia, Modernity, and Late- Nineteenth-Century Art; Jan Hulsker, The New Complete Van Gogh: Paintings, Drawings, Sketches; Ronald de Leeuw, ed., The Letters of Vincent van Gogh; Tsukasa K6dera, Vincent van Gogh: Christianity versus Nature; reviewed by James Gaillard Romaine, Jr. 84 Anne Middleton Wagner, Three Artists (Three Women): Modernism and the Art of Hesse, Krasner, and O'Keeffe; Mary Kelly, Imaging Desire; reviewed by Helen Molesworth 86 Sheila S. Blair and Jonathan M. Bloom, The Art and Architecture of Islam 1250-1800; reviewed by Robert Kushner s88
Mira Schor, WET On Painting, Feminism, and Art Culture; Beryl Smith, Joan Arbeiter, and Sally Shearer Swenson, eds., Lives and Works: Talks with Women Artists; reviewed by Corinne Robins 88
90
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