the john leech collection

TheJohn LeechCollection

Auction

6:30pm Wednesday 27th February 2013

CONDITIONS OF SALE

The highest bidder shall be the buyer. In the event of any dispute as to the bidding in respect of any lot, that lot may be offered again at the discretion of the auctioneer whose decision shall be absolute and final.

The auctioneer has the right -(i) to refuse any bid;(ii) to advance the bidding at his absolute discretion;(iii) to place a reserve on any lot;(iv) to place a bid or bids on behalf of the seller;(v) to withdraw any lot from sale;(vi) to require a successful bidder to pay forthwith the whole or any part of the purchase price. The auctioneer acts as the agent of the seller and neither he nor the seller shall be responsible for any defects or faults in any lot or for any errors of description or for genuineness or authenticity of any lot and no compensation shall be paid in respect of same.

From the time of lot being sold, such lot will be the responsibility of the buyer.

Successful bidders are required to pay for purchases immediately on completion of sale unless otherwise arranged.

All intending buyers are required to register for a bidding number prior to auction commencing. Subscribers can use their permanent bidding number. We reserve the right to ask for identification if you are a first time client of International Art Centre.

Each lot shall be paid for and removed at the buyers expense by no later than 4pm Friday 1st March 2013 unless otherwise arranged failing which the auctioneer and/or the seller shall have the right to forfeit any deposit paid by the buyer and to resell the lot either by public or private sale and any deficiency on costs of resale shall be borne by the defaulting buyer.

No lot may be collected or paid for whilst auction is in progress.

SUBJECT BIDSWhen the auctioneer declares a lot ‘subject’ this means the bid is below the set reserve and is subject to vendor accepting, rejecting or negotiating the bid. International Art Centre will endeavour to make contact with the vendor immediately after sale or the following day. If the bid is accepted, the highest bidder is obligated to make purchase.

ESTIMATESEstimates are provided for each entry and act as a guide only. They are prepared well in advance of sale and are subject to revision at any time. Estimates are based on hammer price and do not include our buyers premium.

ABSENTEE BIDSAbsentee bidding arranged - please refer to absentee bidding page in back of catalogue. Fax to (09) 307 3421 or post to PO Box 37 344 Parnell. Please do not be offended if a member of our staff asks for your credit card details as security.

Absentee bids can also be left via our website to registered members. International Art Centre website www.fineartauction.co.nz acts as a useful auxiliary to the catalogue but we recommend inspection or a condition report prior to leaving a bid. Our staff will gladly supply you with a condition report on any lot.

TELEPHONE BIDSTelephone bidding available to subscribers. There is no charge for this service.

PAYMENT FACILITIESEftpos: Available for transactions $2,000 or less which is the banks daily limit. For transactions less than $4,000 a 50% deposit on the evening and balance following morning is acceptable as long as the goods remain on our premises.

Bank deposits: Please ask for our bank details to be faxed or emailed if you wish to pay by direct debit. Quote the Lot number(s)

Cheques: Accepted by known clients of International Art Centre or at our discretion. When posting cheques please ensure they are sent to the following address. International Art Centre PO Box 37 344 Parnell, Auckland 1151. Make cheque payable to ‘International Art Centre’

Credit cards: Visa & Mastercard accepted with a 2% surcharge. No other credit cards accepted.

EXPORTING As a general rule, anyone exporting New Zealand works over 60 years of age should apply for an export certificate from the Ministry for Culture and Heritage to avoid issues with customs. This does not apply to non New Zealand works. For full details visit www.mch.govt.nz

FREIGHT & PACKINGInternational Art Centre will gladly arrange in house or professional packing and international, national or local freight at cost. Please arrange insurance on your items prior to them leaving our premises. In some cases, we may be able to arrange delivery ourselves within the Auckland area.

OTHER ENQUIRIES+64 9 379 4010 Toll Free 0800 800 [email protected] www.fineartauction.co.nz

BUYERS PREMIUM15% Buyers premium plus GST on premium applies to all lots. Total buyers premium is 17.25% including GST

272 PARNELL ROAD AUCKLAND NEW ZEALAND TEL +64 9 379 4010 FAX +64 9 307 3421

272 Parnell Road Auckland, New ZealandPO Box 37 344 Parnell 1151

Tel +64 9 379 4010 www.fineartauction.co.nzDirectors Grahame Chote, Richard Thomson & Frances Davies

2 John Leech Collection 6:30pm Wednesday 27 February 2013

272 Parnell Road Auckland New Zealand Tel +64 9 379 4010 www.fineartauction.co.nz

T H E O N L Y A U C T I O N E E R S O F P I C T U R E S E X C L U S I V E L Y

John Leech Gallery Collection6:30pm Wednesday 27 February 2013

Auction Venue

Scarborough Gallery, International Art CentreLower Ground Level 272 Parnell Road, Auckland

Viewing Times

Friday 22 February 9:00am - 5:00pm

Sunday 24 February 11:00am - 4:00pm

Monday 25 February 9:00am - 5:30pm

Tuesday 26 February 9:00am - 5:30pm

Wednesday 27 February 9:00am - 1:00pm - Auction 6:30pm

Other times by appointment

Absentee Bids

Absentee Bidding Form - Page 84 Fax to (09) 307 3421

Send bidding instructions [email protected]

or bid via website www.fineartauction.co.nz

Illustrated previous page: Lot 88

Illustrated front cover: Lot 60

Illustrated back cover: Lot 25

Illustrated inside back cover: Lot 27


THE ONLY AUCTIONEERS OF PICTURES EXCLUSIVELY

2012 - Experience Equals Results

2012 was another great year for International Art Centre and

the New Zealand art market as a whole.

Numerous record prices and positive results were achieved

at both our Important, Early & Rare and Contemporary &

Collectable Art auctions. Demand for rare 19th & 20th Century

paintings of quality is the strongest seen in decades.

Consistency, exceptional catalogues, experience and integrity

sets us aside as New Zealand’s only auctioneers specialising

solely in art.

We look forward to welcoming our clients, friends and artists

to the auctions and exhibitions planned throughout the year

and wish everyone a successful 2013.

Allan Swinton gained sole ownership in 1959. In 1963 the gallery moved to Lorne Street where Swinton created a specialist framing division and exhibition gallery. Under Allan Swinton's committed management the firm prospered. Another move, this time to Albert Street took place in 1973. The original building was demolished to make way for Lorne Towers.

In 1974 Allan Swinton sold his gallery to a collector of maps and three years later it was purchased by Bev and Murray Gow and Bill Hart. In 1980 Murray Gow purchased the Dunham Gallery, Remuera re-naming it John Leech Gallery, Remuera. The city branch of John Leech Gallery operated until 1986 when the building was purchased by Chase Corporation. The gallery relocated to expanded Remuera premises.

In 2002, under the highly successful partnership of John Gow and Gary Langsford, John Leech Gallery returned to Auckland City and its well-known Kitchener Street location, directly opposite Auckland Art Gallery. Over a decade later, having served as the venue for many of this country's most important exhibitions, John Leech Gallery has been renamed Gow Langsford Gallery, and now occupies two central Auckland sites.

A Director's decision to re brand and focus on International and Contemporary New Zealand art, affords a unique opportunity to acquire works from the collection of Auckland's historic John Leech Gallery.

John Leech Gallery Collection - 27 February 2013

The opening of John Leech Gallery in 1855 was heralded by the following announcement in Auckland’s Southern Cross newspaper:

John Leech respectfully announces to the inhabitants of Auckland, that he has commenced business in High Street, opposite the Wesleyan Chapel as carver, gilder, picture framer and looking glass manufacturer. Having had considerable experience in the above-named branches, he is quite confident of giving the most perfect satisfaction to those who might favour him with an order.

John Leech had emigrated to Auckland from Manchester via Sydney. In 1866 he moved his business to Shortland Street, then considered to be the finest of locations. It was here that artists such as Charles Goldie, Gustavus von Tempsky, Alfred Sharpe and J.B.C. Hoyte met and displayed their work. John Leech Gallery operated from these premises until 1963.

Following its founder's death in 1879, the venture continued to flourish under the management of John’s son Harold. It was during his lifetime that the honour of using a royal crest was granted. Harold Leech died in 1945 and the following year Allan Swinton, Gilbert Meadows and Howard Newcomb purchased the gallery.

7

1 TONY LANE Leg with Representations of Infinity Shagmetal and oil on gesso panel 183.5 x 29.5 Signed, inscribed & dated 1989 verso 3,000 - 5,000

2 FREDA SIMMONDS Torea - Pied Oyster Catcher Oil on board 160 x 60 Signed & dated 1968 800 - 1,200

2


5 SIMON KAAN Untitled - From Workers Bed Series Oil on two wooden panels 176 x 188 Signed & dated 2004 - 05 8,000 - 12,000

Exhibited: Oil on Workers’ Beds, Webb’s 2006 This work was completed whilst the artist was on his Creative New Zealand funded residency in Beijing.

Our thanks to Simon Kaan for his assistance in cataloguing this work

3

3 PARA MATCHITT Te Kooti Series (3) Three screenprints, edition of 12 34 x 32.5 Signed, inscribed & dated 1967 800 - 1,200

4 ROBERT JESSON Char Oil on canvas 137.5 x 127.5 Signed 600 - 1,000

3 3

4

9

5 SIMON KAAN Untitled - From Workers Bed Series Oil on two wooden panels 176 x 188 Signed & dated 2004 - 05 8,000 - 12,000

Exhibited: Oil on Workers’ Beds, Webb’s 2006 This work was completed whilst the artist was on his Creative New Zealand funded residency in Beijing.

Our thanks to Simon Kaan for his assistance in cataloguing this work

5


6 RALPH HOTERE Untitled Woman Gouache on paper 36.5 x 26.5 Signed 4,000 - 6,000

7 JEFFREY HARRIS 3 Figures Oil on board 39.5 x 52.5 Signed, inscribed & dated June 1972 verso 1500 - 2,500

8 DICK FRIZZELL Fresh Cucumber Trouble Peppers Acrylic on paper 20.5 x 14 Signed, inscribed & dated 1/4/2003 800 - 1,200

6

7

8

11

9 JEFFREY HARRIS Study from an Italian Master Oil on board 42 x 60 3,000 - 5,000

Provenance: Ex Fomison Estate - includes Tony Fomison’s signature affixed verso together with Tony Fomison Estate stamp Rotorua Art Gallery Loan Collection, label affixed verso

10 MICHAEL SMITHER Back Beach, New Plymouth Oil on board 40.5 x 30.3 5,000 - 7,000

9

10


11 ALLEN MADDOX Untitled Oil on plywood door from artist’s Ponsonby flat 205 x 83 2,000 - 4,000

12

11 13

14

15

13

12 RICHARD KILLEEN The Monkey’s Revenge Acrylic on paper 38 x 57.5 Signed & dated 18 December 1986 2,000 - 3,000

13 DICK FRIZZELL Flying Oaf Gouache on paper 18.5 x 18.5 Signed, inscribed & dated 10/5/2002 1,500 - 2,500

14 JEFFREY HARRIS Untitled (Hell / Heaven) Pencil on paper 17 x 25 Signed & dated 1980 400 - 600

15 ROBERT ELLIS Natura Morta 5 Hepetema Mixed media on paper 38 x 28.5 Signed, inscribed & dated 1993 800 - 1,200

16 ALLEN MADDOX Untitled Mixed media on paper 38 x 28.5 2,500 - 3,500

17 TREVOR MOFFITT Skinning Oil on board 52 x 52 Signed & dated 1980. Inscribed verso 6,000 - 9,000

16

17


18 DICK FRIZZELL Self Portrait Oil on board 178 x 90 Signed & dated 27/1/1987 10,000 - 15,000

19 ALLEN MADDOX Untitled 1989 Oil on hessian 57 x 70 6,000 - 8,000

18

19

15

20 ROBERT ELLIS Motorway Journey Oil on board 89.5 x 89.5 Signed & dated 1970 8,000 - 12,000

20

21 COLIN MCCAHON Three 1958 Brush and ink on paper 63.2 x 50.6 Signed & dated 1958 40,000 - 60,000

Provenance: From the Numerals One to Ten series Colin McCahon online catalogue reference number cm001511 mccahon.co.nz

Exhibited: Paintings by Colin McCahon, November 1958 - August 1959, Gallery 91, 6-18 October 1959 cat. no. 5

Reference Lots 21 & 22: Of the ten works in this series Two is in the collection of the New Dowse, Lower Hutt and Six is in the collection of Auckland Art Gallery, Toi o Tamaki. Ten is whereabouts unknown and the remaining works One, Five, Seven, Eight and Nine are in a private collection.

21

22 COLIN MCCAHON Four 1958 Brush and ink on paper 62.5 x 46.5 Signed & dated 1958 40,000 - 60,000

Provenance: From the Numerals One to Ten series Colin McCahon online catalogue reference number cm001329 mccahon.co.nz

Exhibited: Paintings by Colin McCahon, November 1958 - August 1959, Gallery 91, 6-18 October 1959

22


23 LOUISE HENDERSON Untitled (Green and White Abstract) Acrylic on canvas 99 x 63.5 Signed & dated 1979 2,000 - 3,000

24 JANE EVANS In the Garden Watercolour 58 x 76 Signed 4,000 - 6,000

25 MICHAEL SMITHER Boats, Okahu Bay Oil on board 120 x 178 Signed & dated 1998 20,000 - 30,000

23

24

19

25


26 RICHARD KILLEEN Time to Change Male Institutionalised War Acrylic, ink and collage on paper 76 x 58 Signed, inscribed & dated 16/6/1986 5,000 - 7,000

27 GORDON WALTERS Airborne Gouache on paper 23 x 30 Signed & inscribed 25,000 - 35,000

26

21

2727


28 OWEN MERTON Outskirts of the Town, Bonsada Watercolour 36 x 49 Signed & dated 1923 1,500 - 2,500

29 OWEN MERTON Sea and Countryside Watercolour 37 x 46 Signed & dated 1925 1,500 - 2,500

30 PATRICK HAYMAN Southern Cross 1st Flight to New Zealand from Australia Oil on board 42.5 x 63.5 Signed & inscribed 2,000 - 4,000

28

29

30

23

31 RAYMOND MCINTYRE Figures with Umbrella, London Oil on board 33.5 x 25 Signed 35,000 - 45,000

Figures with Umbrella, London c.1915 is a quintessential Mclntyre streetscape. While the brush work is fluid, the composition is refined and stylised, and a delicate precision lends Figures with Umbrella, London a quiet confidence.

Like many successful painters of his age, Raymond Mclntyre left New Zealand as a young adult and made Europe his home. From 1909 to his death in 1933 he lived in London, where he was actively engaged with the contemporary trends in European Art which he had found inaccessible from New Zealand. In London he began a period of intensive study and painting and exhibited frequently over the next decade, particularly at the Goupil Gallery Salon, London’s leading international gallery at the time. His work was accepted into the prestigious Royal Academy of Arts in 1924 and he ceased to exhibit his work publicly in 1926.

The two figures in the foreground are constructed in careful greys and although they are the subject of this work, McIntyre’s primary concern is in the design and formal relationship within the image. Subtle tonal contrasts and exquisite brushwork create a deeply elegant work.

31


Reference:Arrangement of Jugs (1938) is a lively and buoyant still life by renowned painter Frances Hodgkins. The edition of lithographs is Hodgkins’ only surviving print and was commissioned in 1936 by the London-based publisher Contemporary Lithographs Ltd as part of a venture to supply a wider audience with quality and affordable original works of art. Arrangement of Jugs is from the suite of fifteen prints by different artists launched in 1938, one of which was purchased by the British Museum.

Although she had not worked with lithography before Hodgkins was praised at the time for her fresh and innovative use of the medium and she herself ‘found it interesting and remunerative as a sideline to other works’. (Kapiti Treasures, Janet Bayley (Edt.l, Mahara Gallery, 2010, p. 36)

Moving increasingly away from traditional modes of representation in her works, some objects in Arrangement of Jugs are pared back to their most essential formal elements or depicted through abstract bodies of colour. Essentially disregarding any hierarchy within the objects Hodgkins has employed several perspectives within a single composition giving the effect that some objects appear to float freely in space. The ethereal quality of the abstract forms combined with the objects depicted more literally adds dynamism and vivacity to the work.

The simplified outlines of objects and bold areas of colour in Arrangement of Jugs are typical of Hodgkins’ approach to colour and form in the mid to late 1930s and relate strongly to two known watercolours of almost identical titles, Still Life (c.1937) and Arrangement of Jugs (c.1937) suggesting that they may have been working drawings for the lithographs.

Illustrated:Frances Hodgkins: Kapiti Treasures, Janet Bayley (Edt.), Mahara Gallery, 2010. p. 33Frances Hodgkins: Paintings and Drawings, lain Buchanan, Elizabeth Eastmond and Michael Dunn, Auckland University Press, 1994. p.151Portrait of Frances Hodgkins, E.H McCormick, Auckland University Press and Oxford University Press, 1981. p.123

32

32 LOUISE HENDERSON Hour Series Oil on canvas 50.5 x 73 Signed 3,000 - 5,000

33 FRANCES HODGKINS Arrangement of Jugs, 1938 Lithograph on paper, 46 x 61 Signed Inscribed lower left: Published by Contemporary Lithographs Ltd, London 12,000 - 15,000

25

3233


34 JOHN WEEKS Water Carriers c. 1927 Watercolour 48 x 28.2 2,000 - 3,000

35 PATRICK HAYMAN Still Life (Organic) Oil on canvas board 52 x 60 Signed verso 2,000 - 4,000

36 PAT HANLY Field Yellow Mixed media on paper 63 x 64 Sigend & dated 1983 14,000 - 18,000

34

35

27

36


37 PATRICIA FRANCE Flowers in a Black Pot Oil on board 37.5 x 32.5 Signed & dated 1987 800 - 1,500

38 LOUISE HENDERSON Untitled Pastel on paper 44 x 55 Signed 800 - 1,200

39 GABRIELLE HOPE Dancing Nudes Ink drawing 74 x .49.5 Signed & dated 1958 800 - 1,200

40 HENRYK SZYDLOWSKI Fish on a Platter Oil on canvas 91 x 82 Signed & dated 1980 800 - 1,200

37

38

39

40

29

41

42

41 CHRISTINA CONRAD Krishna’s Birthday Oil on Board 195 x 96 Signed & dated 1984 3,000 - 5,000

42 PETER MCINTYRE Asian Woman in Coolie Hat Oil on canvas 70 x 54 5,000 - 8,000


43

44

43 IVY M COPELAND Still Life Oil on board 60 x 45 Signed & dated 1953 800 - 1,500

44 CHRISTOPHER PERKINS Still Life, Flowers in Vase Oil on board 60 x 50 Signed 2,000 - 4,000

45 PETER MCINTYRE Homestead Makariki Valley near Wanganui Watercolour 39.5 x 52 Signed 4,000 - 6,000

31

45

33

46 JOHN GIBB Canterbury Mill Oil on canvas 50 x 74 Signed & dated 1892 8,000 - 12,000

47 COLONEL ROBERT HENRY WYNYARD Paihia looking across to Kororareka (Russell) Watercolour 17.5 x 21.5 Inscribed Paihia looking across to Kororareka 8,000 - 12,000

48 COLONEL ROBERT HENRY WYNYARD Littleton (Lyttelton) Pencil on paper 15.5 x 21.2 1,000 - 1,500

49 COLONEL ROBERT HENRY WYNYARD Untitled (House with Bush Surround ) - Possibly Treaty House Pencil on paper 16.5 x 21 1,000 - 1,500

48

4947


50 COMMANDER RICHARD ALDWORTH OLIVER Emily, A Maori Girl, Nauranga, A Maori Village Near Wellington, January 1851 Watercolour & pencil on paper 30 x 22 Inscribed 3,000 - 5,000

51 COMMANDER RICHARD ALDWORTH OLIVER Maori Girls, Auckland Watercolour 37 x 26 Inscribed Maori Girls, Auckland NZ verso 5,000 - 8,000

52 COMMANDER RICHARD ALDWORTH OLIVER Wangaru-ru, East Coast, Monk Island Watercolour 36.5 x 25 4,000 - 6,000

50

35

51

52


54 ALFRED SHARPE Nipped Between Icebergs Watercolour 59 x 97 Signed, inscribed & dated 1898 40,000 - 60,000

Recent research suggests this is Alfred Sharpe’s interpretation of the dramatic scene in Antarctic waters on 6 February 1838. The two ships depicted are the French corvettes l’Astrolabe et la Zélée. The Astrolabe is shown packed in by ice but the Zélée is also trapped. Zélée is shown about mid-right. The expedition was under the command of Dumont d’Urville a talented French mariner who had visited New Zealand twice before and he was about to make his third visit. He was a daring commander and is known for his skill in taking the Astrolabe through French Pass, NZ, in an earlier Pacific voyage. Very briefly the background to the voyage was that in 1836 Dumont d’Urville presented a proposal to the French authorities suggesting an expedition to the Pacific. King (or Emperor) Louis-Philippe was very interested in the idea and suggested the addition of a probe into Antarctic waters.

After a long voyage, on February 2, 1838, the ships were sailing southwards in search of Antarctica. Within 48 hours they came upon an ice field. D’Urville followed it westwards and entered an inlet in the ice with Jacquinot, on the Zélée close behind. It was an unwise plan as during the night the ice cracked and crunched and by morning the channel had closed behind the ships. Men climbed down onto the ice to tie ropes to the floes; those who remained on board hauled on them to move painfully forward, while others tried to push the ice aside with picks, pincers and pickaxes. It took five days to break free from the ice. During the process a number of the crew suffered from frostbite, including all three surgeons. Eventually they landed on Weddell Island.

Dumont d’Urville spent eight more months exploring southern waters. He then headed for Hobart and then sailed on to New Zealand; after anchoring for a few days at the Auckland Islands, he sailed north off the east coast of New Zealand. November 6, 1840, the two ships entered the harbour at Toulon. They had been away three years and two months. A decade later an official account of the voyage was published showing two similar works.

53 THOMAS WILLIAM DOWNES Drawing for Old Wanganui Pah after Gillfillan Pen and wash on paper 26.5 x 43 Inscribed & dated 1915 verso 800 - 1,200

53

37

54


56 ALFRED SHARPE Cox’s Creek, Westend Road, Westmere Watercolour 45 x 63 Signed & dated 1887 24,000 - 28,000

Provenance: Ex Collection of Sir James & Lady Fletcher

55 JOHN BARR CLARKE HOYTE Early Auckland Cottage, possibly Onehunga with St Peters Anglican Church behind Watercolour 22.5 x 37 Signed 10,000 - 15,000

55

39

56


57

58

57 ARTIST UNKNOWN Lake Wakatipu Oil on shell 12.5 x 9 700 - 1,000

58 ARTIST UNKNOWN Lake Te Anau Oil on shell 12.5 x 9 Signed M J lower right 700 - 1,000

59 JOHN WEEKS Composition with Crucifixion Tempera on paper 53.5 x 42 4,000 - 6,000

60 JOSEPH GAUT Maori Girl Oil on canvas 55 x 40 Signed & dated 1888 12,000 - 18,000

41

60

59


61 THEO SCHOON Mud Pool with Face, 1965 Black and white photograph 20 x 15 800 - 1,200

62 THEO SCHOON Three Gourds with Handles Coloured pencil and ink on paper 30 x 21 Signed & dated 1962 800 - 1,200

63 THEO SCHOON Gourds on a Stand with Branch Coloured pencil and ink on paper 30 x 21 Signed & dated 1963 800 - 1,200

64 JOHN KINDER Mt Eden and the Stockade Pen and wash 22 x 34.5 Inscribed & dated 1858 3,000 - 5,000

61

62

63

43

6364


65 FRANCIS MCCRACKEN Spanish Village Pastel in paper 36.5 x 52 Signed 500 - 1,000

66 FRANCIS MCCRACKEN Puente Bridge, San Martin, Toledo Pastel on paper 37 x 52 Signed, inscribed & dated 1933 500 - 1,000

67 FRANCIS MCCRACKEN Gossip, St Monance Ink & pencil on paper 15 x 20 400 - 600

65

66

67

45

68 FRANCIS MCCRACKEN Self Portrait Oil on board 75 x 51 Signed 2,000 - 4,000

69 FRANCIS MCCRACKEN Connie Oil on canvas 91 x 70 Signed & inscribed on stretcher verso 2,000 - 4,000

68

69


70 GEORGE O’BRIEN Attributed Two Miles Below the Junction of Port Chalmers and Waikouaiti Roads Watercolour 13.5 x 17.5 Signed and inscribed on original backing board affixed verso 1,000 - 2,000

71 GEORGE O’BRIEN Untitled - Coastal Scene Watercolour 29 x 50 Signed & dated 1880 800 - 1,200

72 ARTIST UNKNOWN Maori Fort with Figures Watercolour 13.5 x 17.5 800 - 1,200

72

70

71 73

73 COMMANDER GEORGE HORNBROOK Ships of the Line Ink on paper 14 x 18 Inscribed 800 - 1,200

74 ROBERT HARVEY The Sounds, New Zealand Watercolour 17.5 x 26 Inscribed on label affixed verso 800 - 1,200

75 ROBERT HARVEY Mount Cook, New Zealand Watercolour 24 x 17.5 Inscribed on label affixed verso 800 - 1,200

76 ROBERT HARVEY Manly Beach, Sydney Watercolour 17 x 25.5 Inscribed on label affixed verso 800 - 1,200

77 ROBERT HARVEY Otira Gorge, New Zealand Watercolour 22.5 x 16.5 Inscribed on label affixed verso 800 - 1,200

74 76

75 77


78 GEORGE O’BRIEN River Leith, Otago, circa 1870 Monochrome watercolour 22 x 26 Signed 8,000 - 12,000

79 19TH CENTURY ARTIST UNKNOWN View from Lawn, Mission House Island Pencil on paper 21 x 30.5 Inscribed 800 - 1,200

78

79

80

80 ROBERT HARVEY Sophie Maori Guide Watercolour 22.5 x 17 Inscribed on image and inscribed on label affixed verso 800 - 1,200

49

81 19TH CENTURY ARTIST UNKNOWN Wellesley Street looking towards Freemans Bay, circa 1860 together with another early Auckland sketch Pencil on three sheets of paper 14 x 26 Inscribed. Unframed 800 - 1,200

82 19TH CENTURY ARTIST UNKNOWN A selection of seven drawings on paper featuring various colonial subjects Pencil on paper various sizes approximately 17 x 31. Unframed One dated 1860 All inscribed 800 - 1,200

Inscriptions read:

(a) St George’s Bay, Parnell, Auckland Ship Evening Star

(b) St Stephens, Parnell with minor study of buildings verso

(c) Bush Section, Otago, NZ

(d) Okoaro New Plymouth NZ - studies verso

(e) Te Karaka Church 1860 Auckland G. Urquhart

(f) Cottage of a small farmer, New Plymouth NZ with further study verso

(g) Karaka Church - three building studies verso

View larger images at www.fineartauction.co.nz82 c

82 e

82 f

82 g

82 d

82 b

82 a

81


83 FRANCES IRWIN HUNT Lady with Beret Oil on board 43.5 x 35 400 - 600

84 DORIS LUSK Portrait of Tony Fomison Charcoal on paper 50 x 35.5 Signed & dated 1971 1,500 - 2,500

85 ROBERT NETTLETON FIELD Portrait of Ada Ryan Oil on board 39 x 33.5 800 - 1,200

86 CHRISTOPHER PERKINS Portrait of a Man Charcoal on paper 46.5 x 37 Signed & dated 11/9/62 800 - 1,200

83

84

85

51

86

88

89

88 JOSIAH MARTIN Auckland Free Library and Art Gallery Opened March 26, 1887 Photograph 14.5 x 20 Inscribed 800 - 1,200

89 L P ANDREWS Petrus van der Velden Photograph 18.7 x 13.8 Signed 400 - 600

87 CHARLES HEAPHY The Level Country At The South End, Looking North of Blind Bay Lithograph 24 x 87.5 Signed 800 - 1,200

Includes inscriptions left to right the following place names: Driving Cattle with his Stock-whip; Astrolabe Road, Adele Island, Mouth of Motucka River; Cabbage Tree, Tree-Fern, ; Stephens Island; D’Urville Island, French Pass Mouth of Moutere River, Croisilles Harbour

87


9591

92

94

90

93

53

96

97

90 CHRISTOPHER WOOD Seated Nude, 1930 Pencil on paper 30 x 20.5 Signed verso 200 - 400 91 R J DOWNIE Waitemata from Shelly Beach, Auckland 1910 Watercolour 14.5 x 22.5 400 - 600

92 ELLEN VON MEYERN Day Dreams Oil on board 30 x 22 Signed & dated 1908 800 - 1,200

93 WILLIAM MENZIES GIBB Canterbury River Scene Watercolour 24 x 35.5 Signed 400 - 700

94 THOMAS DERBY RYAN Awhinga Watercolour 16 x 15 Inscribed 300 - 500 95 KENNETT WATKINS Hauraki Gulf Scene Watercolour 32 x 26 Signed & dated August 1878 200 - 400

96 AFTER GOTTFRIED LINDAUER Anna Rupene and Child Oil on canvas 75 x 60 3,000 - 5,000

97 ARTIST UNKNOWN Still Life with Maori Objects Watercolour 45.5 x 58.5 1,000 - 2,000


98 FRANCES DOLINA ELLIS The Pearl Diver Oil on canvas 40 x 33 400 - 600

99 DENNIS KNIGHT TURNER Untitled Motifs Mixed media on paper 34 x 25 Signed 600 - 800

100 THEO SCHOON Untitled - A Pair of studies Pencil on paper 18 x 15 800 - 1,200

100 one of a pair

99

101 TREVOR LLOYD Lizard Skin (Maori Chief ) Etching 27.5 x 19.5 Signed 500 - 800

102 THEO SCHOON Boiling Mud, 1967 Colour photo 45.5 x 45.5 500 - 800

103 THEO SCHOON Untitled (Koru Design) Pencil on paper 46.8 x 75 400 - 800

98

104 FRANCES DOLINA ELLIS Study of an Old Woman Knitting Charcoal on paper 74 x 47 Signed 600 - 800

105 THEO SCHOON Robley photo Ink and printed photo 31 x 29 Signed 300 - 500

106 IVY COPELAND Maori Boy Watercolour 34.5 x 27 Signed 200 - 400

55

101

102

103

104

105

106


107 A L TREADWELL Three Kings, Auckland Oil on pinex board 52 x 104.5 Signed 1,000 - 1,500

108 WILLIAM GREEN Stewart Island Oil on canvas 49.5 x 90 Signed & dated 1899 1,500 - 2,500

109 SAM STUART ATTRIBUTED St Johns College, Auckland Monochrome oil on board 26.5 x 46.3 800 - 1,200

110 J PARSONS Waikato River Oil on board 54 x 68 Signed 400 - 600

111 S NATOCK Melbourne Cup, Fly Teal Direct, 1959 Original poster 85 x 62 Inscribed 1,000 - 2,000

112 H PROST Force, Energie par les produits Lavocat, aliments irradiés Stone lithographic poster 92 x 69 Printed Foet, Lyon circa 1930 Signed & inscribed 800 - 1,200

113 C M HOISTON Portrait of Archibald Fisher Oil on canvas 59.5 x 39 Signed & inscribed verso 800 - 1,200

107

108

57

109 110

111 112 113


114

116

117

115 118

114 J DELBALAT Baie Wangaroa (Whangaroa Harbour Northland) Engraving on paper 63 x 47 Inscribed & dated 1868 800 - 1,200

115 VICTOR CHARLES LOTTIN De la Noivell Zelande (Northland) Lithograph 31 x 47 800 - 1,200

116 VICTOR CHARLES LOTTIN Del la Baie Shouraki, March 1827 (Hauraki Gulf) Lithograph 61.5 x 92.5 800 - 1,200

117 ARTIST UNKNOWN Sketch of Maori Fortification, Rangiriri Lithograph 58.4 x 44.5 500 - 1,000

59

118 AMBROISE TARDIEU Plan de la Riviere Shooukianga Lithograph 61.5 x 92.5 800 - 1,200

119 ELLA SPICER Supreme Court, Auckland Watercolour 25 x 31 Signed & dated 1925. Inscribed verso 600 - 900

120 CHARLES FREDERICK GOLDIE A Good Joke Chromolithograph print 38.5 x 31.5 Machine signed, inscribed & dated 1905 800 - 1,200

121 F W GREGORY Grafton Bridge, Auckland Watercolour 32 x 49 Signed & inscribed 800 - 1,200

122 KITTY AIRINI VANE Sandy Bay, Matapouri Gouache on paper 36 x 48 Signed & dated 1946 500 - 800

123 KITTY AIRINI VANE Southern Alps Gouache on paper 37 x 53.5 Signed & dated 1937 400 - 800

119

120

121

122

123


124 ROBERT F WAY Wahine & Child Etching edition of 50 22 x 14 Signed & inscribed 300 - 500

125 LOUIS-AUGUSTE DE SAINSON Rangui Ngapuhi Chief - from Voyage de la Astrolabe 1826-1829 Plate 71 Lithograph 47 x 32 Dated 1833 1,000 - 1,500

126 LOUIS-AUGUSTE DE SAINSON Natai Ngapuhi Chief - - from Voyage de la Astrolabe 1826-1829 Plate 63 Lithograph 47 x 32 Dated 1833 1,000 - 1,500

127 J ALPHONSE PELLION Etudes de Tatouages, Nouvelle Zelande, circa 1820 Engraving 23.9 x 32.2 Inscribed 800 - 1,200

128 LEJEUNE and ANTOINE CHAZAL Cascade de Fanafaoua pres du Village de Kidikidi c1822-25 from L.I. Duper rey’s Voyaga autour du Monde Hand coloured aquatint 24.5 x 33 Signed 400 - 600

129 THOMAS DERBY RYAN Figurehead of Small War Canoe, Lake Rotorua Watercolour 22 x 28.5 Inscribed 400 - 700

130 DR RENZO PADOVAN Pa Taka Storage House Etching 30 x 23 Signed & dated 1955 400 - 600

131 DR RENZO PADOVAN Maori Carving Etching 30 x 23 Signed & dated 1955 400 - 600

132 DR RENZO PADOVAN Meeting House Interior looking out at Pataka Lithograph 31 x 21 Signed & dated 1956 400 - 600

124 125 126

127128

129

130 131 132

133

135

136

134

137

138

138

138

63

133 GEORGE FRENCH ANGUS Te Werowero, or Potatau the principal chief of all Waikato. Te Waru, principal chief of the Nga Ti Apakura tribe. Te Pakaru, principal chief of the Nga Ti Maniapoto tribe. From New Zealanders Illustrated, plate 44, 1847 Coloured lithograph 98 x 61.5 Inscribed - The signatures of both Te Waru and Te Pakaru are included under their portraits 800 - 1,200

134 GEORGE FRENCH ANGUS Horomona Maruhau, or Blind Solomon Hand coloured lithograph 800 - 1,200

135 ALPHONSE CHARLES MASSON Funérailles d’un Chef, Nouvelle Zélande Engraving 16.4 x 25.8 Signed & inscribed 400 - 600

136 DAY & SON New Plymouth Lithograph on paper 26 x 34 100 - 150

137 LOUIS LE BRETON Cases de Naturels Lithograph from Atlas Pittoresque 23 x 33 Inscribed 200 - 400

138 JOSEPH JENNER MERRETT Rua Pahu and Tongariro , Mount Egmont from Near the Waimate Pah, Taranake, View of Taupo from Te Rapa (3) 3 L Haghe lithographs 12 x 19 Inscribed 500 - 1,000

140

140 MARCUS KING Maori Art New Zealand Framed travel poster for National Publicity Studios Silkscreen print 98 x 61.5 Inscribed 800 - 1,200

139 JOSEPH GAUT Portrait of a Maori (Man) Hawkes Bay, 1885 Oil on canvas 49.5 x 39.6 2,000 -3,000

139


141 CHARLES HEAPHY View of Nelson Haven, in Tasman’s Gulf, New Zealand; including a part of the site of the intended Town of Nelson, 1841 Lithograph 42.5 x 54.5 Inscribed 700 - 1,000

142 CHARLES HEAPHY Part of Lambton Harbour, in Port Nicholson, New Zealand, Comprehending about one third of the water frontage of the town of Wellington. Lithograph 42.5 x 54.5 Inscribed 700 - 1,000

143 CHARLES HEAPHY View of a Part of the Town of Wellington New Zealand Looking Towards the South East Comprising About one third of the Water Frontage., 1841 Lithograph 42.5 x 54.5 Inscribed 700 - 1,000

141 142 143

144 144

65

146

145

148

147

144 A PAIR OF EARLY BOTANICAL STUDIES FROM COOKS VOYAGE Botanical Studies - A Pair Engravings 50 x 35 800 - 1,200

145 CHARLES DECIMUS BARRAUD Interior of Rangiatea Church Lithograph 29.5 x 18 800 - 1,200

146 GIUSEPPE ANTONIO CASTELLI Untitled (Maori Utensils) Aquatint 80 x 26 Signed 400 - 600

147 MAJOR GENERAL HORATIO GORDON ROBLEY Sketch of Hone Heke’s Tiki & a further sketch verso Ink on paper 23.5 x 20 Signed & inscribed Exact size as the Tiki given to Sir G Grey by Hone Heke 1847 300 - 500

148 MAJOR GENERAL HORATIO GORDON ROBLEY Sketches of Huia Box Carvings & a further sketch verso Ink on paper 23 x 22 Signed & inscribed Exact size of curious carvings on a Huia box in Rev Volkner Collection, 1865, he was murdered at Opotoki 300 - 500


Michael SmitherMotumahanga, Screenprint

Don BinneyKotuku Puketotara, Lithograph

Justin BoroughsBoatsheds Orakei, Screenprint

Dick FrizzellMemorandum, Lithograph

Michael HightKyeburn, Screenprint

John WalshWe go right there Tonto, Lithograph

Peter SiddellTrellis, Screenprint

Grahame SydneyFog at Ranfurley, Lithograph

Sofia Tekela-SmithSavage Island Man, Screenprint

149 A COMPLETE BOXED SET OF THE JOHN LEECH 150TH ANNIVERSARY PRINTS Six screen prints and Three lithographs, unframed Edition of 75, 50 x 70 All signed & inscribed 3,000 - 5,000

67

150 EARLY NZ PRINTS Various sizes & subjects - unframed Two from the Novara Expedition Tarawera, thermal / coastal scenes As illustrated 500 - 1,000

151 ARTIST UNKNOWN The Latest Scandal ! A D Willis Lithograph printer, Wanganui, unframed 42 x 61 Inscribed 300 - 500

152 KENNETT WATKINS Portrait of a Young Boy Death of Major Von Tempsky at Te-Ngutu-o-te-Manu, New Zealand, 7th September, 1868 A D Willis Lithograph printer, Wanganui, unframed 42 x 61 300 - 500150

150

150

150

151

152150


153 WILLIAM MASON Still Life of Fish and Wine Oil on canvas 66 x 86.5 Signed & dated 1954 2,000 - 4,000

154 DENNIS KNIGHT TURNER Still Life with Ginger Jar Oil on board 44 x 61 Signed 800 - 1,200

Provenance: Exhibited: Here Here Here 1943 - 1993 Sarjeant Gallery Touring Exhibition Label affixed verso

155 HELEN STEWART Church Interior Oil on board 81 x 65 Signed 800 - 1,200

156 ELLA SPICER Market Day Watercolour 26 x 33 Signed 600 - 800

157 DENNIS KNIGHT TURNER Memories of New Zealand Watercolour 32 x 46 Signed & dated 1973 800 - 1,200

158 BEATRICE M WHITE Portrait of a Young Boy Pastel on paper 49 x 36 Signed & dated 1953 300 - 500

159 DENNIS KNIGHT TURNER The Punga Oil on Board 60 x 45 Signed & dated 1960 800 - 1,200

160 HENRYK SZYDLOWSKI Untitled Landscape Oil on canvas 91 x 82.5 Signed & dated 1984 800 - 1,200

153

154

69

155

156

157

158 160

159


161 WILLIAM JAMES REED Portrait of a Maori Woman Oil on board 30 x 24 Signed 800 - 1,200

162 IDA G EISE Street in Madrid Oil on board 41 x 33.5 Signed & dated 1963 500 - 1,000

163 EDWARD NOEL BARRAUD Hobart Watercolour 23 x 33 Signed & dated 1905 400 - 600

164 ERNEST D STOCKS Port Nicholson from the Botanical Gardens, Wellington Watercolour 24.5 x 34.5 Signed, inscribed & dated 1906 200 - 400

165 JOHN WEEKS Moonlit Landscape Watercolour 46 x 58.5 Signed 1,500 - 2,500

166 HARRY LINLEY RICHARDSON House and Garden Oil on board 39.5 x 49.5 Signed 1,000 - 1,500

167 ARTIST UNKNOWN North Head, Auckland Harbour, c. 1920 Oil on board 54.8 x 25.2 Inscribed 600 - 1,000

161162

163

164

71

165

166 167


168 H HILL Memorial of Rugby School Lithograph 66.5 x 48 100 - 200

169 GUSTAF DILLBERG Pink Terraces Ink on paper 12 x 19 Signed & dated 1886. Signed, inscribed & dated on original artist’s label affixed verso 200 - 500

170 HARRY LINLEY RICHARDSON The Mother Kissed the Baby Watercolour 35 x 23.5 Signed. Inscription verso 500 - 800

171 BARRY LETT COLIN MCCAHON INVITATION Barry Lett Galleries invitation to Colin McCahon exhibition with pen drawings of exhibition by an unknown hand, 1968 Ink on printed brochure 19.5 x 31.5 Inscribed Working Drawings for No. 3, 4 & 5 ‘Visible Mysteries’ 1968 300 - 600

172 IVY M COPELAND Rural Scene Watercolour 23 x 33.5 Signed & dated 1930 400 - 600

173 RUSSELL CLARK Sculptural Drawing Watercolour 27.5 x 16 Ex R P Archer Collection, former widow of R Clark - from label verso 200 - 400

174 LOUISE HENDERSON Untitled Watercolour 41 x 61 Signed 500 - 1,000

168

73

169

170

171 front

171 verso

172

173

174


177 PETER SIDDELL Trellis Screenprint, edition of 75 70 x 50 Signed, inscribed & dated 2005 500 - 1,000

178 SINA WOOLLCOTT Rise, Taupo Watercolour 47.2 x 64.6 Signed & dated 1963 400 - 600

175 PETER SIDDELL Window Silkscreen print, edition of 150 70 x 44.5 Signed, inscribed & dated 1982 700 - 1,100

176 GRETCHEN ALBRECHT International Women’s Year 1975 Silkscreen print, edition of 100 88.5 x 61 Inscribed For Una 500 - 1,000

179 SINA WOOLLCOTT Untitled Watercolour 47.2 x 64.6 Signed & dated 1963 400 - 600

180 SINA WOOLLCOTT Untitled ( 3 Native Women) Watercolour 47.2 x 64.6 Signed 400 - 600

177

176

175

75

181 SINA WOOLLCOTT Te Whare Watercolour 47.2 x 64.6 Signed 400 - 600

182 FRANCES DOLINA ELLIS Wellington Boatsheds Watercolour 30 x 38 Signed 300 - 500

183 IVY M COPELAND Village Scene with Boy and Dog Watercolour 22.5 x 31 Signed 400 - 700

184 GEOFFREY E FAIRBURN Untitled Landscape Watercolour 27 x 35 Signed 200 - 400

178

179 181

180

182

183

184


186

185

189

187

185 CYRIL WHITEOAK Melanesia House, Mission Bay Watercolour 30.5 x 47 Signed & dated 1961 500 - 1,000

186 ELISE MOURANT Apricots in a Basket Pastel on paper 47 x 62.5 Signed 600 - 900

187 WILLIAM ALLEN BOLLARD Mt Elie de Beaumount Oil on canvas 34 x 24 Signed 300 - 600

188 AUBREY DE LISE Reflections in No 1 Queen Street Watercolour 34 x 24.5 Signed & dated 1989 100 - 300

189 JOHN STEWART CLARK Portrait of a Young Girl Watercolour 9 x 7 Inscribed verso 400 - 600

190 GEORGE CHANCE Near Queenstown, Wakatipu Gelatin silver print 20 x 25.5 Signed & inscribed with Geo Chance label affixed verso 200 - 400

191 E MERVYN TAYLOR NZ Weta Linocut 11 x 7.5 Signed 200 - 400

192 A J INGLIS Late Afternoon, Puhoi Oil on card 29.5 x 42 Signed 200 - 400

193 LOUISE HENDERSON Head Study Pencil on paper 20 x 15 Signed 150 - 300

194 A FINNELL Partington’s Mill Watercolour 43 x 31.5 Signed 400 - 600

195 VIDA STEINERT Tree Study Watercolour 44 x 39 Signed 300 - 600

196 THOMAS STEWART MONKHOUSE Milligans Reef, 1865 Watercolour and gouache on paper 23 x 30 300 - 600

197 ANTHONY STONES Smoko Watercolour 29 x 24 Signed & dated 1967 200 - 500

198 E GAFF Taroona Acrylic on paper 24.5 x 35 Signed & dated 1947 100 - 200

199 M J GEARY (British 20th Century) The Beach c. 1950 Oil on canvas 29.5 x 34 Signed 800 - 1,200

200 A J INGLIS From Golden Spur Oil on board 61 x 51 Signed 200 - 400

188

77

190

191

192

193

194 197

196

195

198

199

200


201 TOSS WOOLLASTON Mapua Pencil on paper 20 x 12.5 Signed, inscribed & dated 1942 300 - 600

202 MICHAEL SMITHER Thomas Silkscreen print, edition of 20 58.5 x 50.5 Signed, inscribed & dated 1968 500 - 800

203 ARTIST UNKNOWN European City and River Watercolour 27.5 x 37.5 Signed & dated 1926 200 - 400

204 BEN WOOLCOMBE Ostend, Waiheke Island & Apricot Trees, San Felice, Italy (A pair) Watercolour 34.5 x 54 Signed & dated 1985 & 1987 150 - 250

205 RUDI GOPAS Decaying Foundation Charcoal 31 x 39 Signed & dated 1961 300 - 500

206 ILENE ROSA STICHBURY Princess Wharf Oil on canvas 30 x 45 300 - 600

207 ARTIST UNKNOWN Untitled Acrylic & pastel on paper 29 x 48 150 - 250

208 ANA GEDSON Kete (1), 2002 Fibre 10 x 9 100 - 200

209 ALVAR Woman Playing Violin Lithograph 48.5 x 39.5 Signed 100 - 200

210 JULIAN HOOPER Foliage & Garden Pastel on paper 47 x 62.5 Signed & dated 1987 100 - 300

211 ALISON PICKMERE Still Life with Teapot and Flowers Oil on board 38.5 x 58 Signed 200 - 400

212 MARY FOREMAN Lilies Acrylic on board 58.7 x 44.5 Signed 800 - 1,200

213 BRUCE TRELOAR Girl in Lagoon Gouache on fabriano paper 30 x 41 Signed & dated 1989 300 - 500

214 KEITH PATTERSON Untitled Oil on board 53 x 55 Signed & dated 1949 100 - 200

215 PETER O’HAGAN Still Life Watercolour 41.5 x 36.5 Signed 100 - 300

Thank you - End of Sale

Next auction 26th March Important, Early & Rare

Provenance:Peter McLeavey Gallery 2000Receipt affixed verso

201

202

203

204

205

206

207

208

209

210

211

212

213

214

215

GORDON WALTERS

Rauponga

Screenprint Ed. of 50, 56.5 x 76.5cm

Contemporary & Collectable ArtAuction *April 2013Entries Now InvitedContact Luke Davies +64 9 3794010

Email [email protected] Toll Free 0800 800 322

* Exact date subject to confirmation


RICHARD KILLEEN

Reap What You Sow

Screenprint, Ed. of 50, 74 x 52cm


ROBIN WHITE

Florence and Harbour Cone

Screenprint Ed. of 40, 62.5 x 41.8cm

Important, Early & Rare6:30pm Tuesday 26th March 2013

Entries Now InvitedContact Richard Thomson +64 9 3794010 / Mob 0274 751071 Email [email protected] Toll free 0800 800 322

272 Parnell Road Auckland New Zealand Tel +64 9 379 4010

www.fineartauction.co.nz


JOHN GULLY Mt Cook and Lake Pukaki Watercolour 73 x 130cm Est. $50,000 - 70,000


Subscription price NZ$

New Zealand $77.50Australia $115.00Rest of the World $165.00

Name ......................................................................................................................................

Address .............................................................................................................................................

.............................................................................................................................................

Telephone ............................................................ email .........................@...........................................

Expiry date ................/................. Signature ......................................................... ................

Fax to +64 9 307 3421 or Post to International Art Centre PO Box 37344 Parnell Auckland 1151

Alternatively subscribe online www.fineartauction.co.nz or

call Toll Free 0800 800 322 with credit card details

Private Treaty Sales - Please contact me when works by the following artists are available for sale by private treaty

Catalogue Subscriptions

. Please charge my Visa /MasterCard or find my cheque enclosed (tick one)



Subscriptions include:

Fastpost or airmail where applicable

4 Important, Early & Rare catalogues

3 Collectable & Contemporary catalogues

Pre auction notices & Subscriber previews

Access to subscribers only area of website

All other catalogues such as this current one are sent

complimentary to subscribers

✃

. Please charge my Visa /MasterCard or find my cheque enclosed (tick one)


Lot Number Bid $NZ (excl. premium)Artist and Title

Absentee Bid FormJohn Leech Collection Auction 6:30pm Wednesday 27 February 2013

Telephone Home

Address

Name

Signature........................................................ / / 2013

International Art Centre offers this service to clients unable to attend sale.International Art Centre is not responsible for error or failure to execute bids.Fax +64 9 307 3421 or post to PO Box 37344 Parnell, Auckland 1151 before 3pm 27 February

Registration Bidding Number

EmailMob

Please bid on my behalf for the following lots up to the price recorded below. Bids are to be executed as cheaplyas is permitted by other bids or reserves, if any, and subject to conditions of sale printed in this catalogue.

✃


Index

o www.fineartauction.co.nz

ALVAR ...............................................209AIRINI VANE, K .........................122, 123ALBRECHT, G ...................................176ALDWORTH OLIVER, C R ......50, 51, 52ANDREWS, L P ...................................89ANGUS, G F ..............................133, 134ANTOINE, C L ...................................128BARRAUD, C D .................................145BARRAUD, E N .................................163BOLLARD, W A .................................187CASTELLI, G A ..................................146CHANCE, G .......................................190CLARK, J S .......................................189CLARK, R ..........................................173COLIN, M I B L ..................................171CONRAD, C ........................................41COOKS VOYAGE ..............................144COPELAND IVY M ......43, 106, 172, 183DAY & S .............................................136DE LISE, A .........................................188DE SAINSON, L-A .....................125, 126DELBALAT, J ..................................... 114DILLBERG, G ....................................169DOWNES, T W ....................................53DOWNIE, R J ......................................91EISE, IDA G .......................................162ELLIS, F D ...................................98, 104ELLIS, R ..............................................14ELLIS, F D .........................................182ELLIS, R ..............................................20EVANS, J .............................................24FAIRBURN, G E ................................184FIELD ROBERT, N ..............................85FINNELL, A ........................................194FOREMAN, M ....................................212

FRANCE, P .........................................37FRIZZELL, D ...............................8 13 18GAFF, E .............................................198GAUT, J ........................................60 139GEARY, M J .......................................199GEDSON, A .......................................208GIBB, J ................................................46GOLDIE, C F .....................................120GOPAS, R .........................................205GREENE, W ......................................108GREGORY, F W ................................121HANLY,P ..............................................36HARRIS, J .....................................7 9 14HARVEY, R ...........74, 75, 76, 77, 80, 90, HAYMAN, P ...................................30, 35HEAPHY, C ..................87, 141, 142, 143HENDERSON, L ......23, 32, 38, 174, 193HILL, H ..............................................168HODGKINS,F ......................................33HOISTON, C M .................................. 113HOOPER, J .......................................210HOPE,G...............................................39HORNBROOK, C G .............................73HOTERE, R ...........................................6HOYTE, J B C .....................................55HUNT, F I .............................................83INGLIS,A J .................................192, 200JESSON, R............................................4KAAN, S ................................................5KILLEEN, R ...................................12, 26KINDER, J ...........................................64KING, M .............................................140LANE, T .................................................1LE BRETON, L ..................................137LINDAUER, A G...................................96

LLOYD, T ...........................................101LOTTIN, V C ............................. 115, 116LUSK, D...............................................84MADDOX, A ............................. 11, 16, 19MARTIN, J ...........................................88MASON, W ........................................153MASSON, A C ...................................135MATCHITT, P .........................................3MCCAHON, C ...............................21, 22MCCRACKEN, F .........65, 66, 67, 68, 69MCINTYRE, R .....................................31MCINTYRE, P ...............................42, 45MENZIES-GIBB, W .............................93MERRETT, J J ...................................138MERTON, O ..................................28, 29MOFFITT, T .........................................17MONKHOUSE, T S ...........................196MOURANT, E ....................................186NATOCK S ........................................ 111O’BRIEN G ....................................71, 78O’BRIEN A G .......................................70O’HAGAN, P ......................................215PADOVAN, DR R ...............130, 131, 132PARSONS, J ..................................... 110PATTERSON, K .................................214PELLION J, A.....................................127PERKINS, C ..................................44, 86PICKMERE, A .................................... 211PROST, H .......................................... 112REED, W J ........................................161RICHARDSON, H L ..................166, 170ROBLEY, M G H G ....................147, 148RYAN, T D ...................................94, 129SCHOON, THEO ............61, 62, 63, 100, ...........................................102, 103, 105

JOHN LEECH PRINTS ......................149SHARPE, A ....................................54, 56SIDDELL, P ...............................175, 177SIMMONDS, F .......................................2SMITHER, M .........................10, 25, 202SPICER, E ................................. 119, 156STEINERT, V .....................................195STEWART, H .....................................155STICHBURY, I R ................................206STOCKS, E D ....................................164STONES, A ........................................197STUART (ATTRIBUTED) S ...............109SZYDLOWSKI, H ........................40, 160TARDIEU, A ....................................... 118TAYLOR E M .....................................191TREADWELL A L ...............................107TRELOAR B ......................................213TURNER, D K ..............99, 154, 157, 159UNKNOWN ARTIST ...57, 58, 72, 79, 81, ....... 82, 97, 117, 150, 151, 167, 203, 207 VON MEYERN,E .................................92WALTERS, G .......................................27WATKINS, K ................................95, 152WAY, R F ...........................................124WEEKS, J ..............................34, 59, 165WHITE, B M .......................................158WHITEOAK, C ...................................185WOOD, C ............................................90WOOLCOMBE, B ..............................204WOOLLASTON, T .............................201WOOLLCOTT, S ........178, 179, 180, 181WYNYARD, C R H ...................47, 48, 49

89 (detail)

272 Parnell Road Auckland, New Zealand PO Box 37 344 Parnell 1151Tel +64 9 379 4010 www.fineartauction.co.nz

the john leech collection

Documents

lot subject

time of lot

absentee bidsabsentee

absentee bidding page

auctioneer acts

permanent bidding number

auctioneer andor

advance of sale