the imagined reader

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The Imagined Reader An introduction to Audience Theory

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Page 1: The imagined reader

The Imagined Reader

An introduction to Audience Theory

Page 2: The imagined reader

Audience TheoriesTheories help you to create new ideas and

new ways of thinking about media audiences and should be incorporated into your G325 response.

Some ideas:Effects.Uses and gratifications of the product.Reception theory.Ethnography.Postmodern theory.Media 2.0

Page 3: The imagined reader

Ideology and Interpellation*Key example = gender based magazines

Nuts does four things:

1. Represents men to men.2. Represents men to women.3. Represents women to men. 4. Represents women to women.

* to identify with a particular idea or identity

Page 4: The imagined reader

Men’s magazine covers = womenWomen’s magazine covers = women

Why?

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Complicity* three theoristsAlthusser: interpellation misrecognition

Winship: complicity and false belonging

Gauntlett – irony / play

*the state of being an accomplice

*

Page 6: The imagined reader

The active audienceMarxist ideology theory presents the media as a

controlling force (Antonio Gramsci, Raymond Williams)

Effects theories tend to assume a passive audience.

Reception theory sees audiences as active makers of meaning.

Audiences may read the media as the producers intended (preferred reading - hegemonic).

They may partly share the preferred response (negotiated reading)

They may interpret the text in an alternative way (oppositional, counter-hegemonic reading).

Page 7: The imagined reader

Ownership and Media Power A Marxist view of media will focus on the

relationship between the providers of media, broader power structures and the messages in media products circulated by these power-holding institutions. This is media hegemony / ideology theory.

Outfoxed is a key example. http://www.youtube.com/watch?v=w39FnpuMRfo

In the postmodern world it is more complex – eg The Simpsons mocking Fox, Murdoch buying Myspace.

Whatever, we do we need to be aware of where media is coming from and whose interests it might serve.

Page 8: The imagined reader

Identity and Locality Local MediaNational MediaPublic Service MediaCommercial Media Deregulated MediaGlobal Media Cultural Imperialism – eg Hollywood film Diaspora – eg Bollywood Postmodernity What happens to our identities?

Page 9: The imagined reader

Models of Mass Media‘Classic’ (outdated or timeless?) models:

Shannon and Weaver, 1949Galtung and Ruge, 1965Blumer and Katz,1974

Page 10: The imagined reader

Shannon and Weaver, 1949

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Hypodermic Model‘Effects’ theory is / was often limited to the

idea that the media ‘inject’ messages into audiences who are seen as passive.

The constant attempt to ‘prove’ that media violence creates violent citizens (eg horror films, video nasties in the 1980s, videogames now) is based on this false premise.

Gauntlett on effects - http://www.theory.org.uk/tenthings.htm

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Galtung and Ruge, 1965Gatekeeping the flow of information

Agents in gatekeeping are owners, editors, journalists etc who create agendas (eg news agendas) and then select and construct media information to fit the agenda.

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Two Step Flow ModelMcQuail and Windahl, 1986

The stars are ‘opinion leaders’

The circles are everyone else

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Uses and GratificationsBlumer and Katz, 1974We USE media (active, not passive) for:

DiversionPersonal RelationshipsPersonal IdentitySurveillance

Page 15: The imagined reader

Follow UpThese are basic introductions to some key

‘classic’ audience theories but there are many more and they are more complex.

To avoid ‘parodic’ versions of the theories, read this: http://www.rdillman.com/HFCL/TUTOR/Media/media2.html