the highland bagpipe instructor music anthologypmjohngrant.com/pdf/combined anthology.pdf ·...
TRANSCRIPT
The Highland Bagpipe Instructor
Music Anthology
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Foreword to the Anthology
According to the Table of Contents for Volume 2 of John Grant’s The Highland Bagpipe
Instructor, the tutor was to have a music anthology following Appendix III. On page 60 of the
transcribed edition are listed the musical works he intended to include. However, the bound
manuscript, fMS Mus. 120.2 at Harvard University’s Houghton Library, contains no such anthology.
In January 2010, having been awarded a semester sabbatical in order to pursue research
of Grant abroad, I was permitted to study and photograph the materials of Grant in the possession
of his descendants in Edinburgh and Zurich. Among them were five Methven-Simpson Manuscript
Music Books, each labeled, in Grant’s hand “The Highland Bagpipe Instructor.” The music therein
was immaculately written, in ink, with no corrections. The ordering of tunes follows Grant’s plan
as explained in his chapter entitled “Ceòl Aòtrom–Marches Strathspeys & Reels” in volume 2
(pages 42-43 of the transcribed edition). I provide the text again here for ease of access:
The first six Marches have been carefully selected not only for their simplicity, but for their beauty,
as well as their popularity, so that the beginner may find them in the same volume as the Instructor. After
the simple tunes have been committed to memory, and the pupil can perform them to perfection there are
another thirty [actually twenty-two] Marches which have been specially selected for further attention in the
prosecution of the art of playing Quicksteps or Marches.
The four-part Marches are all noted as I play them myself. Since they were composed many of
them have become almost unrecognizable on account of their having been set and reset in various
publications by different pipers and publishers, but I have endeavoured as far as possible to leave them
with the major part of their originality, without the use of excessive gracing or superfluous ornamentation
which tends only to hamper good clear fingering, for by so doing the melody, which is the main part of all
the music of the world, is preserved.
Strathspeys and Reels
Six two-part Strathspeys and Reels are also specially selected for beginners. They are all very
popular tunes, and admirably suited for dancing to. Every one of them is comparatively easy to perform
as well as to memorise.
These are followed by other six four-part Strathspeys and Reels, which have been selected for their
bright and lively rhythm as well as their popularity. The tunes have also been noted with the necessary
amount of grazing, which makes them pleasing to the ear as well as giving a number of the melody notes
unhampered with unnecessary grace notes.
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Miscellaneous Tunes
The five concluding tunes, the Jig, the Hornpipe, the Polka, and the Waltz, together with the Sword
Dance, are given in order to include one of each of their kind with the others which preceded them. These
tunes will become useful should the young piper ever require them. They can be played for dancing to, as
occasion may call for them, more especially the Jig, Hornpipe, and Sword Dance, but when all other music
is unavailable the Waltz can be played on the Highland bagpipe for this most graceful dance to good
purpose, and with fine effect.
Conclusion
-----Ceòl Mòr-----
In the olden days, when the MacCrimmon pipers were at the height of their fame, they put Ceòl
Mòr in the forefront. Then they thought of Ceòl Aòtrom, if ever they did at all; for it is said on good
authority that the lighter music was beneath the MacCrimmons’ dignity as masters of and performers on
the Great Highland Bagpipe.
I put the lighter music at the front in this work because most young piping pupils prefer to begin
nowadays with Marches Strathspeys, and Reels. But in doing so I still give piobaireachd its honoured, most
important and elevated “place in the sun”; for I have purposely left the “good wine” to the last.
As corrected above, Grant originally planned to include thirty four-parted marches, but in
the finished product he omitted “Burning of the Piper’s Hut,” “Captain Campbell of Glendaurel,”
“Daft Donald,” “Edinburgh Volunteers,” “Lord Alexander Kennedy,” “The Seventy-Fourth’s
Farewell to Edinburgh,” and “Sir Charles Forbes of Edinglassie.” He also included one more
strathspey: “Atholl Cummers,” and one more reel: “John MacKechnie’s Reel.”
The beginning of the list on page 60 above contains sixteen of Grant’s own works which
do not appear in the anthology. Since they are not mentioned at all in his explanation on pages 42-
43, quoted above, his inclusion of them in the list was undoubtedly an afterthought. Since he
already had copies of these, he had no reason to commit them to paper again until he prepared
the final version of the anthology, but that never happened.
For those unacquainted with bagpipe music printed in the 19 and early 20 centuries, itth th
will be disconcerting to see that dotted rhythms are practically non-existent, especially in quick
marches. It was expected then that pipers would know from aural tradition how the tunes went,
the printed page serving more as a memory aid than a teaching tool. This anthology is a valuable
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resource, nonetheless, especially for the study of the embellishments, which, like his instructor
Ronald MacKenzie, Grant believed needed to be used judiciously for the tune to be tasteful and
musical.
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Music Anthology
Table of Contents
Beginning Quick Marches
Highland Laddie, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Muckin’ o’ Geordie’s Byre. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Lass o’ Gowrie, The.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Caithness Volunteers, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Flowers of the Forest, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Johnnie Cope. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Beginning Strathspey/Reels
Devil In the Kitchen, The.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Reel o’ Tulloch, The.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Captain Horne’s Strathspey. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Piper o’ Drummond’s Rant, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Miss Drummond of Perth. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
The Deil Among the Tailors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
The Bridge of Perth. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Sandy Duff’s Reel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Arniston Castle. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Christmas Carousing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Lord Blantyre’s Strathspey.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
The High Road To Linton. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Quick Marches
Abercairny Highlanders. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Atholl Highlander’s March To Loch Katrine, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Balmoral Highlanders, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Barren Rocks of Aden, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Battle of Harlaw, The.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Black Mount Forest, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Bonny Ann. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Captain Campbell’s March. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Charles Edward Hope Vere’s March. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Donald Cameron’s March. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
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Duchess of Edinburgh’s March, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Glengarry’s Gathering. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Highland Rory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Highland Wedding, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Leaving Glen Urquhart. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Marchioness of Tullibardine’s March, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
My Native Highland Home. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Renfrewshire Militia, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Siege of Delhi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Seventy-First Highlanders, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Seventy-Ninth’s Farewell To Gibraltar, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Stirlingshire Militia, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Twenty-Fifth K.O.S.B., The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Strathspeys
Atholl Cummers, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Lady Loudon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Maggie Cameron. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Mrs. MacBeth’s Strathspey.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Piper’s Bonnet, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Shepherd’s Crook, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Reels
Caber Feidh. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Duntroon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Grey Bob, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
John MacKechnie’s Reel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Sheep Wife, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
To America We Go.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Other Tunes
Very Old Jig. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Hornpipe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Polka. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
A Waltz. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Sword Dance, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
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Piobaireachd
Earl of Seaforth’s Salute, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Strowan Robertson’s Salute. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Desperate Battle-Perthe, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Too Long In This Condition. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Massacre of Glencoe, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Old Sword’s Lament, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
MacKintosh’s Lament. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64