the edible monument: the art of food for...

OBJECT LIST

The Edible Monument: The Art of Food for Festivals

Feasting in the Streets

1. Cuccagna Monument for the Name Day of Empress Elizabeth Christina Naples, 1722 Michelangelo De Blasio (Italian, fl. 1721–1750), draftsman Francesco de Grado (Italian, 1663–ca. 1733), etcher Etching P910002.14

2. Cuccagna Monument for the Birthday of Empress Elizabeth Christina Naples, 1728–1733 Domenico Antonio Vaccaro (Italian, 1678–1745), draftsman Francesco de Grado (Italian, 1663–ca. 1733), etcher Etching P910002.12

3. Cuccagna Monument for the 1757 Festival of the Chinea Rome, 1757 Giuseppe Palazzi (Italian, 1740–1810), draftsman Giuseppe Pozzi (Italian, 1723–1765), etcher Paolo Posi (Italian, 1708-1776), designer Etching P990004

4. Cuccagna Monument in front of the Palazzo Real in Naples Celebrating the Name Day of Emperor Charles VI Naples, 1724 Michelangelo De Blasio (Italian, fl. 1721–1750), draftsman Francesco de Grado (Italian, 1663–ca. 1733), etcher Etching P910002.13

5. Cuccagna Monument for the Birthday of Emperor Charles VI Naples, 1728 Domenico Antonio Vaccaro (Italian, 1678–1745), draftsman Francesco de Grado (Italian, 1663–ca. 1733), etcher Etching P910002.11

6. Cuccagna Monument in front of the Royal Palace Celebrating of the Entry of Carlo, Infante of Spain and Duke of Parma Livorno, 1732 Marcus Tuscher (German, 1705–1751) Ink and wash drawing 2001.M.12

7. Cuccagna Monument and Illuminated Temple for the Marriage of Archduke Ferdinand of Austria and Maria Beatrice of Modena Milan, ca. 1771 Giulio Cesare Bianchi (Italian, fl. ca. 1760–1771) Etching P910002.6

8. Cuccagna on the Square before the Royal Palace, for the Birth of Charles III’s First-Born Son, Philip Vincenzo dal Ré (Italian, died 1762), draftsman Giuseppe Vasi (Italian, 1710–1782), etcher Engraving and etching Vincenzo dal Re, Narrazione delle solenni reali feste . . . (Naples: s.n., 1749), pl. XI 84-B8196

9. A Modest Feast Bartolomeo de Tosi (Italian, fl. 1500s) Woodcut Cuccagna: capitolo nel qvale si descriuono le marauigliose cose, che si trouano nel paese di Cuccagna (Rome: Bartolomeo de Tosi, 1570), title page 1554-543

10. Cuccagna Arch of Bread, Cheese, and Suckling Pigs on the Feast of Saint John the Baptist Anonymous Woodcut Francisco Orilia, Il zodiaco (Naples: Ottavio Beltrano, 1630), p. 456 94-B11818

11. Description of the Land of Cockaigne, Where Whoever Works the Least Earns the Most Bassano, 1606 Anonymous Hand-colored etching 2014.PR.72

12. The Triumph of Carnival in the Land of Cockaigne Venice, ca. 1560s Ferdinando Bertelli (Italian, fl. 1563) Etching 2834-593

13. Feast of the Roast Pig Bologna, ca. 1716 Angelo Michele Mazza (Italian, died 1726) Etching P910002.7

14. Feast of the Roast Pig Bologna, ca. 1735 Giovanni Antonio Belmondo (Italian, 1696–1775) Etching P910002.10

15. Feast of the Roast Pig Bologna, ca. 1700 Anonymous Etching P910002.9

16. Feast of the Roast Pig Bologna, ca. 1724 Anonymous Etching P910002.15

17. Feast of the Roast Pig Bologna, 1687 Giuseppe Maria Mitelli (Italian, 1634–1718), etcher Etching P910002.16

18. The Destruction of Alba Longa Prospero Manzini (Italian, fl. 1641–1674), draftsman Etching La distruttione d’Alba : rappresentata in Bologna . . . in occasione della festa della porchetta (Bologna: Manolessi, 1673), after p. 12 2852-061

19. Procession of Pope Clement VII and the Emperor Charles V after the coronation at Bologna on the 24th February Nikolaus Hogenberg (Netherlandish, ca. 1500–1539) Hand-colored etchings on a scroll Divo et invicto Imperatori Carolo V. P. F . . . (Bologna: Hogenberg, 1535–1539), pls. 26-38 P910002.4

20. Pageant Wagon of Noah’s Ark in the Procession of the Vintners Gustave Spengler (Swiss, 1818–76), draftsman Hand-colored lithographs on a scroll Christian Gottlieb Steinlen, Fête des vignerons, 1833 (Vevey: G. Blanchaud, 1833), 1833), pl. 27 87-B10043

21. Procession of the Bakers and Millers Dancers Depicting Parasites in the Vineyard Vevey: Säuberlin & Pfeiffer, 1955 Henri R. Fost (French, 1905–1970), designer Offset Fe te des Vignerons, Vevey, 1955 (Vevey: Sauberlin & Pfeiffer, 1955) 2568-598

22. Vevey Wine Festival, 1977 Jean Monod (Swiss, b. 1941), artist Offset Henri Debluë, Cortège de la Fête des Vignerons, Vevey, 1977 (Vevey: Säuberlin & Pfeiffer, 1977) 2568-599

23. Pageant Wagon for Shrove Monday J. B. Lachmüller (German, fl. mid-1800s), lithographer Hand-colored lithograph Die grosse offentliche Maskerade . . . (Bamberg: J. B. Lachmüller, 1837), no. 7 1375-152.pl7

24. Pageant Wagon for Shrove Monday J. B. Lachmüller (German, fl. mid-1800s), lithographer Hand-colored lithograph Die grosse offentliche Maskerade (Bamberg: J. B. Lachmüller, 1837), no. 19 1375-152.pl19

25. A Tableau-Vivant of a Lascivious Banquet in ‘Venusberg’ Mounted for the Schembart Festival in 1518 Anonymous Pen and gouache on paper Schembard Büch (Nuremberg, 16th cen.), fol. 63r 2834-609

26. The Bride Wagon Augsburg, ca. 1760–1780 Franz Xaver Endres (German, fl. 1753–1780) Hand-colored woodcut 2007.PR.100

27. Peasants Wedding Andreas Benedictus Göbl (German, fl. 1765-1792) Munich, ca. 1765 Hand-colored etched playing cards with case 93-F106

Court and Civic Banquets

28. The Banquet of the Gods Mathäus Küsel (German, 1629–1681), etcher Lodovico Ottavio Burnacini (Italian, 1636–1707), draftsman Etching Antonio Cesti, Il pomo d’oro: Festa teatrale rappresentata in Vienna (Vienna: Matteo Cosmerovio, 1668), pl. 3 1375-410.c1.bw

29. Feast Given for Ernst August during His Visit to Piazzola Anonymous Etching Francesco Maria Piccioli, L’orologio del piacere (Piazzola: Nel Luoco delle vergini, 1685), pl. 4 1521-692

Royal Feast Celebrating the Coronation of Charles XI of Sweden David Klöcker Ehrenstrahl (Swedish, 1628–1698), draftsman Georg Christoph Eimmart the Younger (German, 1638–1705), etcher Etching David Klöcker Ehrenstrahl, Das grosse Carrosel und prächtige Ring-Rännen . . . (Stockholm: Joh. G. Eberdt, 1685), pl. 62 88-B7784.pl62

30. The First Day: The Four Seasons with Pan and Diana Israël Silvestre the Younger (French, 1621–1691) Etching and engraving André Félibien, Les plaisirs de l’isle enchantée (Paris: Imprimerie royale, 1674), pl. 5 2015.PR.31.pl5

31. The First Day: Banquet for the King, and Queens, with Many Princesses and Ladies . . . Served by the Gods and the Four Seasons Israël Silvestre the Younger (French, 1621–1691) Etching and engraving André Félibien, Les plaisirs de l’isle enchantée (Paris: Imprimerie royale, 1674), pl. 6 2015.PR.31.pl6

32. Collation Given in the Small Park at Versailles, 1678 Jean Le Pautre (French, 1618–1682) Etching and engraving André Félibien, Relation de la feste de Versailles du 18. juillet mil six cens soixante-huit (Paris: Imprimerie royale, 1679), pl. 1 2015.PR.32.pl1

33. Feast Given in the Small Park at Versailles, 1678 Jean Le Pautre (French, 1618–1682) Etching and engraving André Félibien, Relation de la feste de Versailles (Paris: Imprimerie royale, 1679), pl. 3 2015.PR.32.pl3

34. Fireworks and Illuminations at the Gardens of Versailles Jean Le Pautre (French, 1618–1682) Etching and engraving André Félibien, Relation de la feste de Versailles (Paris: Imprimerie royale, 1679), pl. 5 2015.PR.32.pl5

35. The Fourth Day: Banquet around the Fountain of the Marble Court, Celebrating Louis XIV’s Conquest of Franche-Comté Jean Le Pautre (French, 1618–1682) Etching and engraving André Félibien, Les divertissemens de Versailles donnez par le roy (Paris: Imprimerie royale, 1676), after p. 18 2015.PR.33.[pl4]

36. Centerpiece for the Banquet of Senator Francesco Ratta Giacomo-Maria Giovannini (Italian, 1667–1717), etcher Giovanni Battista Zaccarini Italian, fl. 1600s), sugar sculptor Marc’Antonio Chiarini (Italian, 1652–1730), draftsman Etching Disegni del convito fatto dall’illustrissimo signor senatore Francesco Ratta (Bologna: Per li Peri, 1693), frontispiece 1366-803

37. Credenza of Silverware in the Palazzo Vizzani in Bologna Giuseppe Mazza (Italian, 1653–1741) Giovanni Battista Zaccarini (Italian, fl. 1600s), sugar sculptor Etching Giuseppe Mazza, La custodia d’oro (Bologna: Per li Peri, 1693), pl.1 1521-694

38. Table with Crystal Marc’Antonio Chiarini (Italian, 1652–1730), draftsman Giacomo-Maria Giovannini (Italian, 1667–1717), etcher Etching (facsimile) Disegni del convito fatto dall’illustrissimo signor senatore Francesco Ratta (Bologna: Per li Peri, 1693), pl. 1

39. Triumph Giovanni Battista Zaccarini (Italian, fl. 1600s), sugar sculptor Marc’Antonio Chiarini (Italian, 1652–1730), draftsman Giacomo-Maria Giovannini (Italian, 1667–1717), etcher Etching (facsimile) Disegni del convito fatto dall’illustrissimo signor senatore Francesco Ratta (Bologna: Per li Peri, 1693), pl. 2

40. A Truly Pleasing Banquet Held by the signori Piacevoli [a hunting society], Dedicated to Their Patron, Prince Giovani Carlo de’ Medici Florence, 1627 Stefano Della Bella (Italian, 1610–1664) Etching P910002.8

41. Triumphs of Royal Virtues Giovanni Battista Lenardi (Italian, 1656–1704), draftsman Arnold van Westerhout (Flemish, 1651–1725), engraver Etching John Michael Wright, An Account of His Excellence Roger Earl of Castlemaine’s Embassy (London: Thomas Snowden for the author, 1688), pl. 13 85-B22893

42. Carriage Design Featuring Neptune and Cybele Giovanni Battista Lenardi (Italian, 1656–1704), draftsman Arnold van Westerhout (Flemish, 1651–1725), engraver Etching John Michael Wright, Raggvaglio della solenne comparsa (Rome: Domenico Antonio Ercole, 1687), pl. 4 83-B3076.c2

43. Triumphs of Cybele and Juno Giovanni Battista Lenardi (Italian, 1656–1704), draftsman Arnold van Westerhout (Flemish, 1651–1725), engraver Etching John Michael Wright, An Account of His Excellence Roger Earl of Castlemaine’s Embassy (London: Thomas Snowden for the author, 1688), pl. 11 Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.22

44. Long Banquet Table with Triumphs of Daphne and Myrrha Giovanni Battista Lenardi (Italian, 1656–1704), draftsman Arnold van Westerhout (Flemish, 1651–1725), etcher Etching John Michael Wright, Raggvaglio della solenne comparsa (Rome: Domenico Antonio Ercole, 1687), unnumbered plate 83-B3076.c1

45. Coronation Feast for James II at Westminster Hall Samuel Moore (English, fl. 1680–1720), engraver Engraving Francis Sandford, The History of the Coronation of the Most High, Most Mighty, and Most Excellent Monarch, James II (London: Thomas Newcomb, 1687), pl. 24 85-B15430

46. Fireworks at Whitehall J. Collins (English, fl. 1670–1690), engraver Engraving Francis Sandford, The History of the Coronation of the Most High, Most Mighty, and Most Excellent Monarch, James II (London: Thomas Newcomb, 1687), pl. 31 Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.2

47. Procession Led by the King’s Herb Woman J. Collins (English, fl. 1670–1690), engraver Engraving (facsimile) Francis Sandford, The History of the Coronation of the Most High, Most Mighty, and Most Excellent Monarch, James II (London: Thomas Newcomb, 1687), pl. 2 Lent by Anne Willan and Mark Cherniavsky, Los Angeles

48. Dinner in the Summer Room for the First Chamber, Stablemasters, and Falconers Johann Cyriak Hackhofer (Swiss, 1675–1731), draftsman Johann Wilhelm Pfeffel (Austrian, 1674–1748), engraver Christian Engelbrecht (Austrian, 1672–1735), engraver Etching Ludwig von Gülich, Erb-Huldigung… (Vienna: Johann Jacob Kürner, [1705]), pl. 10 87-B14573.c1

49. The Emperor’s Table in the Knights’ Parlor on the Occasion of Emperor Joseph I’s Oath of Allegiance Johann Cyriak Hackhofer (Swiss, 1675–1731), draftsman Johann Wilhelm Pfeffel (Austrian, 1674–1748), etcher Christian Engelbrecht (Austrian, 1672–1735), etcher Etching Ludwig von Gülich, Erb-Huldigung… (Vienna: Johann Jacob Kürner, [1705]), pl. 6 87-B14573.c2

50. The Emperor’s Table in the Knights’ Parlor On the Occasion of Emperor Charles VI’s Oath of Allegiance Johann Cyriak Hackhofer (Swiss, 1675–1731), draftsman Johann Wilhelm Pfeffel (Austrian, 1674–1748), etcher Christian Engelbrecht (Austrian, 1672–1735), etcher Etching Johann Baptist von Mairn, Beschreibung was auf Ableiben weyland Ihrer Keyserl Majestät Josephi… (Vienna: Johann Jacob Kürner, 1712), pl. 6 1385-834

51. Dinner Given on the Occasion of Maria Theresa’s Oath of Allegiance Johann Cyriak Hackhofer (Swiss, 1675–1731), draftsman Johann Wilhelm Pfeffel (Austrian, 1674–1748), etcher Christian Engelbrecht (Austrian, 1672–1735), etcher Etching Georg Christoph Kriegel, Erb-Huldigung, welche der allerdurchleuchtigst-grossmächtigsten Frauen (Vienna: Johann Baptist Schilgen, 1740), pl. after p. 82 1383-190

52. The Empress’s Table in the Knights’ Parlor, on the Occasion of Empress Maria Theresa’s Oath of Allegiance Johann Cyriak Hackhofer (Swiss, 1675–1731), draftsman Johann Wilhelm Pfeffel (Austrian, 1674–1748), etcher Christian Engelbrecht (Austrian, 1672–1735), etcher Etching (facsimile) Georg Christoph Kriegel, Erb-Huldigung, welche der allerdurchleuchtigst-grossmächtigsten Frauen (Vienna:

Johann Baptist Schilgen, 1740), pl. 6

53. Banquet for the Ranking Lords of Lower Austria, on the Occasion of Joseph I’s Oath of Allegiance Johann Cyriak Hackhofer (Swiss, 1675–1731), draftsman Johann Wilhelm Pfeffel (Austrian, 1674–1748), etcher Christian Engelbrecht (Austrian, 1672–1735), etcher Etching Ludwig von Gülich, Erb-Huldigung, so dem allerdurchleüchtigist-grossmächtigist und unüberwindlichsten Römischen Käyser . . . (Vienna: Bey Johann Jacob Kürner, [1705]) Lent by the collection of Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.3

54. Garden Banquet at Chantilly Jean Bérain the Elder (French, 1640–1711) Engraving (facsimile) Jean Bérain, Oeuvres de Jean Berain (Paris: Thuret, 1711), pl. 107

55. Garden Banquet around Canal Jean Bérain the Elder (French, 1640–1711) Engraving (facsimile) Jean Bérain, Oeuvres de Jean Berain (Paris: Thuret, 1711), pl. 108

56. Vue d’Optique Print Celebrating the Marriage of Philip, Infante of Spain, to Madame Elisabeth, Daughter of King Louis XV Paris: Chez Basset, ca. 1740 Anonymous Colored engraving

2014.PR.26

57. Desserts at the Four Head Tables for the Coronation Banquet of Holy Roman Emperor Francis I Jan Caspar Philips (Dutch, ca. 1700–after 1773), engraver Marinus Schluymer (Dutch, fl. mid-1700s), draftsman Engraving Beschryving der voornaamste vreugde-bedryven in ‘s Gravenhage ter gelegenheid van de krooning van Zyne Keizerlyke Majesteit Franciscus I (The Hague: Antoine de Groot, 1747), pl. 4 87-B14531

58. Centerpiece and Platforms: Temple of Pomona J. R. Lucotte (French, fl. late 1700s), draftsman A.-J. de Fehrt (French, 1723–1774), engraver Etching and engraving Denis Diderot, ed., Encyclopédie; ou, dictionnaire raisonné: Recueil de planches, vol. 4 (Paris: Chez Briasson, 1765), pl. 8 84-B31322.c1.v4

59. The City Rat and the County Rat, with a Surtout Jean Ouvrier (French, 1725–1784), engraver Jean-Baptiste Oudry (French, 1686–1755), draftsman Etching Jean de la Fontaine, Fables choisies, mises en vers (Paris: Chez Desaint & Saillant, 1755–1759), 1:18 84-B18675

60. Table Plan with Circe’s Palace Anonymous Etching Menon, La science du maître d’hôtel confiseur (Paris: Chez Veuve Savoye, 1776), p. 348 1531-698

61. Circe’s Palace Anonymous Etching Menon, La science du maître d’hôtel confiseur (Paris: Chez Veuve Savoye, 1750), p. 348 Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.4

62. Surtout with Fruit Andrew Motte (English, 1696-1734), engraver Etching Vincent la Chapelle, The modern cook (London: Nicolaus Prevost, 1733), vol. 3, before p. 1 Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.7.3

63. The Book of Vegetables 1734–1742 Juste Aurèle Meissonnier (French, 1695–1750), draftsman Pierre Quentin Chedel (French, 1705–1763), etcher Etching Juste Aurèle Meissonnier, Oeuvre de Juste Aurèle Meissonnier (Paris, ca. 1742–48), pls. 13 and 18 P860001.1

64. The Book of Vegetables 1734–1742 Juste Aurèle Meissonnier (French, 1695–1750), draftsman Pierre Quentin Chedel (French, 1705–1763), etcher Etching Juste Aurèle Meissonnier, Oeuvre de Juste Aurèle Meissonnier (Paris, ca. 1742–48), pl. 15 and 17 P860001.3

65. The Book of Vegetables 1734–1742 Juste Aurèle Meissonnier (French, 1695–1750), draftsman Pierre Quentin Chedel (French, 1705–1763), etcher Etching Juste Aurèle Meissonnier, Oeuvre de Juste Aurèle Meissonnier (Paris, ca. 1742–48), pl. 19 P860001.2



68. Tureen 1734–1742 Juste Aurèle Meissonnier (French, 1695–1750), draftsman Gabriel Huquier (French, 1695–1772), etcher Etching Juste Aurèle Meissonnier, Oeuvre de Juste Aurèle Meissonnier (Paris, ca. 1742–48), pl. 62 P860001.8

69. Tureen 1734–1742 Juste Aurèle Meissonnier, (French, 1695–1750), draftsman Gabriel Huquier (French, 1695–1772), etcher Etching Juste Aurèle Meissonnier, Oeuvre de Juste Aurèle Meissonnier (Paris, ca. 1742–48), pl. 65 P860001.62

70. Tureen 1734–1742 Juste Aurèle Meissonnier (French, 1695–1750), draftsman Gabriel Huquier (French, 1695–1772), etcher Etching Juste Aurèle Meissonnier, Oeuvre de Juste Aurèle Meissonnier (Paris, ca. 1742–48), pl. 57 P860001.9

71. Centerpiece 1734–1742 Juste Aurèle Meissonnier (French, 1695–1750), draftsman Gabriel Huquier (French, 1695–1772), etcher Etching Juste Aurèle Meissonnier, Oeuvre de Juste Aurèle Meissonnier (Paris, ca. 1742–48), pl. 61 P860001.7

72. Centerpiece 1734–1742 Juste Aurèle Meissonnier (French, 1695–1750), draftsman Gabriel Huquier (French, 1695–1772), etcher Etching Juste Aurèle Meissonnier, Oeuvre de Juste Aurèle Meissonnier (Paris, ca. 1742–48), pl. 55 P860001.60

73. Cruet Stand Juste Aurèle Meissonnier (French, 1695–1750), draftsman 1734–1742 Gabriel Huquier (French, 1695–1772), etcher Etching Juste Aurèle Meissonnier, Oeuvre de Juste Aurèle Meissonnier (Paris, ca. 1742–48), pl. 60 P860001.6

74. Silver Centerpiece and Two Tureens 1734–1742 Juste Aurèle Meissonnier (French, 1695–1750), draftsman Gabriel Huquier (French, 1695–1772), etcher Etching Juste Aurèle Meissonnier, Oeuvre de Juste Aurèle Meissonnier (Paris, ca. 1742–48), pl. 115 88-B13795.pl115

75. Saltcellars 1734–1742 Juste Aurèle Meissonnier (French, 1695–1750), draftsman Gabriel Huquier (French, 1695–1772), etcher Etching Juste Aurèle Meissonnier, Oeuvre de Juste Aurèle Meissonnier (Paris, ca. 1742–48), pl. 63 P860001.61

76. Lidded Tureen with Crayfish and Cauliflower 1744–1750 Thomas Germain (French, 1673–1748), and possibly finished by François-Thomas Germain (French, 1726–1791) Silver Lent by the J. Paul Getty Museum, Los Angeles

82.DG.13.1

77. Silver Tureen with Boar’s Head 1726–1728 Thomas Germain (French, 1674–1748) Silver Lent by the J. Paul Getty Museum, Los Angeles 82.DG.12.1

78. Machine d’Argent (Centerpiece) 1754 François-Thomas Germain (French, 1726–1791) Silver Lent by the J. Paul Getty Museum, Los Angeles 2005.43

79. Pair of Sugar Castors 1743 Simon Gallien (French, died 1757) Silver Lent by the J. Paul Getty Museum, Los Angeles 84.DG.744.1–2

80. Palace of Circe (Dessert Table, after Menon) 2015 Ivan Day (British, born 1949) Sugar sculptures on mirror glass base Created by Ivan Day for the Getty Research Institute, 2015

Behind the Scenes

Room Next to the Kitchen Scullery Anonymous Engraving Bartolomeo Scappi, Opera de M. Bartolomeo Scappi, cuoco secreto di Papa Pio Quinto (Venice: Michele Tramezzino, [1570]), pls. 2 and 3 86-B27679

81. Outdoor Kitchen Carving Tools Anonymous Woodcut Bartolomeo Scappi, Opera de M. Bartolomeo Scappi, cuoco secreto di Papa Pio Quinto (Venice: Michele Tramezzino, 1596), pl. 1 and 2 Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.5

The Main Kitchen Anonymous Engraving (facsimile) Bartolomeo Scappi, Opera de M. Bartolomeo Scappi, cuoco secreto di Papa Pio Quinto (Venice: Michele Tramezzino, [1570]), pl. 1

82. Cooking Vessels and Carving Anonymous Engraving (facsimile) Bartolomeo Scappi, Opera de M. Bartolomeo Scappi, cuoco secreto di Papa Pio Quinto (Venice: Michele Tramezzino, [1570]), pl. 12

83. Pots and Pans Anonymous Engraving (facsimile) Bartolomeo Scappi, Opera de M. Bartolomeo Scappi, cuoco secreto di Papa Pio Quinto (Venice: Michele Tramezzino, [1570]), pls. 10 and 11

84. Portrait Anonymous Engraving (facsimile) Bartolomeo Scappi, Opera de M. Bartolomeo Scappi, cuoco secreto di Papa Pio Quinto (Venice: Michele Tramezzino, [1570]), before p. 1

85. Oranges Anonymous Etching Mattia Giegher, Li tre trattati di messer Mattia Giegher (Padua: Paolo Frambotto, 1639), pl. 24 1561-566

86. Sculpted Fruit Anonymous Etching (facsimile) Mattia Giegher, Li tre trattati di messer Mattia Giegher (Padua: Paolo Frambotto, 1639), pl. 21

87. Knives and Forks Anonymous Engraving and etching Mattio Molinari, Il trinciante (Padua: Livio Pasquati, 1636), cap. 5 2918-674 [EM084]

88. Instructions for Carving a Suckling Pig Anonymous Woodcut L’École parfaite des officiers de bouche (Paris, la Veuve de Pierre Ribou, 1729), p. 49 Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.6.4

89. Carving Diagrams Anonymous Watercolor and etching Mattia Giegher, Li tre trattati di messer Mattia Giegher (Padua: Paolo Frambotto, 1639). Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.22

90. Knives Anonymous Woodcut Enrique de Aragon, Arte Cisoria (Madrid: Antonion Marin, 1766), pp. 34-5 Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.23

91. Poultry Anonymous Woodcut Vincenzo Cervio, Il trinciante di M. Vincenzo Cervio (Venice: Heirs of Giovanni Varisco, 1593), before p. 7 Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.12

92. The Butcher A.-J. De Fehrt (French, 1723–1774), engraver Etching and engraving (facsimile) Denis Diderot, ed., Encyclopédie; ou, dictionnaire raisonné: Recueil de planches, vol. 2 (Paris: Chez Briasson, 1763), pl. 1

93. Recipe for Venison Pie Anonymous Etching Conrad Hagger, Neues saltzburgisches Koch-Buch (Augsburg: Johann Jacbon Lotter, 1719), pls. 8 and 9 1554-451

94. Manuscript Recipes for Pies Katherina Elisa Harington (English, 1600s) Ink on paper Book of Receipts (Manuscript, France, 1672), pp. 15-16 Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.8

95. Designs for Puff Pastry Robert Sheppard (English, fl. 1712–1740) Etching Edward Kidder, E. Kidder’s Receipts of Pastry and Cookery: For the Use of His Scholars (London: s. n., 1720), pl. 6 41-311

96. A Pastry Shop Robert Bénard (French, ca. 1734–?), engraver Engraving (facsimile) Denis Diderot, ed., Encyclopédie; ou, dictionnaire raisonné: Recueil de planches, vol. 8 (Paris: Chez Briasson, 1771), pl. 1

97. Pastry Tools Robert Bénard (French, ca. 1734–?), engraver Engraving (facsimile) Denis Diderot, ed., Encyclopédie; ou, dictionnaire raisonné: Recueil de planches, vol. 8 (Paris: Chez Briasson, 1771), pl. 2

98. The Pastry Shop Netherlands, 1600s Abraham Bosse (French, 1602–1676), etcher Hand-colored etching, engraving, gouache and gold 2014.PR.63

99. A Royal Table Plan Anonymous Etching Vincent la Chapelle, The Modern Cook (London: Nicolaus Prevost, 1733), vol. 1 Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.7.1

100. Feast at Windsor Anonymous Etching Patrick Lamb, Royal-Cookery or the Compleat Court-Cook (London: For J. Nutt, and A. Roper, 1716), after p. 44 Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.6.5

101. Table plan with Twenty-Four Dishes and a Centerpiece Johann Heinrich Deller (German, fl. mid-1700s) Pen and ink drawing Koch Buch von Johann Heinrich Deller (Manuscript, 1762), no. 24 Lent by the Rare Book Collection, Los Angeles Public Library 2015.E.13.2

102. Patterns for Folded Napkins Anonymous Etching (facsimile) Mattia Giegher, Li tre trattati di messer Mattia Giegher (Padua: Paolo Frambotto, 1639), pl. 5

103. Dessert Table Setting for Charles VII of Naples and His Consort Maria Amalia of Saxony Moritz Bodenehr (German, 1665–1748), engraver Christian Philip Lindemann (German, ca. 1700–1754), engraver Etching Beschreibung der Illumination zu Dressden bey der königlichen sicilianischen in Vollmacht vollzogenen Vermählung (Dresden: Friedrich Hekel and Conrad Walther, 1738), pl. 10 84-B24165

104. Table with One Hundred Place Settings Anonymous Etching Juan de la Mata, Arte de reposteria (Madrid: Antonio Marin, 1747), pl. 10 1405-324

105. Table with Eighty Place Settings Anonymous Etching (facsimile) Juan de la Mata, Arte de reposteria (Madrid: Antonio Marin, 1747), pl. 8

106. Table with Sixty Place Settings Anonymous Etching (facsimile) Juan de la Mata, Arte de reposteria (Madrid: Antonio Marin, 1747), pl. 6

107. Table with Fifty Place Settings Anonymous Etching (facsimile) Juan de la Mata, Arte de reposteria (Madrid: Antonio Marin, 1747), pl. 5

108. Dessert Table with Pyramids of Candied Fruits, Sweetmeats, and Confections Anonymous Woodcut François Massialot, Nouvelle instruction pour les confitures, les liqueurs, et les fruit (Paris: Charles de Sercy, 1692), after p. 458. Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.6.6

109. Winter ca. 1638 Abraham Bosse (French, 1602–1676), printmaker Engraving Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.20

110. Taste ca. 1638 Abraham Bosse (French, 1602–1676), printmaker Etching Les cinq sens (Paris: Chez Melor, 1635), a suite of 5 etchings Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.6.3

111. Royal Table Abraham Bosse (French, 1602–1676) Engraving (facsimile) Jean-Louis Soulavie, Monuments de l'histoire de France en estampes et dessins Tom 55 (France, 1788), pl. 88

112. Table Manners Abraham Bosse (French, 1602–1676) Engraving (facsimile) Jean-Louis Soulavie, Monuments de l'histoire de France en estampes et dessins Tom 57 (France, 1788), pl. 116

113. Table with Sugar Figures, for the Marriage of Johann Wilhelm, Duke of Jülich Frans Hogenberg (Netherlandish, ca. 1539–1590) Etching Theodor Graminaeus, Beschreibung derer fürstlicher güligscher &c. Hochzeit (Cologne: Theodor Graminaeus, 1587), pl. 7 86-B22668

114. Sumptuous Display Featuring the Medicinal Herbs Theriac and Mithridate Made by Gaetano de Luca at His Pharmacy in Rome, June 30, 1750 Rome, [1750] Anonymous Etching 2608-896

115. Sorbets on Étagères Jean-Charles François (French, 1717–1769), engraver Nicolas-Gabriel Dupuis (French, 1698–1771), draftsman Etching Sieur Gilliers, Le cannameliste français; ou, Nouvelle instruction pour ceux qui desirent d’apprendre l’office (Nancy: Abel-Denis Cusson, 1751), p. 68, pl. 4

85-B5272

116. A Reception for Mehmet Celebi, with Sorbet Paris, 1720 Nicolas Guérard fils (French, fl. 1680–1738) Etching and engraving Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.11

117. Recipe for Clarifying Sugar Ferdinando Cospi (Italian, 1606–1686) Ink on paper Ricette e Secretti per Odori, Medicamenti, Vivande, Confetture, e Bevande (Manuscript, 1600s). Lent by the Rare Book Collection, Los Angeles Public Library 2015.E.13.1

118. Title Page Ferdinando Cospi (Italian, 1606–1686) Ink on paper (facsimile) Ricette e Secretti per Odori, Medicamenti, Vivande, Confetture, e Bevande (Manuscript, 1600s). Lent by the Rare Book Collection, Los Angeles Public Library

119. Sugar Cane Jean-Baptiste Le Roux (French, ca. 1677-1746) Engraving D. Quélus, Histoire naturelle du cacao, et du sucre (Paris: Laurent d’Houry, 1719), p. 150, pl. 2 85-B1777

120. A Sugar Plantation Anonymous Etching and engraving Denis Diderot, ed., Encyclopédie; ou, dictionnaire raisonné: Recueil de planches, vol. 1 (Paris: Chez Briasson, 1762), pl. 1 84-B31322.c1.v1

121. Pair of Decorative Bronzes in the Shape of Sugar Workers 1738–1750 Étienne-Simon Martin (French, 1703–1770) Guillaume Martin (French, 1689–1749) Painted bronze and silver Lent by the J. Paul Getty Museum, Los Angeles

88.DH.127.1–2

122. Candy Making and Ice Molds Louis-Jacques Goussier (French, 1722-1799), draftsman Benoît-Louis Prévost (French, 1747–ca. 1804), engraver Etching and engraving Denis Diderot, Encyclopédie; ou, dictionnaire raisonné: Recueil de planches, vol. 3 (Paris: Chez Briasson, 1763), pl. 4 84-B31322.c1.v3

123. Chocolate and Cheese Molds Louis-Jacques Goussier (French, 1722-1799), draftsman A.-J. De Fehrt (French, 1723–1774), engraver Etching and engraving Denis Diderot, Encyclopédie; ou, dictionnaire raisonné: Recueil de planches, vol. 3 (Paris: Chez Briasson, 1763), pl. 5 84-B31322.c2.v3

124. Sugar Flowers Jean-Charles François (French, 1717–1769), engraver Nicolas-Gabriel Dupuis (French, 1698–1771), draftsman Engraving Sieur Gilliers, Le cannameliste français; ou, Nouvelle instruction pour ceux qui desirent d’apprendre l’office (Paris: Gogue & Nee de la Rochella, 1768), p. 170, pl. 7 Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.12

125. Replica of Flower-Drying Frame 1999 Oak wood and linen thread After a design in William Jarrin, The Italian Confectioner (London, 1820) Lent by Private Collection 2015.E.15.8

126. Confectioner’s Tools for Making Sugar Flowers ca. 1800s–1900s Anonymous Bone Lent by Private Collection 2015.E.15.10

127. Basket Mold ca. 1790–1800 Anonymous Brass Lent by Private Collection 2015.E.15.3

128. Mold of a Mounted Soldier Austria, ca. 1740-50 Anonymous Wood Lent by Lent by Private Collection 2015.E.15.13

129. Molds of Diana, Minerva, and Hercules ca. 1700s Anonymous Plaster Lent by Fairfax House (York Civic Trust) 2015.E.14.7, 2015.E.14.5, 2015.E.14.1

130. Sugar Flowers, Impressions, and Baskets Based on Historical Designs 2015 Ivan Day (British, born 1949) Sugar paste Created by Ivan Day as for the Getty Research Institute, 2015 2015.E.15.2, 2015.E.15.4, 2015.E.15.5, 2015.E.15.6, 2015.E.15.7

131. Costume of the Coffee Seller ca. 1690s Nicolas I de Larmessin (French, 1632–1694) Etching and engraving Costumes grotesques et métiers (Paris, ca. 1690), Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.13

132. Costume of the Cook ca. 1690s Nicolas I de Larmessin (French, 1632–1694) Etching and engraving Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.6.2

133. Costume of the Vinegar Maker ca. 1690s Nicolas I de Larmessin (French, 1632–1694) Etching and engraving Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.14

134. Costume of the Boilermaker ca. 1690s Nicolas I de Larmessin (French, 1632–1694) Etching and engraving Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.6.1

135. Costume of the Baker ca. 1690s Nicolas I de Larmessin (French, 1632–1694) Etching and engraving Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.15

136. The Vinegar Seller ca. 1635 Abraham Bosse (French, 1602–1676), printmaker Engraving with etching Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.11.1

137. Live Fish! Edme Bouchardon (French, 1698–1762) Engraving with etching Études prises dans le bas peuple; ou, Les Cris de Paris (Paris: Fessard, 1737–1746), a suite of 60 prints Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.16

138. Oysters on the Shell! Edme Bouchardon (French, 1698–1762) Engraving with etching Études prises dans le bas peuple; ou, Les Cris de Paris (Paris: Fessard, 1737–1746), a suite of 60 prints Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.17

139. Who Wants a Hot Drink? Edme Bouchardon (French, 1698–1762) Engraving with etching Études prises dans le bas peuple; ou, Les Cris de Paris (Paris: Fessard, 1737–1746), a suite of 60 prints Lent by Anne Willan and Mark Cherniavsky, Los Angeles

2015.E.9.18

140. Buy my Spoons! Edme Bouchardon (French, 1698–1762) Engraving with etching Études prises dans le bas peuple; ou, Les Cris de Paris (Paris: Fessard, 1737–1746), a suite of 60 prints Lent by Anne Willan and Mark Cherniavsky, Los Angeles 2015.E.9.19

141. Piping Hot Pastries! Edme Bouchardon (French, 1698–1762) Engraving with etching Études prises dans le bas peuple; ou, Les Cris de Paris (Paris: Fessard, 1737–1746), a suite of 60 prints 2015.PR.2

142. Coffee! Coffee! Edme Bouchardon (French, 1698–1762) Engraving with etching Études prises dans le bas peuple; ou, Les Cris de Paris (Paris: Fessard, 1737–1746), a suite of 60 prints

the edible monument: the art of food for...

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