the art of building amazing demos

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The art of building amazing demos John Cooney - Director of Premium Publishing at Kongregate - @jmtb02

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Page 1: The Art of Building Amazing Demos

The art of building amazing demos

John Cooney - Director of Premium Publishing at Kongregate - @jmtb02

Page 2: The Art of Building Amazing Demos

Hi I am John Cooney.

Director of Premium Games at Kongregate

(A cross-platform publisher and web games platform)

I am also an indie developer

• 100+ titles released with +1b plays worldwide

• Flash games veteran

Page 3: The Art of Building Amazing Demos

I move quickly so I’ll post this deck at developers.kongregate.com

Page 4: The Art of Building Amazing Demos

30 Minutes Ago I abandoned helping

team currently assembling our

booth demos right now at Indie Arena Booth…

to talk to you about demos

Page 5: The Art of Building Amazing Demos

Make amazing demos!

Page 6: The Art of Building Amazing Demos

An amazing demo is a sessionable, enjoyable, playable, and honest representation

of the full game experience

Much of building an amazing demo are tiny (often game-external) tasks

that don’t take much time

Page 7: The Art of Building Amazing Demos

Why create demos?

• Show off your game. Getting players in your game to Gamescom and other amazing events

• To get feedback. Be able to collect feedback and see players engage, whether online or in-person

• A marketing chip. A way of generating buzz about your game, whether during Kickstarter or post-launch

• Test launch. Demos are also a demo for your launch experience. Sometimes we call them “open betas”

Page 8: The Art of Building Amazing Demos

WHERE do we demo as developers?

• Player-facing events. Expos like PAX, Gamescom, EGX

• Business-facing events. Events like Devcom, Casual Connect, GDC. For publishers and investors.

• Online demos for marketing the game (Steam demos, Kickstarters, etc)

Page 9: The Art of Building Amazing Demos

Preparing your event demo

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Your ultimate 3-step action plan to a great event demo:

• Step 1: Make the player Comfortable

• Step 2: Maximize player Enjoyment

• Step 3: Generate Player Action

Page 11: The Art of Building Amazing Demos

Step 1 Creating Comfort

Page 12: The Art of Building Amazing Demos

Comfort starts external to your demo, fostering a human relationship with

the player

Page 13: The Art of Building Amazing Demos

“Hi, I am the creator of this game, I hope you love it!”

• Identify that you are the creator! Be excited!

• Interact! Players LOVE being able to interact with the creator!

• Sometimes your interaction with the player is more powerful than the actual game (no offense to your game)

• Be nice even though you’re probably exhausted and overwhelmed

Page 14: The Art of Building Amazing Demos

Hand the controller to the player.

It’s one of the most cathartic experiences you can have as a developer.

Don’t drop it on the table and point at it.

Handing the game controller to the player is important, literally handing off your game is good practice for launch

Page 15: The Art of Building Amazing Demos

Only offer the best control scheme you got.

• Keyboard + Mouse

• Controller

• Mouse only

Hide everything else! Options are paralyzing, don’t offer options!

Page 16: The Art of Building Amazing Demos

Don’t make these bad charts. They’re fun to make but they confuse the player. Memorizing controls is not fun.

Instead. Show a simplified version on a control card below the monitor. Just the basic controls (move, jump, etc)

Page 17: The Art of Building Amazing Demos

Read player engagement and body language.

• Some players want to be left alone.

• Some want to constantly ask questions.

• Some are tired and fussy.

Engage with players the way they want to be engaged.

Page 18: The Art of Building Amazing Demos

Remove screen-based distractions

• Disable OS notifications (seriously)

• Hide cursor for controller play

• Play in true fullscreen (no application bar)

• Thwart exiting the game (seriously people check their emails)

Page 19: The Art of Building Amazing Demos

Make sure your demo space is accessible.

• Wheelchair accessibility

• Controller/keyboard adjustable

• Approachable monitor with removable seating

• Be helpful and accommodating!

Page 20: The Art of Building Amazing Demos

Make some sound choices

Page 21: The Art of Building Amazing Demos

Headphones are better for solo play.

• Expo noise is LOUD, headphones isolate sound

• Have an easy-to-reach volume knob if you can, set to LOW and let the player adjust up

• Clean them!

• Remove the microphone (who are they talking to?)

Page 22: The Art of Building Amazing Demos

Speakers are better for group play.

• Much easier for players to talk/interact

• Competes with ambient noise, its going to be expensive for good sound

• Nothing to clean!

Page 23: The Art of Building Amazing Demos

Step 2: Maximizing minutes of enjoyment

Page 24: The Art of Building Amazing Demos

• Your player is now comfortable. EXCELLENT.

• Enjoyment is about providing an excellent, memorable gameplay experience, fast

• This is accomplished by providing a frictionless, seamless, correct length experience.

Page 25: The Art of Building Amazing Demos

Controllers

• An Xbox controller has 19 discreet inputs, which should you push first? Start the demo with the primary input

• Make sure your real buttons match the UI counterparts

• Offer y-axis flip from the pause menu, don’t bury it

Page 26: The Art of Building Amazing Demos

Respect player’s time. Their time with the demo is limited.

• Story is important but monopolizes time. Try to set precedence but not tell a wildly long story

• Skippable cutscenes

• Checkpoint progress before difficult portions/boss fights

• Limit incredibly repetitive actions

• Learning through experience, not 10-page tutorial reading

Page 27: The Art of Building Amazing Demos

“How long should my demo be?”

Page 28: The Art of Building Amazing Demos

• Generally I recommend 5 to 10 minutes in-person, but potentially longer (10 to 30 minutes) for downloadable demos

• Demo should be short enough to not make people in line wait forever, multiple computer/console setups help

• End your demo after the peak of enjoyment, don’t let the demo run forever

Understand the enjoyment curve then cut the player off after peak

Page 29: The Art of Building Amazing Demos

• Make a clear breakpoint in the demo Removing the awkward moment of “Ok, please stop playing now”

• “Thanks for playing!” is a very happy, clear signal. Players naturally will put down the controller with this messaging

• Remove false breakpoints from the game. End of level screens and similar will cue the player to leave the game. Simply head to the next level automatically and don’t wait for player input to go to the next screen.

Page 30: The Art of Building Amazing Demos

By the end of the demo, your player should know the following:

• Basic controls/feel

• Core loop

• Game difficulty and progression

• Art style and tone

• Sound direction and design

Your demo doesn’t have to actually show these, but can allude to their existence

Page 31: The Art of Building Amazing Demos

By the end of the demo, YOU should know things as well:

• Is the difficulty right?

• Did the player perform as expected? What was unexpected?

• What was their emotions throughout the experience?

• Was there bugs?

Compare and contrast all data points.

Page 32: The Art of Building Amazing Demos

Demoing VR

Page 33: The Art of Building Amazing Demos

• Wipe the headsets before each play or get a VR Cover.

• “Is this comfortable?” Help the player get acclimated to VR, many players have never engaged with VR content before!

• Mirror the game to a screen for others to see.

• Consider setup time into demo length. VR requires time to set up/take off/clean, lines can take forever.

Page 34: The Art of Building Amazing Demos

Step 3: Creating Action

Page 35: The Art of Building Amazing Demos

The demo is over.

This is a golden minute to captivate your players with next steps.

Players are excited. Your game is either out or coming soon.

Take advantage.

Page 36: The Art of Building Amazing Demos

“Would you like to sign up for our newsletter?”

• Email newsletters are great for keeping players engage. Lots of good apps for this (iPad is good). Internet is often bad at large events, so using an offline app is better. SignUpAnywhere is great. So is pen-and-paper.

“Here have a button!”

• Buttons are cheap, easy to make (or get printed), and mean that the player will have a physical connection to the game (and have a visual representation of your game to wear and share).

Page 37: The Art of Building Amazing Demos

Should I sell a copy right there at the demo? Maybe. Probably not.

• Tax implications of making in-person retail sales are muddy.

• Having to make change, take credit card.

• Holding up waiting players while you make a transaction.

• It could make sense, just weight your options, there’s implications.

Page 38: The Art of Building Amazing Demos

Downloadable Demos

Page 39: The Art of Building Amazing Demos

Good news. Your event demo will be pretty good for downloadable demos as well. Just a few things to think about.

Page 40: The Art of Building Amazing Demos

How are demos different as downloadable?

• You are probably not in their house watching them play

• The internet is at their fingertips!

• Anonymity = More critical and honest feedback

• Social media call-to-actions!

• Click a link to buy/preorder the game

• Broader range of hardware requirements, settings to support

• Players will want you to fix bugs

• Download/install friction

Page 41: The Art of Building Amazing Demos

When should I release an online demo? Depends.

• Kickstarter? Along side. Builds confidence in players that its a real game, influencers can get involved early and promote the Kickstarter.

• Before release? Sometimes. Its a marketing chip and can generate excitement for the game before launch, but a bad demo experience could jeopardize your launch. Read your hype.

• After release? Definitely. If you haven’t created a demo and have a work day to create one. Creates a round of buzz.

Page 42: The Art of Building Amazing Demos

Recommend places for demos:

• Steam

• itch.io

• Gamejolt

• Kongregate (webGL/HTML5)

You need to still get out there and promote your demo, can’t set and forget.

Page 43: The Art of Building Amazing Demos

Demoing for Business

Page 44: The Art of Building Amazing Demos

Feel free to use an expo-style demo for business conversations.

However, 2 major caveats:

Page 45: The Art of Building Amazing Demos

“Would you like me to drive?”

When pitching to a publisher or platform, let them know that you’re willing to play the demo for them.

Sometimes you’ll be asked to drive. Practice talking and playing, its an important skill.

Page 46: The Art of Building Amazing Demos

Laptops for demos.

• Low-power mode is AWFUL. Most common error I see in demos. Plug your computer in or disable.

• Charge your laptop, batteries go quick!

• Used wired controllers to skip trying to pair/replace batteries in wireless controllers

Page 47: The Art of Building Amazing Demos

Final Takeaways

Page 48: The Art of Building Amazing Demos

Optimize for player setting

One demo does not fit all. Expos are different from business meetings from online demos. Craft carefully.

Page 49: The Art of Building Amazing Demos

Your demo should represent your game in the best light possible, and honestly

Your goal is to show a finite, vertical slice of your game that represents its true gameplay

Page 50: The Art of Building Amazing Demos

Earn player action

Provide a demo that energizes your audience. They’ll want to look forward to your release date, or be moved enough to purchase a copy.

Create actionable items for your players. Keep them excited!

Page 51: The Art of Building Amazing Demos

Thank You

John Cooney - Director of Premium Publishing at Kongregate - @jmtb02