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TEXTURE in Art

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Page 1: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials

TEXTURE in Art

Page 2: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials

Let's be superficial

Texture - the nature of the surface of painting, sculpture, or building materials

Page 3: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials

Impasto

– the application of thick oil paint in a texture that would be rough if you were to touch it

Page 4: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials

Rembrandt

- begins to use impasto

- realistic images need to be viewed from a distance

- begins to use impasto

- realistic images need to be viewed from a distance

Page 5: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials
Page 6: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials

VAN GOGH, VincentThe Starry Night1889, Oil on canvas, 29 x 36 1/4 in

p. 383

Page 7: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials

Illusionism

Tromp l’oiel = fool the eye; tricks the viewer into perceiving that the actual objects represented are in fact there; usually a still-life painting, sometimes also used in murals (French, TROM-PLOY)

Page 8: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials

William Harnett, The Faithful Colt, 1890

Usually a very smooth surface to heighten the illusion – no evident brush strokes

Page 9: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials

Charles Sheeler Side of a White Barn (1917) Gelatin silver print (photograph)

Page 10: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials

Texture in Sculpture

Page 11: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials

Meret Oppenheim, Fur covered cup, saucer, and spoon, 1936 (a.k.a. The Object)

Page 12: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials

Constantin BrancusiFrench, b. Hobitza, Romania, 1876 - 1957 Sleeping Muse I, (1909-1910)Marble6 3/4 x 10 7/8 x 8 3/8 in.

SMOOTH

Page 13: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials
Page 14: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials

Clay jarAfrican20th C.

Page 15: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials

TEXTURE in Music

DIFFERENT – you can’t touch music!

Page 16: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials

wrapping up TEXTURE . . .

- notice it in architecture and sculpture and watch for IMPASTO in painting

Page 17: TEXTURE in Art. Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials

Not to be confused with

an imposter in pesto

Impasto


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