terminator by james cameron - by the lens - terminator by james cameron registered wgaw fourth draft

Download TERMINATOR by James Cameron - By The Lens - TERMINATOR by James Cameron Registered WGAw Fourth Draft

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  • TERMINATOR

    by

    James Cameron

    Registered WGAw

    Fourth Draft

    April 20, 1983

    -----------------------------------------------------------------------------

    TERMINATOR

    A1 TITLE SEQUENCE - SLITSCAN EFFECT A1

  • 1 EXT. SCHOOLYARD - NIGHT 1

    Silence. Gradually the sound of distant traffic becomes

    audible. A LOW ANGLE bounded on one side by a chain-link

    fence and on the other by the one-story public school build-

    ings. Spray-can hieroglyphics and distant streetlight sha-

    dows. This is a Los Angeles public school in a blue collar

    neighborhood.

    ANGLE BETWEEN SCHOOL BUILDINGS, where a trash dumpster looms

    in a LOW ANGLE, part of the clutter behind the gymnasium.

    A CAT enters FRAME. CAMERA DOLLIES FORWARD, prowling with

    him through the landscape of trash receptacles and shadows.

    CLOSE ON CAT, which freezes, alert, sensing something just

    beyond human perception.

    A sourceless wind rises, and with it a keening WHINE.

    Papers blow across the pavement.

    The cat YOWLS and hides under the dumpster.

    Windows rattle in their frames.

    The WHINE intensifies, accompanied now by a wash of frigid

    PURPLE LIGHT. A CONCUSSION like a thunderclap right over-

    head blows in all the windows facing the yard.

    C.U. - CAT, its eyes are wide as the glare dies.

    1A/FX ANGLE - DUMPSTER 1A/FX

    ELECTRICAL DISCHARGES arc from the dumpster to a water

    faucet and climb a drain pipe like a Jacob's Ladder.

  • CUT TO:

    2 EXT. SCHOOLYARD - NIGHT 2

    SLOW PAN as the sound of stray electrical CRACKLING subsides.

    FRAME comes to rest on the figure of a NAKED MAN kneeling,

    faced away, in the previously empty yard.

    He stands, slowly.

    The man is in his late thirties, tall and powerfully built,

    moving with graceful precision.

    C.U. - MAN, his facial features reiterate the power of his

    body and are dominated by the eyes, which are intense, blue

    and depthless. His hair is military short.

    This man is the TERMINATOR.

    He glances down, taking calm inventory of himself, and

    notices that a fine white ash covers his skin. He brushes

    at it unconcernedly as he walks toward the fence, scanning

    his surroundings.

    CUT TO:

    2A/FX CRANE SHOT - SCHOOLYARD/CITY - NIGHT 2A/FX

    CAMERA MOVES UP as Terminator approaches the schoolyard fence

    beyond which is an embankment rolling down in darkness to the

    cityscape below. The school is perched at the edge of a pro-

    montory offering a respectable view of the urban sprawl teem-

    ing and glistening under a sullen sky. The night clouds are

    shot through with occasional flashes of LIGHTNING, presaging

  • a thunderstorm.

    Terminator stands, hands on hips in prefect symmetry, gazing

    down at the city as the CAMERA REACHES FULL HEIGHT.

    CUT TO:

    3 EXT. PLAYGROUND - NIGHT 3

    A beer bottle SMASHES on the ground. PULL BACK to include

    its ex-owner and his two compatriots, YOUTH GANG MEMBERS,

    lounging on the jungle gym of a deserted playground. They

    sport nondescript PUNK REGALIA...torn T-shirts, fatigue

    pants, combat boots or high-top sneakers, leather jackets.

    The leader notices something and sits up.

    LEADER

    (pointing)

    Hey, hey...what's wrong with

    this picture?

    ANGLE - REVERSE, seen past the lounging toughs, Terminator

    walks naked into a pool of streetlight, striding purpose-

    fully toward them.

    ANGLE - OVER TERMINATOR'S SHOULDER, as he approaches them.

    They slide from their perches and drop easily to the ground

    liquid shadows.

    LEADER

    Nice night for a walk, eh?

  • Terminator stops right in front of them.

    TERMINATOR

    (without inflec-

    tion)

    Nice night for a walk.

    They surround him, all swagger and malign good humor.

    SECOND PUNK

    Washday tomorrow, huh? Nothing

    clean, right?

    Terminator eyes them without expression, unhurried.

    Reptilian.

    TERMINATOR

    Nothing clean. Right.

    LEADER

    This guy's a couple bricks

    short.

    Terminator turn to the second punk, ignoring the

    others.

    TERMINATOR

    Your clothes. Give them to me.

    The punks exchange glances, dismayed.

    TERMINATOR

    (coldly)

    Now.

  • SECOND PUNK

    (bracing)

    Fuck you, asshole.

    Without warning Terminator hammer-punches him in the temple

    with blinding speed. The blow flings him with a CLANG into

    the jungle gym. He drops to the ground in a still heap,

    eyes open, twitching.

    The leader whips out his SWITCHBLADE and slashes in one

    motion. Terminator ducks back and catches the knife-

    wielder's wrist in an inhuman grip. Then he punches the

    leader with piledriver force just below the breastbone.

    ANGLE - PAVEMENT, as the knife clatters down. The punk's

    combat boots are on tiptoe, barely touching the ground.

    ANGLE - TWO SHOT, Terminator and the leader are close

    together as if dancing, but motionless. Their bodies are in

    total shadow. The punk's eyes are wide, his veins distended

    with an agonizing pressure. Terminator jerks his fist back

    with a WET SOUND and the other drops OUT OF FRAME.

    The last tough is stumbling away, gaping with terror. He

    backs into a chainlink fence, turns to run along it, finds

    he is in a corner.

    Terminator takes a step toward him, his gaze ominous.

    The punk begins shakily stripping off his clothes.

    Thunder peals overhead.

  • CUT TO:

    4 EXT. STREET/NEARBY - NIGHT 4

    A light RAIN begins to fall.

    Terminator emerges onto the street from the playground,

    pausing in the pool of light under a streetlight to hike

    the collar of the punk's jacket.

    The rain streams down over his face, running into

    and over his eyes. They do not blink.

    CUT TO:

    5 EXT. DOWNTOWN STREET/ALLEY - NIGHT 5

    Another part of the city. Seedy apartments and storefronts.

    The streets glisten, hissing with sporadic late night traffic.

    SLOW PAN AND DOLLY into the mouth of a narrow alley lined

    with trash containers and fire escapes. From a recessed

    doorway, two filthy legs sprawl out onto the wet pavement.

    An angry, inarticulate DRUNKARD'S MONOLOGUE rises occasionally

    above the rain sounds.

    ANGLE - DOORWAY, The derelict rouses from his bitter stupor

    as a brilliant purple glare lights up the wet brickwork

    around him. A shockwave hurls trash into the air.

    Painted over windows shatter.

    Rat scurry, blinded.

    A FIGURE drops INTO FRAME as if out of the sky and smacks

    the pavement with a muddy splash.

    C.U. - DERELICT, as he blinks at the fading glare, amazed.

  • A NAKED MAN, compact and muscular, rises in a defensive

    crouch. KYLE REESE is 22, but his face has been aged by

    ordeal, the mouth hard, eyes grim. A crinkled burn scar