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পপপপপপ পপপপপপপপপ পপপপপপপপপ মমমমম-২০, মমম মমমমম মমমম মমমমমমমমমমমম পপ পপ পপপপপপপপ পপপপপপপপপ পপপপপপপ ৫৯ পপপপপপপপ পপপ পপপপপপপ পপপপপপপ পপপপপ, পপপপ পপপপপপপ

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AALouis Daguerre

JosephNicphore Nipce

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AA1888

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AA1889Thomas Alva Edison

Kinetoscope Parlor

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Auguste and Louis LumireWatering the gardener (1895) (1895)

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AACinderella (1899)Georges Mlis

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AALife of an American Fireman(1903)Edwin S Porter

(1903)

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AD. W. Griffith

.. , , , , High Angle Shot, Low Angle Shot, Rembrandt Lighting, , Mask, Dramatic Emphasis

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A(1916)(1915)

Everything you see in a film today there is something in it that began with GriffithSir Alfred Hitchcock

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Sergei M. Eisenstein

Montage of Attraction ,

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The death of the bull parallels the death of the rebellious workers

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AAndr BazinBla Balzs

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- Theory of Film Language Form ,

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Cinema attains its fullness in being the art of the real.

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Dissolve, Justaposed, Masks

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