taniko

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David Willmore THEA 481 Feb 22, 2015 Taniko A 14th century Noh drama of an unknown author, Taniko (or The Valley Rite) follows the journey of a young boy who climbs a mountain to ask the gods to save his ailing mother. During his journey he falls ill himself and agrees to be thrown into a ravine rather than slow down his traveling companions. In recognition of the boy’s self sacrifice, the Gods revive the boy. Still frequently produced, both with and without a more contemporary spin, Taniko has seen at least a handful of high-profile stagings in the past decade and a half. More commonly performed, however, is a Western adaptation of the play: Brecht’s Der Jasager (He who says yes/The Consenter). Brecht changes the story to include the boy fetching medical supplies for his village and omits the happy ending. Der Jasager’s message of collectivist self-sacrifice, fittingly, respects Taniko’s original message rooted in Japanese social collectivism. (Admittedly, it’s a little crazy to think that a play written in the 1300s could be transformed into a work promoting communism.) Brecht also wrote a parter work to Der Jasager, titled Der Neinsager (He who says no) where the boy makes the opposite choice and the group getting supplies returns unsuccessfully as a result. Unfortunately, Brecht passed up the opportunity to really hat-tip to Nō and have the group haunted and filled with regret as a result of their dishonorable and ignoble actions.

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  • David Willmore

    THEA 481

    Feb 22, 2015

    Taniko

    A 14th century Noh drama of an unknown author, Taniko (or The Valley Rite) follows

    the journey of a young boy who climbs a mountain to ask the gods to save his ailing mother.

    During his journey he falls ill himself and agrees to be thrown into a ravine rather than slow

    down his traveling companions. In recognition of the boys self sacrifice, the Gods revive the

    boy.

    Still frequently produced, both with and without a more contemporary spin, Taniko has

    seen at least a handful of high-profile stagings in the past decade and a half. More commonly

    performed, however, is a Western adaptation of the play: Brechts Der Jasager (He who says

    yes/The Consenter). Brecht changes the story to include the boy fetching medical supplies for

    his village and omits the happy ending. Der Jasagers message of collectivist self-sacrifice,

    fittingly, respects Tanikos original message rooted in Japanese social collectivism.

    (Admittedly, its a little crazy to think that a play written in the 1300s could be transformed into

    a work promoting communism.) Brecht also wrote a parter work to Der Jasager, titled Der

    Neinsager (He who says no) where the boy makes the opposite choice and the group getting

    supplies returns unsuccessfully as a result. Unfortunately, Brecht passed up the opportunity to

    really hat-tip to N and have the group haunted and filled with regret as a result of their

    dishonorable and ignoble actions.

  • There are definite similarities between well-known N plays and classical Greek

    dramas. The small cast and contributing chorus, use of traditional themes and appearance of

    legendary characters (such as Gods). Both forms are now looked upon as the roots of modern

    theatre. The successful adaptation of a centuries old N drama only emphasizes the ubiquity

    of pieces like Taniko and the impact they have had on Western theatre and contemporary

    Western theatre artists and playwrights.

    (On 99% unrelated note - with a shoutout to Kati - Tniko also refers to a Maori method

    of weaving.)