FRANK LLOYD WRIGHT

INSPIRING WORKS-

TALIESIN WESTIMPERIAL HOTEL

SUBMITTED BY -YASH SAHU B.Arch13-18IIT Roorkee

TALIESIN WEST

-Taliesin West was built in the Arizona foothills outside of Phoenix, Arizona

-Completed between 1937 – 1959

-Built late in Wright’s life and was his own residence as well as Studio for Taliesin Fellowship

-Combined many of the styles and experience Wright had developed

-Designed in reaction to the international style

-Used contrast of materials as a basis of expression

-Taliesin West was based on diversity and complementarity

Taliesin West is not only a symbol of Wright’s versatility and influential expansion throughout the United States, but it marks a moment in his career where context and vernacular begin to integrate into Wright’s formulated Prairie Style. Similar to his other projects, Wright takes special interest in locally available materials and applies them in similar fashion to his other Prairie Style projects, employing low level, horizontal planes that keep the house and studio low to the ground to insure effective natural ventilation and protection and shade from the intense desert sun.

View of Studio And Dinning Place

Use of Local Material

Here’sTheEvening….!

Apprentices ForTaliesin Fellowship

IMPERIAL HOTEL,TOKYO

Imperial Hotel in Tokyo, Japan-Wright’s first international commission

-Constructed in between 1919 – 1923-It Survived the worst earthquake in decades, strucked TokyoOn 26 April 1922

-Designed to blend traditional Japanese architecture with modern style designs ( Mayan Architecture )

-Imperial Hotel Underwent many changes during the decade long building process

-Built on a drained marsh :Wright was worried about earthquakes :Developed avant‐garde engineering techniques to protect the structure from damage. Likened to a ship riding on the ocean

-Its form look like its Logo “H”

-Rooms were small and economical instead of grand and spacious

Lego Blocks Model

Original Plans Of Imperial Hotel

In this structure is not to be found a single form distinctly Japanese; nor that of any other country; yet in its own individual form, its mass, and subsidiaries, its evolution of plan and development of thesis; in its sedulous care for niceties of administration, and for the human sense of joy it has expressed, in inspiring form as an epic poem, addressed to the Japanese people, their innermost thought.

Entrance to Social Group End Pavilion

North Wing and Jinrikisha Approach Detail of Pergola, showing relation of lava and brick

In a sense it is a huge association of structures; a gathering of the clans, so to speak.; it is a seeming aggregate of buildings shielding beauteous gardens, sequestered among them. Yet there hovers over all, and as an atmosphere everywhere, a sense of primal power in singleness of purpose; a convincing quiet that bespeaks a master hand, guiding and governing.

Upon further analysis…it is disclosed that the structure is not a group, but a single mass; spontaneously subdividing into subsidiary forms in groups or single, as the main function itself flows into varied phases, each seeking expression in appropriate correlated forms, each and all bearing evidence of one controlling mind, of one hand moulding materials like a master craftsman.

Roof of Pergola, Looking into Garden Courts Garden, Pool, North Bridge and Elevator Housings

Main Promenade

The Imperial Hotel stands unique as the high water mark thus far attained by any modern architect. Superbly beautiful it stands – a noble prophecy.

UNFORTUNATELY…….!

The Imperial Hotel went down in 1968.

Here is its replacement.

Among “WORLD’S GREAT LOST BUILDINGS

Imperial Hotel At Meiji MuraThe reconstructed main entrance and lobby of Frank Lloyd Wright's landmark Imperial Hotel, which originally stood in Tokyo 

THANK YOU

 # Imperial Hotel’s Few photos appeared in the April 1923 issue of The Architectural Record and accompanied an article by the great  Louis H. Sullivan  himself.