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Page 1: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar
Page 2: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar
Page 3: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar

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Table Of ContentsIntroductionLick 1 4Lick 2 4Lick 3 5Lick 4 6Lick 5 6Lick 6 7Lick 7 7Lick 8 8Lick 9 8Lick 10 9Lick 11 9Lick 12 10Lick 13 10Lick 14 10Lick 15 11Lick 16 12Lick 17 12Lick 18 13Lick 19 14Lick 20 14Lick 21 15Lick 22 15Lick 23 16Lick 24 17Lick 25 17Lick 26 18Jam Session 18Final words 18

Page 4: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar

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Introduction

Lick 01

If you have ever wondered how "modern" blues masters like Freddie King, Albert Collins, T Bone Walker, and Stevie Ray Vaughnsound the way they do, this course provides some insight into the way they play. This course contains 26 essential Texas Blueslicks that will add that sort of feel into your blues and rock soloing.

Per Steve's usual practice, all of the licks have been written and performed in the key of A. You can always transpose eachlick to the key signature of any song you might jam with. You can also alter the rhythms of each lick for variety (as you see fit).

Remember to study one lick at a time, learn at your own pace, and then apply it to your playing. Always practice at a speed thatis challenging enough but not too difficult. Allow this book to be your guide as you watch Steve demonstrate each lick on DVD.

Lick 01 is a T-Bone Walker-esque technique that combines major and minor pentatonic.

26 Texas Blues LicksMusic by Steve Stine

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Lick 02

Lick 02 is another T-Bone Walker-esque lick that seems to take inspiration from a trombone lick.

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Lick 1

Lick 2

Page 5: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar

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Lick 03

Lick 03 is inspired by Albert Collins's playing. This particular lick moves horizontally, using three different pentatonic positions.

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Lick 3

Page 6: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar

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Lick 04

This lick is another Albert Collins-inspired mo�f. It is important to mute strings that are not being played to achieve

that melodic sound rather than a "chordal" sound that happens when playing two strings sequen�ally.

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Lick 05

This lick emphasizes Texas-blues style bending. It features whole-step, half-step and blues bends as well as a pre-bend.

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Page 7: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar

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Lick 06

Bends in repetitions are the hallmark of this lick.

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Lick 07

This is a repetition lick reminiscent of Stevie Ray Vaughn

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Lick 7

Page 8: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar

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Lick 08

A Stevie Ray Vaughn inspired lick.

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Lick 09

This Stevie Ray Vaughn inspired lick consists of 1st inversion chords in triplets (A on 1st and 3rd measures,

C on 2nd measure) and terminates with a bend on the 2nd string 8th fret.

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Page 9: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar

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Lick 10

This Stevie Ray Vaughn inspired lick consists of 1st inversion chords in triplets (A on 1st and 3rd measures,C on 2nd measure) and terminates with a bend on the 2nd string 8th fret.

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Lick 11

This next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn.

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Lick 11

Page 10: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar

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Lick 12

Lick 12 involves the use of double stops. Use a pick for a more aggressive sound, and sure to mute all other stringsfor this lick to sound correct.

Lick 13

This next lick is a walk-up in the minor pentatonic scale that also uses a couple of double stops.

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Lick 14

This is a phrasing lick that allows movement up the guitar.

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Lick 14

Page 11: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar

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Lick 15

This lick features using the open 1st string and chromatic passages.

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Lick 15

Page 12: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar

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Lick 16

Lick 16 is another Stevie Ray Vaughn-style lick.

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Lick 17

The unique thing about this lick is that it is usable in the key of A and in the key of E (as a IV chord lick).

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Lick 17

Page 13: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar

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Lick 18

This lick is very typical of Stevie Ray Vaughn's playing style. It uses a hybrid picking technique for that great Texasblues feel.

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Lick 18

Page 14: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar

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Lick 19

This unique lick featuresa couple of bends. Combined together (and when performed properly), the notes of thelick form an A chord.

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Lick 20

For this lick, you can use either hybrid or alternate picking. Take note of the slides and the aggresive combinationof a whole-step bend and vibrato at the end.

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Lick 20

Page 15: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar

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Lick 21

This next lick is reminiscent of Steve Cropper's style.

Lick 22

This is another Stevie Ray Vaughn-inspired lick that is played with a funky rhythm. Avoid strumming the 6th stringand mute the other strings to produced that strummed rhythmic effect.

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Lick 21

Lick 22

Page 16: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar

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Lick 23

Lick 23 features a repetitive Chuck Berry-style pattern. In bars 3 and 4, take note of the half-step bends on the2nd string.

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Page 17: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar

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Lick 24

This lick contains a patterned idea (A minor pentatonic triplet pattern), useful for moving around the fretboard.

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Lick 25

This next lick is a Texas blues-rock-inspired lick that you would hear in bands like AC/DC and the Black Crowes.Practice the half-step bends well because it is important to get these bends to sound right.

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Lick 24

Lick 25

Page 18: Table Of Contents · PDF fileThis next lick is a hybrid picking lick, also inspired by Stevie Ray Vaughn. ... This is a phrasing lick that allows movement up the guitar

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Once you have a couple of licks ready (as if it was second nature for you to play them), it's time to attempt jammingto a backing track with Steve. The last section of the DVD will involve taking turns with Steve soloing over the backingtrack. Use all the licks you've learned in this course when jamming along the last section.

The fun of jamming with other musicians is that you are not trying to outdo one another. You are trying to learnfrom each other and exchange ideas. You can also feed off an idea of another musician and play something that'scompletely the opposite and still have a great time.

It is nice to be able to learn all of the licks in this book (as well as in other courses). However, all you need to startplaying great is learning just a couple of licks that would really change your mind set. You only need a few licks thatwould allow you to look at your fretboard and get some ideas when it is time to jam.

Always remember that it's not about how fast you can play. It is how well you can play it. That is why it is alwaysrecommended that you take time to learn a lick or a song. Practice slow first and then gradually build it up.Sometimes it's just one note, a single phrase, etc. that can change your entire outlook on your playing.

The most important thing of all is to have fun while learning your 26 Texas Blues Licks and jamming with them.

Jamming with Steve

Final Words

Lick 26This is a turnaround lick that is useful when playing over the 11th and 12th bar of your 12-bar blues (chords I and then V7).

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Lick 26

Jam Session

Final words