TA B L E L A M P S , F L O O R L A M P S A N D C A N D L E S

2 0 1 6

999PA G E 9PA G E8

CrossBec Brittain

ExcelRich Brilliant Willing

BounceKarl Zahn

DemeterKarl Zahn

ExcelRich Brilliant Willing

AtlasKarl Zahn

Superordinate AntlersJason Miller

ModoJason Miller

CounterweightFort Standard

I P . 1 0

I V P . 2 4

V I I P . 4 4

I I P . 1 4A

TA B L E L A M P S

C

C A N D L E S

B

F L O O R L A M P S

V P . 3 0

V I I I P . 4 8

I I I P . 1 8

V I P . 3 8

BugiaFormafantasma

CacheJames Killinger

MoorJason Miller

Agnes CandelabraLindsey Adelman

I X P . 5 6 X P . 6 2

X I P . 6 6

X I V P . 8 0

OrbitLindsey Adelman

GambalungaFormafantasma

X I I P . 7 0

X V P . 8 6

X I I I P . 7 6

TABLE OF CONTENTS

1 11 11 1PA G E 1 1PA G E1 0

TABLE LAMPSA

1 31 31 31 3AT L A S

01 (Black) H 10 in / 26 cm × W 8 in / 20 cm × D 8 in / 20 cm

I

ATLAS

Designer Born and raised in rural Vermont, Karl Zahn’s work with wood and natural materials developed

out of his time spent playing in forests and wood shops. His designs express a pared down

simplicity and stark aesthetic that blends modernist hard lines with traditional furniture craft.

After earning a degree in product design from the Rhode Island School of Design in 2003,

Karl travelled to San Francisco, where he immersed himself in the creative and complicated

metalworking culture that thrives there. In 2007, he moved to New York to begin working on

his own. He lives in Greenpoint, Brooklyn.

Materials Brass, glass

Finishes Black Polished Brass

Lamping 120V / 240V Integrated LED

Named for the Titan doomed to shoulder the world, Atlas combines an illuminated glass globe with an intersecting metal armature, drawing on

Karl Zahn’s elegant use of geometry and metaphor in design.

1 51 51 51 51 4 AT L A S AT L A S

02 (Black)H 13 in / 33 cm × W 8 in / 20 cm × D 8 in / 20 cm

01 (Polished Brass)H 10 in / 26 cm × W 8 in / 20 cm × D 8 in / 20 cm

1 71 71 71 7B O U N C E

Table Lamp (Ebonized White Oak / Black) H 17 in / 44 cm × W 22.5 in / 57 cm × D 13 in / 33 cm

I I

BOUNCE

Lamping 120V / 240V

Designer Born and raised in rural Vermont, Karl Zahn’s work with wood and natural materials developed

out of his time spent playing in forests and wood shops. His designs express a pared down

simplicity and stark aesthetic that blends modernist hard lines with traditional furniture craft.

After earning a degree in product design from the Rhode Island School of Design in 2003,

Karl travelled to San Francisco, where he immersed himself in the creative and complicated

metalworking culture that thrives there. In 2007, he moved to New York to begin working on

his own. He lives in Greenpoint, Brooklyn.

Materials Aluminum, acrylic, wood

Finishes

Integrated LED

A compact spinoff on the original series, Karl Zahn’s Bounce table lamp combines a folded aluminum shade and an independently positioned

light source. One side of the shade is white to reflect illumination while the other has a decorative wood veneer finish.

Ebonized White Oak / Black White Oak / Brushed Brass

1 91 91 91 91 8 B O U N C E B O U N C E

Table Lamp (White Oak / Black)H 17 in / 44 cm × W 22.5 in / 57 cm × D 13 in / 33 cm

Table Lamp (Ebonized White Oak / Black)H 17 in / 44 cm × W 22.5 in / 57 cm × D 13 in / 33 cm

2 12 12 12 1D E M E T E R

I I I

DEMETER

Named after the goddess of the harvest, the Demeter series was inspired by the symbol of the scales commonly associated with her. Built from transversal poles with opposing elements

at either end, Demeter achieves an elegant sense of balance through economy of means and engineering.

Designer Born and raised in rural Vermont, Karl Zahn’s work with wood and natural materials developed

out of his time spent playing in forests and wood shops. His designs express a pared down

simplicity and stark aesthetic that blends modernist hard lines with traditional furniture craft.

After earning a degree in product design from the Rhode Island School of Design in 2003,

Karl travelled to San Francisco, where he immersed himself in the creative and complicated

metalworking culture that thrives there. In 2007, he moved to New York to begin working on

his own. He lives in Greenpoint, Brooklyn.

Shade Finishes Bronze Brushed Brass

02 (Bronze) L 17.5 in / 44 cm × W 31 in / 79 cm × D 6 in / 15 cm

Materials Glass, steel, aluminum, marble

Lamping 120V / 240V Integrated LED

2 32 32 32 2 D E M E T E R D E M E T E R

03 (Brushed Brass)H 9 in / 22 cm × W 7 in / 18 cm × D 6 in / 15 cm

01 (Brushed Brass)H 17.5 in / 45 cm × W 26.5 in / 67 cm × D 6 in / 15 cm

2 52 52 52 4 D E M E T E R D E M E T E R

02 (Bronze)Detail

03 (Bronze)Detail

2 72 72 72 7E X C E L

I V

EXCEL

Spare and playful, the Excel desk lamp is part of a family of fixtures made from elegant wood dowels, metal rods and an illuminated shade. Inspired by the lines and geometric charts of the Microsoft spreadsheet

program, Excel is a three dimensional take on the clever software.

Lamping 120V

Lamping 240V

Designer Theo Richardson, Charles Brill and Alexander Williams are Rich Brilliant Willing. Founded in

2007, Rich Brilliant Willing is an internationally-recognized multidisciplinary design studio.

Why do they work together? The combined output is greater than sum of individual parts.

Each member has a different point of view; one explicitly loves materiality, another has an

unconventional color palette and eye for sculptural form, the third is an inventor bringing

spontaneity and theatrical energy to the work.

Materials Oak, steel

Finishes Black/Oak White/Oak Red/Oak

A

A

B

43-Watt frosted E26 base. UL, cUL certified

3.5-Watt frosted E27 base LED. UL, cUL certified

3.5-Watt frosted E26 base LED. UL, cUL certified

A

A

B

Desk Lamp (Black / Oak) H 20 in / 50 cm × W 10 in / 25 cm × D 19 in / 48 cm

2 92 92 92 8 E X C E LE X C E L

Desk Lamp (Red / Oak)H 20 in / 50 cm × W 10 in / 25 cm × D 19 in / 48 cm

Desk Lamp (White / Oak)H 20 in / 50 cm × W 10 in / 25 cm × D 19 in / 48 cm

3 13 13 13 0

Desk Lamp (Red / Oak)Detail

E X C E LE X C E L

Desk Lamp (Black / Oak)H 20 in / 50 cm × W 10 in / 25 cm × D 19 in / 48 cm

Pri

vate

Res

iden

ce —

Sag

apon

ack,

New

Yor

k

3 33 33 33 3M O D O

V

MODO

Like other fixtures in the series, the Modo desk lamp was inspired by the kinds of ready-made, off-the-shelf parts that can be found

at inexpensive lighting stores. Unlike those, however, Modo is painstakingly engineered and custom CNC-milled from solid metal.

Lamping 120V / 240V

Designer Jason Miller is a Brooklyn-based designer and the founder of Roll & Hill. Born in New York

and raised in Darien, Connecticut, Jason’s sub urban upbringing heavily influenced his

early, more conceptual pieces — duct-taped chairs and racked vases, among them — and

continues to inform the elegant, historically rich work that has become his signature.

Jason received an MFA in painting and spent time in both the art and advertising worlds,

but soon realized he preferred making things to documenting them. His designs — like a

mirror whose photographic surface recalls a painted landscape — still often reflect those

early preoccu pations, but each is a functional object, with a kind of beauty and wit. Today,

Jason runs both Jason Miller Studio and Roll & Hill from his headquarters in Sunset Park,

Brooklyn. He lives nearby with his daughter, Tuesday.

Materials Steel, glass

Integrated LED

Glass Colors Smoke Clear Cream

Desk Lamp (Brushed Brass / Cream) H 17 in/ 43 cm × W 8.5 in / 21 cm × D 11 in / 28 cm

Finishes Black Bronze Polished Nickel

Brushed Brass

3 53 53 53 4 M O D O M O D O

Desk Lamp (Polished Nickel / Clear)H 17 in/ 43 cm × W 8.5 in / 21 cm × D 11 in / 28 cm

Desk Lamp (Polished Nickel / Cream)H 17 in/ 43 cm × W 8.5 in / 21 cm × D 11 in / 28 cm

Private R

esidence — U

vita, Costa R

ica

3 73 73 73 6

Desk Lamp (Black / Smoke)H 17 in/ 43 cm × W 8.5 in / 21 cm × D 11 in / 28 cm

Desk Lamp (Bronze / Smoke)H 17 in/ 43 cm × W 8.5 in / 21 cm × D 11 in / 28 cm

Private R

esidence — Jackson H

ole, Wyom

ingM O D O M O D O

3 93 93 93 8

Desk Lamp (Polished Nickel / Clear)Detail

Desk Lamp (Bronze / Smoke)H 17 in/ 43 cm × W 8.5 in / 21 cm × D 11 in / 28 cm

Bond S

treet — N

ew York

M O D O M O D O

4 14 14 14 1S U P E R O R D I N AT E A N T L E R S

V I

SUPERORDINATE ANTLERS

The Superordinate Antler table lamp, part of a collection designed in 2003, was influential in the back-to-nature

movement in design. When the natural environment offers such a breadth of beautiful forms, why not bring it indoors?

Designer Jason Miller is a Brooklyn-based designer and the founder of Roll & Hill. Born in New York

and raised in Darien, Connecticut, Jason’s sub urban upbringing heavily influenced his

early, more conceptual pieces — duct-taped chairs and racked vases, among them — and

continues to inform the elegant, historically rich work that has become his signature.

Jason received an MFA in painting and spent time in both the art and advertising worlds,

but soon realized he preferred making things to documenting them. His designs — like a

mirror whose photographic surface recalls a painted landscape — still often reflect those

early preoccu pations, but each is a functional object, with a kind of beauty and wit. Today,

Jason runs both Jason Miller Studio and Roll & Hill from his headquarters in Sunset Park,

Brooklyn. He lives nearby with his daughter, Tuesday.

Table Lamp (Chrome) H 6 in / 15 cm × W 18 in / 46 cm × D 11 in / 20 cm

Materials Ceramic

Lamping 120V

Lamping 240V

25-Watt frosted T6 1/2 tubeE17 base. UL, cUL certified

18-Watt double-envelope halogen E14 base. CE, CB certified

A

A

A

A

Colors White Black Chrome

Gold

4 34 34 34 2 S U P E R O R D I N AT E A N T L E R SS U P E R O R D I N AT E A N T L E R S

Table Lamp (Black)Detail

Table Lamp (White)H 6 in / 15 cm × W 18 in / 46 cm × D 11 in / 20 cm

4 54 54 5PA G E 4 5PA G E4 4

FLOOR LAMPSB

4 74 74 74 7C O U N T E R W E I G H T

Floor Lamp (Ash) H 83 in / 210 cm × W 10.5 in / 27 cm × D 23 in / 58 cm

V I I

COUNTERWEIGHT

The Counterweight floor lamp is part of a series of LED fixtures made of gently arching, steam-bent wood that uses marble and brass as ballasts. Whether fixed, as at the base of this floor lamp, or acting to cantilever the arms of the other, mobile lights also found in the

Counterweight series, the mass of the stone and metal acts as a foil to the otherwise lightweight frames.

Lamping 120V / 240V

Designer Fort Standard is a contemporary industrial design studio founded by Gregory Buntain

and Ian Collings. Their collaborative work is a manifestation of their shared vision and

progressive design approach that pairs timeless materials with modern processes.

Often using traditional materials in innovative ways, the designers have developed a

unique formal language rooted in simplicity and functionality. Their attention to detail,

connections and materiality generate what Buntain and Collings describe as a “warm-

contemporary” aesthetic.

Materials

Finishes Ash Walnut

Integrated LED

Brass, glass, marble, wood

4 94 94 94 94 8 C O U N T E R W E I G H T C O U N T E R W E I G H T

Floor Lamp (Walnut) H 83 in / 210 cm × W 10.5 in / 27 cm × D 23 in / 58 cm

Floor Lamp (Ash)H 83 in / 210 cm × W 10.5 in / 27 cm × D 23 in / 58 cm

Luquer Street —

Brooklyn

5 15 15 15 1E X C E L

V I I I

EXCEL

Spare and playful, the Excel floor lamp is part of a family of fixtures made from elegant wood dowels, metal rods and an illuminated shade. Inspired by the lines and geometric charts of the Microsoft spreadsheet

program, Excel is a three dimensional take on the clever software.

Lamping 120V

Lamping 240V

Designer Theo Richardson, Charles Brill and Alexander Williams are Rich Brilliant Willing. Founded in

2007, Rich Brilliant Willing is an internationally-recognized multidisciplinary design studio.

Why do they work together? The combined output is greater than sum of individual parts.

Each member has a different point of view; one explicitly loves materiality, another has an

unconventional color palette and eye for sculptural form, the third is an inventor bringing

spontaneity and theatrical energy to the work.

Materials Oak, steel

Finishes: Floor Lamp Black/Oak White/Oak

A

A

B

43-Watt frosted E26 base. UL, cUL certified

3.5-Watt frosted E27 base LED. UL, cUL certified

3.5-Watt frosted E26 base LED. UL, cUL certified

A

A

B

Floor Lamp (Black / Oak) H 86 in / 218 cm × W 33 in / 83 cm × D 51 in / 130 cm

5 35 35 35 35 2 E X C E L E X C E L

Floor Lamp (Black / Oak)H 86 in / 218 cm × W 33 in / 83 cm × D 51 in / 130 cm

Trio

de —

Par

is

Floor Lamp (Black / Oak)H 86 in / 218 cm × W 33 in / 83 cm × D 51 in / 130 cm

Bond S

treet — N

ew York

5 55 55 55 55 4

Floor Lamp (Black)H 86 in / 218 cm × W 51 in / 129 cm × D 33 in / 83 cm

Floor Lamp (White)H 86 in / 218 cm × W 51 in / 129 cm × D 33 in / 83 cm

E X C E L E X C E LP

riva

te R

esid

ence

— T

oron

oto

5 75 75 7PA G E 5 7PA G E5 6

CANDLESC

5 95 95 95 9A G N E S C A N D E L A B R A

Table — 3 Candles (Bronze) H 14.5 in / 37 cm × W 20 in / 50 cm × D 13.5 in / 35 cm

I X

AGNES CANDELABRA

Canopy

Designer Lindsey Adelman designs and produces lighting in Manhattan. Lindsey discovered

Industrial Design while working at the Smithsonian and introducing herself to a woman

carving French fries out of foam for an exhibition. Thinking that looked like more fun than

her editorial job, she left to get a degree in ID from the Rhode Island School of Design

in 1996. Her work has been exhibited at the Cooper-Hewitt Museum, Design Miami, and

Nilufar Gallery. Her body of work has grown to include vessels, jewelry, blankets, wallpaper,

tiles, and video. Always asking the question “what if?” the studio now embraces a

philanthropic mission supporting Robin Hood Foundation to fight poverty in NYC. She lives

with her designer husband Ian and their son Finn in Brooklyn.

Materials Machined aluminum

Finishes Black Bronze Polished Nickel

Brushed Brass

5-inch round in matching metal finishAA

The Agnes Candelabra are inspired by our heroine Agnes, a worker in the world’s oldest profession during the 1849 American Gold Rush. Defying the expected roles as wife and mother, she instead chose the

fierce independence and transient lifestyle of the frontier. The modular system allows Agnes easy setup in her makeshift “workspace.”

6 16 16 16 16 0 A G N E S C A N D E L A B R A A G N E S C A N D E L A B R A

Table — 9 Candles (Bronze)H 21.5 in / 55 cm × W 38.5 in / 98 cm × D 29.5 in / 75 cm

Hanging — 5 Candles (Bronze)L 17 in / 43 cm × W 13.5 in / 34 cm × H 30.5 in / 77 cm

6 36 36 36 36 2

Hanging — 10 Candles (Bronze)L 31 in / 79 cm × W 36 in / 92 cm × H 18 in / 46 cm

Table — 6 Candles (Polished Nickel)H 12 in / 31 cm × W 33.5 in / 85 cm × D 17.5 in / 45 cm

Pri

vate

Res

iden

ce —

Tor

onto

A G N E S C A N D E L A B R A A G N E S C A N D E L A B R A

6 56 56 56 5B U G I A

Bugia (Brushed Brass) H 5 in / 13 cm × W 8.5 in / 21 cm × D 5 in / 13 cm

X

BUGIA

Bugia’s delicate steel structure is an ode to the perfect shape of rings. The name directly translates to “candleholder” in

Italian; however, it also means “white lie.” The elegant design uses minimal means for a striking effect, recalling the iconic

candlesticks used before the invention of electricity. Designed by Formafantasma, whose practice is rooted in cultural and historical

nuance, this candleholder, too, alludes to a timeless practice.

Designer Andrea Trimarchi and Simone Farresin are Formafantasma, an Italian designer duo based

in Amsterdam. Since graduating from the Design Academy Eindhoven in 2009, they

have forged a distinctive practice characterized by careful attention to process and

sustainability, and a critical consideration of materials and their historical value. They work

as much with leather, wood, and charcoal as with ideas and concepts, ever mindful of the

political and cultural forces informing their decisions. Formafantasma’s work has been

presented and collected by museums internationally, including the Museum of Modern Art

and the Metropolitan Museum, New York; Victoria & Albert Museum, London; Chicago Art

Institute; and the Stedelijk in Hertogenbosch, Netherlands. Trimarchi and Farresin also

direct workshops and teach at the Design Academy Eindhoven.

Materials Steel, leather

Finish Brushed Brass

6 76 76 76 76 6 B U G I AB U G I A

Bugia (Brushed Brass)H 5 in / 13 cm × W 8.5 in / 21 cm × D 5 in / 13 cm

Bugia (Brushed Brass)H 5 in / 13 cm × W 8.5 in / 21 cm × D 5 in / 13 cm

6 96 96 96 9C A C H E

(Black Marble / Polished Brass) H 3 in / 7 cm × W 4.5 in / 12 cm × D 4.5 in / 12 cm

X I

CACHE

With its removable brass top and hollow stone base, Cache holds more than a candle. Inspired by the need to contain a growing collection of new and vintage matchbooks, and playing on the French word for “hiding,” this modern reliquary is perfect for

stashing small keepsakes and private mementos.

Designer James Killinger was born and raised in of the American Midwest. Before moving to his

current home in Brooklyn, New York, James earned separate bachelor’s degrees in art and

psychology at Iowa State University. With a desire to reconcile his aesthetic expression

and curiosity for human behavior, James obtained a masters degree for industrial design

at Pratt Institute. His background in studio craft and time studying furniture design in

Denmark continue to inform his playful, yet honest, approach to ideas and materials.

Materials Marble, brass, leather

Finishes White Marble / Polished Brass Black Marble / Polished Brass

7 17 17 17 17 0 C A C H E C A C H E

(White Marble / Polished Brass)H 3 in / 7 cm × W 4.5 in / 12 cm × D 4.5 in / 12 cm

(Black Marble / Polished Brass)H 3 in / 7 cm × W 4.5 in / 12 cm × D 4.5 in / 12 cm

7 37 37 37 3C R O S S

X I I

CROSS

A two-dimensional shape, when crossed with another, becomes a three-dimensional object. This is the inspiration for a series of candlesticks

by Bec Brittain—flat metal forms are interlocked and held together by a small leather keystone to create beautiful functional objects.

Designer Bec Brittain studied industrial design at Parsons, earned a BA in philosophy from New

York University, and received an architecture degree from The Architectural Association

in London. Bec draws from these different modes of thinking and making to create

relationships between normally disparate elements. Her aim is to create work eliciting

both an immediate sensual reaction, and a more gradual appreciation of a larger aesthetic

concept. Located in New York City, Bec’s studio focuses on lighting design and custom

projects. Bec has been featured in Architectural Digest, The New York Times, Elle Décor

and Dwell. Her work can be seen in commercial and residential projects across the world.

Materials Brass, leather

Finishes Polished Nickel Polished Brass

01 (Polished Brass) H 4.5 in / 12 cm × W 3.5 in / 9 cm × D 3.5 in / 9 cm

7 57 57 57 57 4 C R O S SC R O S SP

rivate Residence —

Uvita, C

osta Rica

03 (Polished Nickel)H 7 in / 17 cm × W 4 in / 10 cm × D 4 in / 10 cm

01 (Polished Nickel)H 4.5 in / 12 cm × W 3.5 in / 9 cm × D 3.5 in / 9 cm

7 77 77 77 77 6

03 (Polished Nickel)H 7 in / 17 cm × W 4 in / 10 cm × D 4 in / 10 cm

01 (Polished Brass)H 4.5 in / 12 cm × W 3.5 in / 9 cm × D 3.5 in / 9 cm

03 (Polished Brass)H 7 in / 17 cm × W 4 in / 10 cm × D 4 in / 10 cm

C R O S SC R O S S

7 97 97 97 9G A M B A L U N G A

X I I I

GAMBALUNGA

The elegant Gambalunga seems to defy gravity. The paired-down design defies what one would imagine a candleholder should

be while also achieving a sense of familiarity. The circular base both grounds the object and catches melting wax, a reflection of

Formafantasma’s studious attention to form and function.

Designer Andrea Trimarchi and Simone Farresin are Formafantasma, an Italian designer duo based in

Amsterdam. Since graduating from the Design Academy Eindhoven in 2009, they have forged

a distinctive practice characterized by careful attention to process and sustainability, and a

critical consideration of materials and their historical value. They work as much with leather,

wood, and charcoal as with ideas and concepts, ever mindful of the political and cultural

forces informing their decisions. Formafantasma’s work has been presented and collected by

museums internationally, including the Museum of Modern Art and the Metropolitan Museum,

New York; Victoria & Albert Museum, London; Chicago Art Institute; and the Stedelijk in

Hertogenbosch, Netherlands. Trimarchi and Farresin also direct workshops and teach at the

Design Academy Eindhoven.

Finish Brushed Brass

Gambalunga (Brushed Brass) H 17.5 in / 44 cm × W 4.5 in / 11 cm × D 9 in / 22 cm

Materials Steel, leather

8 18 18 18 0 G A M B A L U N G AG A M B A L U N G A

Gambalunga (Brushed Brass)Detail

Gambalunga (Brushed Brass)Detail

8 38 38 38 3M O O R

X I V

MOOR

The Moor Candleholder is Jason Miller’s latest exploration into the combination of ceramic and metal. The conical stoneware base blends into a trumpet-shaped brass top, culminating in an

effortless union of contrasting materials.

Designer Jason Miller is a Brooklyn-based designer and the founder of Roll & Hill. Born in New York

and raised in Darien, Connecticut, Jason’s sub urban upbringing heavily influenced his

early, more conceptual pieces — duct-taped chairs and racked vases, among them — and

continues to inform the elegant, historically rich work that has become his signature.

Jason received an MFA in painting and spent time in both the art and advertising worlds,

but soon realized he preferred making things to documenting them. His designs — like a

mirror whose photographic surface recalls a painted landscape — still often reflect those

early preoccu pations, but each is a functional object, with a kind of beauty and wit. Today,

Jason runs both Jason Miller Studio and Roll & Hill from his headquarters in Sunset Park,

Brooklyn. He lives nearby with his daughter, Tuesday.

Finishes

(Polished Nickel / Brown) H 8 in / 20 cm × W 4 in / 10 cm × D 4 in / 10 cm

Materials Ceramic, aluminum

Polished Nickel / Brown Polished Brass / White

8 58 58 58 4

(Polished Nickel / Brown)Detail

(Polished Brass / White)H 8 in / 20 cm × W 4 in / 10 cm × D 4 in / 10 cm

M O O RM O O R

8 78 78 78 6 M O O RM O O R

(Polished Nickel / Brown)Detail

(Polished Brass / White)Detail

8 98 98 98 9O R B I T

X V

ORBIT

Kepler’s laws of planetary motion confirmed that the Earth and other planets move in elliptical orbits, and not in perfect

circles. Inspired by this discovery, the chic Orbit candleholder invokes the shape of planetary trajectories with an elliptical

bobeche perched on each of the three bases.

Designer Lindsey Adelman designs and produces lighting in Manhattan. Lindsey discovered

Industrial Design while working at the Smithsonian and introducing herself to a woman

carving French fries out of foam for an exhibition. Thinking that looked like more fun than

her editorial job, she left to get a degree in ID from the Rhode Island School of Design

in 1996. Her work has been exhibited at the Cooper-Hewitt Museum, Design Miami, and

Nilufar Gallery. Her body of work has grown to include vessels, jewelry, blankets, wallpaper,

tiles, and video. Always asking the question “what if?” the studio now embraces a

philanthropic mission supporting Robin Hood Foundation to fight poverty in NYC. She lives

with her designer husband Ian and their son Finn in Brooklyn.

Finishes Oil-Rubbed Bronze Brushed Brass

03 (Oil-Rubbed Bronze) H 4 in / 10 cm × W 4 in / 10 cm × D 5 in / 13 cm

Material Brass

9 19 19 19 0 O R B I T O R B I T

01 (Brushed Brass) — H 2 in / 5 cm × W 3 in / 8 cm × D 3.5 in / 9 cm03 (Brushed Brass) — H 4 in / 10 cm × W 3 in / 8 cm × D 5 in / 13 cm

02 (Brushed Brass) — H 3 in / 7 cm × W 3.5 in / 9 cm × D 4.5 in / 11 cm01 (Brushed Brass)

Detail

9 39 39 39 2

01 (Oil-Rubbed Bronze)H 2 in / 5 cm × W 3 in / 8 cm × D 3.5 in / 9 cm

02 (Oil-Rubbed Bronze)H 3 in / 8 cm × W 3.5 in / 9 cm × D 4.5 in / 11 cm

O R B I T O R B I T

ABOUT

Roll & Hill collaborates with some of the most exciting independent designers working today to create a collection of beautiful and unique lighting fixtures. Roll & Hill was founded in 2010 by Jason Miller, whose experience as a

designer and producer inspired him to create a company that might harness the talents of those independent

designers, while offering a small-batch production model that’s more often associated with boutique studios.

Roll & Hill is committed to on-demand production, which allows for each piece to be customized to a client’s needs. At Roll & Hill’s headquarters in Sunset Park, Brooklyn,

parts are assembled by hand, one lamp at a time.

Roll & Hill’s pieces draw from a rich material palette that includes brass, bronze, leather, wood, hand-knotted rope and mouth-blown glass. Roll & Hill’s designers often pair

historical elements with contemporary forms to create lights that feel familiar, yet totally new.

G E N E R A L I N Q U I R I E S

3 2 3 3 R D S T , U N I T 1 0 , B R O O K LY N , N Y 1 1 2 3 2

T + 1 ( 7 1 8 ) 3 8 7 6 1 3 2

I N F O @ R O L L A N D H I L L . C O M

S A L E S I N Q U I R I E S

3 M E R C E R S T , N E W YO R K , N Y 1 0 0 1 3

T + 1 ( 7 1 8 ) 3 8 7 6 1 3 2

S A L E S @ R O L L A N D H I L L . C O M

P. 28

P. 33

P. 35

P. 37

P. 47

P. 50

P. 51

P. 52

P. 60

P. 73

Marili Forastieri

Jeffrey Schad

Trevor Tondro

Elizabeth Felicella

Michel Arnaud

Alexis Toureau

Elizabeth Felicella

Michael Graydon / Designer: Croma Design

Michael Graydon / Designer: Croma Design

Jeffrey Schad

CREDITS

Joseph de Leo

Jeffrey Schad

Lotta Nieminen

Product photography

Outdoor photography

Graphic design

R O L L A N D H I L L . C O M