symmetrical stickins paradiddles.pdf
TRANSCRIPT
-
5/19/2018 symmetrical stickins paradiddles.pdf
1/72
Symmetrical Stickings For The Snare Drum
Copyright 2003 H&H Publishing (East Midlands) LtdPublished 2003 by H&H Publishing (East Midlands) Ltd
www.hhpublishing.netProduced 2003
H&H Publishing (East Midlands) Ltd, Nottingham, NG5 7FE.Pete Lockett has asserted his right to be identified as the author of this work
Under exclusive license toH&H Publishing (East Midlands) Ltd Nottingham England
Author :
Foreword :
Music Illustrations, Cover Design & Illustration :
Editor, Publisher & Producer :
Pete Lockett
Bill Bruford
Xtreme Graphics
H&H Publishing (East Midlands) Ltd
-
5/19/2018 symmetrical stickins paradiddles.pdf
2/72
H&H PUBLISHING(East Midlands) Ltd
www.hhpublishing.net
-
5/19/2018 symmetrical stickins paradiddles.pdf
3/72
FOREWORD
Paradiddles have a lousy name. They bear the only technical name in percussion known
to the wilfully unknowledgeable, who think it hilarious that we drummers shouldexamine such things at close quarters. Young drummers shudder at the memory of tryingto master the harmless little guy in their early lessons. Most players get the single,double, triple and perhaps the paradiddlediddle variants down in their primary inversionsand move hurriedly on, thus missing the endless stream of possible, and in this book,symmetrical, variations that are so user-friendly and musical when applied around thekit.
Just when you think there is not much more that you can do with a paradiddle, Lockett
comes along with this deceptively simple looking volume that will keep you busy foryears. He examines the rudiment and its close cousins in an organised and methodicalmanner, generating exciting rhythms in not only 4/4 and 6/8, but also the less common5/4 and 7/4 metres. Since the second half of each exercise is a symmetrical mirrorimage of the first half, both hands get an equal workout.
Paradiddles are at the basis of many a fascinating rhythm. Whether you know it or not,chances are you are using them somewhere. Some drummers tend primarily to use the
single-stroke style ( most phrases played with alternate sticking ), others the double-stroke ( two beats with each stick ). Mastery of the paradiddle, being the simplestpossible combination of the two, will blur that distinction and offer an invaluable thirdway to execute the phrase. Follow this book as far as it will lead you, and your effortswill be amply rewarded.
Bill Bruford, Surrey, UK. June 2003
I
-
5/19/2018 symmetrical stickins paradiddles.pdf
4/72
CONTENTS PAGE
Foreword - By Bill Bruford I
Contents Page II
Introduction III
What Is This Book About?
What Can I Gain From Learning These Stickings?
The Paradiddle? What Is It?
What Can It Add To My Playing?
The Basic Paradiddle IV
Longer Theme And Inversion Sticking Patterns V
Other Sticking Patterns Used In This Book VI
th 416 Patterns in / 14
th 616 Patterns in / 238
th 516 Patterns in / 374
th 716 Patterns in / 474
Author Biography 60
Publishers Catalogue 62
II
-
5/19/2018 symmetrical stickins paradiddles.pdf
5/72
SYMMETRICAL STICKINGS
WHAT IS THIS BOOK ABOUT?
This book is part one of a three part series looking at sticking patterns applied to the snare drum, drumset and congas.
The content of the series focuses on sticking patterns derived from the symmetrical concept of theparadiddle, where the second half of the sticking is the exact opposite of the first half.
WHAT CAN I GAIN FROM LEARNING THESE STICKING PATTERNS?
A question I've heard so many times from students is What's the point in getting paradiddle typerudiments together? I really can't see a way of using them in everyday playing. It's amazing howquickly they come around when you begin to show them some of the possible applications across anystyle of music.
Whether you're developing a funk groove, playing a four bar Jazz break or hitting a 'Keith Moon' rocksolo, these styles of rudiments are indispensable. Drummers as varied as Steve Gadd, Elvin Jones andKeith Moon have all made great use of them.
THE PARADIDDLE, WHAT IS IT?
The Paradiddle is basically a sticking pattern, with the second half the exact opposite of the first half.
Note: All left hand players will need to reverse all stickings:
Right Handed Players Left Handed Players
WHAT CAN IT ADD TO MY PLAYING?
Using stickings such as these can lead in many different directions; creating interesting accentpatterns/articulating patterns on a number of drums that would be impossible with singlesstrokes/giving a good workout to both hands equally/creating complex sounding patterns between HiHat and Snare or lyrical patterns using Snare and Toms. The applications are endless.
L R L L R L R RR L R R L R L L
III
-
5/19/2018 symmetrical stickins paradiddles.pdf
6/72
THE BASIC PARADIDDLE
Here we have some of the basic paradiddles with accents.
SINGLE PARADIDDLE
DOUBLE PARADIDDLE
TRIPLE PARADIDDLE
THE BASIC PARADIDDLE STARTING IN DIFFERENTPLACES
Here we have the basic paradiddles with accents, starting from a different note in the paradiddle eachtime.
1) 2)
3) 4)
R L R L L R L RR R L R L L R L
R L L R L R R LR L R R L R L L
R L R L R L R R L R L R L R L L
R L R L R R L R L R L L
R L R R L R L L
IV
-
5/19/2018 symmetrical stickins paradiddles.pdf
7/72
LONGER THEME AND INVERSION STICKING PATTERNS
Using this concept we can now begin to construct some longer sticking patterns. Theoretically they canbe any length, as long as they split in half, with the second half the exact opposite of the first half.
th'sThe first half of the following example is one bar of 16 long and is divided into two groups of six andone group of four. (The bar could be divided into any subdivision to make up the total time space, i.e. 5
+ 5 + 6 = 16, is an alternative).
Here are the rudiments I've used for the groups;
Example 1 First Half
st st1 group of 6; 1 half of double paradiddle,
nd nd2 group of 6; 2 half of double paradiddle,
stGroup of 4; 1 half of paradiddle
Example 1 Second Half
st nd1 group of 6; 2 half of double paradiddle,
nd st2 group of 6; 1 half of double paradiddle,
ndGroup of 4; 2 half of paradiddle
Here is what it looks like:
1st Half
2nd Half
Note: The Second Half is the complete opposite of First Half.
This is the method that is the cornerstone of the concept of this set of books. Notice how I've indicatedeach group of the subdivisions by the markings underneath the score. This will help understand how theexamples in the book are constructed.
L R L R L L R L R L R R L R L L
R L R L R R L R L R L L R L R R
V
-
5/19/2018 symmetrical stickins paradiddles.pdf
8/72
OTHER STICKING PATTERNS USED IN THIS BOOK
Also, other hybrid sticking patterns of odd lengths, derived from paradiddles that have been used in thisbook.
Here are some examples;
5 Strokes Long
7 Strokes Long
9 Strokes Long
There are also sticking patterns using triple strokes. These are a little more tricky to articulate smoothlybut are invaluable in developing stick control.
R L R L L R L R L
R L L R R L R
R L R L L
R L L L R L L L R R R L R R R L
R L L L R R R L
VI
-
5/19/2018 symmetrical stickins paradiddles.pdf
9/72
-
5/19/2018 symmetrical stickins paradiddles.pdf
10/72
1
-
5/19/2018 symmetrical stickins paradiddles.pdf
11/72
2
-
5/19/2018 symmetrical stickins paradiddles.pdf
12/72
3
-
5/19/2018 symmetrical stickins paradiddles.pdf
13/72
4
-
5/19/2018 symmetrical stickins paradiddles.pdf
14/72
5
-
5/19/2018 symmetrical stickins paradiddles.pdf
15/72
6
-
5/19/2018 symmetrical stickins paradiddles.pdf
16/72
7
-
5/19/2018 symmetrical stickins paradiddles.pdf
17/72
8
-
5/19/2018 symmetrical stickins paradiddles.pdf
18/72
9
-
5/19/2018 symmetrical stickins paradiddles.pdf
19/72
10
-
5/19/2018 symmetrical stickins paradiddles.pdf
20/72
11
-
5/19/2018 symmetrical stickins paradiddles.pdf
21/72
12
-
5/19/2018 symmetrical stickins paradiddles.pdf
22/72
13
-
5/19/2018 symmetrical stickins paradiddles.pdf
23/72
14
-
5/19/2018 symmetrical stickins paradiddles.pdf
24/72
15
-
5/19/2018 symmetrical stickins paradiddles.pdf
25/72
16
-
5/19/2018 symmetrical stickins paradiddles.pdf
26/72
17
-
5/19/2018 symmetrical stickins paradiddles.pdf
27/72
18
-
5/19/2018 symmetrical stickins paradiddles.pdf
28/72
19
-
5/19/2018 symmetrical stickins paradiddles.pdf
29/72
20
-
5/19/2018 symmetrical stickins paradiddles.pdf
30/72
21
-
5/19/2018 symmetrical stickins paradiddles.pdf
31/72
22
-
5/19/2018 symmetrical stickins paradiddles.pdf
32/72
23
-
5/19/2018 symmetrical stickins paradiddles.pdf
33/72
24
-
5/19/2018 symmetrical stickins paradiddles.pdf
34/72
25
-
5/19/2018 symmetrical stickins paradiddles.pdf
35/72
26
-
5/19/2018 symmetrical stickins paradiddles.pdf
36/72
27
-
5/19/2018 symmetrical stickins paradiddles.pdf
37/72
28
-
5/19/2018 symmetrical stickins paradiddles.pdf
38/72
29
-
5/19/2018 symmetrical stickins paradiddles.pdf
39/72
30
-
5/19/2018 symmetrical stickins paradiddles.pdf
40/72
31
-
5/19/2018 symmetrical stickins paradiddles.pdf
41/72
32
-
5/19/2018 symmetrical stickins paradiddles.pdf
42/72
33
-
5/19/2018 symmetrical stickins paradiddles.pdf
43/72
34
-
5/19/2018 symmetrical stickins paradiddles.pdf
44/72
35
-
5/19/2018 symmetrical stickins paradiddles.pdf
45/72
36
-
5/19/2018 symmetrical stickins paradiddles.pdf
46/72
37
-
5/19/2018 symmetrical stickins paradiddles.pdf
47/72
38
-
5/19/2018 symmetrical stickins paradiddles.pdf
48/72
39
-
5/19/2018 symmetrical stickins paradiddles.pdf
49/72
40
-
5/19/2018 symmetrical stickins paradiddles.pdf
50/72
41
-
5/19/2018 symmetrical stickins paradiddles.pdf
51/72
42
-
5/19/2018 symmetrical stickins paradiddles.pdf
52/72
43
-
5/19/2018 symmetrical stickins paradiddles.pdf
53/72
44
-
5/19/2018 symmetrical stickins paradiddles.pdf
54/72
45
-
5/19/2018 symmetrical stickins paradiddles.pdf
55/72
46
-
5/19/2018 symmetrical stickins paradiddles.pdf
56/72
47
-
5/19/2018 symmetrical stickins paradiddles.pdf
57/72
48
-
5/19/2018 symmetrical stickins paradiddles.pdf
58/72
49
-
5/19/2018 symmetrical stickins paradiddles.pdf
59/72
50
-
5/19/2018 symmetrical stickins paradiddles.pdf
60/72
51
-
5/19/2018 symmetrical stickins paradiddles.pdf
61/72
52
-
5/19/2018 symmetrical stickins paradiddles.pdf
62/72
53
-
5/19/2018 symmetrical stickins paradiddles.pdf
63/72
54
-
5/19/2018 symmetrical stickins paradiddles.pdf
64/72
55
-
5/19/2018 symmetrical stickins paradiddles.pdf
65/72
56
-
5/19/2018 symmetrical stickins paradiddles.pdf
66/72
57
-
5/19/2018 symmetrical stickins paradiddles.pdf
67/72
58
-
5/19/2018 symmetrical stickins paradiddles.pdf
68/72
-
5/19/2018 symmetrical stickins paradiddles.pdf
69/72
AUTHORS BIOGRAPHY
Taiko to TablaFeaturing Joji Hirota/Pete Lockett
Pete Lockettis one of themost versatile and prolific
percussionists in the UK. Hispercussive skills range fromNorth and South Indian toJapanese Taiko drumming;from blues, funk and rock toclassical, folk and ethnic.Having worked in virtuallyevery field of musicconceivable, both live and in
the studio, he has recordedand/or toured with Bjrk, AfroCelt Sound System, PeterGabriel, Jeff Beck, NitinSawhney, Bill Bruford, Texas,Transglobal Underground, MelC, Bedlam, Beth Orton, Kula
Shaker and Vanessa-Mae amongst others. He also has many film credits, playing on the three mostrecent Bond movies, as well as the City of Angels, Moulin Rouge, The Insider, Plunkett andMaclean,and the Guy Ritchie movie Snatch.
Pete has three albums out, Network of Sparks 1, featuring Bill Bruford, Network of Sparks 2, featuringmusicians from Pakistan and Ghana, and an eclectic percussion duo project with Japanese master JojiHirota called Taiko to Tabla. All these are available online at www.petelockett.com
Find out more about Pete Lockett @
www.petelockett.com
Pete Lockett's Network of Sparks TwoFeaturing musician from Pakistan, Ghana & Japan
Pete Lockett's Network of SparksFeaturing Bill Bruford
-
5/19/2018 symmetrical stickins paradiddles.pdf
70/72
Would Like To Thank The Following For Their Continued Support
www.magnetstudios.co.uk
Would Like To Thank The Following For Their Continued Support
www.xtreme-graphics.co.uk
H&HPublishing(East Midlands) Ltd
-
5/19/2018 symmetrical stickins paradiddles.pdf
71/72
PUBLISHERS CATALOGUE
COMING SOON.....
For more information on any of these products visitwww.hhpublishing.net
Lloyd Ryan with Neil Anthony Docking
A View From The Rear
ISBN - 0 9536058 4 1
Neil Robinson & John DuttonGroove Challenge
ISBN - 0 9536058 6 8
With FREE Compact Disc
Now a part of the Graded Exams for Drums
Pete Lockett
Symmetrical Stickings For The Snare Drum
ISBN - 0 9536058 7 6
Symmetrical Hand Patterns
For The Congas
Symmetrical Stickings
For The Drum Kit
By Pete LockettBy Jim Chapin
Simon Mellish
DRUMSENSE Snare Drum Method
ISBN: 0 9536058 1 7
Now a part of the Graded Exams for Drums
Colin Woolway - DRUMSENSE
Volume One (3rd Edition) - 0 9536058 2 5
Volume Two (2nd Edition) - 09536058 3 3
With Free Compact Disc
With Free Compact Disc
-
5/19/2018 symmetrical stickins paradiddles.pdf
72/72