Featured Artists:Erik Castro, HarvesterJohn Martin, In Character

Juried Artists:Thomas BasileCynthia Helen BeecherAnn CarranzaMike ChaseCecilia ClarkCher CornettEugenie Quan CorralCathleen Francisco Gail GinderMichael GreeneDebbie GroffStephanie Hamilton-OravetzSrividya Kannan RamachandranPamela MoultonSusan NelsonAdam ShemperMarinka SolmanMaureen Wendle

STORIES THROUGH PHOTOGRAPHY

JULY 22 - SEPTEMBER 22, 2017

Erik Castro Santa Rosa, CAHARVESTERA portrait of immigrant labor through the faces of Sonoma County harvest workers.

In 2011 while on assignment for the San Francisco Chronicle, I photographed my first grape harvest; a night pick in Philo, California in the Anderson Valley. It was chaotic and I struggled to keep pace with the workers briskly cutting sticky grape clusters while filling plastic bins as fast as possible. A cloud of choking carbon monoxide wafted through the vineyard from truck engines and loud generators powering huge lights illuminating rows of grapes like a baseball field. That night stuck with me. I wanted to see those faces, but to me it was all a blur.

HARVESTER came from that experience. I wanted the public to see the faces of the people who traveled great distances—in this case all from Mexico--to toil at this labor-intensive job. In each image a Sonoma County harvest worker’s face is photographed the moment after he or she completes a harvest pick. The interaction I had with each harvest worker was intentionally brief much like street photography. It’s a purely visual story with each face its own personal narrative.

Title: Juan Manuel Ojeda Flores, 30, Guanajuato, MexicoDescription: Harvester SeriesDimensions: 40 x 60 inchesMaterial: Digital Print on Matte PaperPrice: 1,250.

Title: Julian Llamas, 55, Jalisco, Mexico Description: Harvester SeriesDimensions: 40 x 60 inchesMaterial: Digital Print on Matte PaperPrice: 1,250.

Title: Rafael Amador, 21, Hidalgo, Mexico.Description: Harvester SeriesDimensions: 40 x 60 inchesMaterial: Digital Print on Matte PaperPrice: 1,250.

Title: Celso Lopez, 54Tlaxcala, MexicoDescription: Harvester SeriesDimensions: 40 x 60 inchesMaterial: Digital Print on Matte PaperPrice: 800.

Title: Maximino Ruiz Mendoza, 63, Guanajuato, MexicoDescription: Harvester SeriesDimensions: 24 x 36 inchesMaterial: Digital Print on Matte PaperPrice: 800.

Title: Fernando Hernandez Perez, 50, Culiacán, Sinaloa, MexicoDescription: Harvester SeriesDimensions: 40 x 60 inchesMaterial: Digital Print on Matte PaperPrice: 800.

Title: Sylvia Elizza, 32, Oaxaca, MexicoDescription: Harvester SeriesDimensions: 40 x 60 inchesMaterial: Digital Print on Matte PaperPrice: 800.

Title: Luis Alberto, 30, Michoacán, MexicoDescription: Harvester SeriesDimensions: 40 x 60 inchesMaterial: Digital Print on Matte PaperPrice: 800.

Title: Elvia Reyes, 29, Oaxaca, MexicoDescription: Harvester SeriesDimensions: 40 x 60 inchesMaterial: Digital Print on Matte PaperPrice: 800.

Title: Jose Galaviz, 62, Nayarit, MexicoDescription: Harvester SeriesDimensions: 40 x 60 inchesMaterial: Digital Print on Matte PaperPrice: 800.

Title: Jorge Chavez, 54, Michoacán, MexicoDescription: Harvester SeriesDimensions: 40 x 60 inchesMaterial: Digital Print on Matte PaperPrice: 800.

Title: Lorenzo Carrasco, 40, Oaxaca, MexicoDescription: Harvester SeriesDimensions: 40 x 60 inchesMaterial: Digital Print on Matte PaperPrice: 800.

John F Martin Graton, CAIN CHARACTER was inspired by my experience with the SF opera. My introduction to opera was entirely by chance. My wife read, in a newspaper column, that the San Francisco Opera was looking for men of my height and build for Carmen. I went to an audition, and before I knew it, I was a supernumerary in the opera. From the beginning, I was fascinated by what happens when people put on makeup and costumes. They become the character. And I became a character as well. Most of the talent have no acting background. I certainly did not. Yet, when you put on the costume, you magically put on a persona. I can be a soldier, a servant or a guard or anything. From the start, I knew I wanted to set up a studio in the basement of the opera house. (Copyrighted cos-tumes cannot leave the Opera House!) For five frustrating years I tried to get permission, without success. Finally, one day, I just showed up with all my gear and set up a studio in the basement of the opera house. I would either get thrown out or have the chance to get some wonderful portraits. I was first in and last out. I arrived at the opera two hours before curtain to set up and took down the set after the show. During a production I invited the talent to come down for their portrait. I never knew who was going to come down or when so I had to stay on the set during the entire performance and then worked very fast, because they were on their way to the stage. I was obsessed! Needless to say, I did not get thrown out, and six years and 32 operas later, I had a huge body of work. suitable for an art book. I put my heart and soul into this project and would not compromise the integrity of the book for just any publisher. I was fortunate to have Mark Burstein as my agent and he found the perfect publisher, Amadeus Press. This book is the culmination of all those years and was a life-changing experience. I loved every minute of it.

Title: BirdfaceDescription: In Character SeriesDimensions: 20 x 24.5 inchesMaterial: Archival Pigment PrintPrice: 600.

Title: Flash DancerDescription: In Character SeriesDimensions: 20 x 24.5 inchesMaterial: Archival Pigment PrintPrice: 600.

Title: Birnam WoodDescription: In Character SeriesDimensions: 26.5 x 32 inchesMaterial: Archival Pigment PrintPrice: 900.

Title: ManonDescription: In Character SeriesDimensions: 19.5 x 20 inchesMaterial: Archival Pigment PrintPrice: 400.

Title: BishopDescription: In Character SeriesDimensions: 27 x 33 inchesMaterial: Archival Pigment PrintPrice: 900.

Title: In CharacterDescription: BookPrice: 39.99

Thomas Basile Santa Rosa, CADo You See What I See? VISION? PLAY? Thoreau once said ’The question is not what you look at but what you see.Document maybe and keep it but with a chance to go and alter that vision.’

Title: Woman of the West County – FarrierDescription: PhotographDimensions: 12 x 14Material: PhotographYear: 2014Price: 150.00

Title: Woman of the West County – Coffin MakerDescription: PhotographDimensions: 12 x 14Material: PhotographYear: 2014Price: 150.00

Cynthia Helen Beecher Healdsburg, CAI was born with a broad periphery. Early on, I delighted in how everything around me fit together. So fleeting were the micro-seconds of expressions, and juxtapositions that I tried to capture what I saw and felt in writing from a young age, as one often lost in the shuffle of post-war upbringing. Photog-raphy as a cultural and linguistic tool was a natural extension of my efforts to document might be missed. It is my passion.

Title: vendedor de sombreros, Los Reyes, MexicoDescription: Black & White photographDimensions: 16 x 20 inchesMaterial: photograph on archival paperYear: 1980Price: 425.

Title: vigilante nocturn, Uruapan, MexicoDescription: Hand-printed Dimensions: 16 x 20 inchesMaterial: photograph on archival paperYear: 1980Price: 425.

Title: Batata jouantDescription: Cibachrome print from slideDimensions: 16 x 20 inchesMaterial: Photograph on paperYear: 1985Price: 350.

Ann Carranza Healdsburg, CAI am a writer, freelance journalist, essayist, poet and photographer. Writing and photography both tell vivid stories, albeit differently.

Two years ago, I had the idea of taking portraits of local farmers for a book with the working title, Family Food Farmers: Portraits from Sonoma County. I plan to publish in October 2017.

I couldn’t be happier with these portraits. The three photos are a small sample of the collection for the book.

Our foodshed is the most important place of local resilience. If we can produce the food we eat, then challenges wrought by a changing world can hold no fears for us. Too many people don’t know their local farmers intimately and I wanted to bring those faces touched by frost and sun and years of hard work to those near and far who believe that local farmers are the backbone of our existence.

I live with my husband of nearly 32 years, Leonel, and our neurotic border collie, Chica, and food-driv-en Chihuahua, Yoda.

Title: PatriarchDescription: Eighty-seven-year-old Ed Vanoni wrangles the seasons’ calves into another pasture.Dimensions: 24 x 36 inchesMaterial: CanvasYear: 2016Price: $300.00

Mike Chase Santa Rosa, CAThis is a compilation of 32 of the most incredible 32 Fords, the iconic car that sparked a love affair for many of us with all cars.

Title: DEUCEDescription: The Original Hot Rod 32 x 32Material: BookYear: 2016Price: $50.00

Cecilia ClarkI entered college late in life, but upon taking the art requisite, I fell in love with the language of photography. In 2000, I graduated from CSU Sacramento with a BA in Studio Arts. I am privileged to have studied photographic art under Jim Ginney and Roger Vail.

My subjects are varied and reflect my interest in the glories of smaller, intimate scenes. The tools of the medium, as I practice it, include film, a flatbed scanner, and digital images. I’ve left the traditional darkroom behind in favor of the light of the computer screen. All images are printed using archival pigment inks on archival photographic papers.

Since retiring in 2004, traveling the world with my camera has occupied much of my time. As a result, I have lived in the Republic of Georgia, Egypt, Tajikistan, Macedonia, Ukraine, Moldova, Serbia, and most recently, Kyrgyzstan. My passion is learning about other cultures and capturing with photographs the stories of how people live.

Title: Makwagi regl (Foot Launderer)Description: One of two remaining foot launderers left in CairoDimensions: 12x18Material: color photographYear: 2017Price: 325.00

Title: A Study in ContrastsDescription: Street photography image taken in Sofia, BulgariaDimensions: 18x12Material: color photographYear: 2017Price: 325.00

Cher Cornett Johnson City, TNDeath from a uniquely female perspective is an idea I am exploring in a series of works using icons of historical and fictional stories as foundations, then taking liberties with the story. How is death perceived from a woman’s perspective, whether it be by illness, malice, accident, or suicide? How is a female death experienced from a societal perspective? I am not trying to create a coordinated style for these series, but to use idea and the story to dictate the artistry. Each has a slightly different point of view and emotional impact. Each tells a slightly different story. This is from the “Ophelia” series.

Title: Ophelia Rising

Description: Death from a uniquely female perspective is an idea

I am exploring in a series of works using icons of historical and

fictional stories as foundations, then taking liberties with the story.

This is from the “Ophelia” series, which explores the same scene

through multiple lenses.

Dimensions: 27in x 18in image, 39in x 31in framed

Material: 100% Rag Fine Art Photo Paper

Year: 2017

Price: $950.

Eugenie Quan Corral San Ramon, CAMy art journey began when healers, and messages of wellness for mind, body, and spirit appeared too frequently to ignore. At the same time, I aspired to use art purposefully. By combining art and mindful-ness with painting and photography, I had a venue to capture these lessons for myself and others. I am open to what the canvas or camera guides me to convey, and am grateful to share intentions of peace, flow, love, balance, openness, and positivity for wellness.

Title: Koi Pond BlissDescription: To live in the moment, flowing effortlessly, and in loving connection is a mindful practice demonstrated so often in nature. Learning these lessons prolongs a blissful, healthy life. Being out of our stories, and making the story what is now, promotes wellness.Dimensions: 16in x 20inMaterial: Photography on CanvasYear: 2016Price: 425.

Title: MahaloDescription: Taken in Maui, Hawaii, Mahalo means thank you. Gratitude is the highest level of enlightenment after unconditional love. When living in a place of gratitude, there is no space left for scarcity or fear. Finding the silver lining to every scenario brings contentment to life. This was taken at the end of the long, winding, slow road to Hana. Mahalo for the joy of finding this shot.Dimensions: 16in x 20inMaterial: Photography on canvasYear: 2016Price: 425.

Cathleen Francisco Sonoma, CAWhat I love about photography is the wide range of expression it allows. I enjoy the power of Photoshop to create my own visions, altered cameras for a change in perspective and alternative processes to explore and push past boundaries. Beyond the imagery I create, photography is a mediation for me, a quiet, restorative place that is as much about creativity as it is mindfulness.

Title: ConstellationsDimensions: 14x11Material: PhotographyYear: 2016Price: 150.00

Title: Burrowing OwlDimensions: 14x11Material: PhotographyYear: 2016Price: 150.00

Title: Dawn PatrolDimensions: 11x14Material: PhotographyYear: 2016Price: 150.00

Gail Ginder Healdsburg, CAFamilies are made in many different ways. These photographs represent biologically-related families and families who come together through life experiences, unique interests, and tremendous hardship.

Photography is my passion and the work of the second half of my life. I make images of people experiencing life’s unexpected moments on the street and in their familiar environments. It’s a privilege to capture a moment in another’s life that is then gone forever. I am always trying to do this with curiosity and respect. This journey has changed the way I experience the world—I am simply paying more attention.

Title: Badger - Homeless in HealdsburgDescription: Steve Badger has been homeless for 35 of his 59 years. His family helped build the town of Healdsburg. This photo was taken as part of the Healdsburg Homeless awareness project in association with Sue Nelson and Pam Moulton.Dimensions: 16in x 20inMaterial: Black and White Digital photoYear: 2017Price: $150.00

Title: John B. - Homeless in HealdsburgDescription: Living in Healdsburg, John B. is homeless and reclusive. I had an unusual opportunity to capture this rare photo of him, taken as part of the Healdsburg Homeless awareness project in association with Sue Nelson and Pam Moulton.Dimensions: 16in x 20inMaterial: Black and White Digital photoYear: 2017Price: $150

Title: A Veteran on Memorial Day Santa RosaDescription: Memorial Day at the Cemetary Dimensions: 16in x 20 inMaterial: Color digital PhotoYear: 2012Price: $150

Michael Greene Mendocino, CAPhotography is a constant evolution of change. If we observe all that appears before us each day, without preconceived expectations, the possibilities become limitless. Good composition combined with an ?eyes wide open? curiosity allows your subject matter to be as close or as far as you’ve allowed yourself to see?

Title: DeprivedDescription: The wanting eyes of a retired Burning Man art piece, juxtaposed with the barbed wire wall, reflects the current political climate towards immigrants and refugees.Dimensions: 20.09x36Material: Digital Photography, Archival Dye In-fused AluminumYear: 2017Price: $950

Title: The FamilyDescription: Nature imitates life. A piece of driftwood encapsulates the many faces of a fami-ly, bound together for eternity.Dimensions: 32.49x30Material: Digital Photography, Archival Dye Infused AluminumYear: 2016Price: $1,250

Title: DeadlockDescription: A jobless engine is repurposed as a canvas for social and political expression.Dimensions: 14.12x48Material: Digital Photography, Archival Dye Infused AluminumYear: 2016Price: $950

Debbie Groff Healdsburg, CAI am a photographer who works in a variety of forms - digital, image transfer, mixed media.

Title: Red HatDescription: Sweet little girl vigilently waiting for her turn on the merry-go-roundDimensions: 7.5 x 7.5 photo in 11 x 11 frameMaterial: Digital photographYear: 2006Price: $95

Title: Moroccan BeautyDescription: Moroccan girl waiting by the road side. Once her picture was taken and money offered, her brothers came out of the bushes, grabbed the money and ran away laughingDimensions: 10.5 x 13.5 picture in 16 x 20 frameMaterial: Digital photographYear: 2006Price: $175

Stephanie Hamilton-Oravetz Santa Rosa, CAAs a photographer and a psychologist, I am interested in portraits, intimate stories told in images and words about people, places, history, life. A portrait stops time and gives birth to something new that holds both current and ancient histories. I am fascinated by the power of history, the activities of ghosts and spirits as they reside in our unconscious, our complex dances with the past and present.? I am interested in what is seen and what is unseen, the tangible and the intangible, what is on the surface and what is underneath.

The creation of a portrait honors the power of relationship.? A portrait is always co-created. The power of an image lies first in the relationship between the photographer and the person, place or object in front of the lens. When the portrait is viewed, if the viewer is engaged, touched and encouraged to create his or her own story about it, then a new relationship has been birthed.

Life has taught me lessons about resilience, grace, calm and beauty. My own story and my profession as a psychologist has left me equally well acquainted with grief, trauma, emotional storms and ugliness. Things are not always what they seem. Sometimes truths are hidden. Universal emotions, experiences, realities like grief and loss often cannot easily be put into words. The transient lives that we live always have light and dark in equal measure; everybody has something. My art is informed by it all.

The photographic portraits submitted for this show speak of something which is unspeakable: The loss of self that comes with the progression of Alzheimer’s Dementia. They were created to honor my many patients and their families who have suffered, and to educate those who try but find it hard to understand their experiences. When words fail us, sometimes images help.

Title: Evelyn Loses Her Self I: Early Stage Alzheimer's DementiaDescription: The first in a triptych of images that speak of the unspeakable: The loss of self associated with the progression of Alzheimer's Dementia.Dimensions: 13 x 19 x 1Material: Archival inkjet print, framedYear: 2014Price: $175

Title: Evelyn Loses Her Self II: Middle Stage Alzheimer's DementiaDescription: This is the second in a triptych of images that speak of the unspeakable: The loss of self associat-ed with the progression of Alzheimer's Dementia. When there are no words, images speak.Dimensions: 13inx19inx1inMaterial: Archival inkjet print, framedYear: 2014Price: $175

Title: Evelyn Loses Her Self III: Late Stage Alzheimer's DementiaDescription: This is the third in a triptych of images that speak of the unspeakable: The loss of self associat-ed with the progression of Alzheimer's Dementia. When there are no words, images speak.Dimensions: 13inx19inx1inMaterial: Archival inkjet print, framedYear: 2014Price: $175

Srividya Kannan Ramachandran New York, NYThe purpose of my art is to delight those who set aside searching for purposes in life, if only be so for the brief time they spend gazing at my work.

As a meditation student for the past three decades, I find that beneath the ever-running reductionist out-er mind, we are all blessed with a silent mental substratum. Reposing in this substratum termed chitta in Sanskrit yields a serene sense of bliss as also an effortless identification with a universal transcendent self. Seeking to understand the factors preventing us from resting perpetually in this tranquil chitta, I found that there are deep grooves representing innate propensities embedded in our sub-conscious that impel and compel us to get agitated in Pavlovian reflexive fashion.

The aim of my art then is to gently attenuate these propensities by directly coloring the chitta and inducing in it a sense of impersonal delight that is distinct from the usual responses of either personal joy or personal disappointment.

Since verisimilitude is processed and blocked off by our analytical outer mind, I concentrate on the abstract which by its very nature has to be appreciated by our silent subconscious. Art when perceived by this inner intuitive self, escapes the confines of the artist’s work itself and is reborn on every gaze with a unique effect within each distinct individual.

Intending to serve as a personalized psychological therapeutic, I present my art to co-travelers who search with me for the kingdom of heaven on this very earth that we inhabit.

Title: There is a human inside each one of usDescription: At each point in life, one can associate with either of the two humans in the photographDimensions: 16 in x 20 inMaterial: Photo print on canvas (stretched)Year: 2014Price: 250

Pamela Moulton Windsor, CAPhotography is all about capturing that story - that moment in which, without using the spoken word, the message from my subject is speaking from the heart to the viewer. That photo holds a message - frozen in time - for others to interpret, judge, savor or reject. This is what injects life and vibrance into my art! Through these unspoken words, I want to invite the viewer and the subject matter to interact at some level perhaps through questions regarding what is being seen, or what might happen. Perhaps confirmation of what they had anticipated! For me, photography should engage the viewer long enough to pause and encourage a personal review of common beliefs, an emotional experience, specialized skills, or dreams! My collection of photos is an effort to provide a visual support to the viewer’s words.

Photography is my “meditation.” It allows me time to pause, to be witness to a personal event and and hold it forever! It encourages me to find the soul in life around me and hold it as closely as I can. Capturing that moment, that CARPE DIEM moment has encouraged me to linger longer, look deeper, hear more clearly, embrace the energy around me, and savor any opportunity to be.

Title: With no place to call homeDescription: Black/White photograph of a local (Healdsburg) gentleman who has been without a home for several years. Living on the river, he is part of a larger community of homeless individuals who search for ways in which to maintain independence, and dignity. This photo was taken as part of the Healdsburg Homeless awareness project in association with Sue Nelson and Gail Ginder. Dimensions: 16x20Material: photographic paperYear: 2016Price: $150

Title: '65'Description: Hwy 65 was the only recollection that this young man had of his trips to see his father. Once a month, his mother would pack him up in the car and drop him off for the day to spend with his father. When his Dad died, he wanted to memorialize him in some way, and wanted others to share in what he saw and remembered, by placing the colorful highway sign on his throat.Dimensions: 11x14 print, 16 by 20 framedMaterial: photographic paper, wooden frameYear: 2017Price: $150.00

Susan Nelson Windsor, CALife in every family has its highs and lows. How can anyone ever really understand the nature of someone else’s family? The photos I’ve assembled offer split-second glimpses into the families of others. These views prompt speculation about loss, love, determination, uncertainty, and tenderness…

Title: 'G'Description: This portrait was one taken as part of the Healdsburg Homeless Awareness program in 2017. 'G' was visiting the drop-in center at St. Paul's Church.Dimensions: Image area approx: 10inx14inMaterial: photographic paperYear: 2017Price: $100.00

Title: 'Big M'Description: This picture was taken as part of the Healdsburg Homeless awareness program in 2016. From a visit with 'Big M' at her campsite on Dry Creek.Dimensions: Print approx: 11inx14inMaterial: photographic paperYear: 2016Price: $100.00

Title: The RideDescription: New York City subway ride home at end of day.Dimensions: Print approx 11in x14inMaterial: photographic paperYear: 2014Price: $100.00

Adam Shemper Healdsburg, CAI’ve used the camera to describe the basic dilemma of being human in the world. Over the last 20 years, I’ve photographed people in both ordinary places and under extraordinary circumstances: in U.S. and international airports before and after September 11th, in the streets of Los Angeles, New York and San Francisco during protests against corporate globalization and war, inside Baghdad homes soon after the American-led invasion in 2003, a year later in the everyday, crowded streets of Hong Kong, around the ancient ruins of Angkor Wat in Cambodia, and later in France, where I lived in limbo before returning home in 2005, where I’ve stayed and focused on making images of family and friends in the South and in Northern California. Wandering and photographing in these disparate places, my focus has always been on existential life, and more recently in the context of the natural world.

Over the last two decades the world has become even more connected through trade and economics. The exchange of information via media and the internet has helped to inform our deepening awareness of living in and being part of an extremely delicate environment and vulnerable social fabric. The arrow of evolution in all aspects of life pushes toward greater integration and complexity, even as the difficulty of being one world seems insurmountable. The potential for exploitation, alienation and fragmentation are greater. The self is more vulnerable and even more vulnerable in isolation. Yet the potential for freedom and connection, to inhabit a more intimate and peaceful way of being, within and without, is as great as it has ever been.

In this context, photographing has been my means to investigate and be a witness to the existential and solitary life of others, as well as the medium to examine my own relationship to the world. Through photography, I?ve explored various aspects of my own experience, particularly isolation and distance, disconnect and freedom. And while photography has in some ways reinforced my feeling of being immured?the camera captures experience, while pushing it away?it has also brought me into a greater awareness of how I live in the world and how the world lives in me. I?ve gradually discovered a more intimate way of being with my self and others. Ultimately, the aim of my photography is to acknowledge the underlying truths of our existence, our ordinary suffering and our potential for liberation and freedom.

Title: America and Nest of Compost in the Backyard, Healdsburg, California Dimensions: 13x13inMaterial: black & white archival pigment print Year: 2008Price: $500

Title: Rich and Sand Sculptures, Saguache, Colorado Dimensions: 13x13Material: black & white archival pigment prints Year: 2011Price: $500

Title: Satcha on the Path, Big Sur, California Dimensions: 13x13Material: black & white archival pigment prints Year: 2010Price: $500

Marinka Solman Windsor, CA

Title: Last ChanceDimensions: 14in x 11inMaterial: Cibachrome PrintYear: 1975Price: $105

Title: The BouquetDescription: photographyDimensions: 15in x 12inMaterial: silver gelatin printYear: 1970Price: $85

Title: From Dawn to DuskDescription: photographyDimensions: 13in x 10inMaterial: silver gelatin printYear: 1965Price: $95

Maureen Wendle Santa Rosa, CAMy eye catches scenes that speak to my heart. I try to capture the feeling with the lense of a camera. Whether it be a young animal playing around it’s mamma in Africa, an interesting face that tells it own story or just a beautiful moment in time. To freeze those images to share with others gives me great pleasure.

Title: Samburu bachelorDescription: In the Samburu culture the available young men use beautiful decoration to get attention of the available young women.Dimensions: 14x20Material: aluminumYear: 2012Price: $150

Title: Zebra friendsDescription: Catching the behavior of animals in their natural habitat in Kenya's Masai MaraDimensions: 14x20Material: aluminumYear: 2012Price: $150