'IF ^=Ii

Stencil Catalog

CUT STENCILS.... for the . .

.

Use of Practical Men

Alabastine Company

Grand Rapids. MichiganNew York City. N. Y.. "'

^ .. *

TheWinterthur

Lib: aiy

1

Digitized by tine Internet Arciiive

in 2011 witii funding from

LYRASIS IVIembers and Sloan Foundation

http://www.archive.org/details/stencilcatalogshOOalab

Stencil Catalog

Showing Designs

and List Pricesfor

Practical Decorators and Painters

Special

Discount to Users

.of.

AlabastineThe Sanitary Wall Coating

To Practical Decorators

F""""

OR PRACTICAL DECORATORS who use

ALABASTINE we have prepared this list of

^^^S original stencil designs which are peculiarly

yW^J adapted to ALABASTINE work with its

beautiful and delicate tints, susceptible as they are of be-

ing combined and intermixed. With a small line of

stencils, work may be done at the same expense, more

pleasing than wall paper effect to the property owner, and

at the same time that will yield a better margin of profit

than using wall paper, to the man that does the work.

Mixing for Two Color Effects

IN WALL TINTING, two-color work is very popu-

lar. This can be produced by taking one of our regular col-

ors for a side wall , taking the same color, mixing one part of

color with from four to six parts of white ALABASTINEfor the ceiling, or ceiling and frieze. One part color and

six parts of white ALABASTINE mixed together makes

very handsome ceiling and frieze effects, but if less con-

trast is desired a smaller amount of white, say four parts,

may be used. This decorates the room in the same tone,

lightening up the ceiling. In doing this the side wall

color may be allowed to run clear to the ceiling, or the

ceiling color may be dropped down on the side wall the

width of a frieze and the colors separated by a gilt or

colored line, or, what is more usual, a picture moulding.

In this frieze running from 14 to 18 inches on an ordinary

sized room, a nice stencil design can be put on at a very

reasonable expense and most artistic effects are produced.

This stencil may be in this case stenciled on with the side

wall color. Another way is to take a certain color for

the side wall and a certain color for the ceiling and frieze

in the same manner as suggested.

The followinp; colors go nicely together used in this

way:

Oiling No. 23 and Side Walls No. 20, 24, 29, 33, 48,

54, 56.

ciling No. 20 and Side Walls No. 24, 28, 31, 33, 48,

49, 54, 56.

Ceiling No. 26 and Side Walls No. 20, 24, 31, 33.

Ceiling No. 22 and Side Walls No. 21, 28, 29, 31, 56.

Ceiling No. 52 and Side Walls No. 28, 31, 33, 48, 54, 56.

Ceiling White and Side Walls No. 20, 21, 22, 23, 24,

26, 28, 29, 31, 52, 54.

An Endless Variety of Shades.

THE ALABASTINE SHADES, in addition to being

mixed with white, may be combined and intermixed to

produce an endless variety of entirely new colors. In do-

ing this the goods should be first prepared and stirred to-

gether dry, then water added according to directions. In

experimenting by combining and intermixing for combina-

tion tints, only a very small amount is necessary. Mixed

in different proportions dry, the dry color will be very

near the color as it will come out on the wall after it has

been applied.

A Corps of Artists at Your Bidding

THE ALABASTINE COMPANY has in its employ

at all times a corps of artists whose services are free and

at the disposal of any painter having work of this kind to

do. In other words, if any painter has a house to decor-

ate and will write the Company, giving it a diagram of

the interior, giving size of rooms, including height and

other information of this kind, without any expense the

Company will have its artists prepare and submit color

suggestions for the decorating of each room that people

may know before they start just what colors they will

secure. These suggestions will be made by using the

regular tints put on paper with a brush, so it will be ab-

solutely accurate.

THE ALABASTINE COMPANY also manufactures

a complete line of the latest up-to-date positive or strong

colors, reds, greens, blues, yellows, packed in one and

four pound packages and will send circular on application.

What a Five Pound Package will Do

A FIVE POUND PACKAGE of ALABASTINE will

cover from 300 to 450 square feet, according to the nature

of the surface. For a practical man doing a room or a

building with ALABASTINE, a very small expenditure

pays for the goods and the balance goes to him as pay

for his skill in applying, while in hanging wall paper the

bulk of the expenditure goes for paper, frieze, etc., and

the small amount to the practical man.

WE ARE DESIROUS of interesting every painter in

the use of ALABASTINE, are ready to help him in

every way and can certainly show him that it is to his in-

terest to advocate its use.

ALABASTINE is used largely in scene painting, and

used by window trimmers where they work out hand-

some effects that cannot be produced in any other way.

WHEN ORDERING STENCILS be sure and order

stencil from 3 to 5 inches narrower than space to be used

in. That is when border is 18 inches wide, stencil should

not be more than 12 to 15 inches wide. The number

and width of pattern with price is marked under each

stencil.

Please enclose ten cents additional for postage and

packing for all orders for 50 cents or less, and 15 cents

on all orders over 50 cents and less than $1.00. Postagefree on all orders $1.00 and over.

Alabastine CompanyGrand Rapids, Michigan

105 Water St.. New York City

How To Use Stencils

-^ EFORE STENCILS are shipped they are oiled

g J for use. It IS a good plan however to gi>i^

them a coat of shellac as it adds to the life of

the stencil.

IN USING FRIEZE PATTERNS the stencils should

be pressed and held firmly against the wall and the mat-

erial to be used for the stencil color rubbed over and

through the cut out in the pattern.

A GOOD ROUND PAINT BRUSH will serve for

filling the stenciling color— if a new brush the bristles

may be tied about one-half way down to prevent the

brush from spreading. The brush should be well filled

with the color and wiped out on the side of the dish to

avoid color running back of the stencil and smearing the

wall.

WE SUGGEST to the inexperienced that they first

try the work on some old wall or a piece of board.

MoA. ^0.5. Mo 6.

PRICE LIST of RELIEF MACHINES

AND OUTFITS

ONE Soft Rubber Relief Machine with 6 Tubes $1.7 >

TWO Soft Rubber Relief Machines with 12 Tubes 3.2,5

Relief Outfit No. 1

One Relief Machine, 6 Tubes and One Q T C\C\Special Mixing Bowl >4) vj » \J\J

Relief Outfit No. 2

Two Relief Machines, 12 Tubes and One d^ ^ tT/^Special Mixing Bowl >^j|^\Jv/

Alabastine CompanyGrand Rapids, Mich.

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H? D- 16 INCHES WIDE PRICE 150

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