start galahad audition packet - · pdf filestart galahad audition packet 1) this packet...
TRANSCRIPT
!
START GALAHAD AUDITION PACKET
1) THIS PACKET INCLUDES ALL THE CALLBACK MATERIALS (SIDES ON TOP AND MUSIC AT THE END) FOR THIS CHARACTER ONLY IF YOU WERE CALLED BACK FOR MORE THAN ONE CHARACTER PLEASE DOWNLOAD THE MATERIALS FOR THE OTHER CHARACTERS AS WELL.. PLEASE PRINT OUT THE CHARACTER(S) YOU HAVE BEEN CALLED BACK FOR AND BRING IT WITH YOU TO THE CALLBACK.
2) IF YOU CAN NOT PRINT OUT THE CALLBACK MATERIALS COPIES WILL BE PROVIDED.
3) CALLBACKS ARE HELD AT THE SAME LOCATION AS AUDITIONS 1020 SERPENTINE LANE SUITE 101 PLEASANTON, CA 94566 CALLBACKS WILL START WITH DANCE AT 10AM ON SATURDAY JULY 27TH
IF YOU CAN NOT MAKE CALLBACKS PLEASE CONTACT THE DIRECTOR AT [email protected] OR TEXT AT 510 755 1421
!
ACT 1 SCENE 5 ARTHUR DENNIS BEDEVERE PLAYING MOTHER
Arthur attempts to convince a peasant named Dennis Galahad that he, Arthur, is king of England because the Lady of the Lake gave him Excalibur, the sword given only to the man fit to rule England. However, Dennis and his mother, Mrs Galahad, are political radicals and deny that any king who has not been elected by the people has any legitimate right to rule over them.
SCENE A
!
ACT 2 SCENE 8 HERBERT (PRINCE) LANCE GALAHAD PLAYING FATHER
Lancelot is very surprised to find that the "damsel" is actually an embarrassingly effeminate young man named Prince Herbert ("Where Are You?"/"Here Are You") whose overbearing, music-hating father, the King of Swamp Castle, is forcing him into an arranged marriage. As Herbert is asking Lancelot to help him escape, the King of Swamp Castle cuts the rope that he is using to climb out of the window, and Herbert falls to his apparent death. Lancelot is a bit puzzled at the king's actions, but it is revealed that Herbert was saved at the last minute by Lancelot's sidekick, Concord. The King asks his son how he was saved, exactly, to which Herbert replies happily with a song. But the king charges at his son with a spear, preparing to kill him. Lancelot steps in to save him, then gives a tearful, heartfelt speech about sensitivity to the king on Herbert's behalf, and Lancelot is outed as a homosexual in the process, an announcement celebrated in a wild disco number ("His Name is Lancelot").
SCENE E
LANCE Leave him alone! This poor little chap is your son, sir. All he ever wanted was a little love and affection, but did you ever give it to him? No, no ... (Becoming emotional) ... I'll wager you denied him. You try to kill him, and worse, far worse, you try to marry him off to some girl, some female that he obviously has no feelings for whatsoever. Yes, yes I know a little bit about bullying fathers you bastard. Have you no heart? Have you no human tenderness? Can't you see that all he's asking for is a little love and understanding? (Almost overcome) Is that too much to ask? Is it? Too Much! To Ask! FATHER (Beat) My god! You're gay.
!
ACT 2 SCENE 4 ARTHUR GALAHAD PLAYING BLACK KNIGHT
King Arthur, happens on the scene and more or less defeats him by cutting off both his arms and legs, impaling his still-alive torso on a door, and leaving to give the Knights their shrubbery.
SCENE F
!
ACT 1 SCENE 11 ARTHUR LANCE AS TAUNTER GALAHAD BEDEVERE ROBIN
At the French castle they are taunted by lewd French soldiers. They attempt to retaliate by sending them a large wooden rabbit in the style of the Trojan Horse; however, they realise after the fact that it was not as simple as leaving the rabbit and walking away – they should have hidden inside it. Defeated, they leave in a hurry when the French begin taunting them again, sending cancan dancers after them and throwing barnyard animals including cows at them ("Run Away!"). Arthur and his followers manage to run into the safety of the wings before the French catapult the (via video) Trojan Rabbit at them.
SCENE G
!
ACT 2 SCENE 8 FATHER PLAYED BY GALAHAD GUARD AUDITION BY MALE ENSEMBLE THIS PART IS NOT PLAYED IN THE SHOW BY THE MALE ENSEMBLE. IT IS BEING USED FOR AUDITION PURPOSES ONLY
Lancelot is very surprised to find that the "damsel" is actually an embarrassingly effeminate young man named Prince Herbert ("Where Are You?"/"Here Are You") whose overbearing, music-hating father, the King of Swamp Castle, is forcing him into an arranged marriage. The father is telling the guard to make sure HERBERT stays in the castle
MALE ENSEMBLE PLAYS ALL OF THE FOLLOWING CHARACTERS TWO SINGERS, MAN #1, MAN #2, KEVIN (THE CARTER), SIR NOT - APPEARING, DANCING NUN (MAN), DANCING MONK, VOICE OF GOD, FRENCH GUARD #3, FRENCH GUARD #4, KNIGHT #1, KNIGHT #2, KNIGHT #3, KNIGHT #4, MIME, PUPPETEER, BORS (RABBIT EATS HIM) PLUS A FEW
MORE
SCENE J
!
"
!
"
#
#
#
#
$$
$$
$$
$$
1
%DENNIS:
% % % % & ' (%Once in e v'ry show There
)))*
Vln, K3: Stgs.
%%Solo
PIANO +% %% % %% % %% %
,- %
2
% % % % % & ' (%comes a song like this It
)))
%% % %% % %% % %% %
)
3
% % % % % & ' (%starts off soft and low And
))))
%% % %% % %% % %% %
,- % %
4
% % % % % & ' (%ends up with a kiss Oh
))))
%% % %% % %% % %% %
)
-
!
"
!
"
#
#
#
#
5
% & % %where is the
--
-
-))
%% % %% % %% % %% %
,% % % -
6
% ' (% % %song that goes like
))))) !
%%% % %%% % %%% % %%% %
,- %
'
- . . . . . .thisF Where is itF Where is itF
'/%0Horn solo
% % --IK2
1 ' (%K2: Oboe solo
% %
%%% % %%% % %%% % %% %,,%%
IK3: Bsn/Stgs. 's!
(%% --
8
. . . & ' (%LADY:
Where where whereF A
' (%Vln, K3: Stgs.
% % % %-- ---)
%%% % %% % %%% % %% %,,%%
(%% --
– 4$ –
THE SONG THAT GOES LIKE THIS
Spamalot
Tour
Keyboard 1/Conductor
8
!
!
!
"
#
#
#
#
)
% % % % % & ' (%sen ti men tal song That
,-K2: Oboe, Vln, K3: Stgs.
%& ' /%Hn.
% % % %
%%IGtr. !"#$%
ITri.
% %% % %% % %% %F
,-w/K2: Stgs - pads
%
10
% % % % % & ' (%casts a ma gic spell They
,% (%% % % %% ,-
%% % %% % %% %%% %
C/EA/C2
,- %2
11
% % % % % & ' (%all will hum a long WePll
,% (% % %1 % % % %
%% % %% % %% % %%% %Dm FMaj '
C
,- %3
- - - - -
!
!
!
"
#
#
#
#
12
% % % % % & ' (%o ver act like hell Oh
- % %% ,-
%% % %% % %% % %% %B# B#/D
,- %
13
% & % %this is the
))
%%% % %%% %%%% % %%% %
F Dm
' (%K3 % % ' (% % %,%
w/K2
% % -
14
% ' (% % ' (%song that goes like
))
%%% % %%% % %%% % %%% %Gm' C'
' (% % % ' (% % %- %% %% % %
- -
!
!
!
"
#
#
#
#
15
,% .BOTH:
. . &this. Yes it isR
& % % %
' /%% % % % % %
%%% % %%% % %%% % %%% %%% % %%%F B#/F' (%
IBs. Cl. % % % % % %- -
ITbn.
16 (. ' ' (. 1Yes YesR
-
% % % % % % % %)' % % % % % %
%%% % %%% % %%% % %%% %F (%
,% (%IBass
IToms fill, Cym. roll
%% %%%%
%%
Kbd.1 2. THE SONG THAT GOES LIKE THIS
– 50 –
Spamalot - Tour
!
!
!
"
#
#
#
#
1'
%DENNIS:% % % % & ' /%Now we can go straight In
- '(%Flute, Vln, K2,
K3: Stgs I&'(% %
& %%0Tpt, Hn.
%%--
%%%4
w/Gtr. strum's
IDrums: time
% %%% % %%%%%% %%%
ITamb.
on '4'
%%%B#,,
%%w/K3, Bs. Cl. 's!
(%% --
18
% % % % % & ' (%to the mid dle eight A
- % % % %& %%
%% --
%%% % %% % %% %%% %%% %%%F/A
,,%%(%% %% %% %% %%
1)
% ' /% % %bridge that is too
%- %
- -,- %)ITbn.
%%%% % %%%% % %%%% % %%% %Gm' C'sus C'
,,
%%(%%
--
-
!
!
!
"
#
#
#
#
20
% % % % & ' (%LADY:
far for me. IPll
' (%% % % % % % % %
&% %& ,-
)
%%% % %%% %% %% %% %% %%%%%%
F F/A
-- %%%%
21 % % % % % 1sing it in your face
- %% % %
& %% %%%% %%
,-%%% % %%% % %%% % %%% %B#,,
-- %%
22
% % % %3 %2 & ' (%BOTH:
While we both em brace And
%2 - %%2 % % % %)
% -
%%%2 % %%% % %%% % %% %A A'/C2,,--
%%22
-
!
!
!
"
#
#
#
#
2
2
2
2
23
,% (% ,%3 /%then we change the
% % % %3'
/%% %% %% %%3
%% %%3 %%
%% % %% %%%%%3 %3 %%%%
(Tamb.
out)
%Dm G'
,,
%%w/Tbn. (%% ,
,%%
(%%
24 - -ke yR
-%2 % % % % % % %3 % % % %2 % % %3 %
%%5
ITpt 2
%%%5
%%%5
)%%%%%%5
%%%2
2%5
%--
%%%%)%%%%
4%%%%5
%%%%2222 5%%%%25
%%%%5C C2 D D'
%%)
%% %%5%%225
%%5
IToms fill, Cym. roll
%%5%%5
%%225
-
Kbd.1 3. THE SONG THAT GOES LIKE THIS
– 51 –
Spamalot - Tour
!
!
!
"
2
2
2
2
25
%DENNIS:% % % % & ' /%Now wePre in to E That's
,%Fl, K2,
Vln. (%
+
% % % %%%5 /
%%(Tpts. out)
&% % -
%%%3w/Drums: time
% %%%+
% %%% % % % %G
,,%%5ITamb. 's"
w/K3(%% --
26
% % % % % & ' (%LADY:
aw fully high for me But
,% (% % % % %
& % % -
%% % %% % %% %% % %
D/F2,,
%%(%% --
2'
% % % % % & ' (%e very one can see We
,% (% % % % %& % % % %
%%% % %%% % %%% % %%%% %Em GMaj '/D
,,%%(%% %% %%
- - -
!
!
!
"
2
2
2
2
28
% % % % % & ' (%BOTH:
should have stayed in D For
- ' (% % %& % % % % % %
%% % %% % %% %% %% %%C Bm Am
,,%%(%% %% %% %% %%
2)
% & % %this is our
- -)
%%% % %%% %%%% % %%% %
G Em
,,
%%(%% -
30
% ' (% % %song that goes like
- % %)
%%% % %%% % %%% % %%% %Am'
-- %% %%
!
!
!
"
2
2
2
2
31
)this
&%
6
4%6
%6
& %7Hn, Tpts.
%7
%7
% %7
%7
%%%4 % %%% % %%% % %%% %Dsus
,,--
6%%6
32 1 & ' (%DENNIS:
I'm
%6 %
6 ,%6
*
% % % % % % %%%7
%% %%7
%%7
--7
,%
%%% % %%% %----6
C/D D
--
6 IToms fill, Cym. roll' (%%6
w/Tbn.
%%6
%%6
Kbd.1 4. THE SONG THAT GOES LIKE THIS
– 52 –
Spamalot - Tour
!
!
!
"
2
2
2
2
33
% % % % % & ' /%LADY:
feel ing ve ry proud YouPre
-
+
% % % % %& ,-%
Hn, Tpt 2
-
%%%w/Drums: time
%+%%% % %%% % %%% %
G
,,
--w/K3 %%
34
% % % % % & ' %DENNIS:
%sing ing far too loud ThatPs the
% % % %
& % --
%% % %% % %% % %% %D/F2 B'/D2,
,-- %%22
35
% % % % % & ' (%LADY:
way that this song goes YouPre- ,% (%
& %Horn,% /%
%%% % %%% % %%%%3 % %%%% %Em GMaj'/D-- --33
- - -
!
!
!
"
2
2
2
2
36
% % % % % 1stand ing on my toes
- % % % %
% % % % %
%% % %% % %% %% %% %%C Bm Am
-- %% %% %% %%
3'
-BOTH: % %Sing ing our
)
)
%%% % %%% %%%% % %%% %
G Em
-- -
38
,%(% % %
song that goes like
)
)
%%% % %%% % %%% % %%% %Am'
,,-- %%
- -
!
!
!
"
2
2
2
2
2 2 2
2 2 2
2 2 2
2 2 2
3)
)this
'%
Vln, K2
0 % % % % % % % % % % % % %' /
%%%7Hn, Tpts.
,,,%%%5 /
%%%7
%%%0 % %%% % %%% % %%% %
C/D
,,%%
6 (%%5%%5
% % %
40
% - ' (%LADY:
I
+
%%,(- 4
% %2 % % %2+
% % % % % % %2%2 % % % % % % % % % % % %2 %
,,,%%%5 /
%%%7
---25
%%%%,(-4
% %%% ,%%%%2 %
(Tamb.
out)
%%%D/E E
,,
%%5%%5
%% %Tom fill
% --!
Kbd.1 5. THE SONG THAT GOES LIKE THIS
– 53 –
Spamalot - Tour
!
!
!
!
22 2
2 2 2
2 2 2
2 2 2
41
% % % % % & ' /%DENNIS:
canPt be lieve therePs more ItPs
,-0
K2, Vln &'! (Flt out)
%
%%+
Solo
w/Gtr. !"#$%
IMark Tree gliss
%% %% %% %% %% %% %%A
%Drs: Cym. on '1' (K3, Bs. Cl. out)
% % % % % % %)
42 % % % % % & ' %LADY:%far too long IPm sure ThatPs the
- % %
%% %% %% %% %% %% %% %%E/G2% % % % % % % %)
43
% % % % % & % %trou ble with this song It goes
- % %%0Horn solo
% % %IBs. Cl.
%% %% %% %% %% %% %% %%F2m F2m/E% % % % % % % %,- %
"
- -
!
!
!
"
222
2 2 2
2 2 2
2 2 2
44
% % % % % & ' (%BOTH:
on and on and on For
- % %)
%% %% %% %% %% %% %% %%D% % % % % % % %,-
)
%Bs Cl,
Toms,
K3, Bs.
% %&
45
- % %this is the
- -)
%%% % %%% %%%% % %%% %
A F2m,%
Drs. lite time
% % -
46
%% ' /%% %% %%
song that is too
))
%%% % %%% % %%% % %%% %Bm'
,,
-- %%
!
!
!
"
222
2 2 2
2 2 2
2 2 2
2 2 2 2 2
2 2 2 2 2
2 2 2 2 2
2 2 2 2 2
Gtr.
4' ))long.
& ' )
%Picc, K2, K3, Vln. &'!
% % -8
%Brass,Timp,
Snare
%%%%%5
%%%%5
%%%%5
%%%%%5
%%%%5
%%%%5
%%%%
33
59 : : :
,,
--
IBs Cl, K2: Tbn.
0
%%5%%335
Esus E F
48 1 & %LADY: %WePll be
& ' )
% %2 % --8
%%%225
%%%5
%%%5
)
%%%%2
5%%%5
%%%%5
%%%25
%%%25
%%%5
%%%5
%
: : : %%25 %%5 %%%5
%%225
w/Timp.
%,(-;)
%%5%%5
%%5%%5
Tom fill
%%5%%5
%%225
F2sus F2
Kbd.1 6. THE SONG THAT GOES LIKE THIS
– 54 –
Spamalot - Tour
!
!
!
!
"
222 2 2
2 2 2 2 2
2 2 2 2 2
2 2 2 2 2
2 2 2 2 2
ITri. roll ITri. roll
4)
% % % % % & ' /%DENNIS:
sing ing this till dawn YouPll
1 %%WOMEN: %% %% %% %%AhR
%
4
(3 8ves)
% % % % % % % % % % % %,
%,
'/%%5+<4
%%5
%%5
--5'
%3 %2 %2 %
%%%4 w/Gtr. strum's
w/Drums: time
% %%% % %% %% %% %% %%B
,,
%%(Timp. out)
w/Bs Cl, K2: Tbn. 's!ITbn. 's,#
(%%,,
%%(%%
50 % % % % % & ' /%LADY:
wish that you werenPt born LetPs
1 %% %% %% %% %%AhR
% % % % % % % % % % % % % %
'/%%5
%%5
%%5
--5
-'
% % % %
%% % %% %%% %% %% %% %%
F2/A2
,,%%(%% ,,%%
(%%
-
!
!
!
!
"
222 2 2
2 2 2 2 2
2 2 2 2 2
2 2 2 2 2
2 2 2 2 2
51
%LADY:% % % % & ' /%%BOTH:
stop this damn re frain Be
1 % % % % %AhR
% % % % % = % % % % %'
/%%5
%%5
%%5
--5 (Tpt 1 out)
-
%%% % %%% %%ITri. % % % % % % %
G2m G2m/F2,,
%%(%% %% %%
52 %% %% %% %% %% & %%fore we go in sane The
>
,% % % % % % % % % % %
'/%%5
%%5
%%5
--7
%%% % %%% %% %% %% % %% %E
,,
%%(%% %% %%
- - -
Kbd.1 7. THE SONG THAT GOES LIKE THIS
– 55 –
Spamalot - Tour
!
!
!
!
"
222 2 2
2 2 2 2 2
2 2 2 2 2
2 2 2 2 2
2 2 2 2 2
Rall.53 -- %% %%
song al ways
>
- -
,,%%7
Hn, Tbn.' %%
7%%7
,,,,%%%%;
%%%%5%%%%5 %%%5 % %%%5 %
D2m G2m
,%ens.
(Tbn. out)
%%5 %%5 %%5
%%5%%5
54 --
--ends like
&WOMEN:
% & %ends like
,- %& %%%
ITpt 2
%%% %%%
%%%5 % %%%5 % %%%5%%%5
C2m' F2sus F2
%%5%%5
ITimp. to end
%%5%%5
%%5%%5
-
!
!
!
!
"
222 2 2
2 2 2 2 2
2 2 2 2 2
2 2 2 2 2
2 2 2 2 2
55
)thisR
))this
-5
?
% %5
%5
%5
' %%5;Brass
%%5
%%5
%%%5
%
5
%%%5
%%%7
%%%%7
%%%%7
----?
%%%%%%%6 %%%
6%%%6
EBD2 F2'sus
C2
,,
%%5(%%5
%%5%%
6%%
6%%
6
56 )@
)))@))))A?))))@?B
))
@
Segue
5' >
>(%
B
' & 1
/
%%%%
/%%%%
B' & 1
(%%' & 1
Kbd.1 8. THE SONG THAT GOES LIKE THIS
– 56 –
Spamalot - Tour