standby or cue - open computing facilitydda/pcn/2008/pcn08 - stg mgr c… · web viewwait few...

PILIPINO CULTURE NIGHT ‘08 STG MGR/LIGHTINGAwaken Movement, UC Berkeley CUE SHEETBy: Pauline Alvarado Updated: 13 April 2008

Standby or Cue When What happensStby house lights > curtain > projector [not sure if this will be here] > video

[insert minutes] before show

House lights out> curtains open> projector go

SHOWTIME! Blackout

Video goStby projector up>Q1

When projector goes down or curtain is fully open

OPENING beginsVideo montage

Project out *somewhere in the middle of the video… it takes a while to roll that ish up and down*

Q1 go [watch the video for the last line? OR do they start when I call the lights on?]

4 speakers onstage

Stby Q2 [KAMILLE’S LAST LINE GOES HERE]

Q2 go [SAM’S LINE GOES HERE] Entire stage lights upBand playsCast on stage

Stby Q3> Q4

The awaken movement sign starts to open

Q3 go Music stops. [INSERT LAST LINE HERE]

OPENING ends.Everyone stops on stage; then, blackout.

Q4 go [do I look for Golda on the alcove? How long after the blackout? OR does Golda start when I cue to lights on?]

LIBERTY1 beginsSpot on alcove.

Stby Q5> Q6> Sound 1? [singkil has live music?]

VICTOR: It’s only a few minutes long… My name is victor by the way.

Q5 goSound 1 go?

LIBERTY: Huh? You were just stalling?VICTOR: Shh! Look it’s starting!

LIBERTY1 endsSINGKIL beginsLights fade to focus on the dance.

1

Q6 go. [when do you want me to cue the lights for the opening?]

[happens during this cue?]

Stby Q7 [indicate a move or time when I should alert the lighting guy]

Q7 go. [what move/time/sound/lyrics do u want me to call the cue?]


Stby Q8 to Q11 [indicate a move or time when I should alert the lighting guy]

Q8 go [what move/time/sound/lyrics do u want me to call the cue?]


Q9 go 5 seconds after the final pose. SINGKIL ends.Blackout

Q10 go 3 groups are onstage. OLD SCHOOL (OS) beginsSpotlights on each group.

Q11 go LEAN and DARLENE on the side. Other people exit.

OS IIFull stage lights.

Stby Q12> Q13

AMD: Come on it’ll be fun.

Q12 go GK: I also need a job...

DIANA: …looking for writers.

Fade black.

Q13 go LEAN and DARLENE are on the side and people exit.

OS III.Spotlights on characters.

Stby Q14 LEAN and DARLENE argue. The phone rings.

Q14 goStby Q15

GK: Dad I have to go.LIGAYA: Besides, I’d like to feel like a young college student again.

Fade black.

Q15 go After ninjas clear Ligaya’s area, actors are on stage

OS IV.Full stage lights.

Stby Q16 LIGAYA: I’m not old.

Q16 go LIGAYA: “…but PILIPINOS Lighting indicates mood change.2

was invested in things that mattered.”

Stby Q17 to Q19 AM: “Right!” [insert line before]

Q17 go GK: “No dance and no rally for me.”

Blackout.

Q18 go Clear stage.Actor behind screen on alcove.

OS V.Actor will turn on light.

Q19 go Immediately after actor turns on light.

2 spots will follow actors as they emerge from the screen.

Stby Q20 to Q22 GK: Stop it.

Q20 go EMILIO returns behind the screen.

Spot off.Blackout.

Q21 go Actors will gather on SL entrance.

Spot follows 5 characters

Q22 go LIGAYA passes flyers to MARVIN and ALEX.

OS VI.Full house lights.

Stby Q23 FELICITY: No, it’s okay…

Q23 go FELICITY: No your voices need to be heard. Change starts when one person speaks up.

Change in lighting mood.

Stby Q24 to Q31 GK: Don’t preach to me.

Q24 goStby Sound 2

LIGAYA: This young man and I are going to get more participants…Ligaya pulls GK offstage.

Blackout.

Q25 go ANNOUNCER: OK, next up is PILIPINOS from UCB performing Rhytmn Nation.

OS VII.Spotlight on DIANA

Q26 goSound 2 go

DIANA: Okay, we’ve all worked hard for this. Do a good job!

Spot off. (ask Judith/Alvin Eugene what goes after this)

Q27 go 00:05 seconds after the 5,4,3,2,1 JAZZ begins.

3

* look for a dance move or something easy… like a beat or something *

Q28 go 00:09 seconds (“bass”)

* see above *

Spot SR group

Q29 go 00:14 seconds

* see above *

Spot Center group

Q30 go 00:18 seconds

*see above *

Full stage lights.

Q31 go? [indicate a move or time when I should cue the lighting guy]

JAZZ ends.OS VII Resumes.[what happens to the lights here? Black out? The same lights as jazz?]

Stby Q32 to Q35 GK: And when you dance…

Q32 go GK: We’re progressing as a community, right?

Change in lighting mood.

Q33go DIANA: We can teach you a few things, and maybe you can join our next performance?

Blackout.

Q34 go When everyone is set up on stage.

OS VIII.Spot on groups.

Q35 go KAY: Imagine where this can go.KAY: You’ve awakened a movement.

OS ends.Fade to blackout.

Q36 go LYRA: Oh wow!FM: Hokay hokay hokay… sige na.

* may improve to give ninjas more time *

TRANSITION1 begins* dialogue may change… this is a general idea of it*

Stby Q37> Q38

LYRA: Of course she’s involved! But she…I don’t know.

Q37 go FM: We’ll see you two at the debut?LYRA: Yeah, she’s going. Okay, sige na.FM: Bye!

TRANSITION1 ends.Lights fade out SR

Stby Q38 LYRA: …Roxanne’s debut this LIBERTY2 II

4

Saturday.

Q38 go LIBERTY: Sorry, I’ll pass I’m already involved…Just not with the Filipino group.

Light change to go with mood change. [Louel, would you like a lighting change here?]

Stby Q39 LIBERTY: Sorry, but I’m not Okay!

Q39 goStby Q40

LYRA: I’m proud of you ‘nak…LIBERTY: But you meant it.

Light change to go with mood.[lighting change needs to be confirmed]

Q40 goStby Q41 to Q43

LYRA: Well I’m lonely too!LYRA exits with LIBERTY on stage.

Blackout.[how long will the blackout be? As long as the ninja set up? When I see the two on stage?]

Q41 go JOBELLE & LIB are on stage.LIBERTY: And she…

LIBERTY P2 III.Spot SR on.

Q42 go LIBERTY: Exactly… that’s the word I’m looking for… Yup.

Spot SR off.Spot SL on.

Q43 go WAITER: …would you like to you wait for your party?LYRA: Wait.

Spot SL off.Spot SR on.

Stby Q44> Q45

LIBERTY: I really don’t want to.

Q44 go JOBELLE: So your mom should be happy that you’re, like, taking ownership of your life or whatevs.


Q45 go LYRA: Oh that makes me so happy… But now I need to take more care of myself.

Spot SL off.Spot SR on.

Stby Q46 to 48 After knocking sound.DAD: Jojo!

Q46 go DAD: Whatever…LIBERTY: Will do.

Spot follows DAD to Center

Q47 go JOBELLE: Um okay… fine… But it’s at a fancy romantic restaurant.


Q48 go VICTOR: Excellent, you’re… What would you guys like to order?

Lights out.

5

Stby Q49 Voicemail lady

Q49 go VICTOR: Is your friend coming?JOBELLE: Maybe. I keep getting her voicemail th…

LIBERTY2 IVLights up

Stby Q50 LIBERTY: …she’s happy, I’m happy…

Q50 goStby Q51

ESTELLA: Liberty stop…ESTELLA: I want to tell you something.

Blackout.

Q51 go ESTELLA: Oh okay, I will.LYRA: Salamat po.

Lights on including the alcoves.

Stby Q52> Q53

VOICE: It’s something you’re never thanked for.

Q52 go VOICE: AnythingESTELLA: FatherLYRA: Mother

Blackout

Q53 go ESTELLA: DaughterLYRA: MotherLIBERTY: Mom

Lights on.

Stby Q54 LIBERTY: Be able to be proud of me…

Q54 goStby Q55

ESTELLA: Chis-mis and experience.

Blackout.

Q55 go JOBELLE: Stall like crazy!…VICTOR: You got it! That’s my specialty.

LIBERTY2 VLights up.

Stby Q56 LIBERTY: Ma!

Q56 go VICTOR: We can start the last dance!

[call the cue when all the dancers have taken their position?]

LIBERTY2 ends.SWINGS begins.[does swing automatically go into the dance? Will the lights be on or will there be a blackout after VICTOR’s last line?]

Stby Q57> Sound 3

[indicate a move or time when I should alert the lighting guy]

Sound 3 & then Q57 go When the band ends? Lights focus on the “soul train”?

6

* it looks better when the sound goes as they are dancing and then the light… because it would look weird if the light changes before the sound and dancing *

[what move/time/sound/lyrics do u want me to call the cue?]

Stby Q58> Curtains


Q58 go> Curtains go


SWING Ends.END OF FIRST HALF.Blackout.

INTERMISSION

Stby house lights > curtains

[insert minutes] before show

House lights out> curtains go

Stby Q59

When we’re ready dawg. Blackout

Q59 go [when do you want me to cue the lights for the opening?]

MORO begins.“Morning” lighting



“Noon” lighting



Really bright lights

Stby Q62> Q63


Q62 go Ending pose MORO ends.Blackout (ask trad heads)

7

Q63 go ANGELA starts walking outANGELA: Ahh…

LOST VOICES (LV) ILights on.

Stby Q64 VOICEMAIL: Ms. Bagumbayan…

Q64 go ANGELA/LOLA: …new job as an architect. When I last talk to your mommy she was…

Spot on LOLA

Stby Q65 to Q69 LOLA: ay nako, you’re right.

Q65 go ANGELA:…this part of the slums for the condos.ANGELA walks offstage.

Spot on ANGELA fades after exiting.

Q66 go MANG TAYSO dances the ocho ocho

Spot fades

Q67 go MANG TAYSO: Why are you HANGING around here…you silly little girl!

Spot blacks out.

Q68 go After ringing sound. LV IILamp light on SR alcove turns on.

Q69 go ?? Lamp off on SR alcove

Stby Q70> Q71

ANGELA: Really? You should write a book.

Q70 go Everything starts to move. Plastic vase falls over. Angela gasps.

Blackout.

Q71 go Music starts playing (2 seconds after blackout).

LV III.1Spot on ANGELA lying on the floor.

Stby Q72 MARIANNE: Mommy brought some pandesal and juice so we can celebrate!

Q72 go MARIANNE: This pandesal is special!

Second spot on DSL

Stby Q73 TO Q75 FATHER: Thank you! Salamat!

8

Q73 go FATHER: Nahihirapan narin. Spot DSL gradually fades out.

Q74 go MARIANNE: Maligayang bati. Remaining spot fades out.

Q75 goStby Q76

Family is on stage. Dimmed lights.

Q76 go FATHER: …we don’t have any money to ride the bus

ANGELA: I don’t understand it.

Spot on.

Stby Q77> Q78

MARIANNE: All you Pilipino Americans care about are…

Q77 go ANSELMO: Or is it because I fought for a father that doesn’t even call me his own son.

[what lighting is going on right now?]

Q78 go ANSELMO: Look baon! LV III.2Spot on ANSELMO.

Stby Q79> Q80

ANSELMO is standing and whatnot.

Q79 go PEOPLE IN BLACK: Why do you care…

Spot on ANSELMO out.

Q80 go Last PEOPLE IN BLACK leave stage.

LV III.3Spot SR on MANG TASYO.

Stby Q81 to Q83 MANG TASYO: But you know, what’s missing in that picture? Dashing Tasyo!

Q81 go MANG TASYO: Your Lola wants you to hear them… MANG TASYO grabs the frame…

Spot on MANG TASYO fades.

Q82 go VOICEMAIL: Where are you?

[need confirmation on this line for the lighting change]

LV, Scene III.4“Urgent, bloody” lighting comes on.

9

Q83 go ELLEN: Anak Spot 2 on.

Stby Q84 to Q88 BOSS: Ellen!

Q84 go BOSS: Oh there you are!

ELLEN: No, don’t!

Spot 1 & 2 starts to fade.

Q85 go (right after “No, don’t!”)

ELLEN: I have my family… my children!

Lights out.

Q86 go ANGELA places ELLEN on her lap. ANGELA: Can…

LV, Scene IV.1Spot 1 on.

Q87 go ANGELA: Can someone help us? I can’t let her die too…

Spot 2 on SR alcove.

Q88 go LOLA: You can do a lot. Spot 2 out.

Stby Q89 to Q96> Sound 4

MODERN walks in.

Q89 go ELLEN: some of us stay there… and some of us come back in body bags… You won’t remember a maid.

Spot fades out.

[is Q89 and Q90 the same thing?]

Q90 ANGELA backpedals House lights dim

Q91 goSound 4 go

2 actors exit and MODERN is left on stage.

MODERN begins.“Everyday we struggling”


Lauryn Hill song


JT song


Maid song

Q95 go [what move/time/sound/lyrics do “Grown apart”

10

u want me to call the cue?]

Q96 goStby Q97> Q98> Video> Projector?


Finale – Talib Kweli

Q97 goProjector go?

Ending pose (wait a couple of seconds).

MODERN ends.Fadeout.

Q98 go Loud noises in Zellerbach. When the ghosts are standing on stage ready.

LV IV.2Dimmed ouselights go on.

Video go. Choir starts singing.

[need confirmation of this cue]

Stby Projector * when website material comes on *

Video out.Projector out. Stby Q99

ONSCREEN:It's up to you... to seeIt's up to you... to listen You are the architect of your own activism.

LV ends.

Q99 go Jean on DSL TRANSITION2 begins.Spot on Jean

Stby Q100 to Q103 ANGELA: Whatever it is. Whatever you do…

Q100 go Wait for dancers to occupy the stage?

MOF beginsTop lights shine down on boys.Spotlight at instrumentalists slowly fades in.

Q101 go 10 seconds afters Lighting mood gradually changes

Q102 go Dancer pose. First music piece ends.

Lighting mood changes.

Q103 goStby Q104> Q105

Change from Spanish to Cordillero.

Lighting mood changes.

Q104 go Final pose (wait a couple of seconds after).

MOF ends.Blackout.

11

Q105 go Jean is on stage. TRAN2 resumes

Stby Q106> Q107

ANDREW: Woogity boogity….

Q106 go JEAN: Uhh .. no … I … Oh no! I’m late for tabling I gotta go!

TRAN2 ends.MUSICAL I begins.Bright/Circus mood lighting.

Q107 go>Stby Q108 to Q114

ANDREW & JEAN: Step right up…

[what are they doing before this? ]

Spot on ANDREW & JEAN(from alcove?)Spot on SL??

Q108 go JEAN: Don’t worry! All questions will be answered. Just come out this Saturday.

Spot on VERONICA.

Q109 go EVERYONE: I hope my facebook list will turn to ten. I hope I find my place in PCN

Spot off VERONICASpot on RACHEL

Q110 go EVERYONE: Must do it for family again. I hope I find my place in PCN.

Spot off RACHELSpot on CharlieLights dim

Q111 go EVERYONE: I hope I find out who I really am. I hope I find my place in PCN.

Stage lights back to normal

Q112 go ANDREW: PCN is…

[I can’t find this on the script]

Lights go crazy.


Wait few seconds after the music stops.

Lights down.

Q114 go Everyone is set up on stage? MUSICAL IIRURAL begins.“Dusk” lighting.

Q115 go Last Pandango dancer exits.

Q116 go New music starts up for bangko Change in lighting mood.

12

Q117 go Tinikling enters. Lights dim.Change in backdrop.

Q118 go Bangko pyramid forms. Change in lighting mood.

Stby Q119 ANDREW enters the stage. RURAL ends.


ANDREW: Andrew always gets what he wants.

Blackout.

Q120 go When stage is ready Musical IIILights up.Spot on ANDREW (center).

Q121 go ANDREW: I’m glad you finally decided to cave.

Spot on JEAN (enter SR)

Q122 go JEAN: No…ANDREW: Yes..JEAN: Uh-uh!

Spot on LIBRARIAN

Q123 go LEAD CHORUS sings “Shh, Shh”

[what’s before this? Can’t find it on the script]

Lights get brighter.

Q124 go After “Puh, huh” argument Spot on LIBRARIAN

Q125 go VERONICA: It’s so obvious…

Shuffle around…

Spot on VERONICA.Spot on Rachel

Q126 go VERONICA/RACHEL: I’m going with…

All spots on CHARLIE


CHARLIE: I’ve got an idea. Lights down.

Q128 go When stage is ready MUSICAL IVLights up.Bands plays.

Q129 go VERONICA: I’m meeting lots of new friends…

[there’s no like words before this? So how do I know when to put the spot on VERONICA?]

Spot on VERONICA.

13

Q130 go VERONICA: I’m behind in all my classes / But at least my Facebook friends have doubled.

Spot off VERONICA.Spot on RACHEL.

Q131 go RACHEL: I can’t fake a smile / My emotions reflected

Spot on VERONICA & RACHEL

Q132 go VER/RACH: Do I really have to pick only one? Do I have to choose a side?

Spot off VERONICA.Spot off RACHEL.Stage lights on.

Q133 go CHORUS: I can’t do this alone. Lights dim.Spot on CHARLIE

Q134 go CHARLIE: Where is the culture, community and identity? All these images keep repeating and repeating.

Spot off CHARLIE/Spot on ANDREW & JEAN

Q135 go ANDREW & JEAN: I can’t do this alone.

Spot off ANDREWSpot off JEAN

Q136 go Cast ends up in a slow motion of themselves?

Spot on PCN signSpot on FCN sign


“Canceled” sign is put up Black out.

Q138 go When VERONICA is on center stage.

MUSICAL V.1Center lights up only.

Q139 go RACHEL: …there must be something we can do.

CHARLIE: I’ve got an idea!

Spots follow JEAN & ANDREW as they are being chased.

Q140 go Third chase??

(how do I do know which chase is which)

Tech script indicates a crash scene while Cue sheet indicates a “searchlight” ???

Q141 go After cast ties up AND/JEAN MUSICAL V.2Spot on CHARLIE

Q142 go CHARLIE: PCN may have started out as a way to express our culture through dance, but

Spot on RACHEL

14

that’s not all it is now.


RACHEL: …more and more new things about myself and my culture. What matters most is that we are all doing this together.

Spot on VERONICA

Q144 go VERONICA: It’s bigger than me / Together we have the opportunity to make something great.

Spot on TESA

Q145 go TESA: But the experience we share / I hope I find my place in PCN

Spot on JEREMY

Q146 go CHORUS: I hope I find my place in PCN

Spot on JEAN

Q147 go JEAN: I know I can’t do this alone.

Spot on ANDREW


ANDREW: I know I can’t do this alone.

Lights become brighter.Spot on alcove?Spot on ANDREW & JEAN?

Q149 go After final applause MUSICAL ends.Blackout.

Q150 go I have no idea what is going on here.

TRAN3 begins.Spot on 2 people.

Q151 goStby Q152

?? TRAN3 ends.Blackout.

Q152 go When ready CLOSING.Entire stage is lit

[I have no idea on what the order is right now]

Q153 go “No justice, no peace (2x)” Spot on SR alcoveDS litUS darker w/ a color

Q154 go MATT: Thanking past generations for all that has been done but continuing to fight so

Spot off SR alcove.Stage is lit.

15

our voice can finally be one.

Q155 go “No justice, no peace (2x)” Spot on SR alcoveUpstage darker than downstage

Q156 go> Stby Projector

ERIKA: I’m tired of hearing about destitute bodies dead with no names, what affects the Philippines affects my very name.

Spot off SR alcoveEntire Stage lit

Q157 go “No justice, no peace (2x)” Spot on SL alcoveUpstage darkDownstage lit

Q161 go KAMILLE: In these eyes is determination and believe that this Filipino face is not for sale.

Entire stage is lit

Q162 goStby Q163> Video

“No justice, no peace (2x)” Video?

Projector goQ163 goVideo go

RODNEY: What do we want justice? When do we want it now! (2x)

Lights dimVideo go

Stby Q164> Projector

Somewhere in the middle of the video

Projector goQ164 go

End of the slideshow

(look for images and whatnot)

Stage is lit

Stby Q165 to Q167 ??

Q165 go “Further enrich the souls and the hearts of Pilipinos and Philippines.”

[from the closing until the end of the show I’m totally lost]

Q166 go Isang Bagsak piece starts here?

Q167 go ?? CLOSING ends

Stby Q168 ?? BOWS/THANK YOUS

16

Q168 go Bows begin Bright, happy music

Stby Q169 ??

Q169 go Thank yous begin

Stby House lights> Curtain

??

House light onCurtain go.

BOWS/THANKS YOUS end.END OF SECOND HALF.

THE END

17

standby or cue - open computing facilitydda/pcn/2008/pcn08 - stg mgr c… · web viewwait few...

Documents