sp12 140 camera lens
TRANSCRIPT
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Anteroom by James Nizam
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Imaging medium+
Storage device
Imaging medium
Storage device
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Image sensors
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Light reflecting from the subject hits the surface in a random
jumble Not resulting in a picture
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In order to make a picture you need a control
device between the subject and the light sensitivematerial that select and aim the rays of light
placing each ray from each part of the image
where they belong.
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Camera Obscura - a large dark room that the artistentered where an inverted image of the outside wasprojected onto the opposite wall through a smallopening.
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A table-top CameraObscura
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Light bulb, 1991
website
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Modern-day camera obscura by: Abelardo Morell
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Zeb AndrewsJapanese American Historical
Plaza, 90 seconds
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Shhhh, 240 seconds
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Compact Digital Camera
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Premium Compact
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Digital Single-Lens Reflex Camera
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The Camera! " light " " aperture" " shutter" " light-tight container" " light-sensitive material"
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Cameras primary functions" " view" " focus" " expose"
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view
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focus
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expose
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Lens focal length
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Focus
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Normal lens
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Wide
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Telephoto lens
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Fisheye
Macro
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Digital depth of field
Why does f/8 give me one depth of fieldin my film camera and another when
I use my digital camera?
Depth of Field
Depth of field (DOF) is a term which refers to the areas ofthe photograph both in front and behind the mainfocus point which remain "sharp" (in focus).
Depth of field is affected by the aperture, subject distance,
focal length, and film or sensor format.
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Focus & Depth of Field
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Controlling sharpness in a photograph
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perspective
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filters
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Messages from another world: The cave signs and paintings cover 25,000
years of prehistory from 35,000 to 10,000 years ago
Read more: http://www.dailymail.co.uk/sciencetech/article-1349303/Chauvet-
Pont-dArc-Werner-Herzogs-3D-film-brings-paleolithic-cave-
life.html#ixzz1jByoPeuG
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Photographers deal in things which are continually vanishing and when theyhave vanished there is no contrivance on earth which can make them come
back again.
Henri Cartier-Bresson
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The difficulty of making accurate drawings of objects as minute as many of the Algae and Confera, has induced me to avail myself of Sir John
Herschels beautiful process of Cyanotype, to obtain impressions of the plants themselves, which I have much pleasure in offering to my
botanical friends.
Anna Atkins, October 1843
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Sally Mann, Family Pictures 1984-1991
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Imogen cunningham, the dream, 1910
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Ansel Adams
Aspens, Northern New Mexico
1958
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