southern and southeastern asian art – part ii (1200 – present) eugenia langan mater academy...
TRANSCRIPT
SOUTHERN AND SOUTHEASTERN ASIAN ART – PART II (1200 – PRESENT)
EUGENIA LANGANMATER ACADEMY CHARTER HIGH SCHOOLHIALEAH GARDENS, FLORIDAWITH APOLOGIES TO FRED KLEINER
DELHI SULTANATE (MAMLUK – TIMURID – TURKIC) AT ITS GREATEST EXTENT – NOTE RAJPUT (HINDU) STATE IN N. CENTRAL INDIA
QUTB MINAR, BEGUN EARLY 13TH CENTURY, AND ALAI DARVAZA, 1311, DELHI, INDIA.
ON QUWATT-AL-ISLAM MOSQUE , BEGUN 1193. PATRON = QUTB AL-DIN AYBAK, FIRST DELHI SULTAN – FIRST MOSQUE IN INDIA
MINAR (MINARET) = 238’ TALL – PURELY SYMBOLIC
SACRED SPACE, POWER AND AUTHORITY
LOTUS MAHAL, VIJAYANAGARA, INDIA, 15TH OR EARLY 16TH CENTURY. FUNCTION UNKNOWN – COMBINES HINDU AND MUSLIM ELEMENTS
BASAWAN AND CHATAR MUNI, AKBAR AND THE ELEPHANT HAWAI, FOLIO 22 FROM THE AKBARNAMA (HISTORY OF AKBAR) BY ABUL FAZL, © 1590. OPAQUE WATERCOLOR ON PAPER, 1' 1 7/8" X 8 3/4". VICTORIA AND ALBERT MUSEUM, LONDON.
PATRON = AKBAR THE GREATMINIATURE -- BUT POWER AND AUTHORITY, NARRATIVE
NOTE RUDIMENATARY PERSPECTIVE, DIAGONAL COMPOSITION DRAMANOTE REPRESENTATION OF
HUMAN FIGURE IN MUSLIM ART!
BICHITR, JAHANGIR PREFERRING A SUFI SHAYKH TO KINGS, © 1615–1618. OPAQUE WATERCOLOR ON PAPER, 1' 6 7/8" X 1' 1". FREER GALLERY, WASHINGTON, D.C.
NOTE PERSIAN AND WESTERN INFLUENCES
THEMES: PATRONAGE, PIETY, POWER AND AUTHORITY, POLITICAL
RECALL PERSIAN PAINTING – EXAMPLE =SULTAN-MUHAMMAD . COURT OF THE GAYUMARS, FOLIO 20 VERSO OF THE SHAHNAMA OF SHAH TAMASP, FROM TABRIZ, IRAN © 1525 – 35. INK, WATERCOLOR AND GOLD ON PAPER. 1’ 1" x 9".
TAJ MAHAL, AGRA, INDIA, 1632 – 1647
PRECISE PROPORTIONS, CLEAR PERSIAN INFLUENCE
PATRONAGE, POWER AND AUTHORITY, SACRED SPACE
KRISHNA AND RADHA IN A PAVILION, © 1760. OPAQUE WATERCOLOR ON PAPER, 11 1/8" X 7 ¾". NATIONAL MUSEUM, NEW DELHI.
RAJPUT
NOTE USE OF DARKNESS, LIGHT (LIGHTNING) CONTRAST
PIETY, HUMAN BODY
OUTERMOST GOPURAS OF THE GREAT TEMPLE, MADURAI, INDIA, COMPLETED 17TH CENTURY.
NAYAK
150' HIGH, COVERED WITH PAINTED STUCCO SCULPTURES
PAINTED EVERY 12 YEARS:
SACRED SPACE, RITUAL, POWER AND AUTHORITY
FREDERICK W. STEVENS, VICTORIA TERMINUS (CHHATRAPATI SHIVAJI TERMINUS), MUMBAI (BOMBAY), INDIA, 1878-1887. MONGREL. POWER AND AUTHORITY!
MAHARAJA JASWANT SINGH OF MARWAR, ©1880. OPAQUE WATER-COLOR ON PAPER, 1' 3 ½" X 11 5/8". BROOKLYN MUSEUM.
ADOPTION OF WESTERN STYLE, ARTISTIC AND SOCIAL
WALKING BUDDHA, FROM SUKHOTHAI, THAILAND, 14TH CENTURY. BRONZE, 7' 2 ½" HIGH. WAT BECHAMABOPIT, BANGKOK.
NON-HUMAN BODY
STYLE UNIQUE TO THAILAND
EMERALD BUDDHA, EMERALD TEMPLE, BANGKOK, THAILAND, 15TH CENTURY. JADE OR JASPER, 2' 6" HIGH.
BUDDHA – CHAKRAVARTIN = GOD OF THE WORLD, RAINMAKER
IN ROYAL TEMPLE: POWER AND AUTHORITY
SCHWEDAGON PAGODA, RANGOON, BURMA, 14TH CENTURY OR EARLIER (REBUILT SEVERAL TIMES).
STUPA
POWER AND AUTHORITY, PIETY, SACRED SPACE