S O U N D

B E T T E R

B E T T E R

S O U N D

Introdu

cing the

B173 m

kII and

B12A m

kIII

ĥBig

1073-s

tyle gai

n

ĥCin

emag

input a

nd out

put

transfor

mers

ĥVar

iable o

utput

attenua

tion

for con

trol ov

er tran

sforme

r

saturati

on

ĥFro

nt pane

l D.I.

ĥSte

pped in

put gai

n

ĥ48V

phan

tom p

ower a

nd

phase i

nverse

control

s

ĥCon

venient

half

-rack

sizing

for mix

ing-and

-

matchin

g ĥ

Big 312

A-style

gain

ĥCin

emag

input

and ou

tput

transfo

rmers

ĥFro

nt pane

l D.I.

ĥSte

pped in

put gai

n

ĥ48V

phant

om po

wer, 18

dB

pad, a

nd pha

se inve

rse

control

s

ĥCon

venien

t half

-rack

sizing

for mix

ing-

and-ma

tching

Meet th

e Black

Lion A

udio B

173 mk

II — the

most p

ortable

1073

British-

sound a

round!

The B

173 mk

II uses t

he sam

e Cine

mag in

put

and ou

tput tr

ansform

ers as

our B

173 Qu

ad for

a whop

ping 7

0dB of

gain, a

revam

ped ga

in stag

e, and

a lower

noise

floor fo

r clean

er, low

er

distorti

on sou

nd. A

front pa

nel D.I

. delive

rs a ha

rmonic

ally ric

h tone

to

guitars

, keybo

ards, a

nd syn

thesize

rs, and

steppe

d input

gain a

nd var

iable

output

atten

uation

allow

for per

fect c

ontrol

over tr

ansform

er sat

uration

.

Meet th

e Black

Lion A

udio B

12A mk

III — th

e most

portab

le 312A

Americ

an-sou

nd aro

und! T

he B12

A mkIII

uses t

he sam

e Cine

mag

input a

nd out

put tra

nsform

ers as

our B

12A Qu

ad for

a whop

ping 7

0dB

of gai

n. A fro

nt pan

el D.I. d

elivers

a har

monic

ally ric

h tone

to gu

itars,

keyboa

rds, an

d synth

esizers

, and s

tepped

input g

ain allo

w for p

erfect r

ecall.

Thick, B

ritish-

sound:

B173 m

kIIFas

t, Americ

an-

sound:

B12A m

kIII

S O U N D

B E T T E R

B E T T E R

S O U N D

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B E T T E R

B E T T E R

S O U N D