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VERSE IS THE REVERB OF SEVER AS VERB IS THE REVERSE OF DEATH ?

Exhibition by Martin Bakero

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verse is the reverse of sever as verb is the reverb of verse ? sever the reverse of versein the verb of the version invention is the sever of version a verse in invention is reverse of sever reverb off verb is the reverb of reversea verse among the verbs ?

¿ es suelo lo que suena en el sueño o el sueño suena en el suelo ? suele el sueño sonar que el suelo en el sueño es el trueno que estreno es el sueño que suele sonarsoler que es el suelo del trueno donde suena lo que sueño en el suelo ¿ el sonar del trueno extremo en el suelo que sueño soñar ?

est-ce vers le revers d’un rêve où le rêve de l’envers es vrai ?

c’es vrai le vers est un rêve sévère le vers est un revers c’es rêve le vers à l’envers c’es vrai l’envers du rêve c’es vers un rêve vrai sévère est l’envers du vrai est-ce l’envers du vrai rêve le revers du rêve vers ?

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BLACK AND WHITE

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a. chaosmose /A4 impression numériqueb. nailsnails / A4 sérigraphiec. fear delays love / A4 impression numériqued. silence / A5 handmade (ink on paper)e. silence of my grand other / A4 fire laser printf. verbification / A4 fire laser printg. snake ego egg / A4 impression numériqueh. spidermind / A4 impression numériquei. emanation from a word /A4 impression numériquej. bliztard / A4 fire laser printk. he ego splits / A4 fire laser printl. letterflies / A4 impression numériquem. ox&gen / A4 impression numériquen. music is the ring / A4 impression numériqueo. dancing spots / A4 impression numériquep. cantar palarmas / A4 impression numériqueq. transparientes 21 / A4 impression numérique

BLACK AND WHITE - legends

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COLORS

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a. fearless bacterias / A3 téchnique mixte (photogravure-inkjet)b. meaning’s resistance / A3 téchnique mixte (photogravure-inkjet)c. skililing / A4 photo and inkjet printd. reverés / A4 impression numeriquee. museumnation / A3 photof. rib tongue / A4 impression numériqueg. en la mancha de la panza rocinea dulcinante don quijote / 100 x 150 cms impression numeriqueh. vulcanize the speculation / A4 impression numériquei. preconception / A4 impression numériquej. under the upon name / A4 impression numériquek. teospiralhuacan / A4 photogravurel. inside the scarabee / A4 impression numériquem. palestine protects israel / A4 impression numériquen. salva salvador / A4 impression numériqueo. ha llegado carta / serigraphiep. others mothers / A4 impression numérique

COLORS - legends

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PAINTINGS

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a. against the miasma/ 200 x 80 cms acrylique b. t(a)ime (e)space/ 35 x 25 acrylique over woodc. tide in knots / 35 x 25 acrylique over woodd. only wait the infinite / 35 x 25 acrylique over woode. as you like it / 35 x 25 acrylique over woodf. sound is spacetime / 35 x 25 acrylique over woodg. spiderider / 35 x 25 acrylique over woodh. split spoil split spirit / 35 x 25 acrylique over woodi. dollshow class / 35 x 25 acrylique over woodj. gamma cassiopeia / 35 x 25 acrylique over woodk. o(the)r / 35 x 25 acrylique over woodl. commit/ 35 x 25 acrylique over wood

PAINTINGS - legends

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SCULPTURS & OBJECTS

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a. half full / fire print laser over woodb. half empty / fire print laser over woodc. sound shower / for eight headphones/ metal structure 200 x 80 x 40 cmsd. vacuum poetry / vacuum cleaner reverse motor system expelling po-etry / 50x 40 x 40 cmse. fleuve / print over cotton/ 300 x 70 cmsf. flamme / print over cotton / 120 x 400 cmsg. sempiternelle / 3D impression over wood structure / 40 x 40 x 20h. pasion poison / 3D impression over wood structure/ 45 x 100 x 10

OBJECTS - legends

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We will propose to the visitor two possibilities in order to perambulate the exposi-tion. A normal one, where he can visite at his own; and another one, where the artist will invite to the people to visite the exposition with a personal introduction to the works.

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ABOUT

“Martin Bakero moves out of lines of sight and into vortices of light, thicknesses of eye’s swimming.” “We are called to find ourselves in these almost delirious expeditions.”(William Rowe)

“Martin Bakero’s variegated array of visual poetic imaginings plays within and at the edges of multilingual lettristic, phonemic, and verbal sense, delving into the microparticular inner levels of those elements and springing out of them to mystic realms of cryptolinguistic visual labyrinths that dazzle, baffle, and delight the eye” (Paul Dutton).

-Extracts from Abjects, Veer Books, 2013.-

Martín Bakero is a poet, musician and psychotherapist (therapoet). He has presented performances, lectures, films, expositions, installations and radio programs in many locations throughout Europe and North, Center and South-America. He has experimented with combinatorial, permutation, genetic, astrobiology, quantum mechanics, sound, vision and psychics arts. He studied electro- acoustic composition in the conservatory of Paris and teach in the University of Paris, México and Chile specializing in sever personality disorders and sound poetry. He participated in workshops with Meredith Monk, Joan La Barbara, Alejandro Jodorowsky, Ramuntcho Matta among others artists. He make workshops for “therapoets” all around the world. He created the pneumatic and electropneumatic poetry, he’s working now in “Acousmantic” poetry.

During the last time he made some creative sound residences and performances in Avatar (Québec), National center for arts (México) and Proposta (Barcelona). He’s member of LaBoRaToiRe, Motor Nightingale, Buzos Tácticos, M’Other, Futures Primitives, Mutiques and pnEUmAtIkOs, where he works with other artistes, scientists, mystiques...in different rehearsals about the bounds between poetry, music, vision and reality.

He created the festival Festina Lente and the Laboratory of electropneumatic poetry (Laboratoire d’electropoésie acousmantique) in Paris. web site: www.therapoetics.org