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Thére is fto ctoubtthat ̂ iri wfth its five segwentsofbeauttuî^ancfômare îtttrinsic tô thé peopte offiahrain thrôughtime sntj âge, attrîtîuting to thepeâriingjïïumeytowardsattair^theoystersandpeartsfrom1^esea, effibod^gfcantf phenomenatway oflîfe.

ffiinaugb lïs âffatogiesanct (iepth^there is nospeçifte rytes practNQnefs need to foHow in onierto perf&rmtftis art Noreove^ thé unity/cobesivenessa^ close assciciatîbnsofBahrairifs Wtthoneanotherevenin theirsens^sand émotions whteftfe fëftè^stfiTOighthetFart, erttét'gingtbï-ough its spontaneîty, harmony antfhôritogeneity.

tfwebrîr%tQgetfteraUthep«rformm^arfôfrom3rôyndtheworid, r^p&rtormance as collective or as iîeautifutasth», So, fiashraîn is anctwiiî remain thesourcexîf tbefjinpractjce.

From thtsiKïînt, fhefl-iemtoensûfthïiBahfami (îâttd of (smaetOw/aswôutd Ulîe to expressthatïhereiSRoothêfperferming^rtsthatts mo^deseraingthanF^ri, andweare bappytoprovethatwfth ourgFêatest pleasure.

Therefore, w/ewt»y}dltketQa$ifyQ Ucoy(cl fake whatyoufcêtîevete appropriate

Pteaseacceptciur Sincère gratitude aiFid3{ïprécia^OR

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