sketching death in art. bodies, dying, death the art of the past reminded people of the coming end...
TRANSCRIPT
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Sketching Death in Art
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Bodies, Dying, Death
• The art of the past reminded people of the coming end like:
• Grim reaper (dried-out skeleton)
• Danses macabre (memento mori)
• Baroque Vanitas (beautiful bodies)
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Chosen Subject
• The theme of death as the place, where the confrontation of science and art is more reflective than anywhere else
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Social Background
• Death has to be an integrated part of individual and social life in our society
• Death now is clean and has been removed from our life to hospitals and nursing homes
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Leitmotive• An uncomfortable subject for a
great number of people, much lied about. Even in our language we often refer to people having “passed away” or “departed” – rather than died.
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First Impressions
• In 1987 Hans Bankl M.D. professor of anatomic pathology invited to sketch bodies
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Department of Pathology St. Poelten
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Challenge
• The principal concern – through the art – is to imbue the public
• To make the zone of death visible
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1987 - 1992
• A lot of pictures arise to a cycle called „Body without Soul“
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Area of Investigations
• The autopsy room as an artist´s space is standing in a long tradition which started in the 2nd half of the 11th century.
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The confrontation with death as the center of
artistic remarks
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Working in the Autopsy room
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The Dead Body• Death seems to have become more
far. Now we study discease and no longer death
• Death is regarded as a phenomenon that is not very well understood. The cadaver is still the body and already the corpse
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Sitting close to the body to record the last
examination and the act of autopsy
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Confrontation instead of Disgust
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It is hard to find a more realistic of death than in
an autopsy room
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There is no taboo in the art, death must be
accepted
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Shock is not the Focus with Blood in the Limelight
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Problems of Sketching Death in Art
• The artistic work is fraught with difficulties: to show something that does not exist anymore - life.
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Eyewitness
• An artist has to show something missing, a loss, a deficit
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Analytical Confrontation
• Death is one of the taboos of our society, as is sex
• Death....when it is documented, seems abstract, unreal
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Body without Soul
• Over the last 12 years men, women and children have been portrayed in the cycle “Body without Soul“ before the coffin finally closes
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Everyone dies his own Death
• The individuality is in the flesh, the exact unexchangable condition of everyone.
• Only a dead person itself is a dead person
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The Dying of the Others
• Nowbody learns about his own death, but everybody can learn about death of the others.
• Death is the climax of life. With death everything is gone and nothing
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Temporal Life
• The temporal life, always a usual life, individual, unique, irreplaceable is a final life.
• It ends with death, nothing more and nothing less
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Death has many faces
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Age of Life
• There is a difference of life but not of the end, of the destruction
• Dying is a natural accident
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The younger the dead person is, the more death will touch
the living one
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Art and Death• One of the biggest confrontations
is the studying of the human body. There is a vast difference between a living and a lifeless body, the latter is missing something - the elan vital
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The last Print
• To record the last attempt of human individuality before the onset of final decay
• to make a last print before the body will be cremated or decomposes
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The Taboo of Death• There is a need to avoid any
confrontation because people are afraid of death
• The collective repression of death has a far reaching consequence (quality of life)
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The Color of Death
• The fable world of the interior of the body
• The brilleance of the color
• The landscape of organs
• The point of view of the art
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New York
The Mount Sinai Medical Center
Mount Sinai School of Medicine
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1992 - 1993
• Alan L. Schiller M.D. professor and chairman of Pathology gives his permission to paint various aspects of autopsy pathology
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Alan L. Schiller M.D.
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Mount Sinai Morgue
• Creating a large painting (triptychon) to grace the entrance of the autopsy suite of the Hans Popper Department of the Atran Laboratory
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Sketch of the painting
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Mount Sinai Morgue
• The inception to create the large painting on canvas was in november 1994 at the Michael Kisslinger Gallery Soho/New York. It took over a month till the work was finished
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• The paint is dark-blue and the color refers to coldness, emptyness and peace
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Coats
• More than 20 coats were needed to get the brilliance of color and the beauty of the appearances in the interior of the body
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Working at Night
• By day in the harsh lighted autopsy room at Mount Sinai Medical Center, by night in the empty gallery surrounded by a dark room and the paintings of „Body Without Soul“
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Difficulties with the Artworks
• A taboo is hurt
• The confrontation is painful
• Shock instead of happiness
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The Uncertain Certainty
• At the beginning of life death has already started.
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The three Parts of the Tripthychon
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Left Part
• The acrylic painting shows the rigidity of fingers and arm
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Middle Part
• The deep black inside the body is contrasted with the glistening reds and oranges of the organs
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Right Part
• The expression of the face
• The sufferings are over
• The worn-out,
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The Uncovering of the Picture
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Unnatural Death
Hacked to DeathJunk Objects
New York in 1992/1993
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Serial Photo Production
• Parts of collected junk objects in the streets of N.Y. City like shop-window dummies, dinnerwagons, bodybags ...were the impression for this cycle.
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Someone is at the wrong place at the wrong time
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Thrown away like the life, objects tell the story
of its works and days
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A hunt for circumstances, a hunt for how, where, when,
why, a reconstruction of the scene of a crime
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Sometimes a whole biography is there in the
cast
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The wounds and scars gathered in a lifetime
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The way people die is a reflexion of the way
they live
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The rich die differently from the poor, the ignorant from the
educated
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Death remarks the end of the physical body
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The Final The Death of the Self
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Diagnosis
• I have to die
• You have to die
• All have to die
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Therapy
• Confrontation for everyone
• The Taboo of death is a deception
• We have to study death and not only disease
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CURRICULUM VITAE1957 Harald Koeck born in Salzburg/Austria
1981 – 1986
• Salzburg International Academy of Fine Arts - graphic arts
• Salzburg University of Salzburg Arthistory
• Salzburg Exhibition Art Gallery Weihergut
• Salzburg “Craft of Illusion” drawings for the book of Gerhard Amanshauser
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1981 - 1986
• Salzburg Exhibition at the House of Art
• Salzburg “100 Years Spring Palor” at the House of Art
• Vienna Exhibition at the Theatre of Courage
• Vienna Academy of Fine art Friedensreich Hundertwasser
• Ulm (Germany) Kornhaus Gallery
• Budapest (Hungary) Kilato Gallery
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1988
• Vienna Stubenbastei Gallery
• St. Pölten General Hospital - the project “Body without Soul” at the Department of Pathology – Professor Hans Bankl
1989
• Hamburg (Germany) Airport Gallery
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1990
• Vienna Exhibition “Body without Soul” Austrian Culture Center Palais Palffy
• Melbourne (Australia) Gryphon Gallery Unversity of Melbourne
• Vienna Exhibition “Body without Soul” Medical Center
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1991
• Vienna documentary video “Body without Soul” and presentation at the Center Auditorium of the Medical University
• 1992 Vienna Exhibition at the Federal Museum of Pathology and Anatomy (Narrenturm)
• Eisenstadt Exhibition Museum of Austrian Culture (Death Triumphant)
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1993
• New York City (USA) - project “Unnatural Death“ – Homicides, Suicides and Accidents
• New York City Mount Sinai Medical Center Pathology Prof. Alan Schiller (paintings and drawings in the morgue)
• New York Exhibition Gallery Kunstschalter
• Kassel (Germany) coffin installation at the Museum of Sepulchral Culture
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1994
• New York City Death in Art - guest lecture University of New York Fashion Institute of Technology
• New York City Triptychon “Mount Sinai Morgue” wall painting at the entrance of the Hans Popper Department of Pathology
• New York City “Body without Soul” Michael Kissinger Gallery
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1995
• Vienna Exhibition Congress of Medical Ethical General Hospital of Vienna
• Vienna Red Ribbon art installation “Children with AIDS” Gerngross store
1996
• Belarus (Russia) “Little Blue Man” Rememberence 10 Years Cernobyl
• Vienna Exhibiton “Unnatural Death in New York City” photographics
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1997
• Vienna Production of the movie “Thoughts about Death”
1998
• Vienna Art therapy project for children with drug problems
1999
• Purkersdorf Art teacher at a privat college
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Sketching Death in ArtEnd