shout to the lord · all endings and repeats are clearly notated to facilitate these impromptu...

98
The PraiseCharts Worship Band Series is a unique and growing series of arrangements by some of today’s top arrangers geared towards a contemporary “R&B horns” praise band sound while at the same time being scalable to a medium-sized church orchestra. The core parts (rhythm, vocals, and brass) may be enhanced with the other parts in any combination. The layout and look was very carefully chosen to provide a fresh and relaxed, yet professional look for the player. Rhythm section: Two rhythm parts are included : One for the section player (pianist, guitarist, or drummer) with all the specific rhythms and chords necessary for the arrangement. The other is a combination rhythm/vocal chart meant for the vocalists and the worship leader. There is a written-out piano part for those not comfortable with playing from a chord chart. It is written to stand alone, so when playing with a complete band the pianist might simplify this part a little to "stay out of the way". Vocals: The vocal arrangement should be sung as SAT (Soprano, Alto, Tenor) with the baritone/basses singing the melody (soprano) down an octave – any exceptions are listed on the score. When the melody is written in unison, the men should sing the melody down one octave or it may be done as a solo. This method provides a contemporary sound in an easy-to-learn fashion. Alternate keys: There is one alternate key included to accommodate a “keyboard” band vs. a “guitar” band, to give the orchestra a more playable key, or to make the vocal range a little more accessible if necessary. Other notes: Rehearsal numbers are given in the form of “1”, “2”, and “3”, providing the easy use of finger signals by the worship leader who may want to do impromptu changes during worship. Normally, “1” is the verse of the song, “2” is the chorus, and “3” is a bridge or other section, but there are exceptions. All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their place. Parts included in the PraiseCharts Worship Band Series Lead Sheet – for worship leader and vocalists Piano/Vocal – includes written-out piano part and vocals Rhythm – more detailed chart for keyboard, guitars, and drums. Core Worship Band instrumental parts (written as a section): Trumpet 1-2 Trumpet 3 (doubles Alto Sax) Alto Sax Tenor Sax 1-2 (doubles Trombone) Trombone 1-2 Additional Orchestral parts (these enhance the arrangement, but the Worship Band parts may also stand alone): Bass Trombone/Tuba Percussion (Timpani, Bells, Sus. Cymbal, etc) Bari Sax (doubles Bass Trombone) Horn 1-2 (French Horn) Flute/Oboe 1-3 Clarinet (doubles 3 rd Flute) Synth (Strings) - may be played by a synth or by a full string section (Violin/Viola on top staff, Cello/DB on bottom staff) Shout to the Lord Words & music by Darlene Zschech Arranged for by Dan Galbraith Orchestrated by David Shipps Based on the popular recording from the Hillsong Music Australia album “Shout to the Lord” and the album “WOW Worship Yellow” PraiseCharts Worship Band Series Integrity Stock # 24405 Written with core brass Written as a section Written as a section Brass stylings: For most titles, the brass parts should be interpreted with jazz articulations and stylings in mind. They have been notated very carefully to aid the player in this interpretation. This arrangement has been created to synchronize with the Integrity iWORSH!P™ DVD series. DVD A Song #7

Upload: others

Post on 15-Mar-2020

4 views

Category:

Documents


3 download

TRANSCRIPT

Page 1: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

The PraiseCharts Worship Band Series is a unique and growing series of arrangements by some of today’s top arrangers geared towards a contemporary “R&B horns” praise band sound while at the same time being scalable to a medium-sized church orchestra. The core parts (rhythm, vocals, and brass) may be enhanced with the other parts in any combination. The layout and look was very carefully chosen to provide a fresh and relaxed, yet professional look for the player. Rhythm section: Two rhythm parts are included: One for the section player (pianist, guitarist, or drummer) with all the specific rhythms and chords necessary for the arrangement. The other is a combination rhythm/vocal chart meant for the vocalists and the worship leader. There is a written-out piano part for those not comfortable with playing from a chord chart. It is written to stand alone, so when playing with a complete band the pianist might simplify this part a little to "stay out of the way". Vocals: The vocal arrangement should be sung as SAT (Soprano, Alto, Tenor) with the baritone/basses singing the melody (soprano) down an octave – any exceptions are listed on the score. When the melody is written in unison, the men should sing the melody down one octave or it may be done as a solo. This method provides a contemporary sound in an easy-to-learn fashion. Alternate keys: There is one alternate key included to accommodate a “keyboard” band vs. a “guitar” band, to give the orchestra a more playable key, or to make the vocal range a little more accessible if necessary. Other notes: Rehearsal numbers are given in the form of “1”, “2”, and “3”, providing the easy use of finger signals by the worship leader who may want to do impromptu changes during worship. Normally, “1” is the verse of the song, “2” is the chorus, and “3” is a bridge or other section, but there are exceptions. All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their place.

Parts included in the PraiseCharts Worship Band Series Lead Sheet – for worship leader and vocalists Piano/Vocal – includes written-out piano part and vocals Rhythm – more detailed chart for keyboard, guitars, and drums. Core Worship Band instrumental parts (written as a section): Trumpet 1-2 Trumpet 3 (doubles Alto Sax) Alto Sax Tenor Sax 1-2 (doubles Trombone) Trombone 1-2 Additional Orchestral parts (these enhance the arrangement, but the Worship Band parts may also stand alone):

Bass Trombone/Tuba Percussion (Timpani, Bells, Sus. Cymbal, etc) Bari Sax (doubles Bass Trombone) Horn 1-2 (French Horn) Flute/Oboe 1-3 Clarinet (doubles 3rd Flute) Synth (Strings) - may be played by a synth or by a full string section (Violin/Viola on top staff, Cello/DB on bottom staff)

Shout to the Lord

Words & music by Darlene Zschech

Arranged for by Dan Galbraith Orchestrated by David Shipps

Based on the popular recording from the Hillsong Music Australia album

“Shout to the Lord” and the album “WOW Worship Yellow”

PraiseCharts Worship Band Series

Integrity Stock #

24405

Written with core brass

Written as a section

Written as a section

Brass stylings: For most titles, the brass parts should be interpreted with jazz articulations and stylings in mind. They have been notated very carefully to aid the player in this interpretation.

This

arrangement has been created to

synchronize with the Integrity

iWORSH!P™ DVD series.

DVD A Song #7

Page 2: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

? # # # 44Med. Ballad q = 76iWORSH!P™ count-in: 8 beats

’Pœœ œ œœ œ œœ œA ’ œœ œ œœ œ œœ œE «2

&

& # # # ..1 (cued notes are opt.)

P - F5 Œ œœœ œœœ œœœ

A

My Je - sus,

Œ œœœ œœœ œœœE

my Sav - ior,

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœF#m E

Lord, there is none like You,

& # # #8 ...œœœ ‰ œœœ œœœ œœœ œœœD

all of my days,

œœœ Œ œœœ œœœ œœœ œœœAC# D

I want to praise

œœœ ‰ jœœœ œœœ œœœ œœœ œœAE F#m7

the won - ders of Your

& # # #11

˙n ˙˙G2 Bm

F#

might - y

..˙ ŒEsus DE

love;

˙ œ Œ œœœ œœœ œœœA

My Com - fort,

Œ œœœ œœœ œœœE

my Shel - ter,

& # # #15 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœF#m E

Tow - er of ref - uge and strength;

œœœ Œ œœœ œœœ œœœ œœœD2

Let ev - 'ry breath,

œœœ Œ œœœ œœœ œœœ œœœAC# D

all that I am,

& # # #18 œœœ Œ œœœ œœœ œœœ œœœAE F#m

nev - er cease to

˙n ˙G BmF#

wor - ship f..˙ ŒEsus

You.

˙ œE

& # # #221 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœA F#m

Shout to the Lord, all the earth,

œœœ œœœ œœœ œœœ œœœ ŒD2 DE E

let us sing

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœA F#m

pow - er and maj - es - ty, praise

& # # #24 œœœ œœœ œœœ œœœ œœœ ŒDma7E

to the King;

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœF#m

Moun - tains bow down and the seas

œœœ œœœ œœœ jœœœ ‰ œœœ œœœD

will roar at the

Lead Sheet Key: A > BPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 3: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # # 2nd X to Coda

27 œœœ œœœ œœœ œœœ œœœ œœœE F#m

sound of Your

˙ œœœ ŒEG# E

B

name.

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœA F#m

I sing for joy at the work

& # # #30 œœœ œœœ œœœ œœœ œœœ ‰ jœœœD2 D

E E

of Your hands, for -

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœA F#m

ev - er I'll love You, for - ev -

& # # #32 œœœ œœœ œœœ œœœ œœœ ŒDma7E

er I'll stand;

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœF#m

Noth - ing com - pares to the prom -

& # # # ..34 œœœ œœœ œœœ œœœ jœœœ œœœ jœœœD D

E E

ise I have in You.

Repeat to Verse

wwwA ’F œœ œœ œœ œ

EBmE

& # # # # # # # #CODA Rit.

37 ˙ ...œœœ ‰EG#

name.

a tempof œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

I sing for joy at the works

œœœ œœœ œœœ œœœ œœœ ‰ jœœœE2 E

F# F#

of Your hands, for -

& # # # # #40 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

ev - er I'll love You, for - ev -

œœœ œœœ œœœ œœœ œœœ ŒEma7

F#

er I'll stand.

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœG#m

Noth- ing com- pares to the prom -

& # # # # #43 œœœ œœœ œœœ œœœ jœœœ ‰ ...œœœ œœœE E

F# F#

ise I have. Oh

2a œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

Shout to the Lord, all the earth,

œœœ œœœ œœœ œœœ œœœ ŒE2 EF# F#

let us sing

& # # # # #46 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

pow - er and maj - es - ty, praise

œœœ œœœ œœœ œœœ œœœ ŒEma7F#

to the King;

Shout to the Lord - page 2Lead Sheet Key: A > B

Page 4: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # # # #48 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœG#m

Moun - tains bow down and the seas

œœœ œœœ œœœ jœœœ ‰ œœœ œœœE

will roar at the

œœœ œœœ œœœ œœœ œœœ œœœF# G#m

sound of Your

& # # # # #51 ˙ œœœ ŒF#A# F#

C#

name.

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

I sing for joy at the work

œœœ œœœ œœœ œœœ œœœ ‰ jœœœE2 E

F# F#

of Your hands, for -

& # # # # #54 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

ev - er I'll love You, for - ev -

œœœ œœœ œœœ œœœ œœœ ŒEma7F#

er I'll stand;

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœG#m

Noth- ing com- pares to the prom -

& # # # # #57 œœœ œœœ œœœ œœœ jœœœ œœœ ‰E EF# F#

ise I have in...

Tag

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœG#m

Noth - ing com- pares to the prom -

1 - Song Ending (iWORSH!P)

œœœ œœœ œœœ œœœ jœœœP

œœœ ‰E EF# F#

ise I have in...

& # # # # #60 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœG#m

Noth - ing com - pares to the prom -

Rit.œœœ œœœ œœœ œœœ jœœœ œœœ jœœœE E

F# F#

ise I have in You.

wwwUB

& # # # # #63

2 - Optional Ending (Big)

œœœ œœœ œœœ œœœ jœœœ œœœ ‰E EF# F#

ise I have in...

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœG#m

Noth- ing com-pares to the prom -

Rit.œœœ œœœ œœœ œœœ œœœ œœœE E

F# F#

ise I have in

wwwUB

You.

Shout to the Lord - page 3Lead Sheet Key: A > B

Page 5: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&?

# # #

# # #4444 P

Med. Ballad q = 76iWORSH!P™ count-in: 8 beats

‰ œ œœ œ œœ œ œœ œA

w

Œ œœ œœ œ œœ œE

‰ œ jœ ˙w

‰ œ œœ œ œœ œ œœ œw

Œ œœ œœ œ œœ œ‰ œ jœ ˙w

&

&?

# # #

# # #

# # #....

..1 (cued notes are opt.)5 Œ œœœ œœœ œœœMy Je - sus,

‰P - Fœ œœ œ œœ œ œœ œA

w

Œ œœœ œœœ œœœmy Sav - ior,

Œ œœ œœ œ œœ œE

‰ œ jœ ˙w

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœLord, there is none like You,

œœœ œ œ œ œ œœœ œ œF#m E

œ œ œ œ œ

&

&?

# # #

# # #

# # #

8 ...œœœ ‰ œœœ œœœ œœœ œœœall of my days,

...œœœ œ œ œœ œ œœœD

œ œ .œ œ œ

œœœ Œ œœœ œœœ œœœ œœœI want to praise

jœœ œ œ œ œœœ œ œœœAC# D

œ œ œ œ

œœœ ‰ jœœœ œœœ œœœ œœœ œœthe won - ders of Your

œœœ œ œ œœœ œ œœœAE F#m7

.œ jœ .œ jœ

Piano, Vocal Key: A > BPraiseCharts Band Series

Shout to the LordDarlene Zschech

Arr. by Dan GalbraithOrch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 6: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

# # #

# # #

# # #

11

˙n ˙˙might - - - y

œœœ œ œ œ œ œœœ œœœG2 Bm

F#

.œn œ œ .œ jœ

..˙ Œlove;

˙ œœœœ œœ œ ..œœ œ œœœ

Esus DE

. .œ rœ .œ jœ

Œ œœœ œœœ œœœMy Com - fort,

‰ œ œœ œ œœ œ œœ œA

w

&

&?

# # #

# # #

# # #

14 Œ œœœ œœœ œœœmy Shel - ter,

Œ œœ œœ œ œœ œE

‰ œ jœ ˙w

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœTow - er of ref - uge and strength;

œœœ œ œ œ œ œœœ œ œ œF#m E

œ œ œ œ œ

œœœ Œ œœœ œœœ œœœ œœœLet ev - 'ry breath,

...œœœ œ œ œœ œ œœœD2

œ œ .œ œ œ

&

&?

# # #

# # #

# # #

17 œœœ Œ œœœ œœœ œœœ œœœall that I am,

œœ œ œ œ œ œœ œ œœœAC# D

œ œ œ œ

œœœ Œ œœœ œœœ œœœ œœœnev - er cease to

œœœ œœ œ œ œœ œ œœœAE F#m

.œ jœ .œ jœ

˙n ˙wor - ship

œœœ œ œœœn œœœœ œ œœ œœG

BmF#

.œn œ œn œ œ œ

Shout to the Lord - page 2Piano, Vocal Key: A > B

Page 7: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

# # #

# # #

# # #

20 ..˙ ŒYou.

˙ œ

œœœœ œœœ œ œœœœ œ œ œ œEsus E

œ .œ œ .œ œ œ

2

f

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœShout to the Lord, all the earth,

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœA F#m

.œ jœ .œ jœ

œœœ œœœ œœœ œœœ œœœ Œlet us sing

œœœ œœœ œœœ œœœ œœœ œ œ œ œœœD2 D

E E

.œ jœ .œ œ œ

&

&?

# # #

# # #

# # #

23 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœpow - er and maj - es - ty, praise

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœA F#m

.œ jœ .œ jœ

œœœ œœœ œœœ œœœ œœœ Œto the King;

œœœ œœœ œœœ œœœœ œœœœ œ œ œ œœœ œDma7E

.œ jœ .œ œ œ

&

&?

# # #

# # #

# # #

25 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœMoun - tains bow down and the seas

œœœ œœœ œœœ œœœ œœœ œœœ œ œœœ œœœF#m

˙ œ œ

œœœ œœœ œœœ jœœœ ‰ œœœ œœœwill roar at the

œœœ œ œœœ œœœ œœœ œ œœœ œœD

.œ jœ .œ jœ

2nd X to Coda

œœœ œœœ œœœ œœœ œœœ œœœsound of Your

œœœ œœœ œ œœœ œœœ œE F#m

. .œ rœ . .œ rœ

Shout to the Lord - page 3Piano, Vocal Key: A > B

Page 8: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

# # #

# # #

# # #

28 ˙ œœœ Œname.

œœœ œ œ œ œ œœœ œœœEG# E

B

.œ œœ œœ ˙

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœI sing for joy at the work

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœA F#m

..œœjœ .œ jœ

&

&?

# # #

# # #

# # #

30 œœœ œœœ œœœ œœœ œœœ ‰ jœœœof Your hands, for -

œœœ œœœ œœœ œœœ œœœ œ œ œ œœœD2 D

E E

.œ jœ .œ œ œ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœev - er I'll love You, for - ev -

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœA F#m

.œ jœ .œ jœ

&

&?

# # #

# # #

# # #

32 œœœ œœœ œœœ œœœ œœœ Œer I'll stand;

œœœ œœœ œœœ œœœœ œœœœ œ œ œ œœœ œDma7 E

.œ jœ .œ œ œ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœNoth - ing com - pares to the prom -

œœœ œœœ œœœ œœœ œœœ œœœ œ œœœ œœœF#m

˙ œ œ

Shout to the Lord - page 4Piano, Vocal Key: A > B

Page 9: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

# # #

# # #

# # #....

..34 œœœ œœœ œœœ œœœ jœœœ œœœ jœœœise I have in You.

œœœ œœœ œœœ œœœ œ œ œœœD D

E E

.œ jœ ˙

Repeat to Verse

wwwŒ œœ œœ œœA

‰ œ jœ jœ œ jœw

FŒ œœ œœ œ œœE

BmE

‰ œ jœ ˙.˙ œ œ

&

&?

# # #

# # #

# # #

# # # # #

# # # # ## # # # #

CODA

Rit.

37 ˙ ...œœœ ‰name.

œœœ œœ œ œœœœ œœœEG#

.œ jœ œ œœfa tempo

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœI sing for joy at the works

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

..œœjœ .œ jœ

œœœ œœœ œœœ œœœ œœœ ‰ jœœœof Your hands, for -

œœœ œœœ œœœ œœœ œœœ œ œ œ œœœE2 E

F# F#

.œ jœ .œ œ œ

&

&?

# # # # #

# # # # ## # # # #

40 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœev - er I'll love You, for - ev - -

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

.œ jœ .œ jœ

œœœ œœœ œœœ œœœ œœœ Œer I'll stand.

œœœ œœœ œœœ œœœœ œœœœ œ œ œ œœœ œEma7F#

.œ jœ .œ œ œ

Shout to the Lord - page 5Piano, Vocal Key: A > B

Page 10: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

# # # # #

# # # # ## # # # #

42 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœNoth- ing com-pares to the prom -

œœœ œœœ œœœ œœœ œœœ œœœ œ œœœ œœœG#m

˙ œ œ

œœœ œœœ œœœ œœœ jœœœ ‰ ...œœœ œœœise I have. Oh

œœœ œœœ œœœ œœœ œ œ œœœ œœE E

F# F#

.œ jœ .œ jœ

2a

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœShout to the Lord, all the earth,

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

..œœ jœ .œ jœ

&

&?

# # # # #

# # # # ## # # # #

45 œœœ œœœ œœœ œœœ œœœ Œlet us sing

œœœ œœœ œœœ œœœ œœœ œ œ œ œœœE2 E

F# F#

.œ jœ .œ œ œ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœpow - er and maj - es - ty, praise

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

.œ jœ .œ jœ

œœœ œœœ œœœ œœœ œœœ Œto the King;

œœœ œœœ œœœ œœœœ œœœœ œ œ œ œœœ œEma7 F#

.œ jœ .œ œ œ

&

&?

# # # # #

# # # # ## # # # #

48 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœMoun - tains bow down and the seas

œœœ œœœ œœœ œœœ œœœ œœœ œ œœœ œœœG#m

˙ œ œ

œœœ œœœ œœœ jœœœ ‰ œœœ œœœwill roar at the

œœœ œ œœœ œœœ œœœ œ œœœ œœE

.œ jœ .œ jœ

œœœ œœœ œœœ œœœ œœœ œœœsound of Your

œœœ œœœ œ œœœ œœœ œF# G#m

. .œ rœ . .œ rœ

Shout to the Lord - page 6Piano, Vocal Key: A > B

Page 11: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

# # # # #

# # # # ## # # # #

51 ˙ œœœ Œname.

œœœ œ œ œ œ œœœ œœœF#A# F#

C#

.œ œœ œœ ˙

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœI sing for joy at the work

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

..œœjœ .œ jœ

œœœ œœœ œœœ œœœ œœœ ‰ jœœœof Your hands, for -

œœœ œœœ œœœ œœœ œœœ œ œ œ œœœE2 E

F# F#

.œ jœ .œ œ œ

&

&?

# # # # #

# # # # ## # # # #

54 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœev - er I'll love You, for - ev -

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

.œ jœ .œ jœ

œœœ œœœ œœœ œœœ œœœ Œer I'll stand;

œœœ œœœ œœœ œœœœ œœœœ œ œ œ œœœ œEma7 F#

.œ jœ .œ œ œ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœNoth- ing com- pares to the prom -

œœœ œœœ œœœ œœœ œœœ œœœ œ œœœ œœœG#m

˙ œ œ

&

&?

# # # # #

# # # # ## # # # #

57 œœœ œœœ œœœ œœœ jœœœ œœœ ‰ise I have in...

œœœ œœœ œœœ œœœ œ œ œœœE E

F# F#

.œ jœ .œ jœ

Tag

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœNoth - ing com- pares to the prom -

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœG#m

˙ œ œ

1 - Song Ending (iWORSH!P)

œœœ œœœ œœœ œœœ jœœœ œœœ ‰ise I have in...

œœœ œœœ œœœ œœœ œœœE E

F# F#

.œ jœ .œ jœ

Shout to the Lord - page 7Piano, Vocal Key: A > B

Page 12: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

# # # # #

# # # # ## # # # #

60 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœNoth - ing com - pares to the prom -

Pœœœ œœœ œœœ œœœ œœœ œœœ

G#m

˙ œ œ

Rit.

œœœ œœœ œœœ œœœ jœœœ œœœ jœœœise I have in You.

œœœ œœ œ œ œœœ œœœE E

F#

.œ jœ jœ œ jœ

wwwU

wwwwUB

wU

&

&?

# # # # #

# # # # ## # # # #

63

2 - Optional Ending (Big)

œœœ œœœ œœœ œœœ jœœœ œœœ ‰ise I have in...

œœœ œœœ œœœ œœœ œ œ œœœ œœE E

F# F#

.œ jœ .œ jœ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœNoth-ing com-pares to the prom -

œœœ œœœ œœœ œœœ œœœ œœœœ œœœœ œœœœG#m

˙ œ œ

Rit.

œœœ œœœ œœœ œœœ œœœ œœœise I have in

œœœœ œœœ œ œœœ œœœE E

F# F#

.œ œ œ .œ œ œ

wwwUYou.

wwwwUB

wwU

Shout to the Lord - page 8Piano, Vocal Key: A > B

Page 13: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

? # # # 44Med. Ballad q = 76iWORSH!P™ count-in: 8 beats

’Pœœ œ œœ œ œœ œA ’ œœ œ œœ œ œœ œE «2

&

& # # # ..1 "My Jesus,..."

P - F5 ’ œ œ œ

A ’ œ œ œE ’ ’ ’ ’F#m E ’ ’ ’ ’D

& # # #9 ’ ’ ’ ’AC# D ’ ’ ’ ’

AE F#m7

’ ’ ’ ’G2 BmF# ’ ’ ’ ’Esus E D

E

& # # # "My comfort..."

13 ’ œ œ œA ’ œ œ œ

E ’ ’ ’ ’F#m E ’ ’ ’ ’D2

& # # #17 ’ ’ ’ ’AC# D ’ ’ ’ ’

AE F#m ’ ’ ’ ’G Bm

F# ’ ’ ’ ’Esus E

& # # #2

"Shout to the Lord..."

21 ’ ’ ’ ’fA F#m ’ ’ ’ ’D2 D

E E ’ ’ ’ ’A F#m ’ ’ ’ ’Dma7 E

& # # #25 ’ ’ ’ ’F#m ’ ’ ’ ’D2nd X to Coda

’ ’ ’ ’E F#m ’ ’ ’ ’EG# E

B

& # # #"I sing for joy..."

29 ’ ’ ’ ’A F#m ’ ’ ’ ’D2 DE E ’ ’ ’ ’A F#m ’ ’ ’ ’Dma7 E

& # # # ..33 ’ ’ ’ ’F#m ’ ’ ’ ’D DE E ?

Repeat to Verse

’ œœ œ œœ œ œœ œA ’Fœœ œœ œœ œE

BmE

&

Rhythm Key: A > BPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 14: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # # # # # # #CODA

Rit.37 ’ ’ ’ ’EG#

"I sing for joy..."

a tempo

’ ’ ’ ’f

B G#m ’ ’ ’ ’E2 EF# F# ’ ’ ’ ’B G#m

& # # # # #41 ’ ’ ’ ’Ema7 F# ’ ’ ’ ’G#m ’ ’ ’ ’E EF# F#

& # # # # #2a

"Shout to the Lord..."

44 ’ ’ ’ ’B G#m ’ ’ ’ ’E2 EF# F# ’ ’ ’ ’B G#m ’ ’ ’ ’Ema7 F#

& # # # # #48 ’ ’ ’ ’G#m ’ ’ ’ ’E ’ ’ ’ ’F# G#m ’ ’ ’ ’F#A# F#

C#

& # # # # #"I sing for joy..."

52 ’ ’ ’ ’B G#m ’ ’ ’ ’E2 EF# F# ’ ’ ’ ’B G#m ’ ’ ’ ’Ema7 F#

& # # # # #56 ’ ’ ’ ’G#m ’ ’ ’ ’E EF# F# Tag

"Oh, nothing compares..."

’ ’ ’ ’G#m

& # # # # #59

1 - Song Ending (iWORSH!P)

’ ’ ’ ’E EF# F# ’ ’ ’ ’P

G#mRit.

’ ’ ’ ’E EF# F# |UB

& # # # # #63

2 - Optional Ending (Big)

’ ’ ’ ’E EF# F# ’ ’ ’ ’G#m

Rit.

’ ’ ’ ’E EF# F# |UB

Shout to the Lord - page 2Rhythm Key: A > B

Page 15: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # # 44Med. Ballad q = 76iWORSH!P™ count-in: 8 beats

’ ’ ’ ’P

A ’ ’ ’ ’E «2

& # # # ..1

"My Jesus,..."P - F5 ’ ’ ’ ’A ’ ’ ’ ’E ’ ’ ’ ’F#m E ’ ’ ’ ’D

& # # #9 ’ ’ ’ ’AC# D ’ ’ ’ ’

AE F#m7

’ ’ ’ ’G2 BmF# ’ ’ ’ ’Esus E D

E

& # # # "My comfort..."

13 ’ ’ ’ ’A ’ ’ ’ ’E ’ ’ ’ ’F#m E ’ ’ ’ ’D2

& # # #17 ’ ’ ’ ’AC# D ’ ’ ’ ’

AE F#m ’ ’ ’ ’G Bm

F# ’ ’ ’ ’Esus E

& # # #2

"Shout to the Lord..."

21 ’ ’ ’ ’fA F#m ’ ’ ’ ’D2 D

E E ’ ’ ’ ’A F#m ’ ’ ’ ’Dma7 E

& # # #25 ’ ’ ’ ’F#m ’ ’ ’ ’D2nd X to Coda

’ ’ ’ ’E F#m ’ ’ ’ ’EG# E

B

& # # #"I sing for joy..."

29 ’ ’ ’ ’A F#m ’ ’ ’ ’D2 DE E ’ ’ ’ ’A F#m ’ ’ ’ ’Dma7 E

& # # # ..33 ’ ’ ’ ’F#m ’ ’ ’ ’D DE E

Repeat to Verse

’ ’ ’ ’A ’ ’ ’ ’FE

BmE

Ac. Guitar Key: A > BPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 16: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # #Capo 2

CODA

Rit.

37 ’ ’ ’ ’EG#

"I sing for joy..."

a tempo

’ ’ ’ ’f

A F#m ’ ’ ’ ’D2 DE E ’ ’ ’ ’A F#m

& # # #41 ’ ’ ’ ’Dma7 E ’ ’ ’ ’F#m ’ ’ ’ ’D DE E

& # # #2a

"Shout to the Lord..."

44 ’ ’ ’ ’A F#m ’ ’ ’ ’D2 DE E ’ ’ ’ ’A F#m ’ ’ ’ ’Dma7 E

& # # #48 ’ ’ ’ ’F#m ’ ’ ’ ’D ’ ’ ’ ’E F#m ’ ’ ’ ’EG# E

B

& # # # "I sing for joy..."

52 ’ ’ ’ ’A F#m ’ ’ ’ ’D2 DE E ’ ’ ’ ’A F#m ’ ’ ’ ’Dma7 E

& # # #56 ’ ’ ’ ’F#m ’ ’ ’ ’D DE E

Tag

"Oh, nothing compares..."

’ ’ ’ ’F#m

& # # #59

1 - Song Ending (iWORSH!P)

’ ’ ’ ’D DE E ’ ’ ’ ’P

F#mRit.

’ ’ ’ ’D DE E |UA

& # # #63

2 - Optional Ending (Big)

’ ’ ’ ’D DE

E ’ ’ ’ ’F#m

Rit.

’ ’ ’ ’D DE E |UA

Shout to the Lord - page 2Ac. Guitar Key: A > B

Page 17: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # # # # 44 ..l4 1 "My Jesus,..."l8 "My comfort..."l22nd X only

‰Fœ

. œ  œ œ œ œ. œ ˙ Ó

& # # # # #17 l2 Both X'sŒ œn . œ œ œ œœF

œ ..œœ œœ. œœ.Í

˙> 2

"Shout to the Lord..."

∑ Óf

œœ ..œœ œœ>

& # # # # #23 ˙> Ó Ó œ. œ œ œ œ œ ˙ ‰ œœ> ‰ œœ> ˙ œœ œœ2nd X to Coda˙ Ó

& # # # # #28 ‰ œœ> œœ. œœ. œœ> ..œœ> œœ> "I sing for joy..."˙> Ó Ó œœ ..œœ œœ> ˙> Ó

& # # # # # ..32 Ó œœ œœ ˙ Ó ‰ œ œ œ œ œ œRepeat to Verse

ww ∑

& # # # # # n n n n n b b b b bCODA Rit.

37 ‰ œœ> œœ. œœ. œœ> ..œœbb - œœ> "I sing for joy..."a tempo

f˙> Ó ‰ œ œ œ œ œ œ œ œœ ˙> Ó

& b b b b b41 Ó œ œ œ œ. ≈ .Jœ> Jœœ ‰ Œ Ó ‰ œ œ œ ‰ œœ. œœ. œœ> 2a

"Shout to the Lord..."

& b b b b b45 Ó ‰ œœ> œœ> ..œœ- œœ> ˙> Ó Ó œ. œ œ œ œ œ ˙ ‰ œœ> ‰ œœ>

Trumpet 1-2 Key: A > BPraiseCharts Band Series

Shout to the LordDarlene Zschech

Arr. by Dan GalbraithOrch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 18: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& b b b b b49 ˙ œœ œœ ˙ Ó Œ ..œœ> œœ>Í

˙> "I sing for joy..."∑ Ó ‰ œ œ œœ œ

& b b b b b54 ˙> Ó Œ ‰ œ œ œ œ œ œ œœ œœ ˙ Ó Ó œœ œœ

& b b b b bTag

"Oh, nothing compares..."58 ˙ Ó

1 - Song Ending (iWORSH!P)

l2Rit.‰

Pœ œ œ œ œ œ pwwU

& b b b b b63

2 - Optional Ending (Big)

Ó œ œ œ œ ≈ ..Jœœ> Jœœ ‰ Œ Ó Rit.‰ œ œ œ œœ> œœ>fwwU

Shout to the Lord - page 2Trumpet 1-2 Key: A > B

Page 19: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # # # # # 44 ..l41 "My Jesus,..."l8 "My comfort..."l2

2nd X only‰F

œ. œ  œ œ œ œ. œ ˙ Ó

& # # # # # #17 l2 Both X'sŒF

œn . œ œ œ œ .œ œ. œ.Í> 2

"Shout to the Lord..."

∑ Ófœ .œ œ>

& # # # # # #23 > Ó Ó œ. œ œ œ œ œ ˙ ‰ œ> ‰ œ> ˙ œ œ2nd X to Coda˙ Ó

& # # # # # #28 ‰ œ> œ. œ. œ> .œ> œ> "I sing for joy..."> Ó Ó œ .œ œ> > Ó Ó œ œ

& # # # # # # ..33 ˙ Ó ‰ œ œ œ œ œ œRepeat to Verse

w ∑

& # # # # # # n n n n n n b b b bCODA Rit.

37 ‰ œ> œ. œ. œ> .œn - œ> "I sing for joy..."a tempo

f> Ó ‰ œ œ œ œ œ œ œ œ > Ó

& b b b b41 Ó œ œ œ œ. ≈ .Jœ> Jœ ‰ Œ Ó ‰ œ œ œ ‰ œ. œ. œ> 2a"Shout to the Lord..."∑

& b b b b45 Ó ‰ œ> œ> .œ- œ> > Ó Ó œ. œ œ œ œ œ ˙ ‰ œ> ‰ œ>

Alto Sax Key: A > BPraiseCharts Band Series

Shout to the LordDarlene Zschech

Arr. by Dan GalbraithOrch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 20: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& b b b b49 ˙ œ œ ˙ Ó Œ .œ> œ>Í> "I sing for joy..."∑ Ó ‰ œ œ œ œ

& b b b b54> Ó Œ ‰ œ œ œ œ œ œ œ œ ˙ Ó Ó œ œ

& b b b bTag"Oh, nothing compares..."

58 ˙ Ó1 - Song Ending (iWORSH!P)

l2Rit.‰ P

œ œ œ œ œ œpwU

& b b b b63

2 - Optional Ending (Big)

Ó œ œ œ œ ≈ .Jœ> Jœ ‰ Œ Ó Rit.‰ œ œ œ œ> œ>fwU

Shout to the Lord - page 2Alto Sax Key: A > B

Page 21: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # # # # 44 ..l41 "My Jesus,..."l8 "My comfort..."l2

2nd X only‰Fœ

. œ  œ œ œ œ. œ ˙ Ó

& # # # # #17 l2 Both X'sŒF

œn . œ œ œ œ .œ œ. œ.Í

> 2

"Shout to the Lord..."

∑ Ó fœ .œ œ>

& # # # # #23 > Ó Ó œ. œ œ œ œ œ ˙ ‰ œ> ‰ œ> ˙ œ œ2nd X to Coda

˙ Ó

& # # # # #28 ‰ œ> œ. œ. œ> .œ> œ>"I sing for joy..."> Ó Ó œ .œ œ> > Ó

& # # # # # ..32 Ó œ œ ˙ Ó ‰ œ œ œ œ œ œRepeat to Verse

w ∑

& # # # # # n n n n n b b b b bCODA Rit.

37 ‰ œ> œ. œ. œ> .œb - œ>"I sing for joy..."a tempo

f> Ó ‰ œ œ œ œ œ œ œ œ > Ó

& b b b b b41 Ó œ œ œ œ. ≈ .jœ> Jœ ‰ Œ Ó ‰ œ œ œ ‰ œ. œ. œ> 2a

"Shout to the Lord..."

& b b b b b45 Ó ‰ œ> œ> .œ- œ> > Ó Ó œ. œ œ œ œ œ ˙ ‰ œ> ‰ œ>

Trumpet 3 Key: A > BPraiseCharts Band Series

Shout to the LordDarlene Zschech

Arr. by Dan GalbraithOrch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 22: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& b b b b b49 ˙ œ œ ˙ Ó Œ .œ> œ>Í

> "I sing for joy..."∑ Ó ‰ œ œ œ œ

& b b b b b54 > Ó Œ ‰ œ œ œ œ œ œ œ œ ˙ Ó Ó œ œ

& b b b b bTag

"Oh, nothing compares..."58 ˙ Ó

1 - Song Ending (iWORSH!P)

l2Rit.‰

Pœ œ œ œ œ œpwU

& b b b b b63

2 - Optional Ending (Big)

Ó œ œ œ œ ≈ .Jœ> Jœ ‰ Œ Ó Rit.‰ œ œ œ œ> œ>fwU

Shout to the Lord - page 2Trumpet 3 Key: A > B

Page 23: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

? # # # 44 ..l41

"My Jesus,..."

l8"My comfort..."

l22nd X only

‰F

œœ. œœ   œœ œœ œœ œœ. œœ ˙ Ó

? # # #17 l2Both X'sŒ œn . œ œ œ œœ

Fœ ..œœ œœ. œœ.

Í˙> 2

"Shout to the Lord..."

∑ Óf

œœ ..œœ œœ>

? # # #23 ˙> Ó Ó œ. œ œ œ œ œ ˙ ‰ œœ> ‰ œœ> ˙ œœ œœ 2nd X to Coda˙ Ó

? # # #28 ‰ œœ> œœ. œœ. œœ> ..œœ> œœ> "I sing for joy..."˙> Ó Ó œœ ..œœ œœ> ˙> Ó

? # # # ..32 Ó œœ œœ ˙ Ó ‰ œ œ œ œ œ œ Repeat to Verseww ∑

? # # # # # # # #CODA Rit.

37 ‰ œœ> œœ. œœ. œœ> ..œœ- œœ> "I sing for joy..."a tempo

f˙> Ó ‰ œ œ œ œ œ œ œ œœ ˙> Ó

? # # # # #41 Ó œ œ œ œ. ≈ .Jœ> Jœœ ‰ Œ Ó ‰ œ œ œ ‰ œœ. œœ. œœ> 2a"Shout to the Lord..."∑

? # # # # #45 Ó ‰ œœ> œœ> ..œœ- œœ> ˙> Ó Ó œ. œ œ œ œ œ ˙ ‰ œœ> ‰ œœ>

Trombone 1-2 Key: A > BPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 24: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

? # # # # #49 ˙ œœ- œœ- ˙ Ó Œ ..œœ> œœ>Í

˙> "I sing for joy..."∑ Ó ‰ œ œ œœ

? # # # # #54 ˙> Ó Œ ‰ œ œ œ œ œ œ œœ œœ ˙ Ó Ó œœ œœ

? # # # # #Tag "Oh, nothing compares..."

58 ˙ Ó1 - Song Ending (iWORSH!P)

l2Rit.‰

Pœ œ œ œ œ œ p

wwU

? # # # # #63

2 - Optional Ending (Big)

Ó œ œ œ œ ≈ ..Jœœ> Jœœ ‰ Œ Ó Rit.‰ œ œ œ œœ> œœ>fwwU

Shout to the Lord - page 2Trombone 1-2 Key: A > B

Page 25: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # # # # 44 ..l4 1 "My Jesus,..."l8 "My comfort..."l22nd X only

‰ Fœ. œ  œ œ œ œ. œ ˙ Ó

& # # # # #17 l2Both X'sŒ œn . œ œ œ œœ

Fœ ..œœ œœ. œœ.

Í˙> 2

"Shout to the Lord..."

∑ Óf

œœ ..œœ œœ>

& # # # # #23 ˙> Ó Ó œ. œ œ œ œ œ ˙ ‰ œœ> ‰ œœ> ˙ œœ œœ2nd X to Coda˙ Ó

& # # # # #28 ‰ œœ> œœ. œœ. œœ> ..œœ> œœ>"I sing for joy..."˙> Ó Ó œœ ..œœ œœ> ˙> Ó

& # # # # # ..32 Ó œœ œœ ˙ Ó ‰ œ œ œ œ œ œ Repeat to Verse

ww ∑

& # # # # # n n n n n b b b b bCODA

Rit.37 ‰ œœ> œœ. œœ. œœ> ..œœ- œœ> "I sing for joy..."a tempo

f˙> Ó ‰ œ œ œ œ œ œ œ œœ ˙> Ó

& b b b b b41 Ó œ œ œ œ. ≈ .Jœ> Jœœ ‰ Œ Ó ‰ œ œ œ ‰ œœ. œœ. œœ>2a

"Shout to the Lord..."∑

& b b b b b45 Ó ‰ œœ> œœ> ..œœ- œœ> ˙> Ó Ó œ. œ œ œ œ œ ˙ ‰ œœ> ‰ œœ>

Tenor Sax Key: A > BPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 26: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& b b b b b49 ˙ œœ- œœ- ˙ Ó Œ ..œœ> œœ>Í

˙> "I sing for joy..."∑ Ó ‰ œ œ œœ

& b b b b b54 ˙> Ó Œ ‰ œ œ œ œ œ œ œœ œœ ˙ Ó Ó œœ œœ

& b b b b bTag

"Oh, nothing compares..."58 ˙ Ó

1 - Song Ending (iWORSH!P)

l2Rit.

‰Pœ œ œ œ œ œ p

wwU

& b b b b b63

2 - Optional Ending (Big)

Ó œ œ œ œ ≈ ..Jœœ> Jœœ ‰ Œ ÓRit.

‰ œ œ œ œœ> œœ>f

wwU

Shout to the Lord - page 2Tenor Sax Key: A > B

Page 27: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

? # # # 44 ..l41

"My Jesus,..."

l8"My comfort..."

l6 Ó ŒF

Both X's

œ .œ œ. œ.Í

>

? # # #2"Shout to the Lord..."

21 ∑ Ófœ .œ œ>

> Ó ∑ Ó ‰ œ> ‰ œ>

? # # #26

˙ œ-

œ- 2nd X to Coda

˙ Ó ‰ œ> œ. œ. œ> .œ> œ>"I sing for joy..."> Ó Ó œ .œ œ>

? # # # ..31 > Ó Ó ˙ ˙ Ó ∑Repeat to Verse

ww ∑? # # # # # # # #

CODA Rit.37 ‰ œ> œ. œ. œ> .œ- œ>

"I sing for joy..."

a tempo

f> Ó Ó Œ œ ˙> Ó ∑

? # # # # #42 jœœ^ ‰ Œ Ó Ó ‰ œ. œ. œ>

2a "Shout to the Lord..."∑ Ó ‰ œ> œ> .œ- œ> ˙> Ó? # # # # #47 ∑ Ó ‰ œ> ‰ œ> ˙ œ- œ- ˙ Ó Œ .œ> œ> Í

>

? # # # # #"I sing for joy..."

52 ∑ Ó Œ œ ˙> Ó l2 Ó ˙Tag

"Oh, nothing compares..."˙ Ó

? # # # # #59

1 - Song Ending (iWORSH!P)

l2 Rit.∑pwwU 2 - Optional Ending (Big)

Ó ˙ ˙ Ó Rit.Ó œ> œ> fwwU

Trombone 3, Tuba Key: A > BPraiseCharts Band Series

Shout to the LordDarlene Zschech

Arr. by Dan GalbraithOrch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 28: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # # # # # 44 ..l41

"My Jesus,..."

l8"My comfort..."

l6 Ó ŒF

Both X's

œ .œ œ. œ.Í

>

& # # # # # #2

"Shout to the Lord..."

21 ∑ Ófœ .œ œ>

> Ó ∑ Ó ‰ œ> ‰ œ>

& # # # # # #26

˙ œ-

œ- 2nd X to Coda

˙ Ó ‰ œ> œ. œ. œ> .œ> œ>"I sing for joy..."

> Ó Ó œ .œ œ>

& # # # # # # ..31 > Ó Ó ˙ ˙ Ó ∑Repeat to Verse

w ∑

& # # # # # # n n n n n n b b b bCODA Rit.

37 ‰ œ> œ. œ. œ> .œ- œ>"I sing for joy..."

a tempo

f> Ó Ó Œ œ

> Ó ∑

& b b b b42 jœ ‰ Œ Ó Ó ‰ œ. œ. œ>2a

"Shout to the Lord..."

∑ Ó ‰ œ> œ> .œ- œ>> Ó

& b b b b47 ∑ Ó ‰ œ> ‰ œ> ˙ œ- œ- ˙ Ó Œ .œ> œ>Í

>

Bari Sax Key: A > BPraiseCharts Band Series

Shout to the LordDarlene Zschech

Arr. by Dan GalbraithOrch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 29: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& b b b b"I sing for joy..."

52 ∑ Ó Œ œ> Ó l2 Ó ˙

& b b b bTag"Oh, nothing compares..."58 ˙ Ó

1 - Song Ending (iWORSH!P)

l2 Rit.∑ pwU

& b b b b63

2 - Optional Ending (Big)

Ó ˙ ˙ Ó Rit.Ó œ> œ> fwU

Shout to the Lord - page 2Bari Sax Key: A > B

Page 30: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

÷ 44 ..l2Tri.

P¿ Œ Ó ¿ Œ Ó 1

"My Jesus,..."

Wind Chimes¿ l7÷

"My comfort..."

13 ¿ l5 Sus. Cym.

Pwæ ? Ó Timp.

Íæ2

"Shout to the Lord..."fœ> Œ Ó

?22 Ó Œ œæ œ> Œ Ó l32nd X to Coda

∑ ÓÍæ

? .."I sing for joy..."

29

fœ> Œ Ó l5 &

Repeat to Verse

BellsŒ Pœ# œ œ Œ œ# œ œ ?

?CODA

Rit.37Sus. Cym.wæ

"I sing for joy..."

a tempo∑ Ó Œ Timp.

fœ# æ œ> Œ Ó l2 ÓÍ# æ

?2a "Shout to the Lord..."

44

fœ> Œ Ó Ó Œ œ# æ œ> Œ Ó l4 Ó

Í# æ

?"I sing for joy..."52

fœ> Œ Ó Ó Œ œ# æ œ> Œ Ó l2 P

Sus. Cym. wæ Tag"Oh, nothing compares..."∑

?59

1 - Song Ending (iWORSH!P)

l2Rit.

Ó Timp.

˙# æ pœ Œ ÓU2 - Optional Ending (Big)

l2Rit.

Ó Timp.

˙# æ fwæU

Percussion Key: A > BPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 31: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # # # 44 ..l3 ŒPœœ œœ œœ

1

"My Jesus,..."

ww l7

& # # # #"My comfort..."

13 Ó ŒF

2nd X onlyœ w l2 Œ Fœ .œ œ œ œ œ œ ˙

& # # # #19 ∑ ÓF

Both X'sœ œ œ œ2

"Shout to the Lord..."fw ∑ Œ œ œ œ œ~~

& # # # #24 .œ jœ œ œ ˙ Ó Ó œ œ œ œ2nd X to Coda

˙ Ó

& # # # #28 Ó Œ œ> œ> œ>"I sing for joy..."

> Ó ∑ Ó ‰ œ œ œ œ œ

& # # # # ..32 œœ œœ œœ. œœ ˙ l2Repeat to Verse

∑ ŒF

œœ œœ œœ

& # # # # # # # # # #CODA Rit.37 Œ œ ˙

"I sing for joy..."

a tempo

fw ˙ Ó l3 Ó Œ œ> œ> œ>~ ~

& # # # # # #2a

"Shout to the Lord..."

44 w> ˙ Ó Œ ‰ jœ œ œ œ œ œ œ œ œ ˙ ∑

Horn 1-2 Key: A > BPraiseCharts Band Series

Shout to the LordDarlene Zschech

Arr. by Dan GalbraithOrch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 32: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # # # # #49 Ó œ œ œ œ ˙ Ó Ó Œ œ- œ. œ."I sing for joy..."

> Ó ∑

& # # # # # #54 Ó ‰ œ œ œ œ œ œœ œœ œœ. œœ ˙ l2Tag

"Oh, nothing compares..."

& # # # # # #59

1 - Song Ending (iWORSH!P)

∑ ‰Pœ œ œ œ œ œ Rit.˙ œœ œœ pww

U

& # # # # # #63

2 - Optional Ending (Big)

∑f

œœ œœ œœ œœ œœ œœ œœ œœ Rit.œœ ‰ œ œ œœ œœf

wwU

Shout to the Lord - page 2Horn 1-2 Key: A > B

Page 33: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # # 44 ..l2 Œ P(opt. Solo)œ œ œ w 1

"My Jesus,..."

l8

& # # #"My comfort..."

13 2nd X onlyŒFœœ œœ œœ Œ œœœ œœœ œœœ ∑ Œ ‰Both X's

Fœœ œœ œœ œœ œœ œœ ˙ œœ œœ œœ œœ

& # # # Ÿ~~18 ˙ Ó ∑ Œ œœ œœ œœ œœ œœ œœ œœ ˙ 2

"Shout to the Lord..."

∑ Ó œœ œœ œœ. œœ

. œœ œœ œœ. œœ

.

& # # #23

Jœœ ‰ Œ Ó ∑ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœœ œœœ œœœ œœœ

2nd X to Coda˙ Ó

& # # #28 Ó œœ œœ œœ. œœ

. œœ œœ œœ. œœ

."I sing for joy..."

˙> Ó ∑ Œ ‰ œœ œœ œœ œœ œœ œœ

& # # # ..32 ..œœ œœ œœ ˙ œœ œœ œœ œœ œœ œœ œœ œœ ˙ ÓRepeat to Verse

Œ P(opt. Solo)œ œ œ w

& # # # # # # # #Ÿ~~~CODA Rit.

37 Œ œœ œœ œœ## œœ œœ œœ œœ## ˙"I sing for joy..."

a tempo

l2 Œ ‰ œœ œœ œœ œœ œœ œœ ..œœ œœ œœ ˙

& # # # # #42 œœ œœ œœ œœ œœ œœ œœ œœ ˙ Ó2a

"Shout to the Lord..."

œœ œœ œœ œœ œœ œœ œœ Jœœ ‰ Ó Ó œœ œœ œœ

. œœ. œœ œœ œœ. œœ.

Flute (Oboe) 1-3 Key: A > BPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 34: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # # # #46 Jœœ ‰ Œ Ó ∑ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœœ œœœ œœœ œœœ

& # # # # #50 ˙ Ó Ó œœ œœ œœ. œœ

. œœ œœ œœ. œœ."I sing for joy..."

˙> Ó ∑

& # # # # #54 Œ ‰ œœ œœ œœ œœ œœ œœ ..œœ œœ œœ ˙ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ ˙ Ó

& # # # # #Tag

"Oh, nothing compares..."

58 ∑1 - Song Ending (iWORSH!P)

l2Rit.

Ó œœ œœ œœ œœ pwwwU

& # # # # #63

2 - Optional Ending (Big)

∑f

œœ œœ œœ œœ œœ œœ œœ œœRit.

˙ œ œ œ. œ. œ œ œ. œ.fwwwU

Shout to the Lord - page 2Flute (Oboe) 1-3 Key: A > B

Page 35: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # # # # 44 ..l2 Œ P(opt. Solo)œ œ œ w 1

"My Jesus,..."

l8

& # # # # #"My comfort..."

13 2nd X onlyŒF

œ œ œ Œ œ œ œ ∑ Œ ‰Both X's

Fœ œ œ œ œ œ ˙ œ œ œ œ

& # # # # # Ÿ~~18 ˙ Ó ∑ Œ œ œ œ œ œ œ œ ˙ 2

"Shout to the Lord..."

∑ Ó œ œ œ. œ. œ œ œ. œ.

& # # # # #23 Jœ ‰ Œ Ó ∑ œ œ œ œ œ œ œ œ œ œ œ œ œ2nd X to Coda

˙ Ó

& # # # # #28 Ó œ œ œ. œ. œ œ œ. œ.

"I sing for joy..."

> Ó ∑ Œ ‰ œ œ œ œ œ œ

& # # # # # ..32 .œ œ œ ˙ œ œ œ œ œ œ œ œ ˙ ÓRepeat to Verse

Œ P(opt. Solo)œ œ œ w

& # # # # # n n n n n b b b b bŸ~~~CODA Rit.

37 Œ œ œ œ# œ œ œ œ# ˙"I sing for joy..."

a tempo

l2 Œ ‰ œ œ œ œ œ œ .œ œ œ ˙

& b b b b b42 œ œ œ œ œ œ œ œ ˙ Ó 2a

"Shout to the Lord..."

œ œ œ œ œ œ œ Jœ ‰ Ó Ó œ œ œ. œ. œ œ œ. œ.

Clarinet Key: A > BPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 36: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& b b b b b46 Jœ ‰ Œ Ó ∑ œ œ œ œ œ œ œ œ œ œ œ œ œ

& b b b b b50 ˙ Ó Ó œ œ œ. œ. œ œ œ. œ.

"I sing for joy..."

> Ó ∑

& b b b b b54 Œ ‰ œ œ œ œ œ œ .œ œ œ ˙ œ œ œ œ œ œ œ œ ˙ Ó

& b b b b bTag

"Oh, nothing compares..."

58 ∑1 - Song Ending (iWORSH!P)

l2Rit.

Ó œ œ œ œ pwU

& b b b b b63

2 - Optional Ending (Big)

∑f

œ œ œ œ œ œ œ œRit.

˙ œ œ œ. œ. œ œ œ. œ.fwU

Shout to the Lord - page 2Clarinet Key: A > B

Page 37: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&?

# # #

# # #4444

Violin-Viola

Cello-Arco

∑∑

Ó ŒP

œœ∑

ww

..˙œœ

Ó Œ œœœ&?

# # #

# # #....

1

"My Jesus,..."

5

wwww

l6l6

ÓF

2nd X onlyœœœ œœœÓ œœ œœ

"My comfort..."...˙ œœ..˙ œœ

..˙ œœœ

...˙ œœœ

˙ ˙˙ ˙

˙ Ó˙ Ó

&?

# # #

# # #

17 ‰Both X's

Fœ œ œ œ œ œ œ

˙ œœ œœ œœ œœŒ œœ ˙

˙ œœ œœ˙nn ˙

˙ ..œœ Jœœ

...˙ œœœ&?

# # #

# # #

2

"Shout to the Lord..."

21

fww˙ ˙

..œœ œœ œœ œœ œœ

˙ œœ œœœ

ww˙ ˙

..˙ œœ œœ œœ œœ˙ œœœ œœ œ

œœ Œ Óœœ Œ Ó

&?

# # #

# # #

26 Ó Œ œœ œœ œœ œœ

2nd X to Coda˙ ‰ œœ œœ œœŒ œœœ ˙

˙ ..œœ Jœœ

˙ ˙

"I sing for joy..."ww˙ ˙

Synth (Strings) Key: A > BPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 38: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&?

# # #

# # #

30 ..œœ œœ œœ œœ œœ

˙ œœ œœœ

ww˙ ˙

..˙ œœ œœ œœ œœ˙ œœœ œœ œ

&?

# # #

# # #....

33 œœ Œ Óœœ Œ Ó

Ó œœ œœ œœ œœ∑

Repeat to Verse..˙F

œœ∑

..˙œœ

Ó Œ œœœ

&?

# # #

# # #

# # # # ## # # # #

CODA Rit.

37 ..˙ œœ œœ œœ## œœ œœ œœ œœ##...˙ œœœ

"I sing for joy..."a tempo

fww˙ ˙

..œœ œœ œœ œœ œœ

˙ œœ œœœ

ww˙ ˙

&?

# # # # ## # # # #

41..˙ œœ œœ œœ œœ

˙ œœœ œœ œœœ Œ Óœœ Œ Ó

Ó Œ œœ œœ œœ œœ œœ œœ œœÓ œœ œœ

2a "Shout to the Lord..."

fww˙ ˙

&?

# # # # ## # # # #

45 ..œœ œœ œœ œœ œœ

˙ œœ œœœ

ww˙ ˙

..˙ œœ œœ œœ œœ˙ œœœ œœ œ

œœ Œ Óœœ Œ Ó

Shout to the Lord - page 2Synth (Strings) Key: A > B

Page 39: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&?

# # # # ## # # # #

49 Ó Œ œœ œœ œœ œœ

˙ ‰ œœ œœ œœŒ œœœ ˙

˙ ..œœ Jœœ

˙ ˙

"I sing for joy..."ww˙ ˙

&?

# # # # ## # # # #

53 ..œœ œœ œœ œœ œœ

˙ œœ œœœ

ww˙ ˙

..˙ œœ œœ œœ œœ˙ œœœ œœ œ

œœ Œ Óœœ Œ Ó

&?

# # # # ## # # # #

57 Ó ‰ œœ œœ œœÓ Œ œœœ

Tag "Oh, nothing compares..."œœ œœ œœ œœ œœ œœ œœ œœ...˙ œœœ

1 - Song Ending (iWORSH!P)œœ œœ œœ œœ œœ œœœ˙ œœ œœ

P˙ ˙˙ ˙

&?

# # # # ## # # # #

Rit.61 ˙ œœœ œœœ

˙ œœ œœpwwU

wwU

&?

# # # # ## # # # #

63

2 - Optional Ending (Big)œœ œœ œœ œœ œœ œœ˙ œœ œœœ

˙ ˙

˙ ˙

Rit.œœ œœ œœ œœ ˙

Œ œœ œœ œœfwwU

wwwU

Shout to the Lord - page 3Synth (Strings) Key: A > B

Page 40: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

? b b 44Med. Ballad q = 76iWORSH!P™ count-in: 8 beats

’Pœœ œ œœ œ œœ œBb ’ œœ œ œœ œ œœ œF «2

&

& b b ..1 (cued notes are opt.)

P - F5 Œ œœœ œœœ œœœ

Bb

My Je - sus,

Œ œœœ œœœ œœœF

my Sav - ior,

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœGm F

Lord, there is none like You,

& b b8 ...œœœ ‰ œœœ œœœ œœœ œœœEb

all of my days,

œœœ Œ œœœ œœœ œœœ œœœBbD Eb

I want to praise

œœœ ‰ jœœœ œœœ œœœ œœœ œœBbF Gm7

the won - ders of Your

& b b11

˙b ˙˙Ab2 Cm

G

might - y

..˙ ŒFsus EbF

love;

˙ œ Œ œœœ œœœ œœœBb

My Com - fort,

Œ œœœ œœœ œœœF

my Shel - ter,

& b b15 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœGm F

Tow - er of ref - uge and strength;

œœœ Œ œœœ œœœ œœœ œœœEb2

Let ev - 'ry breath,

œœœ Œ œœœ œœœ œœœ œœœBbD Eb

all that I am,

& b b18 œœœ Œ œœœ œœœ œœœ œœœBbF Gm

nev - er cease to

˙b ˙Ab CmG

wor - shipf

..˙ ŒFsus

You.

˙ œF

& b b221 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœBb Gm

Shout to the Lord, all the earth,

œœœ œœœ œœœ œœœ œœœ ŒEb2 EbF F

let us sing

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœBb Gm

pow - er and maj - es - ty, praise

& b b24 œœœ œœœ œœœ œœœ œœœ ŒEbma7F

to the King;

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœGm

Moun - tains bow down and the seas

œœœ œœœ œœœ jœœœ ‰ œœœ œœœEb

will roar at the

Lead Sheet Key: Bb > CPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 41: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& b b2nd X to Coda

27 œœœ œœœ œœœ œœœ œœœ œœœF Gm

sound of Your

˙ œœœ ŒFA

FC

name.

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœBb Gm

I sing for joy at the work

& b b30 œœœ œœœ œœœ œœœ œœœ ‰ jœœœEb2 Eb

F F

of Your hands, for -

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœBb Gm

ev - er I'll love You, for - ev -

& b b32 œœœ œœœ œœœ œœœ œœœ ŒEbma7F

er I'll stand;

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœGm

Noth - ing com - pares to the prom -

& b b ..34 œœœ œœœ œœœ œœœ jœœœ œœœ jœœœEb Eb

F F

ise I have in You.

Repeat to Verse

wwwBb ’F œœ œœ œœ œ

FCmF

& b b n nCODA Rit.

37 ˙ ...œœœ ‰FA

name.

a tempof œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœC Am

I sing for joy at the works

œœœ œœœ œœœ œœœ œœœ ‰ jœœœF2 F

G G

of Your hands, for -

&40 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœC Am

ev - er I'll love You, for - ev -

œœœ œœœ œœœ œœœ œœœ ŒFma7 G

er I'll stand.

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœAm

Noth - ing com- pares to the prom -

&43 œœœ œœœ œœœ œœœ jœœœ ‰ ...œœœ œœœF F

G G

ise I have. Oh

2a

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœC Am

Shout to the Lord, all the earth,

œœœ œœœ œœœ œœœ œœœ ŒF2 FG G

let us sing

&46 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœC Am

pow - er and maj - es - ty, praise

œœœ œœœ œœœ œœœ œœœ ŒFma7 G

to the King;

Shout to the Lord - page 2Lead Sheet Key: Bb > C

Page 42: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&48 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœAm

Moun - tains bow down and the seas

œœœ œœœ œœœ jœœœ ‰ œœœ œœœF

will roar at the

œœœ œœœ œœœ œœœ œœœ œœœG Am

sound of Your

&51 ˙ œœœ ŒGB

GD

name.

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœC Am

I sing for joy at the work

œœœ œœœ œœœ œœœ œœœ ‰ jœœœF2 F

G G

of Your hands, for -

&54 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœC Am

ev - er I'll love You, for - ev -

œœœ œœœ œœœ œœœ œœœ ŒFma7 G

er I'll stand;

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœAm

Noth - ing com - pares to the prom -

&57 œœœ œœœ œœœ œœœ jœœœ œœœ ‰F FG G

ise I have in...

Tag

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœAm

Noth - ing com - pares to the prom -

1 - Song Ending (iWORSH!P)

œœœ œœœ œœœ œœœ jœœœP

œœœ ‰F FG

G

ise I have in...

&60 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœAm

Noth - ing com - pares to the prom -

Rit.œœœ œœœ œœœ œœœ jœœœ œœœ jœœœF

FG G

ise I have in You.

wwwUC

&63

2 - Optional Ending (Big)

œœœ œœœ œœœ œœœ jœœœ œœœ ‰F FG

G

ise I have in...

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœAm

Noth - ing com- pares to the prom -

Rit.œœœ œœœ œœœ œœœ œœœ œœœF F

G G

ise I have in

wwwUC

You.

Shout to the Lord - page 3Lead Sheet Key: Bb > C

Page 43: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&?

b b

b b4444 P

Med. Ballad q = 76iWORSH!P™ count-in: 8 beats

‰ œ œœ œ œœ œ œœ œBb

wŒ œœ œœ œ œœ œF

‰ œ jœ ˙w

‰ œ œœ œ œœ œ œœ œw

Œ œœ œœ œ œœ œ‰ œ jœ ˙w

&

&?

b b

b b

b b....

..1 (cued notes are opt.)5 Œ œœœ œœœ œœœMy Je - sus,

‰P - Fœ œœ œ œœ œ œœ œBb

w

Œ œœœ œœœ œœœmy Sav - ior,

Œ œœ œœ œ œœ œF

‰ œ jœ ˙w

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœLord, there is none like You,

œœœ œ œ œ œ œœœ œ œGm F

œ œ œ œ œ

&

&?

b b

b b

b b

8 ...œœœ ‰ œœœ œœœ œœœ œœœall of my days,

...œœœ œ œ œœ œ œœœEb

œ œ .œ œ œ

œœœ Œ œœœ œœœ œœœ œœœI want to praise

jœœ œ œ œ œœœ œ œœœBbD Eb

œ œ œ œ

œœœ ‰ jœœœ œœœ œœœ œœœ œœthe won - ders of Your

œœœ œ œ œœœ œ œœœBbF Gm7

.œ jœ .œ jœ

Piano, Vocal Key: Bb > CPraiseCharts Band Series

Shout to the LordDarlene Zschech

Arr. by Dan GalbraithOrch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 44: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

b b

b b

b b

11

˙b ˙˙might - - - y

œœœ œ œ œ œ œœœ œœœAb2 Cm

G

.œb œ œ .œ jœ

..˙ Œlove;

˙ œœœœ œœ œ ..œœ œ œœœ

Fsus EbF

. .œ rœ .œ jœ

Œ œœœ œœœ œœœMy Com - fort,

‰ œ œœ œ œœ œ œœ œBb

w

&

&?

b b

b b

b b

14 Œ œœœ œœœ œœœmy Shel - ter,

Œ œœ œœ œ œœ œF

‰ œ jœ ˙w

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœTow - er of ref - uge and strength;

œœœ œ œ œ œ œœœ œ œ œGm F

œ œ œ œ œ

œœœ Œ œœœ œœœ œœœ œœœLet ev - 'ry breath,

...œœœ œ œ œœ œ œœœEb2

œ œ .œ œ œ

&

&?

b b

b b

b b

17 œœœ Œ œœœ œœœ œœœ œœœall that I am,

œœ œ œ œ œ œœ œ œœœBbD Eb

œ œ œ œ

œœœ Œ œœœ œœœ œœœ œœœnev - er cease to

œœœ œœ œ œ œœ œ œœœBbF Gm

.œ jœ .œ jœ

˙b ˙wor - ship

œœœ œ œœœb œœœœ œ œœ œœAb Cm

G

.œb œ œb œ œ œ

Shout to the Lord - page 2Piano, Vocal Key: Bb > C

Page 45: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

b b

b b

b b

20 ..˙ ŒYou.

˙ œ

œœœœ œœœ œ œœœœ œ œ œ œFsus F

œ .œ œ .œ œ œ

2

f

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœShout to the Lord, all the earth,

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœBb Gm

.œ jœ .œ jœ

œœœ œœœ œœœ œœœ œœœ Œlet us sing

œœœ œœœ œœœ œœœ œœœ œ œ œ œœœEb2 Eb

F F

.œ jœ .œ œ œ

&

&?

b b

b b

b b

23 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœpow - er and maj - es - ty, praise

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœBb Gm

.œ jœ .œ jœ

œœœ œœœ œœœ œœœ œœœ Œto the King;

œœœ œœœ œœœ œœœœ œœœœ œ œ œ œœœ œEbma7F

.œ jœ .œ œ œ

&

&?

b b

b b

b b

25 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœMoun - tains bow down and the seas

œœœ œœœ œœœ œœœ œœœ œœœ œ œœœ œœœGm

˙ œ œ

œœœ œœœ œœœ jœœœ ‰ œœœ œœœwill roar at the

œœœ œ œœœ œœœ œœœ œ œœœ œœEb

.œ jœ .œ jœ

2nd X to Coda

œœœ œœœ œœœ œœœ œœœ œœœsound of Your

œœœ œœœ œ œœœ œœœ œF Gm

. .œ rœ . .œ rœ

Shout to the Lord - page 3Piano, Vocal Key: Bb > C

Page 46: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

b b

b b

b b

28 ˙ œœœ Œname.

œœœ œ œ œ œ œœœ œœœFA

FC

.œ œœ œœ ˙

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœI sing for joy at the work

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœBb Gm

..œœjœ .œ jœ

&

&?

b b

b b

b b

30 œœœ œœœ œœœ œœœ œœœ ‰ jœœœof Your hands, for -

œœœ œœœ œœœ œœœ œœœ œ œ œ œœœEb2 Eb

F F

.œ jœ .œ œ œ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœev - er I'll love You, for - ev -

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœBb Gm

.œ jœ .œ jœ

&

&?

b b

b b

b b

32 œœœ œœœ œœœ œœœ œœœ Œer I'll stand;

œœœ œœœ œœœ œœœœ œœœœ œ œ œ œœœ œEbma7 F

.œ jœ .œ œ œ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœNoth - ing com - pares to the prom -

œœœ œœœ œœœ œœœ œœœ œœœ œ œœœ œœœGm

˙ œ œ

Shout to the Lord - page 4Piano, Vocal Key: Bb > C

Page 47: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

b b

b b

b b....

..34 œœœ œœœ œœœ œœœ jœœœ œœœ jœœœise I have in You.

œœœ œœœ œœœ œœœ œ œ œœœEb Eb

F F

.œ jœ ˙

Repeat to Verse

www

Œ œœ œœ œœBb

‰ œ jœ jœ œ jœw

FŒ œœ œœ œ œœF

CmF

‰ œ jœ ˙.˙ œ œ

&

&?

b b

b b

b b

n n

n n

n n

CODA

Rit.

37 ˙ ...œœœ ‰name.

œœœ œœ œ œœœœ œœœFA

.œ jœ œ œœfa tempo

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœI sing for joy at the works

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœC Am

..œœjœ .œ jœ

œœœ œœœ œœœ œœœ œœœ ‰ jœœœof Your hands, for -

œœœ œœœ œœœ œœœ œœœ œ œ œ œœœF2 F

G G

.œ jœ .œ œ œ

&

&?

40 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœev - er I'll love You, for - ev - - -

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœC Am

.œ jœ .œ jœ

œœœ œœœ œœœ œœœ œœœ Œer I'll stand.

œœœ œœœ œœœ œœœœ œœœœ œ œ œ œœœ œFma7 G

.œ jœ .œ œ œ

Shout to the Lord - page 5Piano, Vocal Key: Bb > C

Page 48: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

42 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœNoth - ing com-pares to the prom -

œœœ œœœ œœœ œœœ œœœ œœœ œ œœœ œœœAm

˙ œ œ

œœœ œœœ œœœ œœœ jœœœ ‰ ...œœœ œœœise I have. Oh

œœœ œœœ œœœ œœœ œ œ œœœ œœF F

G G

.œ jœ .œ jœ

2aœœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœShout to the Lord, all the earth,

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœC Am

..œœ jœ .œ jœ

&

&?

45 œœœ œœœ œœœ œœœ œœœ Œlet us sing

œœœ œœœ œœœ œœœ œœœ œ œ œ œœœF2 F

G G

.œ jœ .œ œ œ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœpow - er and maj - es - ty, praise

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœCAm

.œ jœ .œ jœ

œœœ œœœ œœœ œœœ œœœ Œto the King;

œœœ œœœ œœœ œœœœ œœœœ œ œ œ œœœ œFma7 G

.œ jœ .œ œ œ

&

&?

48 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœMoun - tains bow down and the seas

œœœ œœœ œœœ œœœ œœœ œœœ œ œœœ œœœAm

˙ œ œ

œœœ œœœ œœœ jœœœ ‰ œœœ œœœwill roar at the

œœœ œ œœœ œœœ œœœ œ œœœ œœF

.œ jœ .œ jœ

œœœ œœœ œœœ œœœ œœœ œœœsound of Your

œœœ œœœ œ œœœ œœœ œG Am

. .œ rœ . .œ rœ

Shout to the Lord - page 6Piano, Vocal Key: Bb > C

Page 49: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

51 ˙ œœœ Œname.

œœœ œ œ œ œ œœœ œœœGB

GD

.œ œœ œœ ˙

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœI sing for joy at the work

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœC Am

..œœjœ .œ jœ

œœœ œœœ œœœ œœœ œœœ ‰ jœœœof Your hands, for -

œœœ œœœ œœœ œœœ œœœ œ œ œ œœœF2 F

G G

.œ jœ .œ œ œ

&

&?

54 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœev - er I'll love You, for - ev -

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœC Am

.œ jœ .œ jœ

œœœ œœœ œœœ œœœ œœœ Œer I'll stand;

œœœ œœœ œœœ œœœœ œœœœ œ œ œ œœœ œFma7 G

.œ jœ .œ œ œ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœNoth - ing com - pares to the prom -

œœœ œœœ œœœ œœœ œœœ œœœ œ œœœ œœœAm

˙ œ œ

&

&?

57 œœœ œœœ œœœ œœœ jœœœ œœœ ‰ise I have in...

œœœ œœœ œœœ œœœ œ œ œœœF F

G G

.œ jœ .œ jœ

Tag œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœNoth - ing com - pares to the prom -

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœAm

˙ œ œ

1 - Song Ending (iWORSH!P)œœœ œœœ œœœ œœœ jœœœ œœœ ‰ise I have in...

œœœ œœœ œœœ œœœ œœœF F

G G

.œ jœ .œ jœ

Shout to the Lord - page 7Piano, Vocal Key: Bb > C

Page 50: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

60 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœNoth - ing com - pares to the prom -

Pœœœ œœœ œœœ œœœ œœœ œœœ

Am

˙ œ œRit.

œœœ œœœ œœœ œœœ jœœœ œœœ jœœœise I have in You.

œœœ œœ œ œ œœœ œœœF F

G

.œ jœ jœ œ jœ

wwwU

wwwwUC

wU

&

&?

63

2 - Optional Ending (Big)

œœœ œœœ œœœ œœœ jœœœ œœœ ‰ise I have in...

œœœ œœœ œœœ œœœ œ œ œœœ œœF F

G G

.œ jœ .œ jœ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœNoth - ing com-pares to the prom -

œœœ œœœ œœœ œœœ œœœ œœœœ œœœœ œœœœAm

˙ œ œRit.

œœœ œœœ œœœ œœœ œœœ œœœise I have in

œœœœ œœœ œ œœœ œœœF F

G G

.œ œ œ .œ œ œ

wwwUYou.

wwwwUC

wwU

Shout to the Lord - page 8Piano, Vocal Key: Bb > C

Page 51: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

? b b 44Med. Ballad q = 76iWORSH!P™ count-in: 8 beats

’Pœœ œ œœ œ œœ œBb ’ œœ œ œœ œ œœ œF «2

&

& b b ..1

"My Jesus,..."P - F5 ’ œ œ œBb ’ œ œ œ

F ’ ’ ’ ’Gm F ’ ’ ’ ’Eb

& b b9 ’ ’ ’ ’BbD Eb ’ ’ ’ ’

BbF Gm7

’ ’ ’ ’Ab2 CmG ’ ’ ’ ’Fsus F Eb

F

& b b"My comfort..."

13 ’ œ œ œBb ’ œ œ œF ’ ’ ’ ’Gm F ’ ’ ’ ’Eb2

& b b17 ’ ’ ’ ’BbD Eb ’ ’ ’ ’

BbF Gm ’ ’ ’ ’Ab Cm

G ’ ’ ’ ’Fsus F

& b b2

"Shout to the Lord..."

21 ’ ’ ’ ’fBb Gm ’ ’ ’ ’Eb2 Eb

F F ’ ’ ’ ’Bb Gm ’ ’ ’ ’Ebma7 F

& b b25 ’ ’ ’ ’Gm ’ ’ ’ ’Eb 2nd X to Coda

’ ’ ’ ’F Gm ’ ’ ’ ’FA

FC

& b b"I sing for joy..."

29 ’ ’ ’ ’Bb Gm ’ ’ ’ ’Eb2 EbF F ’ ’ ’ ’Bb Gm ’ ’ ’ ’Ebma7 F

& b b ..33 ’ ’ ’ ’Gm ’ ’ ’ ’Eb EbF F ?

Repeat to Verse

’ œœ œ œœ œ œœ œBb ’Fœœ œœ œœ œF

CmF

&

Rhythm Key: Bb > CPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 52: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& b b n nCODA

Rit.

37 ’ ’ ’ ’FA

"I sing for joy..."

a tempo

’ ’ ’ ’fC Am ’ ’ ’ ’F2 F

G G ’ ’ ’ ’C Am

&41 ’ ’ ’ ’Fma7 G ’ ’ ’ ’Am ’ ’ ’ ’F FG G

&2a

"Shout to the Lord..."

44 ’ ’ ’ ’C Am ’ ’ ’ ’F2 FG G ’ ’ ’ ’C Am ’ ’ ’ ’Fma7 G

&48 ’ ’ ’ ’Am ’ ’ ’ ’F ’ ’ ’ ’G Am ’ ’ ’ ’GB

GD

&"I sing for joy..."

52 ’ ’ ’ ’C Am ’ ’ ’ ’F2 FG G ’ ’ ’ ’C Am ’ ’ ’ ’Fma7 G

&56 ’ ’ ’ ’Am ’ ’ ’ ’F FG G

Tag

"Oh, nothing compares..."

’ ’ ’ ’Am

&59

1 - Song Ending (iWORSH!P)

’ ’ ’ ’F FG G ’ ’ ’ ’P

Am

Rit.

’ ’ ’ ’F FG G |UC

&63

2 - Optional Ending (Big)

’ ’ ’ ’F FG

G ’ ’ ’ ’Am

Rit.

’ ’ ’ ’F FG G |UC

Shout to the Lord - page 2Rhythm Key: Bb > C

Page 53: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # # 44Med. Ballad q = 76iWORSH!P™ count-in: 8 beats

’ ’ ’ ’A ’ ’ ’ ’E «2

& # # # ..1

"My Jesus,..."P - F5 ’ ’ ’ ’A ’ ’ ’ ’E ’ ’ ’ ’F#m E ’ ’ ’ ’D

& # # #9 ’ ’ ’ ’AC# D ’ ’ ’ ’

AE F#m7

’ ’ ’ ’G2 BmF# ’ ’ ’ ’Esus E D

E

& # # #"My comfort..."

13 ’ ’ ’ ’A ’ ’ ’ ’E ’ ’ ’ ’F#m E ’ ’ ’ ’D2

& # # #17 ’ ’ ’ ’AC# D ’ ’ ’ ’

AE F#m ’ ’ ’ ’G Bm

F# ’ ’ ’ ’Esus E

& # # #2

"Shout to the Lord..."

21 ’ ’ ’ ’fA F#m ’ ’ ’ ’D2 D

E E ’ ’ ’ ’A F#m ’ ’ ’ ’Dma7 E

& # # #25 ’ ’ ’ ’F#m ’ ’ ’ ’D2nd X to Coda

’ ’ ’ ’E F#m ’ ’ ’ ’EG# E

B

& # # #"I sing for joy..."

29 ’ ’ ’ ’A F#m ’ ’ ’ ’D2 DE E ’ ’ ’ ’A F#m ’ ’ ’ ’Dma7 E

& # # # ..33 ’ ’ ’ ’F#m ’ ’ ’ ’D DE E

Repeat to Verse

’ ’ ’ ’A ’ ’ ’ ’FE

BmE

Ac. GuitarCapo 1

Key: Bb > CPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 54: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # #Capo 3

CODA

Rit.

37 ’ ’ ’ ’EG#

"I sing for joy..."

a tempo

’ ’ ’ ’f

A F#m ’ ’ ’ ’D2 DE E ’ ’ ’ ’A F#m

& # # #41 ’ ’ ’ ’Dma7 E ’ ’ ’ ’F#m ’ ’ ’ ’D DE E

& # # #2a "Shout to the Lord..."

44 ’ ’ ’ ’A F#m ’ ’ ’ ’D2 DE E ’ ’ ’ ’A F#m ’ ’ ’ ’Dma7 E

& # # #48 ’ ’ ’ ’F#m ’ ’ ’ ’D ’ ’ ’ ’E F#m ’ ’ ’ ’EG# E

B

& # # # "I sing for joy..."

52 ’ ’ ’ ’A F#m ’ ’ ’ ’D2 DE E ’ ’ ’ ’A F#m ’ ’ ’ ’Dma7 E

& # # #56 ’ ’ ’ ’F#m ’ ’ ’ ’D DE E

Tag "Oh, nothing compares..."

’ ’ ’ ’F#m

& # # #59

1 - Song Ending (iWORSH!P)

’ ’ ’ ’D DE E ’ ’ ’ ’P

F#mRit.

’ ’ ’ ’D DE E |UA

& # # #63

2 - Optional Ending (Big)

’ ’ ’ ’D DE

E ’ ’ ’ ’F#m

Rit.

’ ’ ’ ’D DE E |UA

Shout to the Lord - page 2Ac. GuitarCapo 1

Key: Bb > C

Page 55: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& 44 ..l4 1 "My Jesus,..."l8 "My comfort..."l22nd X only

‰Fœ

. œ  œ œ œ œ. œ ˙ Ó

&17 l2 Both X'sŒ œb . œ œ œ œœF

œ ..œœ œœ. œœ.Í

˙> 2

"Shout to the Lord..."

∑ Óf

œœ ..œœ œœ>

&23 ˙> Ó Ó œ. œ œ œ œ œ ˙ ‰ œœ> ‰ œœ> ˙ œœ œœ2nd X to Coda˙ Ó

&28 ‰ œœ> œœ. œœ. œœ> ..œœ> œœ> "I sing for joy..."˙> Ó Ó œœ ..œœ œœ> ˙> Ó

& ..32 Ó œœ œœ ˙ Ó ‰ œ œ œ œ œ œRepeat to Verse

ww ∑

& # #CODA Rit.

37 ‰ œœ> œœ. œœ. œœ> ..œœ- œœ>"I sing for joy..."a tempo

f˙> Ó ‰ œ œ œ œ œ œ œ œœ ˙> Ó

& # #41 Ó œ œ œ œ. ≈ .Jœ> Jœœ ‰ Œ Ó ‰ œ œ œ ‰ œœ. œœ. œœ> 2a

"Shout to the Lord..."

& # #45 Ó ‰ œœ> œœ> ..œœ- œœ> ˙> Ó Ó œ. œ œ œ œ œ ˙ ‰ œœ> ‰ œœ>

Trumpet 1-2 Key: Bb > CPraiseCharts Band Series

Shout to the LordDarlene Zschech

Arr. by Dan GalbraithOrch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 56: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # #49 ˙ œœ œœ ˙ Ó Œ ..œœ> œœ>Í˙> "I sing for joy..."∑ Ó ‰ œ œ œœ œ

& # #54 ˙> Ó Œ ‰ œ œ œ œ œ œ œœ œœ ˙ Ó Ó œœ œœ

& # #Tag

"Oh, nothing compares..."58 ˙ Ó

1 - Song Ending (iWORSH!P)

l2Rit.‰

Pœ œ œ œ œ œ pwwU

& # #63

2 - Optional Ending (Big)

Ó œ œ œ œ ≈ ..Jœœ> Jœœ ‰ Œ Ó Rit.‰ œ œ œ œœ> œœ>fwwU

Shout to the Lord - page 2Trumpet 1-2 Key: Bb > C

Page 57: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # 44 ..l41

"My Jesus,..."

l8"My comfort..."

l22nd X only‰

Fœ. œ  œ œ œ œ. œ ˙ Ó

& #17 l2 Both X'sŒ Fœn . œ œ œ œ .œ œ. œ.

Í> 2

"Shout to the Lord..."

∑ Ófœ .œ œ>

& #23 > Ó Ó œ. œ œ œ œ œ ˙ ‰ œ> ‰ œ> ˙ œ œ2nd X to Coda˙ Ó

& #28 ‰ œ> œ. œ. œ> .œ> œ>"I sing for joy..."

> Ó Ó œ .œ œ> > Ó Ó œ œ

& # ..33 ˙ Ó ‰ œ œ œ œ œ œRepeat to Verse

w ∑

& # # # #CODA Rit.37 ‰ œ> œ. œ. œ> .œ- œ>

"I sing for joy..."

a tempo

f> Ó ‰ œ œ œ œ œ œ œ œ > Ó

& # # #41 Ó œ œ œ œ. ≈ .Jœ> Jœ ‰ Œ Ó ‰ œ œ œ ‰ œ. œ. œ> 2a

"Shout to the Lord..."

& # # #45 Ó ‰ œ> œ> .œ- œ> > Ó Ó œ. œ œ œ œ œ ˙ ‰ œ> ‰ œ>

Alto Sax Key: Bb > CPraiseCharts Band Series

Shout to the LordDarlene Zschech

Arr. by Dan GalbraithOrch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 58: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # #49 ˙ œ œ ˙ Ó Œ .œ> œ>Í>

"I sing for joy..."

∑ Ó ‰ œ œ œ œ

& # # #54> Ó Œ ‰ œ œ œ œ œ œ œ œ ˙ Ó Ó œ œ

& # # #Tag"Oh, nothing compares..."

58 ˙ Ó1 - Song Ending (iWORSH!P)

l2Rit.‰ P

œ œ œ œ œ œpwU

& # # #63

2 - Optional Ending (Big)

Ó œ œ œ œ ≈ .Jœ> Jœ ‰ Œ Ó Rit.‰ œ œ œ œ> œ>fwU

Shout to the Lord - page 2Alto Sax Key: Bb > C

Page 59: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& 44 ..l41 "My Jesus,..."l8 "My comfort..."l2

2nd X only‰Fœ

. œ  œ œ œ œ. œ ˙ Ó

&17 l2 Both X'sŒF

œb . œ œ œ œ .œ œ. œ.Í

> 2

"Shout to the Lord..."

∑ Ó fœ .œ œ>

&23 > Ó Ó œ. œ œ œ œ œ ˙ ‰ œ> ‰ œ> ˙ œ œ2nd X to Coda

˙ Ó

&28 ‰ œ> œ. œ. œ> .œ> œ> "I sing for joy..."> Ó Ó œ .œ œ> > Ó

& ..32 Ó œ œ ˙ Ó ‰ œ œ œ œ œ œRepeat to Verse

w ∑

& # #CODA Rit.

37 ‰ œ> œ. œ. œ> .œb - œ>"I sing for joy..."a tempo

f> Ó ‰ œ œ œ œ œ œ œ œ > Ó

& # #41 Ó œ œ œ œ. ≈ .jœ> Jœ ‰ Œ Ó ‰ œ œ œ ‰ œ. œ. œ>2a

"Shout to the Lord..."∑

& # #45 Ó ‰ œ> œ> .œ- œ> > Ó Ó œ. œ œ œ œ œ ˙ ‰ œ> ‰ œ>

Trumpet 3 Key: Bb > CPraiseCharts Band Series

Shout to the LordDarlene Zschech

Arr. by Dan GalbraithOrch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 60: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # #49 ˙ œ œ ˙ Ó Œ .œ> œ>Í

> "I sing for joy..."∑ Ó ‰ œ œ œ œ

& # #54 > Ó Œ ‰ œ œ œ œ œ œ œ œ ˙ Ó Ó œ œ

& # #Tag

"Oh, nothing compares..."58 ˙ Ó1 - Song Ending (iWORSH!P)

l2Rit.‰

Pœ œ œ œ œ œ pwU

& # #63

2 - Optional Ending (Big)

Ó œ œ œ œ ≈ .Jœ> Jœ ‰ Œ Ó Rit.‰ œ œ œ œ> œ>fwU

Shout to the Lord - page 2Trumpet 3 Key: Bb > C

Page 61: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

? b b 44 ..l41 "My Jesus,..."l8 "My comfort..."l2

2nd X only

‰F

œœ. œœ   œœ œœ œœ œœ. œœ ˙ Ó

? b b17 l2 Both X'sŒ œb . œ œ œ œœF

œ ..œœ œœ. œœ.Í

˙> 2

"Shout to the Lord..."

∑ Ó fœœ ..œœ œœ>

? b b23˙> Ó Ó œ. œ œ œ œ œ ˙ ‰ œœ> ‰ œœ> ˙ œœ œœ 2nd X to Coda˙ Ó

? b b28 ‰ œœ> œœ. œœ. œœ> ..œœ> œœ> "I sing for joy..."˙> Ó Ó œœ ..œœ œœ> ˙> Ó

? b b ..32 Ó œœ œœ ˙ Ó ‰ œ œ œ œ œ œ Repeat to Verseww ∑

? b b n nCODA Rit.

37 ‰ œœ> œœ. œœ. œœ> ..œœ- œœ> "I sing for joy..."a tempo

f˙> Ó ‰ œ œ œ œ œ œ œ œœ ˙> Ó

?41 Ó œ œ œ œ. ≈ .Jœ> Jœœ ‰ Œ Ó ‰ œ œ œ ‰ œœ. œœ. œœ> 2a"Shout to the Lord..."∑

?45 Ó ‰ œœ> œœ> ..œœ- œœ> ˙> Ó Ó œ. œ œ œ œ œ ˙ ‰ œœ> ‰ œœ>

Trombone 1-2 Key: Bb > CPraiseCharts Band Series

Shout to the LordDarlene Zschech

Arr. by Dan GalbraithOrch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 62: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

?49˙ œœ- œœ- ˙ Ó Œ ..œœ> œœ>

Í˙> "I sing for joy..."∑ Ó ‰ œ œ œœ

?54 ˙> Ó Œ ‰ œ œ œ œ œ œ œœ œœ ˙ Ó Ó œœ œœ

?Tag

"Oh, nothing compares..."58 ˙ Ó

1 - Song Ending (iWORSH!P)

l2Rit.‰ P

œ œ œ œ œ œpwwU

?63

2 - Optional Ending (Big)

Ó œ œ œ œ ≈ ..Jœœ> Jœœ ‰ Œ ÓRit.

‰ œ œ œ œœ> œœ>fwwU

Shout to the Lord - page 2Trombone 1-2 Key: Bb > C

Page 63: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& 44 ..l4 1 "My Jesus,..."l8 "My comfort..."l22nd X only

‰ Fœ. œ  œ œ œ œ. œ ˙ Ó

&17 l2Both X'sŒ œb . œ œ œ œœ

Fœ ..œœ œœ. œœ.

Í˙> 2

"Shout to the Lord..."

∑ Óf

œœ ..œœ œœ>

&23 ˙> Ó Ó œ. œ œ œ œ œ ˙ ‰ œœ> ‰ œœ> ˙ œœ œœ2nd X to Coda˙ Ó

&28 ‰ œœ> œœ. œœ. œœ> ..œœ> œœ>"I sing for joy..."˙> Ó Ó œœ ..œœ œœ> ˙> Ó

& ..32 Ó œœ œœ ˙ Ó ‰ œ œ œ œ œ œ Repeat to Verse

ww ∑

& # #CODA Rit.

37 ‰ œœ> œœ. œœ. œœ> ..œœ- œœ>"I sing for joy..."a tempo

f˙> Ó ‰ œ œ œ œ œ œ œ œœ ˙> Ó

& # #41 Ó œ œ œ œ. ≈ .Jœ> Jœœ ‰ Œ Ó ‰ œ œ œ ‰ œœ. œœ. œœ>2a

"Shout to the Lord..."∑

& # #45 Ó ‰ œœ> œœ> ..œœ- œœ> ˙> Ó Ó œ. œ œ œ œ œ ˙ ‰ œœ> ‰ œœ>

Tenor Sax Key: Bb > CPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 64: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # #49 ˙ œœ- œœ- ˙ Ó Œ ..œœ> œœ>Í

˙> "I sing for joy..."∑ Ó ‰ œ œ œœ

& # #54 ˙> Ó Œ ‰ œ œ œ œ œ œ œœ œœ ˙ Ó Ó œœ œœ

& # #Tag

"Oh, nothing compares..."58 ˙ Ó

1 - Song Ending (iWORSH!P)

l2Rit.‰

Pœ œ œ œ œ œ pwwU

& # #63

2 - Optional Ending (Big)

Ó œ œ œ œ ≈ ..Jœœ> Jœœ ‰ Œ Ó Rit.‰ œ œ œ œœ> œœ>fwwU

Shout to the Lord - page 2Tenor Sax Key: Bb > C

Page 65: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

? b b 44 ..l41

"My Jesus,..."

l8"My comfort..."

l6 Ó ŒF

Both X's

œ .œ œ. œ.Í

>

? b b2"Shout to the Lord..."

21 ∑ Ó f œ .œ œ>> Ó ∑ Ó ‰ œ> ‰ œ>

? b b26

˙ œ- œ-2nd X to Coda

˙ Ó ‰ œ> œ. œ. œ> .œ> œ>"I sing for joy..."> Ó Ó œ .œ œ>

? b b ..31 > Ó Ó ˙ ˙ Ó ∑Repeat to Verse

ww ∑? b b n n

CODA Rit.37 ‰ œ> œ. œ. œ> .œ- œ>

"I sing for joy..."a tempo

f> Ó Ó Œ œ ˙> Ó ∑ jœœ

^ ‰ Œ Ó

?43 Ó ‰ œ. œ. œ>2a "Shout to the Lord..."∑ Ó ‰ œ> œ> .œ- œ> ˙> Ó ∑

?48 Ó ‰ œ> ‰ œ> ˙ œ- œ- ˙ Ó Œ .œ> œ> Í> "I sing for joy..."∑

?53 Ó Œ œ ˙> Ó l2 Ó ˙Tag "Oh, nothing compares..."˙ Ó

?59

1 - Song Ending (iWORSH!P)

l2 Rit.∑pwwU 2 - Optional Ending (Big)

Ó ˙ ˙ Ó Rit.Ó œ> œ> fwwU

Trombone 3, Tuba Key: Bb > CPraiseCharts Band Series

Shout to the LordDarlene Zschech

Arr. by Dan GalbraithOrch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 66: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # 44 ..l41

"My Jesus,..."

l8"My comfort..."

l6 Ó ŒF

Both X's

œ .œ œ. œ.Í>

& #2"Shout to the Lord..."

21 ∑ Ófœ .œ œ>

> Ó ∑ Ó ‰ œ> ‰ œ>

& #26

˙ œ- œ-2nd X to Coda

˙ Ó ‰ œ> œ. œ. œ> .œ> œ>"I sing for joy..."

> Ó Ó œ .œ œ>

& # ..31 > Ó Ó ˙ ˙ Ó ∑Repeat to Verse

w ∑

& # # # #CODA Rit.37 ‰ œ> œ. œ. œ> .œ- œ>

"I sing for joy..."

a tempo

f> Ó Ó Œ œ

> Ó ∑ jœ ‰ Œ Ó

& # # #43 Ó ‰ œ. œ. œ>2a

"Shout to the Lord..."

∑ Ó ‰ œ> œ> .œ- œ>> Ó

& # # #47 ∑ Ó ‰ œ> ‰ œ> ˙ œ- œ- ˙ Ó Œ .œ> œ>Í

>

Bari Sax Key: Bb > CPraiseCharts Band Series

Shout to the LordDarlene Zschech

Arr. by Dan GalbraithOrch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 67: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # # #"I sing for joy..."

52 ∑ Ó Œ œ> Ó l2 Ó ˙

& # # #Tag"Oh, nothing compares..."58 ˙ Ó

1 - Song Ending (iWORSH!P)

l2 Rit.∑ pwU

& # # #63

2 - Optional Ending (Big)

Ó ˙ ˙ Ó Rit.Ó œ> œ> fwU

Shout to the Lord - page 2Bari Sax Key: Bb > C

Page 68: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

÷ 44 ..l2Tri.

P¿ Œ Ó ¿ Œ Ó 1 "My Jesus,..."Wind Chimes¿ l7

÷ "My comfort..."13 ¿ l5 Sus. Cym.

Pwæ ? Ó Timp.

Íæ2

"Shout to the Lord..."fœb > Œ Ó

?22 Ó Œ œæ œb > Œ Ó l32nd X to Coda

∑ ÓÍæ

? .."I sing for joy..."

29

fœb > Œ Ó l5 &Repeat to Verse

BellsŒ Pœ œb œ Œ œ œb œ ?

?CODA

Rit.37Sus. Cym.wæ

"I sing for joy..."

a tempo∑ Ó Œ Timp.

fœæ œ> Œ Ó l2 ÓÍæ

?2a "Shout to the Lord..."

44

fœ> Œ Ó Ó Œ œæ œ> Œ Ó l4 Ó

Íæ

?"I sing for joy..."52

fœ> Œ Ó Ó Œ œæ œ> Œ Ó l2 P

Sus. Cym. wæ Tag"Oh, nothing compares..."∑

?59

1 - Song Ending (iWORSH!P)

l2Rit.

ÓTimp. æ pœ Œ ÓU2 - Optional Ending (Big)

l2Rit.

Ó Timp.æ fwæU

Percussion Key: Bb > CPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 69: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& b 44 ..l3 ŒPœœ œœ œœ

1 "My Jesus,..."ww l7

& b"My comfort..."13 Ó Œ

F2nd X onlyœ w l2 Œ Fœ .œ œ œ œ œ œ ˙

& b19 ∑ ÓF

Both X'sœ œ œ œ2

"Shout to the Lord..."fw ∑ Œ œ œ œ œ~~

& b24 .œ jœ œ œ ˙ Ó Ó œ œ œ œ2nd X to Coda

˙ Ó

& b28 Ó Œ œ> œ> œ> "I sing for joy..."> Ó ∑ Ó ‰ œ œ œ œ œ

& b ..32 œœ œœ œœ. œœ ˙ l2Repeat to Verse

∑ ŒFœœ œœ œœ

& b n #CODARit.

37 Œ œ ˙ "I sing for joy..."a tempo

fw ˙ Ó l3 Ó Œ œ> œ> œ>~ ~

& #2a "Shout to the Lord..."44 w> ˙ Ó Œ ‰ Jœ œ œ œ œ œ œ œ œ ˙ ∑

Horn 1-2 Key: Bb > CPraiseCharts Band Series

Shout to the LordDarlene Zschech

Arr. by Dan GalbraithOrch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 70: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& #49 Ó œ œ œ œ ˙ Ó Ó Œ œ- œ. œ. "I sing for joy..."> Ó ∑

& #54 Ó ‰ œ œ œ œ œ œœ œœ œœ. œœ ˙ l2Tag"Oh, nothing compares..."∑

& #59

1 - Song Ending (iWORSH!P)

∑ ‰ Pœ œ œ œ œ œRit.

˙ œœ œœ pwwU

& #63

2 - Optional Ending (Big)

∑ fœœ œœ œœ œœ œœ œœ œœ œœ Rit.œœ ‰ œ œ œœ œœ

fwwU

Shout to the Lord - page 2Horn 1-2 Key: Bb > C

Page 71: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& b b 44 ..l2 Œ P(opt. Solo)œ œ œ w 1

"My Jesus,..."

l8

& b b"My comfort..."

132nd X onlyŒ

Fœœ œœ œœ Œ œœœ œœœ œœœ ∑ Œ ‰Both X's

Fœœ œœ œœ œœ œœ œœ ˙ œœ œœ œœ œœ

& b b Ÿ~~18 ˙ Ó ∑ Œ œœ œœ œœ œœ œœ œœ œœ ˙ 2

"Shout to the Lord..."

∑ Ó œœ œœ œœ. œœ

. œœ œœ œœ. œœ.

& b b23 Jœœ ‰ Œ Ó ∑ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœœ œœœ œœœ œœœ

2nd X to Coda˙ Ó

& b b28 Ó œœ œœ œœ. œœ

. œœ œœ œœ. œœ. "I sing for joy..."˙> Ó ∑ Œ ‰ œœ œœ œœ œœ œœ œœ

& b b ..32 ..œœ œœ œœ ˙ œœ œœ œœ œœ œœ œœ œœ œœ ˙ ÓRepeat to Verse

Œ P(opt. Solo)œ œ œ w

& b b n nŸ~~~CODA Rit.

37 Œ œœ œœ œœnn œœ œœ œœ œœnn ˙ "I sing for joy..."a tempo

l2 Œ ‰ œœ œœ œœ œœ œœ œœ ..œœ œœ œœ ˙

&42 œœ œœ œœ œœ œœ œœ œœ œœ ˙ Ó2a "Shout to the Lord..."

œœ œœ œœ œœ œœ œœ œœ Jœœ ‰ Ó Ó œœ œœ œœ. œœ. œœ œœ œœ. œœ.

Flute (Oboe) 1-3 Key: Bb > CPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 72: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&46 Jœœ ‰ Œ Ó ∑ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœœ œœœ œœœ œœœ

&50˙ Ó Ó œœ œœ œœ

. œœ. œœ œœ œœ. œœ.

"I sing for joy..."

˙> Ó ∑

&54 Œ ‰ œœ œœ œœ œœ œœ œœ ..œœ œœ œœ ˙ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ ˙ Ó

&Tag

"Oh, nothing compares..."

58 ∑1 - Song Ending (iWORSH!P)

l2Rit.

Ó œœ œœ œœ œœ pwwwU

&63

2 - Optional Ending (Big)

∑f

œœ œœ œœ œœ œœ œœ œœ œœRit.

˙ œ œ œ. œ. œ œ œ. œ.fwwwU

Shout to the Lord - page 2Flute (Oboe) 1-3 Key: Bb > C

Page 73: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& 44 ..l2 Œ P(opt. Solo)œ œ œ w 1

"My Jesus,..."

l8

&"My comfort..."

13 2nd X onlyŒF

œ œ œ Œ œ œ œ ∑ Œ ‰Both X's

Fœ œ œ œ œ œ ˙ œ œ œ œ

& Ÿ~~~18 ˙ Ó ∑ Œ œ œ œ œ œ œ œ ˙ 2

"Shout to the Lord..."

∑ Ó œ œ œ. œ. œ œ œ. œ.

&23 Jœ ‰ Œ Ó ∑ œ œ œ œ œ œ œ œ œ œ œ œ œ2nd X to Coda

˙ Ó

&28 Ó œ œ œ. œ. œ œ œ. œ.

"I sing for joy..."

> Ó ∑ Œ ‰ œ œ œ œ œ œ

& ..32 .œ œ œ ˙ œ œ œ œ œ œ œ œ ˙ ÓRepeat to Verse

Œ P(opt. Solo)œ œ œ w

& # #Ÿ~~~~CODA Rit.

37 Œ œ œ œ# œ œ œ œ# ˙"I sing for joy..."

a tempo

l2 Œ ‰ œ œ œ œ œ œ .œ œ œ ˙

& # #42 œ œ œ œ œ œ œ œ ˙ Ó 2a

"Shout to the Lord..."

œ œ œ œ œ œ œ Jœ ‰ Ó Ó œ œ œ. œ. œ œ œ. œ.

Clarinet Key: Bb > CPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 74: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

& # #46 Jœ ‰ Œ Ó ∑ œ œ œ œ œ œ œ œ œ œ œ œ œ

& # #50 ˙ Ó Ó œ œ œ. œ. œ œ œ. œ.

"I sing for joy..."

> Ó ∑

& # #54 Œ ‰ œ œ œ œ œ œ .œ œ œ ˙ œ œ œ œ œ œ œ œ ˙ Ó

& # #Tag

"Oh, nothing compares..."

58 ∑1 - Song Ending (iWORSH!P)

l2Rit.

Ó œ œ œ œpwU

& # #63

2 - Optional Ending (Big)

∑f

œ œ œ œ œ œ œ œRit.

˙ œ œ œ. œ. œ œ œ. œ.fwU

Shout to the Lord - page 2Clarinet Key: Bb > C

Page 75: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&?

b b

b b4444

Violin-Viola

Cello-Arco

∑∑

Ó ŒP

œœ∑

ww

..˙œœ

Ó Œ œœœ&?

b b

b b....

1

"My Jesus,..."

5 wwww

l6l6

ÓF

2nd X onlyœœœ œœœÓ œœ œœ

"My comfort..."...˙ œœ..˙ œœ

..˙ œœœ

...˙ œœœ

˙ ˙˙ ˙

˙ Ó˙ Ó

&?

b b

b b

17 ‰Both X's

Fœ œ œ œ œ œ œ

˙ œœ œœ œœ œœŒ œœ ˙

˙ œœ œœ˙bb ˙

˙ ..œœ Jœœ

...˙ œœœ&?

b b

b b

2

"Shout to the Lord..."

21

fww˙ ˙

..œœ œœ œœ œœ œœ

˙ œœ œœœ

ww˙ ˙

..˙ œœ œœ œœ œœ˙ œœœ œœ œ

œœ Œ Óœœ Œ Ó

&?

b b

b b

26 Ó Œ œœ œœ œœ œœ

2nd X to Coda˙ ‰ œœ œœ œœŒ œœœ ˙

˙ ..œœ Jœœ

˙ ˙

"I sing for joy..."ww˙ ˙

Synth (Strings) Key: Bb > CPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 76: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&?

b b

b b

30 ..œœ œœ œœ œœ œœ

˙ œœ œœœ

ww˙ ˙

..˙ œœ œœ œœ œœ˙ œœœ œœ œ

&?

b b

b b....

33 œœ Œ Óœœ Œ Ó

Ó œœ œœ œœ œœ

Repeat to Verse..˙F

œœ∑

..˙œœ

Ó Œ œœœ

&?

b b

b bn n

n n

CODA Rit.

37..˙ œœ œœ œœnn œœ œœ œœ œœnn...˙ œœœ

"I sing for joy..."a tempo

fww˙ ˙

..œœ œœ œœ œœ œœ

˙ œœ œœœ

ww˙ ˙

&?

41

..˙ œœ œœ œœ œœ˙ œœœ œœ œ

œœ Œ Óœœ Œ Ó

Ó Œ œœ œœ œœ œœ œœ œœ œœÓ œœ œœ

2a "Shout to the Lord..."

fww˙ ˙

&?

45..œœ œœ œœ œœ œœ

˙ œœ œœœ

ww˙ ˙

..˙ œœ œœ œœ œœ˙ œœœ œœ œ

œœ Œ Óœœ Œ Ó

Shout to the Lord - page 2Synth (Strings) Key: Bb > C

Page 77: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&?

49 Ó Œ œœ œœ œœ œœ

˙‰ œœ œœ œœ

Œ œœœ ˙

˙ ..œœ Jœœ

˙ ˙

"I sing for joy..."ww˙ ˙

&?

53..œœ œœ œœ œœ œœ

˙ œœ œœœ

ww˙ ˙

..˙ œœ œœ œœ œœ˙ œœœ œœ œ

œœ Œ Óœœ Œ Ó

&?

57 Ó ‰ œœ œœ œœÓ Œ œœœ

Tag "Oh, nothing compares..."œœ œœ œœ œœ œœ œœ œœ œœ...˙ œœœ

1 - Song Ending (iWORSH!P)œœ œœ œœ œœ œœ œœœ˙ œœ œœ

P˙ ˙˙ ˙

&?

Rit.61 ˙ œœœ œœœ

˙ œœ œœpwwU

wwU

&?

63

2 - Optional Ending (Big)œœ œœ œœ œœ œœ œœ˙ œœ œœœ

˙ ˙

˙ ˙

Rit.œœ œœ œœ œœ ˙

Œ œœ œœ œœfwwU

wwwU

Shout to the Lord - page 3Synth (Strings) Key: Bb > C

Page 78: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

?

&?

?

&

&??

÷

&

&

&?

# # #

# # #

# # #

# # #

# # # # ## # # # # ## # #

# # #

# # # #

# # #

# # #

# # #

44

444444

444444444444

444444

Lead Sheet

Rhythm

Trumpet 1-2

Alto Sax(Trumpet 3)

Trombone 1-2(Tenor Sax 1-2)

Trombone 3, Tuba(Bari Sax)

Percussion

Horn 1-2

Flute (Oboe) 1-3(Clarinet)

Violin-Viola

Cello-Arco

Piano

Synth (Strings)

P

Med. Ballad q = 76iWORSH!P™ count-in: 8 beats

’Pœœ œ œœ œ œœ œA

‰ œ œœ œ œœ œ œœ œw

’Pœœ œ œœ œ œœ œA

∑∑∑

∑∑

∑∑

’ œœ œ œœ œ œœ œE

Œ œœ œœ œ œœ œ‰ œ jœ ˙w

2

’ œœ œ œœ œ œœ œE

∑∑∑

∑∑

Ó ŒP

œœ∑

«2

‰ œ œœ œ œœ œ œœ œw

3

«2

∑∑∑

Tri.

P¿ Œ Ó∑

Œ P(opt. Solo)œ œ œ

ww

&

Œ œœ œœ œ œœ œ‰ œ jœ ˙w

4

&

∑∑∑

¿ Œ ÓŒ

Pœœ œœ œœw

..˙œœ

Ó Œ œœœ

Key: A > BPraiseCharts Band Series

Shout to the Lord Darlene ZschechArr. by Dan Galbraith

Orch. by David Shipps

© 1993 Darlene Zschech/Hillsong Publishing. (admin. in the US and Canada by Integrity's Hosanna! Music)/ASCAPc/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. All rights reserved. International copyright secured.

Used by permission. With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local ministry needs. Further duplication is illegal.

Page 79: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

÷

&

&

&?

# # #

# # #

# # #

# # #

# # # # ## # # # # ## # #

# # #

# # # #

# # #

# # #

# # #

..

..

..

..

..

..

..

..

..

..

..

..

..

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

1

"My Jesus,..."

(cued notes are opt.)

P - F

P - F

Œ œœœ œœœ œœœA

My Je - sus,

‰P - Fœ œœ œ œœ œ œœ œw

5

’ œ œ œA

∑∑∑

Wind Chimes¿

ww∑

wwww

Œ œœœ œœœ œœœE

my Sav - ior,

Œ œœ œœ œ œœ œ‰ œ jœ ˙w

6

’ œ œ œE

∑∑∑

∑∑

∑∑

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœF#m E

Lord, there is none like You,

œœœ œ œ œ œ œœœ œ œœ œ œ œ œ

7

’ ’ ’ ’F#m E

∑∑∑

∑∑

∑∑

Shout to the Lord - page 2 Key: A > B

Page 80: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

÷

&

&

&?

# # #

# # #

# # #

# # #

# # # # ## # # # # ## # #

# # #

# # # #

# # #

# # #

# # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

...œœœ ‰ œœœ œœœ œœœ œœœD

all of my days,

...œœœ œ œ œœ œ œœœœ œ .œ œ œ

8

’ ’ ’ ’D

∑∑∑

∑∑

∑∑

œœœ Œ œœœ œœœ œœœ œœœAC# D

I want to praise

jœœ œ œ œ œœœ œ œœœœ œ œ œ

9

’ ’ ’ ’AC# D

∑∑∑

∑∑

∑∑

œœœ ‰ jœœœ œœœ œœœ œœœ œœAE F#m7

the won - ders of Your

œœœ œ œ œœœ œ œœœ.œ jœ .œ jœ

10

’ ’ ’ ’AE F#m7

∑∑∑

∑∑

∑∑

Shout to the Lord - page 3 Key: A > B

Page 81: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

÷

&

&

&?

# # #

# # #

# # #

# # #

# # # # ## # # # # ## # #

# # #

# # # #

# # #

# # #

# # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

˙n ˙˙G2 Bm

F#

might - - - y

œœœ œ œ œ œ œœœ œœœ.œn œ œ .œ jœ

11

’ ’ ’ ’G2 BmF#

∑∑∑

∑∑

∑∑

..˙ ŒEsus4 DE

love;

˙ œœœœ œœ œ ..œœ œ œœœ

. .œ rœ .œ jœ

12

’ ’ ’ ’Esus4 E DE

∑∑∑

∑∑

ÓF

2nd X only œœœ œœœÓ œœ œœ

"My comfort..."

Œ œœœ œœœ œœœA

My Com - fort,

‰ œ œœ œ œœ œ œœ œw

13

’ œ œ œA

∑∑∑

Wind Chimes¿

Ó ŒF

2nd X onlyœ2nd X onlyŒ

Fœœ œœ œœ

...˙ œœ

..˙ œœ

Œ œœœ œœœ œœœE

my Shel - ter,

Œ œœ œœ œ œœ œ‰ œ jœ ˙w

14

’ œ œ œE

∑∑∑

∑w

Œ œœœ œœœ œœœ

..˙ œœœ

...˙ œœœ

Shout to the Lord - page 4 Key: A > B

Page 82: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

÷

&

&

&?

# # #

# # #

# # #

# # #

# # # # ## # # # # ## # #

# # #

# # # #

# # #

# # #

# # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœF#m E

Tow - er of ref - uge and strength;

œœœ œ œ œ œ œœœ œ œ œœ œ œ œ œ

15

’ ’ ’ ’F#m E

2nd X only‰Fœ

. œ  œ œ œ œ. œ

2nd X only‰F

œ. œ  œ œ œ œ. œ2nd X only‰

Fœœ. œœ   œœ œœ œœ œœ. œœ

∑∑

˙ ˙˙ ˙

œœœ Œ œœœ œœœ œœœ œœœD2

Let ev - 'ry breath,

...œœœ œ œ œœ œ œœœœ œ .œ œ œ

16

’ ’ ’ ’D2

˙ Ó˙ Ó˙ Ó

∑∑

Œ ‰Both X's

Fœœ œœ œœ œœ œœ œœ

˙ Ó˙ Ó

œœœ Œ œœœ œœœ œœœ œœœAC# D

all that I am,

œœ œ œ œ œ œœ œ œœœœ œ œ œ

17

’ ’ ’ ’AC# D

∑∑∑

∑Œ Fœ .œ œ œ˙ œœ œœ œœ œœ‰Both X's

Fœ œ œ œ œ œ œ

Shout to the Lord - page 5 Key: A > B

Page 83: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

÷

&

&

&?

# # #

# # #

# # #

# # #

# # # # ## # # # # ## # #

# # #

# # # #

# # #

# # #

# # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

Ÿ~~~~~~~

œœœ Œ œœœ œœœ œœœ œœœAE F#m

nev - er cease to

œœœ œœ œ œ œœ œ œœœ.œ jœ .œ jœ

18

’ ’ ’ ’AE F#m

∑∑∑

∑œ œ œ ˙

˙ Ó˙ œœ œœ œœ œœŒ œœ ˙

˙n ˙G BmF#

wor - - - ship

œœœ œ œœœn œœœœ œ œœ œœ.œn œ œn œ œ œ

19

’ ’ ’ ’G BmF#

Both X'sŒ œn . œ œ œ œœF

œBoth X'sŒ

Fœn . œ œ œ œ

Both X'sŒ œn . œ œ œ œœF

œ

Ó ŒF

Both X's

œSus. Cym.

Pwæ ?

∑˙ œœ œœ˙nn ˙

f..˙ ŒEsus4

You.

˙ œE

œœœœ œœœ œ œœœœ œ œ œ œ

œ .œ œ .œ œ œ

20

’ ’ ’ ’Esus4 E

..œœ œœ. œœ.Í

˙>

.œ œ. œ.Í>

..œœ œœ. œœ.Í

˙>

.œ œ. œ.Í

>

Ó Timp.

ÍæÓ

FBoth X'sœ œ œ œ

Œ œœ œœ œœ œœ œœ œœ œœ ˙

˙ ..œœ Jœœ

...˙ œœœ

~~~

Shout to the Lord - page 6 Key: A > B

Page 84: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

?

&

&

&?

# # #

# # #

# # #

# # #

# # # # ## # # # # ## # #

# # #

# # # #

# # #

# # #

# # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

2

"Shout to the Lord..."

f

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœA F#m

Shout to the Lord, all the earth,

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ.œ jœ .œ jœ

21

’ ’ ’ ’fA F#m

∑∑∑

fœ> Œ Ó

fw

fww˙ ˙

œœœ œœœ œœœ œœœ œœœ ŒD2 DE E

let us sing

œœœ œœœ œœœ œœœ œœœ œ œ œ œœœ.œ jœ .œ œ œ

22

’ ’ ’ ’D2 DE E

Óf

œœ ..œœ œœ>

Ófœ .œ œ>

Óf

œœ ..œœ œœ>

Ófœ .œ œ>

Ó Œ œæ∑

Ó œœ œœ œœ. œœ

. œœ œœ œœ. œœ

.

..œœ œœ œœ œœ œœ

˙ œœ œœœ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœA F#m

pow - er and maj - es - ty, praise

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ.œ jœ .œ jœ

23

’ ’ ’ ’A F#m

˙> Ó> Ó˙> Ó> Ó

œ> Œ ÓŒ œ œ œ œ

Jœœ ‰ Œ Óww˙ ˙

Shout to the Lord - page 7 Key: A > B

Page 85: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

?

&

&

&?

# # #

# # #

# # #

# # #

# # # # ## # # # # ## # #

# # #

# # # #

# # #

# # #

# # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

œœœ œœœ œœœ œœœ œœœ ŒDma7E

to the King;

œœœ œœœ œœœ œœœœ œœœœ œ œ œ œœœ œ

.œ jœ .œ œ œ

24

’ ’ ’ ’Dma7 E

Ó œ. œ œ œ œ œ

Ó œ. œ œ œ œ œ

Ó œ. œ œ œ œ œ

.œ jœ œ œ

∑..˙ œœ œœ œœ œœ

˙ œœœ œœ œ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœF#m

Moun - tains bow down and the seas

œœœ œœœ œœœ œœœ œœœ œœœ œ œœœ œœœ˙ œ œ

25

’ ’ ’ ’F#m

˙ ‰ œœ> ‰ œœ>

˙ ‰ œ> ‰ œ>˙ ‰ œœ> ‰ œœ>

Ó ‰ œ> ‰ œ>

∑˙ Óœœ œœ œœ œœ œœ œœ œœ œœ

œœ Œ Óœœ Œ Ó

œœœ œœœ œœœ jœœœ ‰ œœœ œœœD

will roar at the

œœœ œ œœœ œœœ œœœ œ œœœ œœ.œ jœ .œ jœ

26

’ ’ ’ ’D

˙ œœ œœ˙ œ œ˙ œœ œœ

˙ œ-

œ-

∑Ó œ œ œ œœœ œœœ œœœ œœœ œœœ

Ó Œ œœ œœ œœ œœ

Shout to the Lord - page 8 Key: A > B

Page 86: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

?

&

&

&?

# # #

# # #

# # #

# # #

# # # # ## # # # # ## # #

# # #

# # # #

# # #

# # #

# # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

2nd X to Coda

œœœ œœœ œœœ œœœ œœœ œœœE F#m

sound of Your

œœœ œœœ œ œœœ œœœ œ. .œ rœ . .œ rœ

27

’ ’ ’ ’E F#m

˙ Ó˙ Ó˙ Ó

˙ Ó

∑˙ Ó˙ Ó˙ ‰ œœ œœ œœŒ œœœ ˙

˙ œœœ ŒEG# E

B

name.

œœœ œ œ œ œ œœœ œœœ.œ œœ œœ ˙

28

’ ’ ’ ’EG# E

B

‰ œœ> œœ. œœ. œœ> ..œœ> œœ>

‰ œ> œ. œ. œ> .œ> œ>

‰ œœ> œœ. œœ. œœ> ..œœ> œœ>

‰ œ> œ. œ. œ> .œ> œ>

ÓÍæ

Ó Œ œ> œ> œ>

Ó œœ œœ œœ. œœ

. œœ œœ œœ. œœ

.

˙ ..œœ Jœœ

˙ ˙

"I sing for joy..."

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœA F#m

I sing for joy at the work

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ..œœ

jœ .œ jœ

29

’ ’ ’ ’A F#m

˙> Ó> Ó˙> Ó> Ó

fœ> Œ Ó> Ó˙> Óww˙ ˙

Shout to the Lord - page 9 Key: A > B

Page 87: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

?

&

&

&?

# # #

# # #

# # #

# # #

# # # # ## # # # # ## # #

# # #

# # # #

# # #

# # #

# # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

œœœ œœœ œœœ œœœ œœœ ‰ jœœœD2 D

E E

of Your hands, for -

œœœ œœœ œœœ œœœ œœœ œ œ œ œœœ.œ jœ .œ œ œ

30

’ ’ ’ ’D2 DE E

Ó œœ ..œœ œœ>

Ó œ .œ œ>

Ó œœ ..œœ œœ>

Ó œ .œ œ>

∑∑

∑..œœ œœ œœ œœ œœ

˙ œœ œœœ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœA F#m

ev - er I'll love You, for - ev -

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ.œ jœ .œ jœ

31

’ ’ ’ ’A F#m

˙> Ó> Ó˙> Ó> Ó

∑Ó ‰ œ œ œ œ œ

Œ ‰ œœ œœ œœ œœ œœ œœww˙ ˙

œœœ œœœ œœœ œœœ œœœ ŒDma7E

er I'll stand;

œœœ œœœ œœœ œœœœ œœœœ œ œ œ œœœ œ

.œ jœ .œ œ œ

32

’ ’ ’ ’Dma7 E

Ó œœ œœÓ œ œÓ œœ œœ

Ó ˙∑

œœ œœ œœ. œœ ˙..œœ œœ œœ ˙..˙ œœ œœ œœ œœ

˙ œœœ œœ œ

Shout to the Lord - page 10 Key: A > B

Page 88: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

?

&

&

&?

# # #

# # #

# # #

# # #

# # # # ## # # # # ## # #

# # #

# # # #

# # #

# # #

# # #

..

..

..

..

..

..

..

..

..

..

..

..

..

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœF#m

Noth-ing com-pares to the prom -

œœœ œœœ œœœ œœœ œœœ œœœ œ œœœ œœœ˙ œ œ

33

’ ’ ’ ’F#m

˙ Ó

˙ Ó˙ Ó

˙ Ó

∑∑

œœ œœ œœ œœ œœ œœ œœ œœ

œœ Œ Óœœ Œ Ó

œœœ œœœ œœœ œœœ jœœœ œœœ jœœœD D

E E

ise I have in You.

œœœ œœœ œœœ œœœ œ œ œœœ.œ jœ ˙

34

’ ’ ’ ’D DE E ?

‰ œ œ œ œ œ œ‰ œ œ œ œ œ œ‰ œ œ œ œ œ œ

∑ &

∑˙ Ó

Ó œœ œœ œœ œœ∑

Repeat to Verse

wwwA

Œ œœ œœ œœ‰ œ jœ jœ œ jœw

35

’ œœ œ œœ œ œœ œA

wwwww

wwBellsΠP

œ# œ œ

Œ P(opt. Solo)œ œ œ

..˙F

œœ∑

’F œœ œœ œœ œE

BmE

FŒ œœ œœ œ œœ‰ œ jœ ˙.˙ œ œ

36

’Fœœ œœ œœ œE

BmE

&

∑∑∑

Œ œ# œ œ ?

ŒF œœ œœ œœ

w..˙

œœÓ Œ œœœ

Shout to the Lord - page 11 Key: A > B

Page 89: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

?

&

&

&?

# # #

# # #

# # #

# # #

# # # # ## # # # # ## # #

# # #

# # # #

# # #

# # #

# # #

# # # # #

# # # # ## # # # ## # # # #

n n n n n b b b b bn n n n n n b b b b# # # # ## # # # #

# # # # # #

# # # # ## # # # ## # # # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

Ÿ~~~~~~

CODA

Rit.

Rit.

Rit.

Rit.

Rit.

˙ ...œœœ ‰EG#

name.

œœœ œœ œ œœœœ œœœ.œ jœ œ œœ

37

’ ’ ’ ’EG#

‰ œœ> œœ. œœ. œœ> ..œœbb - œœ>

‰ œ> œ. œ. œ> .œn - œ>

‰ œœ> œœ. œœ. œœ> ..œœ- œœ>

‰ œ> œ. œ. œ> .œ- œ>Sus. Cym. wæ

Œ œ ˙

Œ œœ œœ œœ## œœ œœ œœ œœ## ˙

..˙ œœ œœ œœ## œœ œœ œœ œœ##

...˙ œœœ

"I sing for joy..."

a tempo

a tempo

a tempo

a tempo

a tempo

f

f œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

I sing for joy at the works

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ..œœ

jœ .œ jœ

38

’ ’ ’ ’fB G#m

f˙> Ó

f> Ó

f˙> Ó

f> Ó

fw

fww˙ ˙

œœœ œœœ œœœ œœœ œœœ ‰ jœœœE2 E

F# F#

of Your hands, for -

œœœ œœœ œœœ œœœ œœœ œ œ œ œœœ.œ jœ .œ œ œ

39

’ ’ ’ ’E2 EF# F#

‰ œ œ œ œ œ œ œ œœ

‰ œ œ œ œ œ œ œ œ

‰ œ œ œ œ œ œ œ œœ

Ó Œ œÓ Œ Timp.

fœ# æ˙ Ó

∑..œœ œœ œœ œœ œœ

˙ œœ œœœ

~~~~~~~

Shout to the Lord - page 12 Key: A > B

Page 90: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

?

&

&

&?

# # # # #

# # # # ## # # # ## # # # #

b b b b bb b b b# # # # ## # # # #

# # # # # #

# # # # ## # # # ## # # # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

ev - er I'll love You, for - ev -

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ.œ jœ .œ jœ

40

’ ’ ’ ’B G#m

˙> Ó> Ó˙> Ó

˙> Ó

œ> Œ Ó∑

Œ ‰ œœ œœ œœ œœ œœ œœww˙ ˙

œœœ œœœ œœœ œœœ œœœ ŒEma7

F#

er I'll stand.

œœœ œœœ œœœ œœœœ œœœœ œ œ œ œœœ œ

.œ jœ .œ œ œ

41

’ ’ ’ ’Ema7 F#

Ó œ œ œ œ. ≈ .Jœ>

Ó œ œ œ œ. ≈ .Jœ>

Ó œ œ œ œ. ≈ .Jœ>

∑∑

..œœ œœ œœ ˙..˙ œœ œœ œœ œœ

˙ œœœ œœ œ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœG#m

Noth - ing com - pares to the prom -

œœœ œœœ œœœ œœœ œœœ œœœ œ œœœ œœœ˙ œ œ

42

’ ’ ’ ’G#m

Jœœ ‰ Œ Ó

Jœ ‰ Œ ÓJœœ ‰ Œ Ó

jœœ^ ‰ Œ Ó

∑∑

œœ œœ œœ œœ œœ œœ œœ œœ

œœ Œ Óœœ Œ Ó

Shout to the Lord - page 13 Key: A > B

Page 91: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

?

&

&

&?

# # # # #

# # # # ## # # # ## # # # #

b b b b bb b b b# # # # ## # # # #

# # # # # #

# # # # ## # # # ## # # # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

œœœ œœœ œœœ œœœ jœœœ ‰ ...œœœ œœœE E

F# F#

ise I have. Oh

œœœ œœœ œœœ œœœ œ œ œœœ œœ.œ jœ .œ jœ

43

’ ’ ’ ’E EF# F#

‰ œ œ œ ‰ œœ. œœ. œœ>

‰ œ œ œ ‰ œ. œ. œ>

‰ œ œ œ ‰ œœ. œœ. œœ>

Ó ‰ œ. œ. œ>

ÓÍ# æ

Ó Œ œ> œ> œ>

˙ Ó

Ó Œ œœ œœ œœ œœ œœ œœ œœÓ œœ œœ

2a

"Shout to the Lord..."

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

Shout to the Lord, all the earth,

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ..œœ jœ .œ jœ

44

’ ’ ’ ’B G#m

∑∑∑

fœ> Œ Ów>

œœ œœ œœ œœ œœ œœ œœ Jœœ ‰ Ó

fww˙ ˙

œœœ œœœ œœœ œœœ œœœ ŒE2 EF# F#

let us sing

œœœ œœœ œœœ œœœ œœœ œ œ œ œœœ.œ jœ .œ œ œ

45

’ ’ ’ ’E2 EF# F#

Ó ‰ œœ> œœ> ..œœ- œœ>

Ó ‰ œ> œ> .œ- œ>

Ó ‰ œœ> œœ> ..œœ- œœ>

Ó ‰ œ> œ> .œ- œ>

Ó Œ œ# æ˙ Ó

Ó œœ œœ œœ. œœ

. œœ œœ œœ. œœ.

..œœ œœ œœ œœ œœ

˙ œœ œœœ

Shout to the Lord - page 14 Key: A > B

Page 92: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

?

&

&

&?

# # # # #

# # # # ## # # # ## # # # #

b b b b bb b b b# # # # ## # # # #

# # # # # #

# # # # ## # # # ## # # # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

pow - er and maj - es - ty, praise

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ.œ jœ .œ jœ

46

’ ’ ’ ’B G#m

˙> Ó> Ó˙> Ó

˙> Ó

œ> Œ ÓŒ ‰ jœ œ œ œ œ

Jœœ ‰ Œ Óww˙ ˙

œœœ œœœ œœœ œœœ œœœ ŒEma7F#

to the King;

œœœ œœœ œœœ œœœœ œœœœ œ œ œ œœœ œ

.œ jœ .œ œ œ

47

’ ’ ’ ’Ema7 F#

Ó œ. œ œ œ œ œ

Ó œ. œ œ œ œ œ

Ó œ. œ œ œ œ œ

∑œ œ œ œ ˙

∑..˙ œœ œœ œœ œœ

˙ œœœ œœ œ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœG#m

Moun - tains bow down and the seas

œœœ œœœ œœœ œœœ œœœ œœœ œ œœœ œœœ˙ œ œ

48

’ ’ ’ ’G#m

˙ ‰ œœ> ‰ œœ>

˙ ‰ œ> ‰ œ>

˙ ‰ œœ> ‰ œœ>

Ó ‰ œ> ‰ œ>

∑∑

œœ œœ œœ œœ œœ œœ œœ œœ

œœ Œ Óœœ Œ Ó

Shout to the Lord - page 15 Key: A > B

Page 93: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

?

&

&

&?

# # # # #

# # # # ## # # # ## # # # #

b b b b bb b b b# # # # ## # # # #

# # # # # #

# # # # ## # # # ## # # # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

œœœ œœœ œœœ jœœœ ‰ œœœ œœœE

will roar at the

œœœ œ œœœ œœœ œœœ œ œœœ œœ.œ jœ .œ jœ

49

’ ’ ’ ’E

˙ œœ œœ˙ œ œ˙ œœ- œœ-

˙ œ- œ-

∑Ó œ œ œ œœœ œœœ œœœ œœœ œœœ

Ó Œ œœ œœ œœ œœ

œœœ œœœ œœœ œœœ œœœ œœœF# G#m

sound of Your

œœœ œœœ œ œœœ œœœ œ. .œ rœ . .œ rœ

50

’ ’ ’ ’F# G#m

˙ Ó˙ Ó˙ Ó

˙ Ó

∑˙ Ó˙ Ó˙ ‰ œœ œœ œœŒ œœœ ˙

˙ œœœ ŒF#A# F#

C#

name.

œœœ œ œ œ œ œœœ œœœ.œ œœ œœ ˙

51

’ ’ ’ ’F#A# F#

C#

Œ ..œœ> œœ>Í˙>

Œ .œ> œ>Í>

Œ ..œœ> œœ>Í˙>

Œ .œ> œ> Í>

ÓÍ# æ

Ó Œ œ- œ. œ.

Ó œœ œœ œœ. œœ

. œœ œœ œœ. œœ.

˙ ..œœ Jœœ

˙ ˙

Shout to the Lord - page 16 Key: A > B

Page 94: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

?

&

&

&?

# # # # #

# # # # ## # # # ## # # # #

b b b b bb b b b# # # # ## # # # #

# # # # # #

# # # # ## # # # ## # # # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

"I sing for joy..."

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

I sing for joy at the work

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ..œœ

jœ .œ jœ

52

’ ’ ’ ’B G#m

∑∑∑

fœ> Œ Ó> Ó˙> Óww˙ ˙

œœœ œœœ œœœ œœœ œœœ ‰ jœœœE2 E

F# F#

of Your hands, for -

œœœ œœœ œœœ œœœ œœœ œ œ œ œœœ.œ jœ .œ œ œ

53

’ ’ ’ ’E2 EF# F#

Ó ‰ œ œ œœ œ

Ó ‰ œ œ œ œ

Ó ‰ œ œ œœ

Ó Œ œÓ Œ œ# æ

∑..œœ œœ œœ œœ œœ

˙ œœ œœœ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœB G#m

ev - er I'll love You, for - ev -

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ.œ jœ .œ jœ

54

’ ’ ’ ’B G#m

˙> Ó> Ó˙> Ó

˙> Ó

œ> Œ ÓÓ ‰ œ œ œ œ œ

Œ ‰ œœ œœ œœ œœ œœ œœww˙ ˙

Shout to the Lord - page 17 Key: A > B

Page 95: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

?

&

&

&?

# # # # #

# # # # ## # # # ## # # # #

b b b b bb b b b# # # # ## # # # #

# # # # # #

# # # # ## # # # ## # # # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

œœœ œœœ œœœ œœœ œœœ ŒEma7F#

er I'll stand;

œœœ œœœ œœœ œœœœ œœœœ œ œ œ œœœ œ

.œ jœ .œ œ œ

55

’ ’ ’ ’Ema7 F#

Œ ‰ œ œ œ œ œ œ œœ œœ

Œ ‰ œ œ œ œ œ œ œ œ

Œ ‰ œ œ œ œ œ œ œœ œœ

∑œœ œœ œœ. œœ ˙

..œœ œœ œœ ˙..˙ œœ œœ œœ œœ

˙ œœœ œœ œ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœG#m

Noth - ing com- pares to the prom -

œœœ œœœ œœœ œœœ œœœ œœœ œ œœœ œœœ˙ œ œ

56

’ ’ ’ ’G#m

˙ Ó˙ Ó˙ Ó

∑∑

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœœœ Œ Óœœ Œ Ó

œœœ œœœ œœœ œœœ jœœœ œœœ ‰E EF# F#

ise I have in...

œœœ œœœ œœœ œœœ œ œ œœœ.œ jœ .œ jœ

57

’ ’ ’ ’E EF# F#

Ó œœ œœ

Ó œ œ

Ó œœ œœ

Ó ˙

PSus. Cym. wæ

∑˙ Ó

Ó ‰ œœ œœ œœÓ Œ œœœ

Shout to the Lord - page 18 Key: A > B

Page 96: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

?

&

&

&?

# # # # #

# # # # ## # # # ## # # # #

b b b b bb b b b# # # # ## # # # #

# # # # # #

# # # # ## # # # ## # # # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

Tag

"Oh, nothing compares..."

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœG#m

Noth - ing com - pares to the prom -

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ˙ œ œ

58

’ ’ ’ ’G#m

˙ Ó˙ Ó˙ Ó

˙ Ó

∑∑

∑œœ œœ œœ œœ œœ œœ œœ œœ

...˙ œœœ

1 - Song Ending (iWORSH!P)

œœœ œœœ œœœ œœœ jœœœ œœœ ‰E EF# F#

ise I have in...

œœœ œœœ œœœ œœœ œœœ.œ jœ .œ jœ

59

’ ’ ’ ’E EF# F#

∑∑∑

∑∑

∑œœ œœ œœ œœ œœ œœœ˙ œœ œœ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœG#m

Noth - ing com- pares to the prom -

Pœœœ œœœ œœœ œœœ œœœ œœœ˙ œ œ

60

’ ’ ’ ’PG#m

∑∑∑

∑‰

Pœ œ œ œ œ œ∑

P˙ ˙˙ ˙

Shout to the Lord - page 19 Key: A > B

Page 97: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

?

&

&

&?

# # # # #

# # # # ## # # # ## # # # #

b b b b bb b b b# # # # ## # # # #

# # # # # #

# # # # ## # # # ## # # # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

Rit.

Rit.

Rit.

Rit.

Rit.

œœœ œœœ œœœ œœœ jœœœ œœœ jœœœE E

F# F#

ise I have in You.

œœœ œœ œ œ œœœ œœœ.œ jœ jœ œ jœ

61

’ ’ ’ ’E EF# F#

‰Pœ œ œ œ œ œ

‰ Pœ œ œ œ œ œ

‰P

œ œ œ œ œ œ

Ó Timp.˙# æ˙ œœ œœÓ œœ œœ œœ œœ

˙ œœœ œœœ˙ œœ œœ

wwwUB

wwwwU

wU

62

|UB

pwwU

pwU

pwwU

pwwU

pœ Œ ÓU

pwwU

pwwwU

pwwU

wwU

2 - Optional Ending (Big)

œœœ œœœ œœœ œœœ jœœœ œœœ ‰E EF# F#

ise I have in...

œœœ œœœ œœœ œœœ œ œ œœœ œœ.œ jœ .œ jœ

63

’ ’ ’ ’E EF# F#

Ó œ œ œ œ ≈ ..Jœœ>

Ó œ œ œ œ ≈ .Jœ>

Ó œ œ œ œ ≈ ..Jœœ>

Ó ˙∑∑

∑œœ œœ œœ œœ œœ œœ˙ œœ œœœ

Shout to the Lord - page 20 Key: A > B

Page 98: Shout to the Lord · All endings and repeats are clearly notated to facilitate these impromptu changes. Each instrumental part also has lyric cues to aid the player in keeping their

&

&?

&

&

&??

?

&

&

&?

# # # # #

# # # # ## # # # ## # # # #

b b b b bb b b b# # # # ## # # # #

# # # # # #

# # # # ## # # # ## # # # #

L. S.

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Perc.

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vln-Vla

Cello-Arco

Piano

Synth (Str.)

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœG#m

Noth - ing com - pares to the prom -

œœœ œœœ œœœ œœœ œœœ œœœœ œœœœ œœœœ˙ œ œ

64

’ ’ ’ ’G#m

Jœœ ‰ Œ ÓJœ ‰ Œ ÓJœœ ‰ Œ Ó

˙ Ó

fœœ œœ œœ œœ œœ œœ œœ œœ

fœœ œœ œœ œœ œœ œœ œœ œœ˙ ˙

˙ ˙

Rit.

Rit.

Rit.

Rit.

Rit.

œœœ œœœ œœœ œœœ œœœ œœœE E

F# F#

ise I have in

œœœœ œœœ œ œœœ œœœ.œ œ œ .œ œ œ

65

’ ’ ’ ’E EF# F#

‰ œ œ œ œœ> œœ>

‰ œ œ œ œ> œ>

‰ œ œ œ œœ> œœ>

Ó œ> œ>

Ó Timp.˙# 朜 ‰ œ œ œœ œœ˙ œ œ œ. œ. œ œ œ. œ.œœ œœ œœ œœ ˙

Œ œœ œœ œœ

wwwUB

You.

wwwwU

wwU

66

|UB

fwwU

fwU

fwwU

fwwU

fwæU

fwwU

fwwwU

fwwU

wwwU

Shout to the Lord - page 21 Key: A > B