shooting script

UGO- IMPORTANT LITTLE BOY Shooting Script

Intro- 0.00-0.31 seconds

First Verse- 0.32-0.43 Seconds

Ugo be the triple threat I'm sending out them triple threats

Hit you with the tripletsLet’s N*ggas better mind their business

Welcome you to parish you're here for a christen

Got your girl in the cut and she singing hymns And I don't give a f*ck I'm just living kid 0.44-0.55 seconds

At 32 seconds, the artist enters the location which is St Dunstan’s and we use Long shot in order to establish the artist and his location.

At the next row of the lyrics we switch to a low angle long shot to show the artist power and dominance. Shooting in day time to show the location.

The lyrics mention welcome to the parish so we have the artist stood in the location which is an abandoned cathedral and we have the artist placed in the centre of the shot with a low angle, long shot.

Then when the stanza comes to an end the artist raps into the camera using a mid-shot with the use of a canted angle.


I'm just doing what I do , do what I want Not the same as you begs

Nigga tried to leave me out to dry on a peg Ugo ready eating while you're busy still in bed

I don't wanna hear a word about another feature When I pay it back, I'm like damn this is dead 0.55-1.03

Have to be cautious, I get Nauseous I'm dreaming of Porsches

A high angle of the artist with a mid-shot to show a variant between the two sides of the Artist. A canted angle also to show that the artist may be power and have something angelic about him

A Low angle of the Artist to show dominance and power and natural lighting is used to show the locations and its grittiness.

The use of a low angle extreme close up of the artist to show his emotions and to shock the audience, shallow focus also used to show that the artist is important.

A long shot using rule of thirds with a longshot and canted angle so that there is a relationship between the artist and the location.


I'm important Enrol in my school so I put you on courses jewel in the ruff , went from prince to a pauper

1.05-1.11

This is the life that a chose Don't be a slave to the road

I'm the one cracking the codesShowing newcomer the ropes

1.12-1.20

I’m an important little boy In charge of country my new name is Roy

CHANGE OF LOCATIONMid-shot of the artist in a gritty location with graffiti to show the artist urban side. In the daytime with natural lighting.

Canted high angle used to show the vulnerability of the Artist and a broken mirror as a way of showing his damaged image.

CHANGE OF LOCATION

Artist pictured with a low angle representing the lyrics by perceiving the actions of climbing up a rope.

CHANGE OF LOCATION

A long shot used to show the artist is small which is referring to the lyrics “Important lil Boy.”


See me on stage I be jumping for joy

I can give you that work and make sure you're employed Pre-Hook- 1.21-1.35

I got the potential I got the credentials They think that I'm mental But they know I'm essential

I got the potential I got the credentials They think that I'm mental But they know I'm essential Chorus-1.36- 1.51

Since birth I've been real importantNow I don't need to give no warnings Since birth I've been real important Now they know that the kids important

A mid-shot canted angle with graffiti in the back used to create the image that the artist is being intimate with his audience.

A Mid shot canted angle with the artist happily singing along to his song , using a deep focus to show the whole environment and location

A low angle shot with a canted angle with greenery and church placed in the background to enforce the angelic meaning.

Extreme Close Up of the artist singing the chorus as if he is trying to communicate with his audience also use of shallow focus and low-key lighting to enhance his image and his dominance.


I'm an important lil boy x3

Verse 2

Tell em that I got it , I ain't even talking bout not got it NarcoticsI'm too busy tryna finish all these projects Tryna make the visions turn to a reality I’m the one who's schooling the faculty

A mid-shot canted angle of the artist dancing to the base track and lip syncing the chorus to the camera. In a different location.1.52-2.02

Shot of smashed church window then tilts to the ground to reveal the artist and his entourage.2.03-2.11

A mid-shot canted angle with graffiti in the back used to create the image that the artist is being intimate with his audience.2.12-2.15


But they all got their doubts in me ...Little faith they won't even put an ounce in me I go crazy on the stage cause u know I am sage You would think this n*gga really needs some counselling

And Messes were madeBut messes were meant to be cleaned by maid Where's my bucket and spadeI killed it so I have to dig up a grave

A nigga up in space like my first name is Lloyd Never on the ropes like my birth name is floyd Im an important lil boy x3

A high angle of the artist with a mid-shot to show a variant between the two sides of the Artist. A canted angle also to show that the artist may disturbed or powerful.2.16-2.19

Medium tracking shot of the artist performing to camera while moving around the location.2.24-2.29

Medium shot of artist performing aggressively towards the camera standing with the use of a low angle.


Chorus

I got the potential I got the credentials They think that I'm mental But they know I'm essential

Close up of Ugo’s face with him rapping in the camera with use of a shallow focus2.29-2.55

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