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Page 1: shooting ecrlpt bg Cecil &iden. - screenarchive.brighton.ac.ukscreenarchive.brighton.ac.uk/wp-content/uploads/2017/10/NFCBshooting_script.pdfshooting ecrlpt bg Cecil &iden. - screenarchive.brighton.ac.uk

shooting ecrlpt

bg Cecil &iden. - . --

Page 2: shooting ecrlpt bg Cecil &iden. - screenarchive.brighton.ac.ukscreenarchive.brighton.ac.uk/wp-content/uploads/2017/10/NFCBshooting_script.pdfshooting ecrlpt bg Cecil &iden. - screenarchive.brighton.ac.uk

3flW (3.0. Top shaet; ef Mrs J&rESS Pab - pmferably rfagb ~~ sty3la a a thé cithm -ets benrrith* A k@~k' a ecmimma wâ& a baaa - slsm fhat of" fi Bmanl; Offlcreir - II&,- 8-CI ~0rd0n & foumtain prsn, pdntis, b bca3.B mpsl un 4ap af the the be- of pa8, the wmBa - mLllia Lm& €@le',*

tbnua t o inftîal TElF C O N E - B A C E nntsdoaf. thexne. - &ter nhi* hana gaumre, then \.u"a-

mvks out o f franub. mmmT TIml!S 8eumBeLi.y t i t i las ars sqwbpoi~let¶ over e e blank

Yç3S @leiet - tioC p a r u wsth t h 3 h€nl%-px$afea tiW.8, ana nat rnb-Taritt- g'hasy isrlizrntl4 rbofr omete lp de-& f k m & t e

page blank #e OBe~~ravzzf Offtuerts hand !

sanasba&inComan8m~wsstq, alId.e3? @le Zaft ; of" fhe 2udkprinfeb f;itle. ?Che ptwr -tes r-

3LCI.U. mr Blddar*ia ehoulber, &mîq ;si&% of ; Mu&ts bsrgins k, h î ~ fau8 88 BB bdnds ~ a e r p& Pen crmtinues j- FADE but i s stLW-

: heard, Qaintty in *PLacd'dicm, I .mi I get h B faeh rbout a h d e , bg lmbtnd 31aeidses boys. * VC4oe when he b€giris

fo sp* m'SO

0.8. mmI dtkbg &t US &&iL, -0%- f r ~ m Sronf, Ri.8 bed%~bent;@vctr~~~~arcrr ipt , le he cmtirwss fo larr.tt0, hlg apt98ka &e IsoJ?8s he just aBW r-

Q W a f X 4an*t sec sgrmLPI they amr3.y d~agr0 MU BIC4. T h JO@, f'm in~t-*

€bot Irr fiam upper l m 1 ut' L a d h g sbgra riJ~mhg alth m s i o troopaI4.g eUq#xrg%~g m m 'A.= &or ht aMpta ctd8ee ; s o d of rse-s ekese iiaen are the g aifi 4îhed.r ~ilBiEEfant O p&s, etc., ud a a m r b ~ on s-e bel--uhsrs i oi *ver -a l t r ~ Gf'fbe-21 $ts ;illarmw thcm hto a

a F fwnnaçicm rCIor mb mmbmmy. ~ZenLy of b~8- r and aativi* Sn t3.g. i

iE m ~ o e afi3ved fimi C ~ s k 5.n the emlg part of @yI 1941. f .di&* f saê hCs 1

. ~ a r t 5 . M ~ b m , but he nist barn zoohsal rntt;p-muohZ*ang.oifhtre$f ofthela""

OPlFm I

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. . &hot &6*& b6 f i ~ n $d3ge ai' b t b g stage (sik!! fatuda and d Y c ~ r b baak -&O timopship) and %owa&is S h r ; i g ef laen. ' ~ ~ a t h u e , P d h g dinnea at~gpfqg c19f gsrigrrary- ha* a b i t of" ' hb beg. for .brnible aith bIF bu%y kif6 - pmt Sewae &P. v03.w~ m%~tkmgwayguicr.r& A s ~ y % v a U c ~ f D J o i n ~ e o W a aiha are asraezriblhg $'~r tzm-atay, a LPvd!!rpd porfcsnan lsallrar 2 f o r paat eamre, 'Slzoise of boypc are aot overc r~u~1~sB their kits, look ai. hSm *th &08i%ye %0 f 8 She f h t Qîme a e y bave fçiot ;In Ztbgh&

"It m.8 fhe f t r s t "tiaae ntohstaof Ulem h&a set 940% Bn fhe OZ& Gaunfxy. .. r r ..*

lPhey are very mf;l,BfLg w e m . Thex ailrt c3aiJle8 M~stant aorâ of ?a riLftenliîon. z&hf-*e8 by WAwr (sut of e o m a n B Cs h e d csnarp) As they mirda of% out oi Zr-, r to 1, above %he iiraxistc~. *g Pettcrdk Sn QI;D IbA" ngOBePp&3gl?a U11éIBr hi01

e a d a ~ b ~ S n ~ o n t c b " h i P n .

se looktt aftexr B e ESZA ail&aWr $+gambg Busic b@ns fo %b P-B hei 3s s e l l i n g e FADE

OsmBra bolde It;o s s ~ X 1 i e h hJI& loak OF ~ a t - z a ~ MUs5.e ficas F m theapans dioiiJn f r a m M ~ fme Zd fhe rted~i$b&& Sita c q l a f e re& silt?pw before

W-EB Mtf3XX'BQdBEDn pan crameeaaea. (Y aats*~ukkh.4 )

AS bol& nasirs'bWl kr.e.+ee.e..*eea,.re.rreae.dl~tanf &!x Baia Biren sa& the ATmT*

Garawa prar~s up agdn k, al& man8& fwe. He ber8 t ; h e t x l r e ~ ~ , b u t f s b a - W t ; o h t b b e . ~~& m %@&8 Wg fat0 the *, fhsn pzills aut a ri.~rS.& h ~ & ~ ~ l & f an&. %h hl6 W s gesZmoe -an& the maU *. ShmU inbiaa* p ~ e t % y U&oughly hi% oontapt fo?r, thta at5.r ra8a

&EQUENOE R arPd :DIT) R.C..A,P, URFDe51Be Joera *eignature kaireB - U s wMrs%Lei% 1

-6 L JE~P~) 04% iTwt@ hnnA. 'perz%S~rI af o & ~ d 1

L W m e w oaJPPaenoea hsad jte bwy aria rrecztbn of EdkiFsr ~ 3 n s . *a ieeu~icr qd~, th sr^ l ~ n ~ s -a 5s ktmt. BOU %*a Paâes out for %t~e

nntsfs i t s e w * (l3l&&dew8 roi- bonthuesi-)

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%hey~sbu$ponkhemgigesiafa~eiUax-aihi& BUELCI eont. %apla~8wîf.Éuhangar Lrlcrsarb Jeers .'

S s c e ~ ~ a ~ l ~ ~ e ~ ~ - h a t h e ~ m ~ a a e ( r ~ . lifastabeprmiaen%Zn.gr~ntg*,1SW.fhesft.11laa r are mrking &way &.fie mappUyC 6ne $8 1~M8.tuqg~: rrareo-m ~ k r t o s t . l a r u f i ~ & ~ e s i ; * :

~ I d s nseû~e am& %ho rsigera tahs -O colrtliues *fhe fr.&a. badge ma +O on a ~cn$OTBf*p a e ~ ms 09-

out hoptp~~=a c*QSIy f o r fhe

*ft waarn*f lcmg bfm Joe a CmpureUa s;porPen wortla, theP OPwsLn.

m m

t d $8 a -%%yg aumy~nafure8 &1001be. Joats Musfcr - mht, fast rnd P ~ g s m0 In fcil+g&dl -t 'a barn d e e r f ü l .L con+ ai? Fr-) bsniWg xeguîarXy a% th@ M s v & g r r b ~ # & & ~ . ~ , ~ t Q J T * ~ - i t f &@ okair 'hQ is a5Ef.anbE tn. W& It5fte ber h s r d fm th+ h e WB @WB hiBI .EI lllm528, (artt o f -=as I

Omra bentrea pobi.krarSephot9&=* OP tmw bîe* WN &RI mah lbct same p s - tban goea ozi & vsrg q~$ck *&mrtlLas tourw a;0" 8ae.s Mt aP wa3.L Zt i s w e ~ p inrpocrtant to get ovm fn 'theee Pcner fsst Joeeret ClzaraEtwsr art expwssed în Me ph-tzps 1 thb faet; tbrnl; he 5s ian 0-y gw dlth o* tas.tee, *t me r;rf" a bune&*+ W@ ma, B pennes, qg~:~iaf~mp, a P ~ Q * goth= and Da4, a IiohmL football gr*,

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&me gir% aa at a d o t ~o'mc3 8 - âa aiara@ ~~ t f l i t&s* MC D6;3I - t o Canera pu- bsak t o briw her tntrs Co% mi4 f o &#qs v ~ r y Btlbtfg reiom3, aa s b bcsada W B a ~ d wax W no* ry;;aiia, dtrIrfaçt lWakle*e Uneloi th& &he, &B 8- & FU-@& %&~ertinr% % h g CD tb bb (B aOE8 SO%QEII -6 Saestce cm%. Thce sleevot am @arr3ars mwmtreri asmein@ theme, striges. get i bually ai rith fi-. gwd'esétrb3y La m h

1 tmlpo* "Xt w ~ a n * t 20% b e f a b bac- a PuUglfbltgd FZf&t B~inem*

a n far &EW.rn iroa mm& nt~lt890Sat QS the t;iw - a%rnaa .Boc;b explosions -eB Afr-=id& t& Brt t f~h e e t i ~ ~ ~ , rrmt in~e eo BQ f@sO t#ith brg.mtc - Jtar acbadid oonlslst; cf smke md tL8EIS)a. W.3: fsr IUronérkie*s

roiee - *Gemh borrjbs were bofng, tMip WQT&& T b csrz~n bXCtz b4 bwwe n%&ht dey aPfairr D@Z%Xist SiOthod~ ~eLüitsd fa" a &BtWWre***wr b'

Thsso hoodllnee aPe n&sted unm tlicowh the

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Soe $6 mf'lttng t o M s zac&h@rr EUS b5iPrç blddfu pWi, B?uVBB OB% fX%UW f ~ i . tZB f 0 XWBa 8 -

*.. *bat it*s rhnt f m k d forl 80%. ~ î ~ h t : Ln. f he plotUliQt d t h %hg othw mer. S a 4 Stn fît kis a . i i B a z ~ , Ikt aauiâa*t X do t o BCIIC~ af fhoers hot;cspiksaD, wi%h yaw *mn*t taka ADJ %bit sgntp nan, 3oetA X * & l be orie w:afa in a fw minuters - but bsiiak ~ m i n e m , ?tf th0 w@atfier '8 kU!lr r * r o i t *

CUL! 910

3ounB of hoavy sain, and dlertat ~ i n d .

B h ~ t b 8 %te @fi~@r'$ * d ~ ~ ~ % n t a$ w i F b t a ~ a * Sound of Halifax Plyiw Colaar01 bfiicar $8 osrxfner bmdpbanen, but. the$ engines in eurs aot mer hi& @arar Bris X o W vary w - ~ Q W ~ difficulties in

distance - getting FqC~WE"XCGR! E1airs t O r Eel# ai . . of louder .

jdc@r

nfi O'TXCKR f OU$ trf KW a0n.t &ive Mm the B ~ P B P a t D amfn ?

F l p l ~ g , c~oatrol OiYjlcw ponders t u s a mroilt, \Èhen f l icka tl lever in, the panel bsfrrre h b ,

m 90

continues - but DUT 276 no louder,

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1

HrS. ~ I P u l a n c o ~ in $la= gath. kwne op aircrapt &ivËir caa be Q i s o a m i ~ a t uh6te3 - nita gete wilrer -in. ai*O, at U s aide. ZtiSn sLilZ. pourLniq: ~ e ~ f r h~rifllra

Bath w e ver# starorima, Lf steoiEg,

f-h Uhtis %p %hslt.lér Sacars at the t~5,wxt: of 'th te3~plrreiatir Thta Zhd Driwor b d r s ~O&TUIB t o cmtrola - srd stnrta qp. Thcp lrrrch out ($$-a

Rmr onco2n;i etmppft braiwls the stoll)lil. Them i r r r violent e;xp1013ion t h a crackle ofl r b ~ . m u ~ a n c e =

G a n bs hmird sfau%2ng up, t?lri&. off.

The ackiicl bunt* airop& ia not .asa. C l l r r ~ r a mr@l? hoUs f h ~ and wa'1iCt. Aûeprzotr?r foolaga hm% * rjn~ressianf !id for psgch~Itgf @$a &fat&@ W ~ C be~llti~s*

trmi!s.-~'i q . i i *&ka hlh e e - * m a,., . * < - " . , ""' : . n*. -il...~*xiu,"i*, . *\'%A --.- -- ' A - . *-=-.= * w+.- srnr

. - .8 - a-- ...."*z** B ? I Q c B W ~ ~ ~ ~ . -. . . -2 ,A-: - vof ceCr."* CI'+,...-.-- a m e hiF$ - Y e's":tak; himt

b -** .-"- - ~ l * , ~ , ~

s - * - * , C a .

*1/

*e3ieatep i a t i ntoa~*kl ':IL - . -- --m. ""Y - .-.-,r*l*/)l . - *" - \ + , " a - ,*

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Iria=~j?eir~ioaia3i limail?

!OP *O Q d a * - h e t fiam înto a. /ne19 mail tslrrL6r $hem ID dimat bontrast f o the "J~BU~IC of the lsst pe-jusnoe, i

8ûBME (3tUP) Joe *a Rooa. e.8. $Boct@ ?hurm ariltsîbf~ the . winbm, ..&@ma8 W, a& f anromSng door.

Humas pwhars b a k %he bsd taUe taks$ a glrnrss f r o a it; t o cher glaara-xhg mer %ha msh kasta; .

C&@RA t(~l3.w~ hep as ~lba W e s &hie m~avaasnt - t h

a&u the ethm docap*, %!m foosgiltal attsnb&~ &OrIn ~ h 8 e l bgd4mUsy 115 OD=L~~& CL& UP aloa&s&de W, uM%r Eums es dt,mctfaris.

(B2ecfria, ad aad of rabm aiytion] n)fe toM rn fwt hm he feZt ~ e l 2 thsy mm gst*t;ine: h b readp for that iirst ~ ~ p ~ ~ r a t l o a , ~

Rote of r~rnîety ,; OFBBps i e to music - -nathiag ~ a ; ~ i . m ar &urbi8 - jtwt a bérigiztenîrg of motlonal tant4ion aislf an i~reasl'e in teaig~

CABERAI - tafrlag place of 30e*ms eyger - goes j t w h :: motion of Joet baing l i f l a d an iiemî2ey - thetn ~ f ] C ~ thxloul* ûpasd ~ I O ~ J T ~ arp tht3 ~wpataeP; A$fie]arE@s pu;eh At S&o &rila bom cwrrit%cxr, rith ;itt : ~ m ~ o possgng by ((a*intaI.esteti) .di a wh~tceoateiî i 0rdt3r;LP cnrrrtakâng and oaalkiw parst. Proilsr 1

Page 9: shooting ecrlpt bg Cecil &iden. - screenarchive.brighton.ac.ukscreenarchive.brighton.ac.uk/wp-content/uploads/2017/10/NFCBshooting_script.pdfshooting ecrlpt bg Cecil &iden. - screenarchive.brighton.ac.uk

~ i ~ " o n a S w * .m - u m a * P d 8. 3

- $CE= (8, (80rittbr) I

mtmss ~ n a - f l y oppoilte im, dmbls doors, then j grnaes thrs- *hm %&a Anae&hetl;iet*et Rom, uh%re the Maestbetht fs %ait- tg idrnib,&8%er anaefsthetlu. 1 Caaisra ~ r o d thf8 mOa (kW JOB &aoks abut h b ) 1 then hola@ Ames€he%i@t @8 fa^@ he kaadet oVw $0 adatabt er .eBe ~kl~~iellrthet la.

, dibn't laios Phat they wem &lna t o dot It a ~ W i t y ZOm $ommy bovin Chat

&@XXifiUP*. + . , . e , s~bl& t;ha, AYB&i?i at i& %vas a f r S ~ a 8 l Y sapt @f &mye f supppw x iaia1cieeA PO^ of hie bonfitl~o64a. . . *. . *" volte f rem m.

A8 %ha arutesthetta ta adslinigtersiâ, Cmam p1a8 t a h Z mxsphans BoOd: on mu, ieud h a i s $6. This (Zoee rslmly oprt; Qf iwwJ as mm

&.ale maohes a mrcrous al- at the ipjectlon of the aaaeethetio - then Wsanr~s *blt~pped* a d fbm6#38

- Ghaet%ng s~lQhtlp @p4m!9le t o di&& perspcrtive. moi mmiçaf. thers3 & w-tl.as8 in

~ c m m is 'a tm%coX wboliseriiew type. 8he 2llitens ' b.g. ~ q g e a t a $sr tl e e c W in éiiaa$pmwbg agrc#eme&, thea - eatyrî~ed

âp~agem~nt of *leta; aot r@xg plamaint fcm thirsei: mises tu ba JBDlgar'a WPomp'

&oqh1: Lnto Cihi@ dlatri&fn aad CîmunasPlarsisern w1th er pîaoolo

Om) %!O pai"oap on the tiret two l f n e s of

GQIèAIE: 8. w) @*B. Artbithep 1cmm. ''Zsad o f Eope tuEl Qbry" *en the

Bhooting sltgbrtltg ap-nrrrrta. homan iap a tJ~t lce Bcmrcls- bspsotaaled, alîglzttg-aîtlar tm. SlPPeare

"Rot tw*' X 'a oetmrm , 8s*a,'2 - car m

Ex== S. JnE) @.B. Another wo?zm.

Shoot iqy rlightly isp.aai-;ls, *PartsbXmiiarr" typa o f OBom *

-*ll, lod[&l - - 40 fi@ W e , of OOUD!E38.r.orOr % but Z @ro aot s gow for 01% t o be aedn about with thelatu

Wackie -8 mr had not jst tom aaun8crr the

jepiLous prf~eicfea of mlaadP, -tes psro m t l U fock9d. Doors wre, aill cloriretb, ht the oita8csl. srns; f ~ U ~ . * r e . . . e . +

Page 10: shooting ecrlpt bg Cecil &iden. - screenarchive.brighton.ac.ukscreenarchive.brighton.ac.uk/wp-content/uploads/2017/10/NFCBshooting_script.pdfshooting ecrlpt bg Cecil &iden. - screenarchive.brighton.ac.uk

b w 3kasser b &an&iO3 boblntl de6k beglnnîng t a WX'EtX@8 W e S bl d 88188, fkQX3 a bi& bu~.~fr ~ W d h [email protected]&xtg, in çs Banlleb butkst, at hep side. SB hezm¶

SI0 bOks I Q $Ifd OPZÇ df C-ZXR* B?P 60- Of dsor apaîng %a keml* She lerniU8, and says a mril ~f irfrcsethg,

(=80k$t3 ' ie P O ~ C ~ ~ fbr-h bb&W)~- *Ib tgesded st l i n k r btween tu ard the outsMe wmlio. [email protected]~pae6 t o 8- the amart aôsars tbt we toakQr*,an8 plsad t h s i r c a w m %ha m~bomInoofi*~

ii

*None lmew so WU aar fha aprreat a~ons.,.a, i L

t &@ ~ I a d o a oomss up t o - S e sida of desk rton ~Uiaia eontinws kfne8 Pzamr. 8h9 tahdms hûndiis wS%h hiin - then P I m e 8 hiin %O a ocirait apgostf@ har, and s i t s faclnd;l, ; biia. Re sxtemle the W k he hm bmzgM, atrlt sfno il pubé: S t doen In Z t ~ ~ n t QP hW* b

/I l

i wt.r~.a.*..rh~~ l ~ t ~ i u a t e %hi8 prroblern iow, .Rvsa :

%hg bbist4igp03ea ~ f e m ~3~t-e of fhe: ilbncts. 1 But tiln W(E ta hslp hed Wen amkened., *r *anb

t

om 'PO i

m m 4, !

(Imr) 6.U. .T:bstw~hf@ Book.

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- - / ~ i s t e eonthues

M m mfm st-s t a 2oofr.at $ha plitaf;~gmpbs 8 - t 5rt b.g. ami aumm hads her ?acre t o stlady b r mctfons. f!i%arae nhwfg. She ber i W o r jWrclss ~&at fhe

is. &le (SrPickia) hto 1 mvesr& of dheae

"The&% bopg u t face the WOTU w b , &O- ' p h o t ~ p p h ~ * these %&dom tham mu~t b U t ne;r ficas. m-ayelids. dh nomma, Upe, em,,Cimer~....

WB PTaaorr rfsss aacd vallm f ho-y a iePJ mces amy rWlP i&@Sk - Shen ~QLB&)$ bac# again (Ghei haei S Q ) E I U S ~ hm =ah fhb bo#~it~SIZ~bf mark heu

Srs bet d Erç da she aan.) i%e ~ress the -r~es* ard @ d , ~ f putél& th- ita %M t r c a ~ , glws th- da l&r PlaLndtoe, a u tatees thm glrPd4*

($h@ki8) *~j.~t ~ W I atJJ. slnsa %hem ?a rttnar éozpriw am3 mw camiittmw, It is sot mer tep plok Up Mrc;l 'khrs~bxi @@.%Xi W8rt t;hr tthrieed~ perîf&e&. TtiieJoataïwags eaioytowaskfo p l ~ k ugJ th% f hread~,"

- '1. C

e m ~ m F ~ J I I ~ zo bora ehe: g l o ~ r ~ i a t o B,S*

cm. TU

1. n.1.e. .P,Prppsce,

Mrrreri &fi uamyîr@ 6 a Sn hCPt iIPceae* h heir ihto rraard,

tshsreb she pu0 0 oa the bed-tau m r rn Md (maQp for a patient) AB &.w élascs #O lm stae, Sf possible, %ha fm patîr&s in titis MW ~1lt8 a patient tn a &mrraiwn f m ~ mothfci" b-y sittW baalbei fke oas61. p%tent and po~kiw 8 &-@a= Etwse Crosse@ t e wladw, Sbsn rnter MT &fatratier bovm tkk the ma -ka at; the ,jYg..a~.

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A gart'of the JM-sa has ben ooapl.tsd, BB~PS î e brrt 8 emsll pfls laf pieoea mnratns am ooat inues. ~ l d 8 . aiid @cnspil!Uotts &&Xe - fox one pieoe - 1. l@ft in th@ CSQtWa A baab~ed band l a tappw the etde aF the puzzle Lwpatieatxy. Rmas*a haad rnrad cUrS con, Ln ird plok up the absin& pîelsac cf $@-8ipw, alpp* ff % s F É ~ ~ &&O îtpP -Ge in the pietm.

" r m . a w Cher 8- f At Mto the pfotump

me wt%%nts look q p aPI the Rw86 - =ho &si6 shrugs has .honldiws mile. e ~ ~ ~ e r ~ t i n g @OZ& ~WQ)& r ~atle at then, A U thrse look . u d d w efi (O& uf Cagierrir 8 , )

las trp patla%8 Who wusi dota& the j%g-aiw look famard ~ D ~ Z I U W ~ t o bay as BLPla p s Xomard f o hdXp un eesw Jc@ belPg aaeled in on tmlley-beaa by Hospital A s s W m t anb aother Nrrsse (the O= wîth the m a t ) 2'- ~WLPCP t- kdclotkes, a JW i~ h~1W h t o î t r

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SCEMi: 9. . a 3 {arotd&~ faaot) W ~ C g%abç: QI& dur$sg mmdhfJ of

BlaoMaitrp ss seen holidîmg eh@ o g a ~ ~ t t & rettc~r. Sn Sran* of AB %he boy m d s , h59 =thier;r*ei ( foe *a g;)thgp.tg ' 1 ~ 0 1 ~ ~ whIEp61~8 the mm%# he h m~&*.~.., raîce â~ just

a &f;e~SXy = h W )

Vofess air di&mt

w b y X *ar Pafe~i~ar dfp:i& har eut ut f he i;lrgprPiea, r Gutnm pier;~ f ean bs km&

sfazl;iiPg mm C PM slm%y t e &ber ~~ of pirerr&, ~ 4 r t ~ 8 p#sr sana. BY,~%#P by~csh. fdf pb%&~&8 b ~~e3s~zblsb EOUYJd ~ m i s r patte&%, almeinc hirmfl.y irtway di liat a33mgather ân %mi%, (am.)

Birxf; not t;oo okse %o Iw1rt fuaetr up too voiees ars b p E prmineat5F entfrelr tiir

w m art, thal; C h L w tCm groqp, m%ll sn8 si $Wir T~T;BO. ;t4lisckle *# rolce 1

cran be &+?ma 1

abme the &O*.

@crturse of ti;csFr mqusait sleifis t a rGhe Optomtît@ Thoûtm thay ea32 f bamGlvoir htxlaa Wn - hd S'UB a CXub ,cuUe& ta. w~ukwa pig ~ X W . 4 s hidl thsir o~sr-ess &tes qttîte a e~mplfeated pf e l m Sn e l e h ~ ' % t &îf, Bave PI haa1 , -

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1 0 JaCPf QHüiA9Pm E 3 E A m o DAYe ias. 8uryjecn.s a~ ~atierr~., "@oskW mtfi - %iaal s ~ n e i o r : op~t~=eimi ~n p w s s . perhap m c h This .hot ehoulb .ta at comaybg an atmephwe - Thgm (4) l a i d e d not sf dstalled t,1prk0 inZo b.8.

in bsg. (AvolU e h o a ' i ~ pat lent *sr P8es.I wl%sra*s the Dentirrt * ta~Uîqg pbIewsl far nore cornpiex Qhn tbri kâLlfP.

. ,

Ot3T ?PO I

tYC2m 3, (3x2) 2&qq2OB et dsak, tsith &maa.

mira@ AS bandlgln& Patsht ls h&. f i ro id '~hor* ma1c corrtin6e8 too imtoh of ywtfentt) in b.g,

w.....stohtm naDr the hssm - lîka tbfs one, ;~~partr a* her b;indaglaa.

OUT 'LCO

5. Jm3 a a . &th Attcdants arxl Partte&.

(Avoia ihowfnE: tao u c h c i p$atient) Bbsle continues

"ariari8 the f0%(111%88~6 W h 0 W p 6 Phato@aphilr maofi @uct, m r B s t 6 ,

*Then *e the Dietiaian, sha @up~rrisea the dauy mudi of WhdleSW&3 W e W e a . . e a

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m&w;l. $0 Co JixlmZd fol. GBtabllahm S b o t ~ ~ (@tartiiyt iron

abgpb sonin& tlcrcre#s) f a gfva the a~rae-ene al! an &r@?ltaPIS ~CZOWF~ aagSIaq WtlsOy* C i W 06*UZL@f CD:- i%WqWWRI &BU@ 8t~ebt0.~

*- t& MI scm for @ t e ventum eut of th@ twxd fnw th@ ap@& ma onZJF a & s MC& lmsn %m mths bad Mmn the bscTni4ar +Laf$a~at. Rai he mwt f a b %hwr!m PAF&% YIIW btfg;p Y ~ o ~ J N S S "GhB pb0pUi that b

SOEf3biatf jo%I!J @G$e/%n3 BOts~dng 6 ( 3 t b l r 8@ hs$.@ Wc8d t O E4I ~ G I mt X~ES'ZX al1 mm? ~ r ~ a i n ta mG uW t a TE2E,

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GCEBr: 5. O D E ) les, CCden Party Entranese Z

. a i IBUUI carrtrînues A f 0 w 6%vlliatns, lursee, mn 5n rrnifosrn, ~UAt tge i in b,g, p&icemwif etc!,, are vmîkhg trowm3s aaR pst s C m toraolFdsl C d e x i M y . ,. EUaaklier an4 Joe s

c~em bts g b & m 41 t o r) Tm, ses* the ofoori8ii1, $.B a Uttla ixnelinad 4;0 arlok 4artsn a Pittle.'

* X . took Sm t o 8 Oar4en Pnrty. E@ msn't too ~ f 0 ~ t 0 bO &Ben by 8CP R % ~ d r # * . * . r * r

H i ~ h e a W @ s t l U . b a n b H . 8 8 c o ~ # ) a t o a ~ t o p f~andaonttauals in th6 aMm of fhe tracs - hoking out of ln bg. Ç w r a (st LI~MOS~B].

BlacWe briags 3w fomer8 tu met film mthar Rad eeetSnuea an3 datxghtcr - and fatrdTseea Bh to Ohen, TLrey ta II,@. are geattbely pbass8 Oa seie htst Thsy nape t uoe o f frhQ 8ifd~-8how% - w h r e soola of t;he Oraînsls lPiffsl with one of f h% iturma rn hate eeen, OesctrtrrCl csn $lackis,

.r w cthor mn ti aiter tbat d s ~ - plcint8 of Wa&, But thnt glr% di% ~onûcr&! Por aur tki~1)38, rFLRbr.rr+*r.r

SC= 10. JEmI ,R.gii "Luokg. Ltip".

O l t lmy# tso t t c k ~ t s zzm5 w w 2s ahruyl;e atFd HwLc contimrea taker: x luolry dfp* the bmml - p u l l h g in baga QU% a ufr98.p do3.2, whiatn JO@ tuc;kms tmaer Esis

Thoy m a on ~ a L n . *mlrsy ma J;h@ir trophîea - t o @@hbr&6 the &&y.*

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Bhootîzq sUghtly DOPaN-arigle ;aver heade of eroxd. 306 Xeade girl through m r u d f o ~i"reshauat; oountar in %@a kpZpt; . One OD. %'$IO of the hada fumr mther euriously tomrde hiia,

S C 8 ~ ;Le, {XRi!) GAMJ shootîxq ale= counter.

Joe crdera two mp of P;ea -4 ec;nnbwîcheo, 1cman b~hlnd countar par8 out, an6 pushes th@ brdar fmards hlria, Aa ghe begtns t a do r o she h k i s donnwmste raf, bis Bsnds.

CUII? TO

Joer bsndwed Bands - mmg tiba nt3lr~al WEI arraurdl &fia - stny3r;les rcith the tea-cup, then marieytleo t o graap ft * rand lifl; it;. The gix%*s hernd coma into Ib.me and starte f a sut up Joats samiaich,..,..

Bogie sta_lrainç, arcouml and csa%*, ?ifheu r e f r e W n t s . Yw, in foregrouad, \pith baek t o eaniarÉi. G i r f . 2s makiflPS ai joke of fieding hfma with the out pWxtes of saadrîehes,

A d513~rent - g l t s , t a bP& Jos #me tnto giaa riew, . . *but t'ce Nül! iWly seeia, Jos mage6 t o IWt t&etea-eup t o h i s miauth , and drinic f i o m %ta

rSCYBU 16, (E-rr) Taa te&.

~rom~s are ~ssgtnnfng f o h a v e the tes tent, Qoon 306 BZbd the C O I R ~ ' ~ ~ . Bl@~kit, again - sdl the girl% IgaEhier. EIjlaakie ishapherûs 3~x3 of2 Win,

* am 20

S&KE 37. QEXIP) m.s. b h l and Mher (utth oecttton of ç&)

@mai2 mctton of 4apartbt (rrocPB in bPlolrgroW, Canera holder girl's face ar sbe &ka arter J w (eut of Camra) She breaks Mto a eXow~rsmila of happiziess.

BEriad fades out, leawfry: onlp t en t nobes.

As foe jlit'ts the CUP, introdur~er tery iaintly a 8gmpBonie the= --mat tilozartqa Jupiter SnPh~apr.

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SEQU3SNCZE 20. (El@) FIC3WRXAL SIlOTs * gIOD*S H a i t . DAP. I

1 t o 4ehesg ebots are t;cr @ho= Bhckie r i t h Joe a& ei 3. Gyqhoni~ $map of &bar Ouinc~l Pîga riwllkiae: hona ih.orrr. the i Oerdsn PaPty. mey àrs 2mert;ed t o sylaboliso the ~minug~ wîâsr hor&eon a$ich Zoe'csi eoatencrt toith the mxld t b w ~ th* has nors 8-n him. wane tsLU trws QDd sma3.l i lcppsmc fiar;uwsl agalnst th@ bf&a& 8e O the horAron &si i vifhout a b e a e mm inq?olrtemt Shan the mn. lPhe thrcss shotsr, ~QB~BV(SP, 8b@Ui(t hi@ us 1~tz~aes~i1veZy mamr t a the man, Xxoi tb@ b a t shst f h q paw~3 et LP. 80mtry

Eo X?jüt - bok- rrmt. a~ Uom et% tbû dlatanti riew, (Only perteet wat;har Psad WLlliant pbo2tgraphy can &Ive QI, t o tihe aynphonia aoc-hmxt sLld (~;apttwe fhe riçrtht srac)tfcrnal WOn-trp t o ~ WX% esqmnearr ] \ 3

f PUacki@*cir volce cont;inues tfiroueh; thess thres 1

I

a h o t ~ * and into the a@& one - v(thotit break. 1 f

*To use 6 bnü WQO %O b & W i ~ t o bt) one of the craiaat

1 thût wa3.k kick irm the t

n't epoken of the future. i 1 i i

baok * fht w-bp: m * o o . r . o , . . r I

cm fE0 \

f i

%ls ii the firat t h e rrcs hnve seén Joe tdoxie in mdi- @XOS% ~ p e Wgib W WXQBIQUES%~ bat& ~ i e o ~ r Hiai hW& i@ On th% top of th8 i t l h r

8Ci615S Sr (m) tram JoaQ hm3 on top of the- stile4

w&mh he could Ngll' do. iht the hnads mm B!iuil&&e

~ ~ ~ I E E k G E ll, (P;IT) -RAFT FACTOTCPT* DAX aXd RIDE&& l

pounù of ia~tory %ChZm 1. JOB*@ bana. enrjme etc,,

Dems b t o b.g. f la 8- @-@ g a i e of i

airmaft rngina.

it@ meJ em?cagd."

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833m 84 j XEP) 80 Jois anCl .hcled,. et Wwk ch, Sound of araahSm8 only

3oa aiad an eagixteuer frieal are at rr a o ~ k i ~ baaah in the tactcm*

Jm & etUA @hm ba~k~p'ro~r* 36350 -iWl agoPertl crlaasx t o his aibe t;o t&k t a BiBI (aotllliq OE 1358~hh~s &ktOhiaf~ û m ~ f l ~ ~ W h - Wej~ seid Jae, howwer, &t&rtu acntads with ~hi&lQ& bits ci&s€WPa 6- * * A U Jàlq~ 6rpR whis.(;Lar (ira bdicette ais aonfi8iearra) a_ad tbia Z€&,hsard ab- thre siaC@&~~rnP~ AB be ~hfs f l t t i~ , ha boka ap, as& Qamra pans fo oxle af t;h@ *wp iesiblnsw btng abovcii ~ ~ p p ~ ~ i t e te hW Xt rieclds*.*.

th. mehinalc7pe A Di% 6f qm'i arm ha cran abs IH meri* FIFletib $8 lau&ing and %&iw t a Zae ($ois*e fama out aP piirt;m) ;F3e orEops worSk SOPI B mmnt; puUa C;EUt Qf his pot&& two tiakets, &e loeke froa the t2çbts t a Joe, rpsnbtlrfng rcrherthw hrr ehould afYer une a then does se. Jse;*a b& takiala ane Q;I ÈbB %%alseter,

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(INP) m.1.s. Seation of Cantoen - Dance C r d .

iGhot m m orxtslde eretranco fo Cant;riicsn, Door - hbetUed m6tafil Qaintsanm ie c?losed, but i ~v t r ra l l y o a pqople a u ~ r i ~ b g lior 8hr& dance - gbXa rrrther

d w ~ 8 s d - p ~ h 4 0 b ~ open #&ad go i n s i d e r AB douz c3pens fi% ie aeft apon) m uoppleer can W seen 'trcsyollb * &anahga A tdw Ch;wap papar, tatrenrmn?~~, deaioratfam, Mborrs, ré-& sistker *a- fe&ldoy-taslw. 30e*s ?rie& aiead& 3ocl fn pst Camera tmaFd8 doop.. Tbgg. igo ineo Oaataeb

CVE TO

lm) &Le. Secltien of Om&een * mnoe Grascl,

& U ~ C B t\tae *~UG *%O fin$&, e t hem b BPOXV~~IO appbwe Grom various couple;9, 8na a g ~ n m l etmggL5ag tewimls the seat~i. TErsere aeatrr are ~rslpid~y f i u e a XIP.

Jete arib friead eo~raer ~ o n g *a of f2am anl &ta199 kiesi.de it - arb tm gfrb si* Boa3 a fmnt af thwt. Bath arui riather hard-boflerlt - but one is drsaidedly via%oua-looking, W drersead Co mahzh,

JW) %etion of itmmû aîow wati 7 X I ~ I G .

&!os% 41 the ~ M S W J #?hat%lr@ with the* partl~inc - orr. eabh other. Use Érar(f-bolUeîl girl Iiih18prtr23 ianiIIn1~1Ulia& It;o asr awls ?lqlm-t; frkerd, mil %he t~tter 10- mer ber shouldewr

of pf ~ t r ~ r e (te $O@)* 8he pl&& .& m g hee as5 aeakes sarne remark cyt; whiah they both chuckle, Ae they do 8Q, O Sraw tbem f O Q O O ! ~ ef dame m t h rrrifih eajrophone trs mit- t a &art; the nu&wllc - instm* pis@, laokbg aa~ay aauaera ttt Uoxl8twfar (@ut of pietura) for e&mZ t o &aJrt;.

. t

~ar~pbollist moeirss the aniitad a-1 trom hie +onduetor (@ut ~r pt~tum) an4 st-a to priap.

{'l?fiis mxephoai~ti is i U ? ~ ~ r t a & t 2m piaprs %he P M rriacoas -te t a #cd% t;he key for the rpmationalt crlLaxax abaut; scia i o ~ c ~ w r . ~

JZÉIP) as.. Joe, inia f r î e d end gSrle.

ô h o o t w =Ath Sw - toaEk v ïm - in. foregrowb, Othair @caples are mîng on t o the floor asgain - ipan aoBaialr: %O a& fm d~m8s @te., Suet$ irtexld firr erg- kim t o apinoe. aha fxiernd @et;# la 2ead %y as- oraa of the g e l s - fhe lese ting2eaipant; sm, t o dance. 8hol aacepts hh . Joe squares hi6 shauldsm arUi g-s up t o the 0th- one.

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Sm) Qfsl and JM. Tntakiw.

Bhaot&gfmmtrmnveXcf &tr3.U heca. Joa almst 1 alaio8f. blocks Oa~nera as he Psalkrt up. gîrss a 1 82igbt. binal &dl a* eiFS t o dace. iGhe at &-a, than ia~oslg i i e l î b ~ ~ 1 t t s l y i

I up & h i s @ha ~ î u b s hsr haad hibisgiiat. a d aita~ts $0 Anothax t~nrr - a mrahy 1 type - o-s i a trmi otber sida c& fiao8, anl 1 eaks her f o dame,, 6he aeeelpitl a&S t.i6esI i

He pull# herir taeesudai (agB Cwmxa) Eihs ie j

stil l 21whlage ~ t w o the mufa c m souin. 1 Y4-e hmr hep ene, Bhoulrcrd m e ortly*,,***,

ihar8h, anuttcwr A dassr$ed roadway by ths hetary entranos. Jos / saquonce. sgazges imni a faCarrory doonay In the ehsdms un ; During this istwts W i r a l f , c1tmi;tp a- fimm =%th ' axt;@rQor shot

I bniaP hsadi Hs iacaseses hi6 spsai...thsn in the ; bain La h e m In d d d b dfatancii, bm$k23 -0 a W. : rar dusta!kera,

Gam~rai holds Jcwe only - sittiag in mch the "ery g e n t 4 fa

clams parStfon as l a Zliurt scene but U s t iw 1 b.8. the

leariine; on BletriMe drslt. ON= Pias t a 1 terider ~ h n s ~ ~ t ~ c i l

rUackîe, h o k a dom at him aith iiympathy, 1 thsaa"begins

fhea PZlUS BAC% t;o bx- eh@& &th %do I %aine i r i o mm* 1

I

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TC3br COMbBACK* s%.zI~ B &2. % f *22*

Sc= l e (corzt8) BlePakie jlooka quietJ1y et ?ae ~ Q T a moment, thea i W i c pontinxtes riirtas, and turns %O a bmkcaiile balzind hfm, He 2aoks I in b,g. dong the rola @f' bookes an8 Qrakers out, a tiarkar of . -fz,,

Brbialc(tapea~a. Bites dom wab, 8tiiXl holding a s b ~ i k lin bis handse

(Bhokiet *rnr l i i t 4 R ~ ~ ; continues durhg abme t a ) &$je.

*iiakf cz;xr m ~ , h ~ l b Men uadone Wt aight. aarm*t MU)^ t a Salk t o him *en hs- eams w/

f

i

Aftres ait%* do%%) Blacfeid trpsrks t a Y- blssetly f - &oppl- the mrnatitrrt efyle BalPlng a l

quiet;, ~ y ~ p a t b e t le r ~ s o ~ X isrppw>arsh / ex won't say 'E,et*ie torgst ît, $Mm ia, eauuee gou uon9t1 3ut the boat wmy of stssriag WON@ l ike thosei b the* right plrrrrpe%;los, fJs tro fil1 yaw - heaa s i th the othsx kiad&ap

g.i.3 " """ / a

pushes the book ker the d i e t o ~oe,,but Sm's Be&% i s stiU. bta?ied. Re talcsa no notice of î*.

Bhoattng with , Joeqa3 bâck-ulm sas fommd. AP: i 1

1

Blacklle gcrW tnto etrldce wîh hfs quatatf~n, 3- I

bagins t o st l t ; i t laat , l%a.tts his hsab, p M s up %the / B~k.~r**XaOfra iat it,]

l (I3hCki8 1 aahethet~ e t l i s ~n thet t o r~umr I"he al@@ Qlad ~~TOPI IE a i o z x t m e w Xortu;na/

1 1 I(0r bo taht s~i. 'hg~inrrt a of txoubles 1

(CLnd by opposlag, enârjsho& o dieg Oo s l ~ p r i

Bo p ~ b r e j apd by a a1eep.M 'y we aaB 1 1 Th~t ircissb irs ftcs* %ci * II_

t The haartache, ami $ha fha~rscsrd graturaJ, shocb

1 . ?

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SCBPrEIM 8. @FE) ?w, &B and lolirça3.X chiUI.

3oet is gtttinst en %he h m b8i4ee Bbr& Fraiaell*at Irala ic oont;iaues dt#~tr-ebmLr, lLtfa WBI î@ a ~ u n d a ~ m f 3 ahlfa - fn brge tbey m s t P g p 4 ~ inttentlp r b@ ohildts Oiotrrse 80bk1 BWBB& OLI #@ WLlrS 2Il fZWR% of *,€h& &Ub ~Wlnn; QU% %hep x>I~UE@S~

th5 Zes$ ibs~Aw,eas ~itoilld ge - and lie would be thla i= OZ" X~EIV- US, . *r

Zori io flayiacri ohsss aLth a rPderiA, at (3. Wslc ccratirrttesr ta?#- a& unller tha tmslis - a~othesr friarut mUcs Sn b*ge \lep en& d;arta wat;ehin?7, th6 g a ~ ~ + SrSt~tntfy (gm!%apa It;W Iiieabrïa Bcat;z.e?J

cm *O hm&@ FAmB fa3

&Cm 6 r JE^) a.&. paint%mg on ernel - with gjptigt ?6 harmb* piano eoarrlay. ..

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6C%BB 6 %O jf@f G13U)tSi REOEPAIto 11.

?

These @hot8 8hisha;ralb eatabXis9r the atnm>s@iera of 1 £ 3 ~ pPsm. @a'ltintî eltjt3p~dnt of go& BiWWr 12lr%@hi1!@ 1

8bouldl bt3 srtbdflHtad f0 th@ 0- - ~Ctl'U!t@p~8ZltG emphiare the aes9M rend the tr-uil, mit i 1s a B6rsler L nhw i f ~ l t w&c. The $GUIF $hot8 uhoub3 isurow sxpmsalonsi on ptlent8it $sces - incbudtinbo, 30~~s. C m s r a gans Wmad the XistanZw. ciruleii. bstr @hot; s)hQUPJd tie ~f the EWCTM ieho ,

1 W 8 th@ 2!it1sCat * W . W m t e b e ~ inira a.s,

"rbm Q &&y ~s~ben th8 b s t 4reassaq m s dom, rtnd the lest barrdqge rermsB* 3- qo facet we~jtd m ~ e r lie n.urmZ - %bey sekdoilr m e - but W3 dona -32 jtorr hiiiit. And hls I S D ~ F L ~ E -rYs PIB~uE"~ &~B%IZ*.* .~ .* . .

SwotSa,~ O1T8r a giEcuic dke @.ai tuhiah mLrilakfa WU&+@ a kcFttTae Joet & an the gmma buseîtlt,

6twa aixî bar 48ughtm (or the Qardea pwty #mm-) Prie IUr %lm OtJtxies glaf i?ga-gSgs atstl ~ttsâl.b%e O(Ch~t3 * 8- 9f f;h@w p ~ f W t % y popM * am div&a eusf. 1~1tîmdw Sn fbe pool fn brg* $ 3 h ~ k i d Qorm3miB s%$$ d P ~ a bp 3oei &W t;aîka La hfnr,

m$ue wouXd bo nrith uis: O* on6 wek 2ana,8rr fJa a$;eertM t a wt out tlM abut fiha kiad tr';lers%rr of crur nefigthboirrhood. 3JXrr M~asl t u t ea l

mch Manelf Qecain that he men ask@d for ti ilq O* $0 p ~ a Z;o hxdan VQS rsom ahopp%ngn. 3 k m w If mm*% &hop;r$ng Chat be had Sn rinind, Bs wantsd t a saa fir hs s(n23d &co the cMuwaPa. .. 4hs crowds %hipi t h - b;lr f i f m a l f t

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SCEB 1. (EX!) Trafalgar S q m Subway. Day.

Shooting from the shadms of the stairway and faoing up it in to the sunl i t s t r e e t and pavement outside. People coming anâ go- - mer8 eilhouettes dom i n t o and up out of the subway. Joe i s one of thera. Hie feet; emerge i&o the sunlight, and mingle with the other f e e t passing by outeide.

"Londonn music continues.

"Joe to ld nie tha t going up from t h e subway in to the crowàed s t r ee t s t h a t day was quite a big adventure...

cm TO

SCENE 2. JE=) portloo-<f St.YBrtintfi. Day.

BIG C.V. ST W I N ' S CL=.

The fingers point t o t e a otclock. ,-r

mx TO

SCEH3 3. (EXT) Portico of S t in's, $08,

Shoot- trom the shadows in the portico, paet Joe, wh is etaxuïing i n ahadoar beneath one of the colarmis, into Undon music the crowded and sWit Trafalgar Square. Joe looks cont inueo. dom a t the crowds, then walks down the steps aad away among them.

". .For a time he watched the crowds from &laces i n the shadow. But presently he made himself go out t o them.. . .

The fingers point t o 11.10. I SmNE 5. (En) Westminster Bridge. Dey.

"He dared t o bay a paper.....,. rn I

Shooting from inside car. Joe is standing on the parapet, looking across the bend of the River towards S t ,Ritxi '8 and the 'City. A ne iosboy comes up wlth t h e rest of the crowâ. Joe buys a paper and walke on (out of Camera 1, ) '

SCENE 7. (En) c,u. PICADILLY CTRCB CLûCK, D a . l

Undon music cont inues.

The f ingers point t o 12 otclock, I n

SCLENE 8. (EXT) Picadil ly Circus. Day,

Shooting from inside car, Joe comes along with crowd past a shoe-shine man, Besitates - then s t a r t e t o have h is shoes shined.

nHe boldly had hier shoes shlned........n I

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10. (P";T) &y suf;tabln &est Encl G t r s s t outrtsitfa restaurant.

Joe $oins a #mal .iueuebn outslds a 3ic\stcfium%nt - n reads the papr he bousht on hestminstrsr 18ri8gs.

( 8 h 0 0 t l ~ P r o m i a ~ f d s C e ,

ntEil: f~uaâ E h t LQndbn WB v ~ r y thick with '~uew8. f.Ie jo ind a que,- for a mml..b.,.c

XXX TO

U. _PPXT) 9 - s oi ~ h m < ~ * ~bacd outsfie 9i0*t w cimm.

Shuatfaîr f m m Cas. People are 80- p& he Boa* ! lnto f.hs fDinam. 3w boms ap etad @tudies botnlril , Zhen atrkat a mtr who 2s coisi!@, fM tm. 11hn p a l s bla ratch anb telle Jw the t i n s - then paBl3QS ollc 3ots gorsei WO ishaucc

8boati99 &an *op of bw in bus-ytmï. mm $0 Jw corn8 frox m4ex Ornera, 20ob ap (es at ulock) fados. than fncraaarts hls paae and Inrrr;ies in60 @tat;Son, X f pwsitb@ Caraera pam wi%b b;b into dsme arcad a$ Btation appmohss.

" ~ y the t iw Jm '8 xm3un day wae over,M ha4 forma bis feaet; mailin. Ke M 8 eorriiw b a k l n 2- for the big nar:usl Dlmr of hiis f@llaff! nO*r.ar; tîgan. JPB WOU be able fa meet thsm a8 B mn or tha. w;orld a@Sn.......... a

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Cook fi rharpsni~, bis a r s r ~ î ~ g knlie omr PP joint oi ILPB%*. ?%itr8811, purtt f lq$r On l l p g as ~rhe W O T ~ Wslds hlm, s hi@ t o be q a e t i~?? a ~i#rms*!ntr A mlli;ox es~a bt! lseita in brg . lm4P~ e trWc G O O ~ a%qps w p e n f a g erib Xigteiarr. l e bmr.. .. .. Z'ha @thsr waitm Z'fairrb~a &liac?kLr=$ hîs tray and gwr awiftly - oIrt; of kit aben sith f%" * Cammi PPu!A2dm h a t;o daore. BaJ, h~ opus 4t, rsratnad o f dfstant speoeb 1 1

cm rn

4. (XRT) D i r n i ~ q Table - with mae~trr, 41'rtKXfEin.

Plek up raaiins trmttm 8s i81; 8nâ OP 86em 3 aalzd PAPT rfth hirs t o table, whrsrs Ire starl;s tinloai"lfr& hl8 plcites âa -.on% -cf the tW8egbi6YS l?iga....all @fi~boai~ars zistqniag t o a* la* of beiwra &O 1) a(;rke int d , . As *ktlepr

geriae fi- tro phtee,, 9- ELM ail^ ~~F~~ ,

daport Mm3 $4 @kW @B$f;r9 Ln %Er (IBhocJtfr)(i; fium Isafconjr)

$ p a h as eomatary h@m. As Qi!mra m o h s s Jm, the Bpeech enâs and reaeltrc Oulheri P M alero awproluâ, cand make rc igiir aïxmsnts t o aacb @th= as thay giat on d % h the&- iiosal,

ClIr TO 1

sCPiEa 6. I z ~ R ) binînq Tabla. k1 . r .ws ts .

Shootbg frua E L ~ Q P % - ~ ; ~ O W I T lwel on table t a ttatabl bakh %$ma of ieiiceer. As c w r a hobb th& &ans Broup CSaptatn 2 U y eomfl up bchirt8 aien at enâ and tkey tm raiad and t a u t o hint,

(Bïaakie 1 "ThaS@ CW f r ~ n d.1 COPIIQrs of the WoTlil* The: have one ZhiaP: in eomon - ordeal by ~ w ? ,

CUF $8

rSCIBnHts e t o 10. (De) Afllow%d T m Qloaei mete of individual mn,

80 $ar cars iridlv;l8uell In#iPleer *il1 jperspit. U feees not po6fakbla show€ sleev@s -ahwMen, n l t h mnk hde:e~, an8 s h u w i ~ difirirent eihouldes-bands wîth Rationalit Xes.

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He aiee es hls ta- - dr-in,,n a toast (wish a frltertd, eut a i gieture)

"Thiety t O th@ pasto.?*.i,o*eo*s,

Cm2 TO

8CW 12. (Xi@! ) Qmup at Piano, .BigW.

Saur bn8mi hoZdlq teankafis o f bgsr mst fn front of OWXW (thctls ~ ? X S out of plat-) We @os ,a - .bi t o f the Zeblsclatbt arrd flom~;a ar;c mer t~hlch th@ tPnnkard8 are hmZd * ?ad byaxl,

o th@ pt 3xE?&alSx

*mey 8~lm $0 the mure....^

Ifmlssrbrr part f o *cm olearky %he e t q e and ! ptano8 Van me festadmd about if w;os%ly with ,

~ a ~ m g s . . . a î t ~ f o r g i e t f a .te. ahsrsi -lm uith b e a r - q s , el.e $w@f3m the crowd on the &%a.

Ra.+...- %bey just m m e - Piano and

Pianist begins t o play alrtd t h m î~ ra g~mzal, a w 6 a j~in-iA. I

j Cmcl25 1

30s*or IPew wg~dla an8 uhatrfebn are ssound hl;a suitcasis an the Md. H@ Je pacrkias for, bspaz%arei

i RB puts b ûüt3 nOrP ~ W O ip&rb 'ph&iO&~phS, SOIiSB ~10ths~' Q gib;Laa*s,,* '

1 I

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O m r a ho148 Groser a b o n ohurch - then pans elowly dom t o bring rest of church lnrto picture - p d i c ~ a r l y chtmh-#ri.m80~, -

W f l e d vofces o f congegation singing f*et verse axï Z î r s t &Ln6 of ne* .! verse of The KI= of m e aiy Bheph6z-ü fa*.

'ShW verse - ' iull stPen(l;th,

@aif3hm Shoot lng from chini.& w n l l , facing front pw, Last vesse . C o ~ g e ~ i q n fi eizgîzqg' -'end of Ithfra m e e and finish, la& verse of h m , , W@ art$ pack out mny or the friends Soe harc slrsad~r mt t&.v &ern and *de;ughtorW, Br k Ws Fraser, Blackie, the wOow~lip-w~nen w o m , ,J&s Creighton, the Group f%pt&ln, som of ,hi E Oylnea-pig iFiends. As we holà the&, the hymn finîshes and they a i t ~ O P P P ,

- L 3nmediat;e y $be ç 4th1. is seatad, i e b r u .the L)bp~tsr-5T&~-+P~~ir~t . . < I l Iheson.

* . I

?And Qod kaid Let the ,lraa@h' 'bTizg. forth the afvily3 creatm aiter bira ktaji, catth and c'reeping bhihg, arYf beast of the earth mer hl6 kXadr and 1% m s soaU

G V f TG

8- 6 , CiNi!) O,$, Mînirrter ia Pulpit.

Caiaera ho148 Eînister while he reada Verse 26.

"And Ood said, Ist us mk8. man in our image, aftier our likeaisss; euui let fhemhsve dominion

- over the Siah of the sea, and mer t;he fowl of th@ ~ ~ I T a r e i . e a . q e

OUT TO

$c= T. J 3 w ~ i ) ' C~Xlgr~)~&t%C!llr %%-*

AB Miniistttr begias nerf, vertls, CAWim TR&Ks almg Zacea of 'omgmgatlon m,wall, stopp to Boîd 3oere face B$ Zhe ,worde wulerlhed.

% . . .

. . . r ~ l P B wer the cattls, ard mer a l l the e and oVer evsw cmepirtn, t h h g thaf oreapsth iupo the e&B, So Rod orentedl ahui' in b î e *own &mage,

* .

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t,.l,iLn the bage or Gad cr8a-d bo hFra. ! Y- Vs haail 181 bent fn th~u&t viWn the Gantera maches b . t ~ , - 48 he h m f;hese mmds he mises his tace.

(maelrie ) "The t îme .ha4 c m for ps tu say Goad- t o

$08). AB @II &OI W haiE ~FQM $CI Vis&% agalln, bts W. fa BO Bor di. $* sa& mt

1-17 w ~;h~W.tll mt in the 3 ' rems3ns;bex boa q\zits a l i t tXe CP.Cted of t;te MI& UotVP %O Élin ~ f X " r r r . ~ r i + r ~

Tht B B E ~ with the #!moot c m ag - rasa& In , ahlstla '

isard. %%%II! t-, .txyix& h d t o 2eak .kbmp* r2ie ~~CfwB the pastailers if i n t o $W.. We @thoz% ormi8 rcm&ic S e Waîn begiw~ t a fiil W orowtl MStyS kaPb as they b i s n ~ ~ r on fha ~ ~ h i r i g pbtlofsit

€ami3 1. l&IbaPk8$ la of PIC &,F, 4-Ef. 1 Raht w l c a l trama *

Sh&@ d m rainbgq D t q a &PBX,. . ,O& $ i~8~ . . tüg rrgaglll2is -in,

f 0 &W the 60% u* di&& on f a eroergrs8lp. PleatP af d e m m aat i v

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COX~E-BA=. SEQUWE 18 ( Contd. ) P.31

SCENE 1. (Contd.) (Blackie) Music i n "When Joe embarked f o r home again he took w i t t o g e him a wider howledge of ( the world. He had l o s t much. He had gained more. .. . .....

Closer shot of men embarking up gangway. Mu si c cont- take a l a s t look round before they s tep inues but Joe, heavily laden l i k e t h e r e s t , eoes fades behi- gangwaY nd t h i s

piece of " ~ i v i n g f o r so long with others who had suffered narration... mutilation i n the war, he had discovered, with Burns, t h a t "a man's a man f o r a* that . H i s f ac vrould always be....noticeable. H i s hands w u l d never be l i k e those of other man.. .....

Joe s teps out from shadow in to the f u l l l i g h t of1 Mil i tary open deck. . .his . face in to kll view t h i s time. band corne- He sees (behind camera) and recognises a bunch of n ~ e s . ~ A u l d h i s old Squadron fr iends, and s t a r t s to advance Lang Synen past Cmera towards them. I ( i n b.g.unt-

il voice uBut as Joe stepped on deck he achievsd his greatest ceases)

ambition.. . I

SCmE 4. Reverse anale. Group of Aircrew.

l Group of aikcrew, alsa heavily laden with home- ward bound k i t . They recagnize Joe , and coae towards him a s he cornes past canera to meet them They greet him boisterously - slapping h i s back. Laughing, joking etc. , Then they a l 1 walk of f along the deck together. ,

. ..- W., . . t o becorne '"just one of ' the crowdn 'again. He wrote me tha t he met some fr iends from h i s old Squadron. What pleased him most was tha t they KNECT him......

CUT T O I

Band contin- ues i n b.g.

SCD3E 5. 1. S. Troopship.

' + Troopship gradually pulXing- away ' f rom stage. uen waving etc.,

"., . and t h a t i s how like t o remembër him. Se- t t i n g off f o r Canada wlth the boys tvho brought him. Goiug home, B,ack to those pancakes and ma- p l e syrup. Eack t o a future that. . .what of h i s - future?

CUT TO

SCENE 6. P i c t o ~ i a l Shot. Troopship f a r out a t sea. I

Band contin- ues i n b.g.

B m d u t o TPoopship i s moving out against the sky and sea.. Ai11 sgren- s t e rn towards Camera. t h f o r FAD$

"Weil, canada, welve done Our best f o r him. The %UT.

r e s t i s up t o - Fou* SLW; FADE..