sex and aggression in nelson mc cormick’s ... approval sex and aggression in nelson mc cormick’s...

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SEX AND AGGRESSION IN NELSON Mc CORMICK’s PROM NIGHT

MOVIE (2008); A PSYCHOANALYTIC CRITICISM

RESEARCH PAPER

Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education

in English Department

by

FEBRIASARI RATNA WULAN A 320 070 309

SCHOOL OF TEACHER TRAINING AND EDUCATION

MUHAMMADIYAH UNIVERSITY OF SURAKARTA

2011

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APPROVAL



RESEARCH PAPER

by

FEBRIASARI RATNA WULAN

A320 070 309

Approved to be Examined by Consultant

Consultant I Consultant II

Drs. M. Thoyibi, M.S Titis Setyabudi, S.S., M.Hum NIK. 410 NIK. 948

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ACCEPTANCE



Accepted and Approved by the Board of Examiners

School of the Teacher Training and Education

Muhammadiyah University of Surakarta

on November, 2011

Team of Examiners:

1. Drs. M. Thoyibi, M.S. ( ) (Chair Person)

2. Titis Setyabudi, S.S., M. Hum. ( )

(Member I)

3. Dr. Phil. Dewi Candraningrum ( ) (Member II)

Dean

Drs. H. Sofyan Anif, M. Si.

NIK. 547

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TESTIMONY

I herewith assert that there is no work had been submitted to obtain bachelor

degree in any University in this research paper and as far as I concern no work,

opinion or masterpieces had been written or published by someone else except the

written references which are referred in this paper and mentioned in the

bibliography. If only here will be any incorrectness proved in the future in my

statement above, I will be fully responsible.

Surakarta, November 2011

The Writer

Febriasari Ratna Wulan

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MOTTO

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DEDICATION

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ACKNOWLEDGMENT

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All the praises and thanks to Allah SWT, the Lord of the ‘ �lam�n

(mankind, jinn and all that exists) who always gives kindness, mercies and

blessings to the writer with health and tremendous power to finish the research

paper entitled SEX AND AGGRESSION IN NELSON Mc CORMICK’s PROM

NIGHT MOVIE (2208); A PSYCHOANALYTIC CRITICISM. Peace and

salutation are also given to our prophet Muhammad SAW, the last Messengers of

God, who has guided us from the darkness to the brightness, from stupidity to

cleverness and from Jahiliyah to Islamiyah. The success would not be achieved

without the help, support, and encouragements from many people during

conducting and finishing the research paper. Therefore, on this opportunity, she

would like to express her special gratitude and appreciation to the following

people:

1. Drs. H. Sofyan Anif, M.SiDrs. H. Sofyan Anif, M.SiDrs. H. Sofyan Anif, M.SiDrs. H. Sofyan Anif, M.Si...., Dean of School of Teacher Training and Education

of Muhammmadiyah University of Surakarta, for approving this research

paper,

2. Drs. M. Thoyibi, M.S.,Drs. M. Thoyibi, M.S.,Drs. M. Thoyibi, M.S.,Drs. M. Thoyibi, M.S., the first consultant who always gives guidance, advices,

supports, corrections, and also discussion in conducting this research paper,

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3. Titis SetyabudiTitis SetyabudiTitis SetyabudiTitis Setyabudi, S., S., S., S.S.S.S.S.,,,, M.Hum. M.Hum. M.Hum. M.Hum., Head of English Department Muhammadiyah

University of Surakarta, and also the second consultant for the willingness in

giving the correction about the weakness of this research paper,

4. All of the lecturers in English Department at Muhammadiyah University of

Surakarta, for transferring the knowledge and giving guidance,

5. Her great lovely parents, Mom (Ibu SriIbu SriIbu SriIbu Sri Suwarmi Suwarmi Suwarmi Suwarmi�� and Dad (Bapak Achmad Bapak Achmad Bapak Achmad Bapak Achmad

Fauzan,S.PdFauzan,S.PdFauzan,S.PdFauzan,S.Pd), for the love, patience, prayer, advice, trust, and for the best

support for her ,

6. Her beloved siblings, Mbak Ana Mbak Ana Mbak Ana Mbak Ana and husband “Mas Mas Mas Mas Yudhi” Yudhi” Yudhi” Yudhi” for their love and

support so that the writer is able to complete this research,

7. Her nephew will be, for the happiness in the family ,

8. Her great lovely friends, Virus.comVirus.comVirus.comVirus.com; Nova “Mbah’e”, Fajar, Trisum, Reni, ; Nova “Mbah’e”, Fajar, Trisum, Reni, ; Nova “Mbah’e”, Fajar, Trisum, Reni, ; Nova “Mbah’e”, Fajar, Trisum, Reni,

Riska, Nimas, Nurul, Hana, Fovri, Putri, Komo and arbiRiska, Nimas, Nurul, Hana, Fovri, Putri, Komo and arbiRiska, Nimas, Nurul, Hana, Fovri, Putri, Komo and arbiRiska, Nimas, Nurul, Hana, Fovri, Putri, Komo and arbi for this warm and

meaningful friendship. This friendship needs no reason to make the unity

inside,

9. Arif Lanyink “Repto”, Arif Lanyink “Repto”, Arif Lanyink “Repto”, Arif Lanyink “Repto”, for the new relation as her brother and togetherness at

home. Your joke always makes her smile and laugh,

10. Her mate will be “HHHH----jiBejiBejiBejiBe”, for the attention, support, and always make happy

when the writer’s feel tired and bored to complete this research,

11. Her big family, “Eyang, Eyang, Eyang, Eyang, Pakdhe, Budhe, Om, BulikPakdhe, Budhe, Om, BulikPakdhe, Budhe, Om, BulikPakdhe, Budhe, Om, Bulik” wherever you are, for the

love and prayer to her,

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12. Her friends in English Department ’07, ��

�� , for the

unforgettable memories,

13. All of partners in PPL SMK Muhammadiyah 1 Sukoharjo, who has been the

great friendship ever,

14. Her team work “�� ”, for the chance to work at the office

and support to complete this research,

15. All her student at English Central, MIN Jetis 1 Sukoharjo, also SD Negeri

Gayam 1 Sukoharjo,

16. And others which cannot be mentioned one by one, who help the writer in

finishing the research paper and for all the big supports.

The writer realizes that this research paper is still far from being perfect and

still needs many improvements. However, the writer hopes this research paper

will give useful significance to readers.

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Surakarta, November 2011

Febriasari Ratna Wulan

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TABLE OF CONTENT

Page

TITLE ……..……………………………………………………………. i

APPROVAL ……………………………………………………………. ii

ACCEPTANCE ………………………………………………………... iii

TESTIMONY ………………………………………………………….. iv

MOTTO ……………………………………………………………….... v

DEDICATION …………………………………………………………. vi

ACKNOWLEDGEMENT …………………………………………….. vii

TABLE OF CONTENT ……………………………………………….. x

LIST OF FIGURE ……………………………………………………... xiv

ABSTRACT …………………………………………………………….. xviii

CHAPTER I: INTRODUCTION

A. Background of the Study …………………………….. 1

B. Literature Review ……………………………………. 7

C. Problem Statement ………………………………….... 8

D. Limitation of the Study ………………………………. 8

E. Objective of the Study ……………………………….. 8

F. Benefits of the Study ………………………………… 9

G. Research Method …………………………………….. 10

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H. Research Paper Organization ………………………… 11

CHAPTER II: UNDERLYING THEORY

A. Psychoanalytic Theory ………………………………. 13

1. Notion of Psychoanalysis ………………………... 13

2. Structure of Personality ………………………….. 14

a. Id ……………………………………………… 15

b. Ego ……………………………………………. 16

c. Superego ……………………………………… 17

3. Sex and Aggression ………………………………. 17

B. The Structural Elements of the Movie

a. Narrative Elements ……………………………….. 18

b. Technical Elements ……………………………….. 20

C. Theoretical Application ………………………………. 26

CHAPTER III: STRUCTURAL ANALYSIS

A. Structural Analysis of Movie

1. Narrative Elements

a. Character and Characterization ………………. 27

1) Major Character …………………………. 28

2) Minor Character …………………………. 34

b. Plot …………………………………………… 53

1) Beginning ………………………………… 53

2) Middle …………………………………… 54

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3) Ending …………………………………… 55

c. Setting ………………………………………… 55

1) Setting of Place …………………………… 56

2) Setting of Time …………………………… 58

d. Point of View …………………………………. 59

1) POV in Terms of Camera Shot …………. 59

2) POV in Terms of Storyteller …………….. 60

e. Theme ………………………………………… 60

2. Technical Elements

a. Mise en Scene …………………………………. 60

1) Lighting …………………………………… 61

2) Costume and Make up ……………………. 63

3) Set Dressing and Props …………………… 69

4) Casting and Acting ……………………….. 77

b. Cinematography ……………………………… 80

1) Photographical Qualities of Shot ………… 80

2) Framing of Shot ………………………….. 80

3) Duration of Shot …………………………. 84

c. Sound …………………………………………. 85

1) Spoken Words …………………………… 85

2) Sound Effect ……………………………… 85

3) Music ……………………………………… 85

4) Silence …………………………………….. 86

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d. Editing …………………………………………. 86

B. Discussion ………………………………………….. 88

CHAPTER IV: PSYCHOANALYTIC ANALYSIS

A. Analysis of Richard Fenton’s Personality …………… 91

B. Sex and Aggression of Richard Fenton ……………… 94

C. Discussion …………………………………………… 100

CHAPTER V: CONCLUSION AND SUGGESTION

A. Conclusion ……………………………………………. 102

B. Suggestion ……………………………………………. 103

BIBLIOGRAPHY

APPENDIX

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LIST OF FIGURE

Figure 1 : Fenton’s appearance ………………………………………... 28

Figure 2 : In embellishment of Michael ……………………………… 30

Figure 3 : Fenton threaten Donna ……………………………………... 30

Figure 4 : Donna’s appearance ………………………………………... 31

Figure 5 : Donna met psychiatry ……………………………………… 32

Figure 6 : Donna and Claire in the room ……………………………… 34

Figure 7 : Bobby’s appearance ……………………………………….. 35

Figure 8 : Bobby gives support to Donna …………………………….. 35

Figure 9 : Bobby keep Donna at home ……………………………….. 36

Figure 10 : Lisa’s appearance ………………………………………… 37

Figure 11 : Claire’s appearances …………..………………………….. 39

Figure 12 : Claire has dispute with Michael …………………………. 39

Figure 13 : Fenton killed Claire ………………………………………. 40

Figure 14 : Ronnie’s appearances …………………………………… 41

Figure 15 : Ronnie is giving support to Lisa ………………………… 41

Figure 16 : Ronnie make a toast ……………………………………… 42

Figure 17 : Michael’s appearances ………………………………..….. 43

Figure 18 : In embellishment of Michael …………………………….. 44

Figure 19 : Detective Winn’s appearances …………………………… 45

Figure 20 : Finding the evidences …………………………….………. 45

Figure 21 : Winn asks Fenton’s escape ……………………..………… 46

Figure 22 : Winn gives instruction …………………………………… 47

Figure 23 : Winn gun to Fenton …………………………….………… 48

Figure 24 : Aunt’s Karen appearances ………………………………… 48

Figure 25 : Karen gives support to Donna ………………………...…… 49

Figure 26 : Karen looks panic and shock ………………………….…… 50

Figure 27 : Karen and Jack hug Donna …………………………..……. 50

Figure 28 : Jack’s appearance …………………………………………. 51

Figure 29 : Jack is calming down Karen ………………………………. 51

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Figure 30 : Jack give attention to Donna ……………………….……….. 53

Figure 31 : Bridgeport District …………………………………………. 56

Figure 32 : Bridgeport District …………………………………………. 56

Figure 33 : Karen and Jack’s house, Donna live in here with them ……. 57

Figure 34 : Police office of Bridgeport ………………………………… 57

Figure 35 : Pacific Grand Hotel ……………………………………..….. 58

Figure 36 : Setting of time can see from the camera digital ……………. 58

Figure 37 : Karen’s POV ……………………………………………….. 59

Figure 38 : Donna’s POV ……………………………………………… 59

Figure 39 : Day light …………………………………………………… 62

Figure 40 : Day light……………………………………………………. 62

Figure 41 : Night light …………………………………………………. 62

Figure 42 : Night Light ………………………………………………… 62

Figure 43 : Winn and Nash’s costume as police ………………………. 63

Figure 44 : Fenton’s costume in the jail ……………………………….. 64

Figure 45 : Fentpn’s costume using coat and hat …………………..…... 64

Figure 46 : Fenton’s costume using bellboy uniform …………....…….. 64

Figure 47 : Housekeeping’s uniform …………………………..………. 65

Figure 48 : Receptionist hotel’s uniform ………………………………. 65

Figure 49 : The policeman’s uniform ………………………………….. 65

Figure 50 : Fenton’s make up in the jail ………………………..……… 66

Figure 51 : Fenton’s make up to undercover ……………………….…. 66

Figure 52 : Donna’s make when traumatic ………………………….…. 66

Figure 53 : Corpse’s make up ……………………………………….…. 67



Figure 56 : Fenton’s make up ……………………………………….….. 67

Figure 57 : Old women’s make up ……………………………………... 68

Figure 58 : Women’s make up at party ………………………………… 68

Figure 59 : Make’s up for men …………………………………………. 68

Figure 60 : Outside of Donna’s house ………………………………….. 69

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Figure 61 : Pictures property ………………………………………….. 70

Figure 62 : Lamp Property ……………………………………………. 70

Figure 63 : Television and sofa ……………………………………….. 70

Figure 64 : Wardrobe and clothes …………………………………….. 70

Figure 65 : Sofa and pillows ………………………………………….. 70

Figure 66 : stick base ball ……………………………………………... 70

Figure 67 : Hair dryer and nail polish ………………………………… 71

Figure 68 : mirrors, chairs, washbowl, tables ………………………… 71

Figure 69 : Karen’s house outside ……………………………………. 72

Figure 70 : Sofa in terrace …………………………………………….. 72

Figure 71 : Living room properties ……………………………………. 72

Figure 72 : Television, washbowl, and pictures ……………………….. 72

Figure 73 : mirror in the bathroom ………………………………….…. 72

Figure 74 : make up properties ………………………………………..... 72

Figure 75 : Police department’s outside ………………………………... 73

Figure 76 : Office’s properties …………………………………………. 73

Figure 77 : Office’s properties …………………………………………. 73

Figure 78 : Tables, computer, and book property ………………………. 74

Figure 79 : Pacific Grand Hotel’s outside …………………………….… 74

Figure 80 : Pacific Grand Hotel ………………………………………… 74

Figure 81 : Lobby of the hotel ………………………………………….. 75

Figure 82 : Bathroom properties ………………………………………... 75

Figure 83 : Hotel’s room ……………………………………………….. 75

Figure 84 : Hotel’s bedroom ………………………………. ………….. 75

Figure 85 : Stage in the club …………………………………………… 76

Figure 86 : Lamp in the club …………………………………………... 76

Figure 87 : Club’s properties ………………………………………….. 76

Figure 88 : DJ music’s table …………………………………………... 76

Figure 89 : Limousine ………………………………………………… 77

Figure 90 : Motorcycle ……………………………………………….. 77

Figure 91 : Fenton’s knife ……………………………………………. 77

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Figure 92 : Winn’s revolver ………………………………………….. 77

Figure 93 : Straight on angel………………………………………….. 81

Figure 94 : High angel scene …………………………………………. 81

Figure 95 : Low angel scene …………………………………………. 81

Figure 96 :Extreme long shot ………………………………………... 82

Figure 97 : Long shot ………………………………………………… 82

Figure 98 : Medium long shot ……………………………………….. 82

Figure 99 : Medium long shot ……………………………………….. 82

Figure 100 : Medium close up ……………………………………….. 83

Figure 101 : Close up ………………………………………………... 83

Figure 102 : Close up ………………………………………………... 83

Figure 103 : Extreme close up ………………………………………. 84

Figure 104 : Extreme close up ………………………………………. 84

Figure 105 : Editing of Prom Night ………………………………… 87

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ABSTRACT

Febriasari Ratna Wulan. A320070309. SEX AND AGGRESSION IN NELSON Mc CORMICK’s PROM NIGHT MOVIE (2008); A PSYCHOANALYTIC CRITICISM. Research Paper. Muhammadiyah University of Surakarta. 2011.

The major problem in this study is to show sex and aggression in Nelson Mc Cormick’s Prom Night movie by using psychoanalytic criticism. It is conducted by analyzing the movie based on its structural elements and based on psychoanalytic criticism.

This research is qualitative research. Type of data of the study is text and image taken from two data sources: primary and secondary. The primary data source is Prom Night movie directed by Nelson Mc Cormick released in 2008. While the secondary data sources are taken from the books of literary, internet, and other relevant information. Both data are collected through library research and analyzed by descriptive analysis.

Using a psychoanalytic criticism as the theoretical framework, the research shows the following findings. First, based on the structural analysis it seems that in this movie, Nelson Mc Cornmick delivers a message about unnatural obsession can cause negative ability until make an aggression to another people. Second, based on psychoanalytic analysis, Nelson wants to convey the psychological phenomena that is a type of personality that leads to sex and aggression

Keywords: Sex and Aggression, Prom Night (2008), Psychoanalytic Criticism.

Consultant II Consultant I Titis Setyabudi,S.S., M. Hum Drs. M. Thoyibi, M.S. NIK. 948 NIK. 410

Dean Drs. H. Sofyan Anif, M. Si. NIK 547

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