set-a visual... · to which state ‘phulkari’ belongs ? (a) bihar (b) uttarakhand (c) punjab (d)...
TRANSCRIPT
SET-A
U/2015/25/II/A
SET-A
U/2015/25/II/A3
1. Which are primary colours ?
(A) Black, White, Red
(B) Blue, Green, Red
(C) Red, Yellow, Green
(D) Yellow, Blue, Red
2. Which feeling is produced by straight
horizontal line ?
(A) Firmness
(B) Disturbance
(C) Imbalance
(D) Balance
3. Who is the writer of ‘Meaning of Art’ ?
(A) Rozer Fry
(B) Sir Herbert Read
(C) V. Smith
(D) Stella Krarmrisch
4. In which book is written ‘Kalanam Pravarm
Chitramdharmarth Kama Mokshdam’ ?
(A) Natyashastra
(B) Panchtantra
(C) Chitrasutra
(D) Shiv Puran
5. Dark to light in single colour tone is called—
(A) Complementary colour
(B) Cool colour
(C) Primary colour
(D) Monochrome
1. dkSu ls jax izkFkfed gSa \
(A) dkyk] lQsn] yky
(B) uhyk] gjk] yky
(C) yky] ihyk] gjk
(D) ihyk] uhyk] yky
2. lh/kh iM+h js[kk fdl Hkkouk dks mRiUu djrh gS \
(A) n`<+rk
(B) v'kkafr
(C) vlarqyu
(D) larqyu
3. ^ehfuax vkQ vkVZ* ds ys[kd dkSu gSa \
(A) jkstj Ýk;
(B) lj gcZV jhM
(C) oh- fLeFk
(D) LVSyk ØSefj'k
4. ^dykuka izoja fp=ka/kekFkZ dkeeks{kn~e* fdl iqLrd esa
m)`r gS \
(A) ukV~;'kkL=k
(B) iapra=k
(C) fp=klw=k
(D) f'koiqjk.k
5. xgjs ls gYds ,d jaxh; o.kZ dks dgk tkrk gSµ
(A) iwjd jax
(B) B.Ms jax
(C) eq[; jax
(D) ,dkdh o.kZ
SET-A
U/2015/25/II/A4
6. Henry Moore was influenced by which Indian
Sculpture—
(A) Horse of Birbhum Terracotta
(B) Bamiyan Buddha
(C) Chola Period Natraj
(D) Kailashnath temple sculpture of Ravana
7. Famous Varaha Avatar sculpture of Gupta
period is found at—
(A) Barabar Caves
(B) Khandagiri Caves
(C) Udayagiri Caves
(D) Elephanta Caves
8. Who was the writer of ‘Kamasutra’ ?
(A) Kalidas
(B) Bharat Muni
(C) Bana Bhatta
(D) Vatsyayan
9. During whose reign was “Razmnama” painted—
(A) Akbar
(B) Babar
(C) Humayun
(D) Jahangir
10. To which state ‘Phulkari’ belongs ?
(A) Bihar
(B) Uttarakhand
(C) Punjab
(D) Rajasthan
6. gsujh ewj fdl Hkkjrh; ewfrZf'kYi ls izHkkfor Fkkµ
(A) chjHkwe VsjkdksVk dk ?kksM+k
(B) ckfe;u cq)
(C) pksydkyhu uVjkt
(D) jko.k ds dSyk'kukFk eafnj dk ewfrZf'kYi
7. xqIrdkyhu izeq[k okjkg vorkj ewfrZf'kYi dgk¡ ls
izkIr gqvkµ
(A) cjkcj xqQk;sa
(B) [k.Mfxfj xqQk;sa
(C) mn;fxfj xqQk;sa
(D) ,yhQs.Vk dh xqQk;sa
8. ^dkelw=k* ds ys[kd dkSu Fks \
(A) dkfynkl
(B) Hkjreqfu
(C) ck.k HkV~V
(D) okRL;k;u
9. jT+eukek xzUFk fdl 'kkld ds le; fpf=kr fd;k x;kµ
(A) vdcj
(B) ckcj
(C) gqek;w¡
(D) tgk¡xhj
10. ^Qqydkjh* fdl jkT; dh gS \
(A) fcgkj
(B) mÙkjk[k.M
(C) iatkc
(D) jktLFkku
SET-A
U/2015/25/II/A5
11. Which are opposite colours ?
(A) Blue – Yellow; Red – Green
(B) Yellow – Orange; Red – Blue
(C) Blue – Green; Blue – Yellow
(D) Green – Blue; Green – Red
12. In which year Shilpi Chakra was formed ?
(A) 1939
(B) 1949
(C) 1959
(D) 1969
13. In which cave of Ajanta the Bodhisatva
Padmpani is painted ?
(A) Cave No. 9
(B) Cave No. 2
(C) Cave No. 16
(D) Cave No. 1
14. Who was the painter of the ‘Blue Window’ ?
(A) Renovi
(B) Paul Cezanne
(C) Henri Matisse
(D) Picasso
15. Who is the author of ‘Kangra Painting on
Love’ ?
(A) B. N. Goswami
(B) W. G. Archer
(C) M. S. Randhawa
(D) K. Khandalawala
11. fojks/kh jax dkSu ls gSa \
(A) uhyk µ ihyk( yky µ gjk
(B) ihyk µ ukjaxh( yky µ uhyk
(C) uhyk µ gjk( uhyk µ ihyk
(D) gjk µ uhyk( gjk µ yky
12. f'kYih pØ fdl o"kZ LFkkfir gqvk \
(A) 1939
(B) 1949
(C) 1959
(D) 1969
13. vtUrk dh fdl xqQk esa cksf/klRo in~eikf.k fpf=kr
gSa \
(A) xqQk la- 9
(B) xqQk la- 2
(C) xqQk la- 16
(D) xqQk la- 1
14. ^n Cyw fo.Mks* dk fp=kdkj dkSu Fkk \
(A) jsUok
(B) ikWy lstka
(C) gsujh ekfrl
(D) fidklks
15. ^dkaxM+k isafVax vku yo* ds ys[kd dkSu gSa \
(A) ,- ch- ,u- xksLokeh
(B) MCY;w- th- vkpZj
(C) lh- ,e- ,l- ja/kkok
(D) Mh- ds- [k.Mkykokyk
SET-A
U/2015/25/II/A6
16. What is the title of installation out done by
M. F. Husain ?
(A) Pitambari
(B) Shvetambari
(C) Nilambari
(D) Kalambari
17. In which school of chought ‘The Hour of
Cow Dust’ is painted ?
(A) Garhwali
(B) Kangra
(C) Chamba
(D) Bundi
18. Trace out the main subject of impressionist
painters ?
(A) Object observation
(B) Atmospheric light
(C) Abundance of human figures
(D) Perspective
19. What is the surface of Jain style painting ?
(A) Ivory
(B) Copper Plate
(C) Palm Leaf & paper
(D) Canvas
20. The bronze sculpture “The Walking Man”
was prepared in 1900 is by—
(A) Henry Moore
(B) Astride Mailllol
(C) Auguste Rodin
(D) Henri Matisse
16. ,e- ,Q- gqlSu jfpr laLFkkiu dyk dk 'kh"kZd D;k
gS \
(A) ihrkEcjh
(B) 'osrkEcjh
(C) uhykEcjh
(D) dykEcjh
17. fdl 'kSyh esa ^n vkoj vkWQ dkÅ MLV* ¼xks/kwfy½
fpf=kr fd;k x;k gS \
(A) x<+oky
(B) dk¡xM+k
(C) pEck
(D) cw¡nh
18. izHkkooknh fp=kdkjksa ds fp=k.k dk eq[; fo"k; D;k
Fkk \
(A) oLrq fujh{k.k
(B) okrkoj.kh; izdk'k
(C) ekuo vkd`fr;ksa dh foiqyrk
(D) ifjis{;
19. tSu 'kSyh ds fp=kksa dk /kjkry D;k gS \\
(A) gkFkh nk¡r
(B) rkez Qyd
(C) rkM+ i=k ,oa dkxt
(D) dSuokl
20. 1900 esa fufeZr ^^n okfdax eSu** /kkrq ewfrZ f'kYi
fuekZrk gSµ
(A) gsujh ewj
(B) ,LVªkbM eSyksy
(C) vxLr jksMha
(D) gsujh ekfrl
SET-A
U/2015/25/II/A7
21. In which country was woodcut invented ?
(A) Sri Lanka
(B) Australia
(C) France
(D) China
22. What is an original print ?
(A) Newspaper print
(B) Photographic print
(C) Calendar print
(D) Print from original matrix
23. Non-toxic printmaking includes—
(A) Xylography
(B) Etching
(C) PVC based silk screen
(D) Aquatints
24. In offset printing the image is first transferred
from plate to—
(A) Cylinder
(B) Felt roller
(C) Blanket
(D) Paper
25. “Oleograph” was developed in India by—
(A) Jyoti Bhatt
(B) Senefilder
(C) JB La Prince
(D) Ravi Verma
21. oqMdV dk vkfo"dkj fdl ns'k esa gqvk ?
(A) Jhyadk
(B) vkLVªsfy;k
(C) Ýkal
(D) phu
22. ewy fizaV D;k gS \
(A) v[kckj dk fizaV
(B) QksVksxzkQh dk fizaV
(C) dSys.Mj fizaV
(D) ewy esfVªDl ls fizaV
23. ukWu&VªkWfDld fiazV esfdax lekfo"V djrh gSµ
(A) tkbyksxzkQh
(B) ,fpax
(C) ih-oh-lh- vk/kkfjr flYd LØhu
(D) ,DokfVaV~l
24. vkWQlsV eqnz.k esa Nfo loZizFke fdl ij Nkih tkrh
gSµ
(A) flys.Mj
(B) uEnk jksyj
(C) CySadsV
(D) isij
25. Hkkjr esa vksfy;ksxzkQ dh izxr fdlds }kjk gqbZ \
(A) T;skfr HkV~V
(B) lsufQYMj
(C) ts ch yk fizal
(D) jfo oekZ
SET-A
U/2015/25/II/A8
26. Didar Gauj Yakshi belongs to which period ?
(A) Gupta
(B) Kushana
(C) Sunga
(D) Maurya
27. Famous Lion pillar of Sarnath is made of
which stone—
(A) Marble
(B) Chunar Sand Stone
(C) Sikari Red Sand Stone
(D) Lime Stone
28. Bhaja rockcut caves are situated in which state ?
(A) Andhra Pradesh
(B) Madhya Pradesh
(C) Maharashtra
(D) Bihar
29. What is the period of Bagh Cave paintings ?
(A) 3rd century B.C.
(B) 1st century A.D.
(C) 3rd century A.D.
(D) 6th century A.D.
30. In which period for the first time
anthropomorphic statue of Buddha was made ?
(A) Mauryan Period
(B) Sunga Period
(C) Kushana Period
(D) Gupta Period
26. nhnkj xst ;{kh fdl le; dh jpuk gS \
(A) xqIr
(B) dq"kk.k
(C) 'kqax
(D) ekS;Z
27. izfl) lkjukFk flag 'kh"kZ LrEHk fdl iRFkj ls cuk
gSµ
(A) laxejej
(B) pqukj cyqvk iRFkj
(C) lhdjh dk yky cyqvk iRFkj
(D) pwuk iRFkj
28. Hkktk dh 'kSy mRdh.kZ xqQk;sa fdl jkT; esa fLFkr gS \
(A) vkU/kz izns'k
(B) e/; izns'k
(C) egkjk"Vª
(D) fcgkj
29. ck?k xqQk fp=k fdl dky ds gSa \
(A) rhljh 'krkCnh bZlkiwoZ
(B) igyh 'krkCnh bZLoh
(C) rhljh 'krkCnh bZLoh
(D) 6oha 'krkCnh bZLoh
30. fdl dky esa loZizFke cq) dh ekuoh; izfrekvksa dk
fuekZ.k fd;k x;k \
(A) ekS;Z dky
(B) 'kqax dky
(C) dq"kk.k dky
(D) xqIr dky
SET-A
U/2015/25/II/A9
31. Who is the author of “Confessions of an
Advertizing Man”—
(A) Charles Saatchi
(B) David Ogilvy
(C) Mark Simmons
(D) Prahlad Kakkar
32. AO and A1 size paper is used for—
(A) Envelopes
(B) Newspapers
(C) Postcards
(D) Technical drawing and posters
33. Select the correct chronological sequence of
Art—
(A) Maurya, Satavahana, Kushan, Gupta
(B) Gupta, Kushan, Satavahana, Maurya
(C) Satvahana, Maurya, Gupta, Kushan
(D) Kushan, Gupta, Maurya, Satavahana
34. Choose the correct sequence in chronological
order—
(A) The Priest from Mohenjodaro, Rampurva
Bull, Sheshayi Vishnu from Deogarh,
Ravan Shaking Mount Kailash
(B) Rampurva Bull, The Priest from
Mohenjodaro, Ravan Shaking Mount
Kailash, Sheshashayi Vishnu from Deogarh
(C) Sheshashayi Vishnu from Deogarh, The
Priest form Mohenjodaro, Rampurva Bull,
Ravan shaking Mount Kailash
(D) Ravan shaking Mount Kailash, Rampurva
Bull, The Priest from Mohenjodaro,
Sheshashayi Vishnu from Deograh
31. ^^dkaQs'kUl vkWQ ,u ,MojVkbftax eSu** ds ys[kd
dkSu gSa \
(A) pkYlZ lkRph
(B) MsfoM vksfxYoh
(C) ekdZ fleksUl
(D) izgykn dDdM+
32. AO vkSj A1 vkdkj dk dkxt fdl fy, iz;qDr
gksrk gSµ
(A) fyQkQs
(B) v[kckj
(C) iksLVdkMZ
(D) VsDuhdy Mªkbax ,aM iksLV~lZ
33. dyk dk lgh dkyØe pqfu,µ
(A) ekS;Z] lrokgu] dq"kk.k] xqIr
(B) xqIr] dq"kk.k] lrokgu] ekS;Z
(C) lrokgu] ekS;Z] xqIr] dq"kk.k
(D) dq"kk.k] xqIr] ekS;Z] lrokgu
34. lgh dkyØe pqusaµ
(A) eksgutksnM+ks dk lk/kq] jkeiqjok dk o"kHk] nsox<+
ds 'ks"k'kk;h fo".kq] jko.k dSyk'k ioZr dks fgykrs
gq,
(B) jkeiqjok dk o`"kHk] eksgutksnM+ks dk lk/kq] jko.k
dSyk'k ioZr dks fgykrs gq,] nsox<+ ds 'ks"k'kk;h
fo".kq
(C) nsox<+ ds 'ks"k'kk;h fo".kq] eksgutksnM+ks dk
lk/kq] jkeiqjok dk o`"kHk] jko.k dSyk'k ioZr
dks fgykrs gq,
(D) jko.k dSyk'k ioZr dks fgykrs gq,] jkeiqjok dk
o`"kHk] eksgutksnM+ks dk lk/kq] nsox<+ ds 'ks"k'kk;h
fo".kq
SET-A
U/2015/25/II/A10
35. Choose the correct chronological sequence—
(A) Futurism, Cubism, Surrealism, Fauvism
(B) Surrealism, Cubism, Fauvism, Futurism
(C) Fauvism, Cubism, Futurism, Surrealism
(D) Cubism, Surrealism, Futurism, Fauvism
36. Select the correct sequence—
(A) Hunting Scenes, Rag-Ragini, Jatak
Tales, Mixed Media painting
(B) Rag-Ragini, Mixed Media Painting,
Hunting Scenes, Jatak Tales
(C) Hunting Scenes, Jatak Tales, Rag-
Ragini, Mixed Media
(D) Mixed Medium, Rag-Ragini, Jatak
Tales, Hunting Scenes
37. Choose the correct sequence of location of
famous stupas from South to North—
(A) Sanchi, Lumbini, Sarnath, Jaggaiyapetta
(B) Sarnath, Sanchi, Lumbini, Jaggaiyapetta
(C) Lumbini, Sarnath, Sanchi, Jaggaiyapetta
(D) Jaggaiyapetta, Sanchi, Sarnath, Lumbini
38. Select the correct sequence—
(A) Beveling, Proofing, Drawing, Grinding
(B) Drawing, Grinding, Proofing, Beveling
(C) Grinding, Beveling, Drawing, Proofing
(D) Proofing, Beveling, Grinding, Drawing
35. lgh dkyØe dks pqfu,µ
(A) Hkfo";okn] ?kuokn] vfr;FkkFkZokn] Qkookn
(B) vfr;FkkFkZokn] ?kuokn] Qkookn] Hkfo";okn
(C) dkookn] ?kuokn] Hkfo";okn] vfr;FkkFkZokn
(D) ?kuokn] vfr;FkkFkZokn] Hkfo";okn] Qkookn
36. fuEufyf[kr dk lgh Øe pqfu,µ
(A) f'kdkj n`';] jkx&jkfxuh] tkrd dFkk,¡] fefJr
ek/;e fp=k
(B) jkx&jkfxuh] fefJr ek/;e fp=k] f'kdkj n`';]
tkrd dFkk,¡
(C) f'kdkj n`';] tkrd dFkk,¡] jkx&jkfxuh] fefJr
ek/;e
(D) fefJr ek/;e] jkx&jkfxuh] tkrd dFkk,¡] f'kdkj
n`';
37. nf{k.k ls mÙkj dh vksj izfl) Lrwiksa dk lgh Øe
pqusaµ
(A) lkaph] yqfEcuh] lkjukFk] tXxS;k iSV
(B) lkjukFk] lkaph] yqfEcuh] tXxS;k iSV
(C) yqfEcuh] lkjukFk] lkaph] tXxS;k iSV
(D) tXxS;k iSV] lkaph] lkjukFk yqfEcuh
38. lgh Øe pqfu,µ
(A) csofyax] izwfQax] Mªkbax] xzkbafMax
(B) Mªkbax] xzkbfUMax] izwfQax] csofyax
(C) xzkbafMax] csofyax] Mªkbax] izwfQax
(D) izwfQax] csofyx] xzkbafMax] Mªkbax
SET-A
U/2015/25/II/A11
39. Assertion (A) : The theme of Medieval
Indian Paintings was mostly based on religion
and literature.
Reason (R) : There was an influence of
literature and religion on artists.
Codes—
(A) (A) and (R), both are correct
(B) (A) and (R), both are incorrect
(C) (A) is correct but (R) is incorrect
(D) (A) is incorrect and (R) is correct
40. Assertion (A) : In painting coloured pencils
are more difficult to erase than graphite
pencils.
Reason (R) : Coloured pencils are made from
a mixture of clay and pigment, bound
together with gum, soaked in wax and pressed
into rods encased in wood.
Codes—
(A) (A) and (R) both are incorrect
(B) (A) is incorrect and (R) is correct
(C) (A) is correct and (R) is incorrect
(D) (A) is correct and (R) is correct
41. Assertion (A) : Talstoy said art is
communication.
Reason (R) : Because he believed that like
other languages, art is also medium of
expression of ideas and feelings.
Codes—
(A) A is correct and R is not correct
(B) A is not correct and R is correct
(C) A is correct and R is also correct
(D) A is not correct and R is also not correct
39. vfHkdFku vfHkdFku vfHkdFku vfHkdFku vfHkdFku (A) : e/;dkyhu Hkkjrh; fp=kdyk ds
fo"k; vR;f/kd /keZ ,oa lkfgR; ij vk/kkfjr FksA
rdZ rdZ rdZ rdZ rdZ (R) : ;gk¡ ds dykdkj lkfgR; vkSj /keZ ls
izHkkfor FksA
dwVµdwVµdwVµdwVµdwVµ
(A) (A) vkSj (A) nksuksa lgh gSa
(B) (A) vkSj (A) xyr gSa
(C) (A) lgh gS] ysfdu (A) xyr gS
(D) (A) xyr gS vkSj (A) lgh gS
40. vfHkdFku vfHkdFku vfHkdFku vfHkdFku vfHkdFku (A) : fp=k.k esa jaxhu isafly dks xzsQkbV
isafly dh vis{kk feVkdj fudkyuk vf/kd dfBu
gksrk gSA
rdZ rdZ rdZ rdZ rdZ (R) : jaxhu isafly feV~Vh o jax dks xksan esa feyk
rFkk ekse ls ,d ydM+h dh NM+ ds Hkhrj Mkyk tkrk
gSA
dksMµdksMµdksMµdksMµdksMµ
(A) (A) vkSj (R) nksuksa xyr gSa
(B) (A) xyr gS vkSj (R) lgh gS
(C) (A) lgh gS vkSj (R) xyr gS
(D) (A) vkSj (R) nksuksa lgh gSa
41. vfHkdFku vfHkdFku vfHkdFku vfHkdFku vfHkdFku (A) : VkYlVkW; us dgk dyk laizs"k.k gSA
rdZ rdZ rdZ rdZ rdZ (R) : D;ksafd mls fo'okl Fkk fd vU; Hkk"kkvksa
dh Hkk¡fr dyk Hkh fopkjksa vkSj Hkkoukvksa dh vfHkO;fDr
dk ek/;e gSA
dwVµdwVµdwVµdwVµdwVµ
(A) A lgh gS vkSj R lgh ugha gS
(B) A lgh ugha gS vkSj R lgh gS
(C) A lgh gS vkSj R Hkh lgh gS
(D) A lgh ugha gS vkSj R Hkh lgh ugha gS
SET-A
U/2015/25/II/A12
42. Assertion (A) : Picasso emphatically brought
angular lines and distortion in his paintings.
Reason (R) : He propounded cubism and
believed that cubes are only made of angular
lines.
Code—
(A) A is correct and R is not correct
(B) A is not correct and R is correct
(C) A is correct and R is correct
(D) A is not correct and R is not correct
43. Assertion (A) : Lithography is inexpensive
compared to Aquatint.
Reason (R) : Because stone can be reused
by grinding surface.
Codes—
(A) A & R are both correct
(B) A & R are both incorrect
(C) A is correct and R is incorrect
(D) A is incorrect and R is correct
44. Assertion (A) : Runners and raisers are attached
to a sculpture during the lost wax process.
Reason (R) : This is to release water from
the clay inside the mold.
Codes—
(A) A is correct R is incorrect
(B) A is incorrect R is correct
(C) A and R are correct
(D) A and R are incorrect
42. vfHkdFku vfHkdFku vfHkdFku vfHkdFku vfHkdFku (A) : fidklks us fo'ks"k :i ls dks.kh;
js[kkvksa vkSj fo:ihdj.k dk vius fp=kksa esa iz;ksx fd;kA
rdZ rdZ rdZ rdZ rdZ (R) : mlus ?kuokn dk izfriknu fd;k vkSj mls
fo'okl Fkk fd dsoy ?ku gh dks.kh; js[kkvksa ls
fufeZr gSA
dwVµdwVµdwVµdwVµdwVµ
(A) A lgh gS vkSj R lgh ugha gS
(B) A lgh ugha gS vkSj R lgh gS
(C) A lgh gS vkSj R lgh gS
(D) A lgh ugha gS vkSj R lgh ugha gS
43. vfHkdFku vfHkdFku vfHkdFku vfHkdFku vfHkdFku (A) : fyFkksxzkQh ,DokfVaV dh rqyuk esa
de [kphZyh gSA
rdZ rdZ rdZ rdZ rdZ (R) : D;ksafd fd iRFkj dh lrg dks f?kldj
iqu% iz;qDr fd;k tk ldrk gSA
dwVµdwVµdwVµdwVµdwVµ
(A) A vkSj R nksuksa lgh gS
(B) A vkSj R nksuksa xyr gS
(C) A lgh gS vkSj R xyr gS
(D) A lgh gS vkSj R lgh gS
44. vfHkdFku vfHkdFku vfHkdFku vfHkdFku vfHkdFku (A) : e/kwfPN"V izfØ;k esa julZ vkSj
jst+j~l ewfrZ esa tksM+ fn;s tkrs gSaA
rdZ rdZ rdZ rdZ rdZ (R) : ;g eksYM ds Hkhrj Dys esa ls ikuh dks
ckgj fudkyus ds fy, gSA
dwVµdwVµdwVµdwVµdwVµ
(A) A lgh gS R xyr gS
(B) A xyr gs R lgh gS
(C) A vkSj R nksuksa lgh gSa
(D) A vkSj R nksuksa xyr gSa
SET-A
U/2015/25/II/A13
45. Match the following—(a) Tayeb Mehta (1) Vayurani(b) J. Swaminathan(2) Fire Next Time(c) Laxman Pai (3) Celebration
Triptych(d) Vivan Sundaram(4) Image of God
Code—(a) (b) (c) (d)
(A) 1 2 3 4(B) 3 1 4 2(C) 2 3 4 1(D) 4 3 2 1
46. Match the following—(a) K. C. S. Panikar(1) All flowers are
for you too(b) G. M. Shekh (2) Krishna with
dancing cows-II(c) Majeet Baba (3) Speaking street(d) Gogi Saroj Pal (4) Garden series
Code—(a) (b) (c) (d)
(A) 4 3 2 1(B) 1 2 3 4(C) 2 3 4 1(D) 3 1 4 2
47. Match the following—(a) Varnika Bhang (1) Architecture(b) Talaman (2) Iconography(c) Ratha (3) Painting(d) Chairoscuro (4) Six Limbs of
Indian PaintingCode—
(a) (b) (c) (d)(A) 1 2 3 4(B) 4 2 1 3(C) 2 1 4 3(D) 3 2 1 4
45. fuEufyf[kr dks lqesfyr dhft,µ(a) rS;c esgrk (1) ok;qjkuh(b) ts- LokehukFku (2) Qk;j usDLV Vkbe(c) y{e.k iS (3) lsfyczs'ku fVªfIVp(d) fooku lqUnje (4) best vkWQ xksok
dwVdwVdwVdwVdwV—(a) (b) (c) (d)
(A) 1 2 3 4(B) 3 1 4 2(C) 2 3 4 1(D) 4 3 2 1
46. fuEufyf[kr dks lqesfyr dhft,µ(a) ds- lh- ,l- ikuhdj (1) vkWy ¶ykolZ vkj
QkWj ;w Vw(b) ch- th- ,e- 'ks[k (2) d`".kk fon Mkaflax
dkmt-II(c) lh- euthr ckck (3) fLifdax LVªhV(d) Mh- xksxh ljkst iky (4) xkMZu lhjht
dwVdwVdwVdwVdwV—(a) (b) (c) (d)
(A) 4 3 2 1(B) 1 2 3 4(C) 2 3 4 1(D) 3 1 4 2
47. fuEufyf[kr dks lqesfyr dhft,µ(a) of.kZdk Hkax (1) LFkkiR;(b) rkyeku (2) ewfrZ foKku(c) jFk (3) fp=kdyk(d) Nk;kizdk'k (4) Hkkjrh; fp=kdyk
ds "kMaxdwVdwVdwVdwVdwV—
(a) (b) (c) (d)(A) 1 2 3 4(B) 4 2 1 3(C) 2 1 4 3(D) 3 2 1 4
SET-A
U/2015/25/II/A14
48. Match the following—(a) Lingraj Temple (1) Gujarat(b) Varaha Cave (2) Mahabalipuram(c) Draupadi Rath (3) Udaigiri(d) Modhera Sun (4) Bhubneswara
TempleCode—
(a) (b) (c) (d)(A) 1 2 3 4(B) 2 3 1 4(C) 4 3 2 1(D) 3 2 4 1
49. Match the following—(a) Touluse Lautrec(1) Screen prints of
famous personalities(b) Pablo Picasso(2) Disaster of war(c) Goya (3) Etching of Bulls(d) Andy Warhol (4) Lithographic Posters
Code—(a) (b) (c) (d)
(A) 4 3 2 1(B) 1 2 4 3(C) 3 4 1 2(D) 2 1 4 3
50. Match the following—(a) D. P. Roy (1) Nadeshwar
Chaudyary(b) Ramkinkar Baij (2) Cloud gate(c) Balbir Katt (3) Santhal Family(d) Anish Kapoor (4) Triumph of Labour
Code—(a) (b) (c) (d)
(A) 1 4 3 2(B) 3 2 1 4(C) 4 3 1 2(D) 2 1 3 4
48. fuEufyf[kr dks lqesfyr dfj,µµ(a) fyaxjkt eafnj (1) xqtjkr(b) ojkg xqQk (2) egkcfyiqje(c) nzkSinh jFk (3) mn;fxfj(d) e/ksjk lw;Z eafnj (4) Hkqous'oj
dwVdwVdwVdwVdwV—(a) (b) (c) (d)
(A) 1 2 3 4(B) 2 3 1 4(C) 4 3 2 1(D) 3 2 4 1
49. fuEufyf[kr dks lqesfyr dhft,µ(a) rqyql yks=ks (1) izfl) O;fDrRo ds
LØhu fizaVl(b) ikCyks fidklks (2) fMtkLVj vkWQ okj(c) xks;k (3) ,sfpax vkWQ cqYl(d) ,.Mh okjgksy (4) fyFkksxzkfQd iksLVlZ
dwVdwVdwVdwVdwV—(a) (b) (c) (d)
(A) 4 3 2 1(B) 1 2 4 3(C) 3 4 1 2(D) 2 1 4 3
50. fuEufyf[kr dks lqesfyr dhft,µ(a) Mh- ih- jkW; pkS/kjh (1) ukns'oj(b) jkefdadj cSt (2) DykmM xsV(c) cychj dV (3) lkUFky QSfeyh(d) vuh'k diwj (4) fVªEQ vkWQ yscj
dwVdwVdwVdwVdwV—(a) (b) (c) (d)
(A) 1 4 3 2(B) 3 2 1 4(C) 4 3 1 2(D) 2 1 3 4
SET-A
[SPACE FOR ROUGH WORK / dPps dke ds fy, i=kddPps dke ds fy, i=kddPps dke ds fy, i=kddPps dke ds fy, i=kddPps dke ds fy, i=kd]
U/2015/25/II/A
SET-A
U/2015/25/II/A