semester 1, 2015 · 12 4 pageblitzbookst2supplement6 21. name each scale and mark the semitones in...

6
Time Signatures and Rhythmic Grouping 1. What do these time signatures mean? What information do they provide the musician? 2. Add missing bar lines and a time signature to this melody. 3. Add the correct time signatures to these rhythms. 4. Add one note at each place marked with an arrow: nd n 3 4 4 4 & mes 2 4 A A N A I A A A A A II A + N A N I A + A A + II A + @ A A A N I A + A + I N A A A + I A @ A A + I I A A + I

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  • Time  Signatures  and  Rhythmic  Grouping    

    1. What  do  these  time  signatures  mean?  What  information  do  they  provide  

    the  musician?  

     

     

     

     

     

     

     

     

     

    2. Add  missing  bar  lines  and  a  time  signature  to  this  melody.  

       

    3. Add  the  correct  time  signatures  to  these  rhythms.  

       

    4. Add  one  note  at  each  place  marked  with  an  arrow:  

       

     

     

    Semester 1, 2015

    •  Rhythm values: crotchet, semibreve, minim, quaver, semiquavers, triplets and their respective rests

    •  Time Signatures:

    •  Scale degree numbers and names

    •  Keys and scales: C, F, G, D, A Major & a, e, d minor

    •  Symbols: accidentals, slur, bar line, double bar line, tie, pause, accents, repeats

    •  Intervals: number and quality

    •  Transposition

    •  Triads: Tonic, I, IV, V

    •  40 Italian terms

    •  Rhythmic invention

    •  Major, minor, augmented and diminished chords

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    22 128 916 98 98

    64 38

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    Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ

    44 34 68 24

    22 128 916 98 98

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    ‰™ ≈‰ Œ ™ Œ ™w ™

    Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ

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    22 128 916 98 98

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    Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ

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    44 34 68 24

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    ‰™ ≈‰ Œ ™ Œ ™w ™

    Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ

    f mp p pp mf ff

    44 34 68 24

    22 128 916 98 98

    64 38

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    Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ

    Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰

    ‰™ ≈‰ Œ ™ Œ ™w ™

    Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ

    44 34 68 24

    22 128 916 98 98

    64 38

    38

    & ∑ ∑ ∑ ∑

    & ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

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    Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ

    Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰

    ‰™ ≈‰ Œ ™ Œ ™w ™

    Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ

    Semester 1, 2015

    •  Rhythm values: crotchet, semibreve, minim, quaver, semiquavers, triplets and their respective rests

    •  Time Signatures:

    •  Scale degree numbers and names

    •  Keys and scales: C, F, G, D, A Major & a, e, d minor

    •  Symbols: accidentals, slur, bar line, double bar line, tie, pause, accents, repeats

    •  Intervals: number and quality

    •  Transposition

    •  Triads: Tonic, I, IV, V

    •  40 Italian terms

    •  Rhythmic invention

    •  Major, minor, augmented and diminished chords

    44 34 68 24

    22 128 916 98 98

    64 38

    38

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    B

    î™™∑

    &

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    ?

    Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ

    Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰

    ‰™ ≈‰ Œ ™ Œ ™w ™

    Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ

    44 34 68 24

    22 128 916 98 98

    64 38

    38

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    ?

    Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ

    Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰

    ‰™ ≈‰ Œ ™ Œ ™w ™

    Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ

    44 34 68 24

    22 128 916 98 98

    64 38

    38

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    Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ

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    ‰™ ≈‰ Œ ™ Œ ™w ™

    Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ

    f mp p pp mf ff

    44 34 68 24

    22 128 916 98 98

    64 38

    38

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    Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ

    Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰

    ‰™ ≈‰ Œ ™ Œ ™w ™

    Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ

    f mp p pp mf ff

    44 34 68 24

    22 128 916 98 98

    64 38

    38

    & ∑ ∑ ∑ ∑

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    &

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    Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ

    Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰

    ‰™ ≈‰ Œ ™ Œ ™w ™

    Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ

    Some graphics have been sourced from: http://blitzbooks.com.au/ 1

    Page          BlitzBooks  T2  Supplement2 www.blitzbooks.com.au

    1. Name the following scales:

    2. Write these intervals above the given tonic notes

    3rd 4th Unison 6th 8ve

    3. Write in the scale degrees for the following melody

    ............................................................................................................................................

    Now transpose it up to E minor here!

    4. Add the missing bar lines and a time signature to this melody

    (Extra question: What key is it in? _______________)

    5. Give the English meaning of ‘mezzo piano’‛ _____________________________

    Scale: _____________

    Scale: _____________

    2

    5

    9

    10

    4

    1

    Page          BlitzBooks  T2  Supplement2 www.blitzbooks.com.au

    1. Name the following scales:

    2. Write these intervals above the given tonic notes

    3rd 4th Unison 6th 8ve

    3. Write in the scale degrees for the following melody

    ............................................................................................................................................

    Now transpose it up to E minor here!

    4. Add the missing bar lines and a time signature to this melody

    (Extra question: What key is it in? _______________)

    5. Give the English meaning of ‘mezzo piano’‛ _____________________________

    Scale: _____________

    Scale: _____________

    2

    5

    9

    10

    4

    1

    Page          BlitzBooks  T2  Supplement3 www.blitzbooks.com.au

    6. Place an upright line in front of the accented words or syllables in this line of poetry.

    I went to the market to buy a fat pig.

    7. Write the following tonic triads with their key signatures

    D major E minor D minor F major A minor

    8. Write the scale of E harmonic minor write the key signature for one octave going down in crotchets mark each semitone with a slur complete the scale with a double bar line

    9. Write the following notes as crotchets

    E flat A B sharp D natural Middle C

    10. Add the correct time signatures to these rhythms:

    4

    10

    6

    11

    4

    Some graphics have been sourced from: http://blitzbooks.com.au/ 2

    Page          BlitzBooks  T2  Supplement3 www.blitzbooks.com.au

    6. Place an upright line in front of the accented words or syllables in this line of poetry.

    I went to the market to buy a fat pig.

    7. Write the following tonic triads with their key signatures

    D major E minor D minor F major A minor

    8. Write the scale of E harmonic minor write the key signature for one octave going down in crotchets mark each semitone with a slur complete the scale with a double bar line

    9. Write the following notes as crotchets

    E flat A B sharp D natural Middle C

    10. Add the correct time signatures to these rhythms:

    4

    10

    6

    11

    4

    Page          BlitzBooks  T2  Supplement4 www.blitzbooks.com.au

    12. Add one note at each place marked with an arrow

    13. Name these notes

    ________ ________ ________ ________ ________

    14. Write the scale with the key signature of two sharps for one octave going up use accidentals - not the key signature use minims mark the tones complete the scale with a double bar line

    15. Write the English equivalent for the following terms:

    legato ______________________ andante ____________________

    crescendo _____________________ a tempo ____________________

    16. Write the following notes as directed

    G flat on a line in the treble clef

    F in a space in the treble clef

    C sharp above the stave in the bass clef

    4

    5

    8

    4

    9

    Some graphics have been sourced from: http://blitzbooks.com.au/ 2

    Page          BlitzBooks  T2  Supplement3 www.blitzbooks.com.au

    6. Place an upright line in front of the accented words or syllables in this line of poetry.

    I went to the market to buy a fat pig.

    7. Write the following tonic triads with their key signatures

    D major E minor D minor F major A minor

    8. Write the scale of E harmonic minor write the key signature for one octave going down in crotchets mark each semitone with a slur complete the scale with a double bar line

    9. Write the following notes as crotchets

    E flat A B sharp D natural Middle C

    10. Add the correct time signatures to these rhythms:

    4

    10

    6

    11

    4

    Page          BlitzBooks  T2  Supplement4 www.blitzbooks.com.au

    12. Add one note at each place marked with an arrow

    13. Name these notes

    ________ ________ ________ ________ ________

    14. Write the scale with the key signature of two sharps for one octave going up use accidentals - not the key signature use minims mark the tones complete the scale with a double bar line

    15. Write the English equivalent for the following terms:

    legato ______________________ andante ____________________

    crescendo _____________________ a tempo ____________________

    16. Write the following notes as directed

    G flat on a line in the treble clef

    F in a space in the treble clef

    C sharp above the stave in the bass clef

    4

    5

    8

    4

    9

  •  

    5. Add  a  time  signature  to  these  bars  

       

     

    6. Complete  these  bars  with  correctly  grouped  rests,  and  finish  each  

    exercise  with  a  double  bar  line.    

    a)  

     b)  

     c)  

     d)  

     e)  

       

    Some graphics have been sourced from: http://blitzbooks.com.au/ 4

    Page          BlitzBooks  T2  Supplement5 www.blitzbooks.com.au

    BlitzBooks  Supplement  Theory  Grade  1

    17. Name these intervals by number and quality.

    ________ ________ ________ ________ ________

    18. Complete the following bars with quavers correctly grouped

    19. Name the key of the melody below: __________

    Now transpose it down to A minor!

    20. Write one of your folk songs here: (Did you really think there wouldn’t be a question on this???)

    5

    4

    1

    10

    8

    Page          BlitzBooks  T2  Supplement5 www.blitzbooks.com.au

    BlitzBooks  Supplement  Theory  Grade  1

    17. Name these intervals by number and quality.

    ________ ________ ________ ________ ________

    18. Complete the following bars with quavers correctly grouped

    19. Name the key of the melody below: __________

    Now transpose it down to A minor!

    20. Write one of your folk songs here: (Did you really think there wouldn’t be a question on this???)

    5

    4

    1

    10

    8

    Page          BlitzBooks  T2  Supplement6 www.blitzbooks.com.au

    21. Name each scale and mark the semitones in the following:

    22. What is the capital of Brazil? (hee hee just kidding)

    23. Add a time signature to these bars

    24. Write the scale degree numbers under the notes of this melody.

    .........................................................................................................................................

    25. Name these tonic triads

    _____________ _____________

    Scale: ____________

    Scale: ____________

    2

    4

    12

    4

    Page          BlitzBooks  T2  Supplement6 www.blitzbooks.com.au

    21. Name each scale and mark the semitones in the following:

    22. What is the capital of Brazil? (hee hee just kidding)

    23. Add a time signature to these bars

    24. Write the scale degree numbers under the notes of this melody.

    .........................................................................................................................................

    25. Name these tonic triads

    _____________ _____________

    Scale: ____________

    Scale: ____________

    2

    4

    12

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    œJ

    œ

    ˙

    œJ

    œ

    œ œJ

    œ œ œ œ œJ

    44 44

    44 44

    44 34

    34 34

    34 34

    34 24

    24 24

    24 24

    24

    44

    &

    &

    &

    &

    &

    &

    &

    &

    &

    &

    œJ

    œ

    ˙

    œJ

    œ

    ˙

    œJ

    œ

    œ œJ

    œ œ œ œ œJ

    11

    44 34

    34 34

    34 24

    24 24

    24

    &

    &

    &

    &

    &

    œ œ œ œ

    œ œ œJ

    œJ ‰ œJ

    ‰ œJ

    ‰ œJ œJ

    2

    11

    44 34

    34 34

    34 24

    24 24

    24

    &

    &

    &

    &

    &

    œ œ œ œ

    œ œ œJ

    œJ ‰ œJ

    ‰ œJ

    ‰ œJ œJ

    2

    11

    44 34

    34 34

    34 24

    24 24

    24

    &

    &

    &

    &

    &

    œ œ œ œ

    œ œ œJ

    œJ ‰ œJ

    ‰ œJ

    ‰ œJ œJ

    2

  • 44 34 68 24

    22 128 916 98 98

    64

    & ∑ ∑ ∑ ∑

    & ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

    &

    & ∑

    U

    √ ≈

    #‹

    .‘& ∑

    n wb

    î™™q

    í ™™h

    î&

    n

    ?

    x B

    e

    Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ

    Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰w ™

     7. Are  these  bars  beamed  correctly?  Answer  yes  (Y)  or  no  (N).  If  no,  rewrite  

    the  bar  with  correct  beaming.    

     

           _______________________________________________________  

         ______________________________________________________  

    ____________________________________________________________  

    _______________________________________________________________  

    ____________________________________________________  

    _______________________________________________________________  

     

    _____________________________________________________________  

     

     

    8.  What  does  the  time  signature  of                  indicate?  (Circle  the  correct  answer).  

    a)  That  the  value  of  the  beat  is  a  semibreve,  and  there  are  two  of  them  in  a  

    bar  

    b)  That  the  value  of  the  beat  is  a  minim,  and  there  are  four  of  them  in  a  

    bar  

    c)  That  the  value  of  the  beat  is  a  crotchet,  and  there  are  two  of  them  in  a  

    bar  

    44&a)

    ‰ œ œ œ ™ œ

    44&b)

    œ œ œ œ œ œ

    68&c)

    œ ™ œ ‰

    24&e)

    œ œ œ

    34&f)

    œ œ œ œ œ œ ‰ œj

    68&g)

    ˙ œ

    38&k)

    œ œ œ

  • 44 34 68 24

    22 128 916 98 98

    64

    & ∑ ∑ ∑ ∑

    & ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

    &

    & ∑

    U

    √ ≈

    #‹

    .‘& ∑

    n wb

    î™™q

    í ™™h

    î&

    n

    ?

    x B

    e

    Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ

    Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰w ™

    44 34 68 24

    22 128 916 98 98

    64

    & ∑ ∑ ∑ ∑

    & ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

    &

    & ∑

    U

    √ ≈

    #‹

    .‘& ∑

    n wb

    î™™q

    í ™™h

    î&

    n

    ?

    x B

    e

    Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ

    Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰w ™

    d)  That  the  value  of  the  beat  is  a  crotchet,  and  there  are  four  of  them  in  a  

    bar  

     

    9.  What  does  the  bottom  number  in  the  time  signature                indicate?  

      a)  That  there  are  eight  main  beats  in  a  bar  

      b)  The  simple  division  of  the  beat  

      c)  That  the  value  of  the  subdivision  of  the  main  beat  is  a  quaver  

      d)  That  the  value  of  the  beat  is  a  crotchet  

     

    10.  What  does  the  top  number  in  the  time  signature                    indicate?  

      a)  That  there  are  twelve  main  beats  in  a  bar  

      b)  The  value  of  the  beat  is  a  twelfth  note  

      c)  The  simple  division  of  the  beat  

      d)  That  the  subdivision  of  the  beat  in  a  bar  is  split  into  twelve  equal  parts