secular and cathedral music in the high middle ages
DESCRIPTION
Secular and Cathedral Music in the High Middle Ages. Troubadours. Aquitaine William IX, count of Poitiers and duke of Aquitaine Provençal , Occitan , langue d’oc Trobar (Poetry), Trobador (Poet). Troubadours. Troubadour verse types sirventes emueg gap planh tenso canso - PowerPoint PPT PresentationTRANSCRIPT
![Page 1: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/1.jpg)
Secular and Cathedral Music in the High Middle Ages
![Page 2: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/2.jpg)
Troubadours
• Aquitaine• William IX, count of Poitiers and duke of
Aquitaine• Provençal, Occitan, langue d’oc– Trobar (Poetry), Trobador (Poet)
![Page 3: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/3.jpg)
Troubadours
• Troubadour verse types– sirventes– emueg– gap– planh– tenso– canso• fin’ amors (“Courtly love”)
![Page 4: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/4.jpg)
Troubadours
• Bernart de Ventadorn (d. ca. 1200)– Can vei la lauzeta mover
[Anthology 1-10]• canso
• Marcabru– L’autrier jost’ una sebissa
[Anthology 1-11]• pastorela
![Page 5: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/5.jpg)
Performance and Oral Culture
• Minstrels• joglars, jongluers (“Jokers”)
• Chansonniers (books of songs)• vidas
![Page 6: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/6.jpg)
Performance and Oral Culture
• Trobaritz– Comtessa de Dia• A chantar [Anthology 1-12]
![Page 7: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/7.jpg)
Music for ElitesTrobar Clus
• “closed” or difficult poetry for connoisseurs• trobar leu: “light” poetry designed for
immediate pleasure
![Page 8: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/8.jpg)
Trouvères
• langue d’oïl• Richard I (Lionheart)– Ja nun hons pris [Anthology 1-13]
• Moniot d’Arras (d. 1239)– Ce fut en mai [Anthology 1-14]
• Jehan Bretel (d. 1272)• Adam de la Halle
![Page 9: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/9.jpg)
Trouvères
• Narrative poetry– chansons de geste “Songs of deeds”• Lai
– chansons de toile “picture song”
![Page 10: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/10.jpg)
Formes Fixes
• Rondeau– AB a A ab AB
• Ballade– Refrain aab Refrain aab, etc.
• Virelai– B aab B aab, etc.
![Page 11: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/11.jpg)
Formes Fixes
• Adam de la Halle– Je muir, je muir d’amorete
[Anthology 1-15a]• Rondeau
– Fines amouretes ai [Anthology 1-15b]
• Ballade– Le jeu de Robin et de Marion
![Page 12: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/12.jpg)
Geographical Diffusion
• Iberian peninsula: Cantigas de Santa Maria (1250–1280)
• Italian peninsula: lauda spirituale• German song: Minnesang, Minnelieder,
Minnsinger– Lied– Walther von der Volgelweide (d. ca. 1230)– Neidhardt von Reuenthal (d. ca. 1250)
![Page 13: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/13.jpg)
Geographical Diffusion
• German song: Minnesang, Minnelieder, Minnsinger– Lied– Walther von der Volgelweide (d. ca. 1230)– Neidhardt von Reuenthal (d. ca. 1250)
![Page 14: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/14.jpg)
InstrumentsCantigas manuscript
![Page 15: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/15.jpg)
Polyphony in Aquitanian Monastic Centers
• Abbey of St. Martial• “St. Martial” organum• Jubilemus exultemus [Anthology 1-16]– Tenor (tenere “to hold”)– Cantus firmus
• Ad superni regis [Anthology 1-17]– Versus– Ligatures
![Page 16: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/16.jpg)
Notre Dame School
• Notre Dame de Paris• Anonymous IV– Leoninus magister (Master Leonin)– Perotinus magnus (the great Perotin)
![Page 17: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/17.jpg)
Measured Music
• De mensurabili musica (On measured music)• Modus or “Rhythmic mode”– Nota longa, nota brevis
• Organum duplum– Gradual Viderunt omnes [Anthology 1-18]• Discant• copula
![Page 18: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/18.jpg)
Organum with Another Voice
• Organum triplum, quadruplum• Gradual Viderunt omnes [Anthology 1-19]– Perotin– Hocket– Fractio modi
![Page 19: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/19.jpg)
Conductus at Notre Dame
• Homorhythmic (note against note)• Vetus abit littera [Anthology 1-20]– cauda
![Page 20: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/20.jpg)
The Motet
• Johannes de Grocheio, Ars musicae (The Art of Music) (ca. 1300)
• mot (“word”)• [Anthology 1-21]– Double motet
![Page 21: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/21.jpg)
“Franconian” Notation
• Ars cantus mensurabilis (The Art of Measured Song) (ca. 1280)– Franco of Cologne
• Mensural notation
![Page 22: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/22.jpg)
Late 13th Century Motet
• L’autre jour/ Au tens pascour/IN SECULUM [Anthology 1-22]
• Montpellier Codex (ca. 1280–1300)– 300+ motets
• On parole/A Paris/FRESE NOUVELE [Anthology 1-23]
![Page 23: Secular and Cathedral Music in the High Middle Ages](https://reader036.vdocuments.mx/reader036/viewer/2022062315/56816558550346895dd7d716/html5/thumbnails/23.jpg)
The “Petronian” Motet
• Petrus de Cruce• Puncta divisionis (division points)